Shingeki no Bahamut: Virgin Soul – 19

Fancy Royal Ball Caper, anyone? Nina and Al’s big arrival is briefly interrupted by a flashback to Rita going over the plan to snatch Charioce’s bracelet. Everyone plays a role, including El, if the Onyx Soldiers get involved (with Azazel watching his back).

Nina realizes that as the ‘getaway vehicle’ her role is crucial to success (just as she trips on the palace steps). She’s been able to transform at will, but Favaro (paired up with Dias and tasked with actually swiping the bracelet) doesn’t think she’ll be able to when the time comes.

That’s not Favaro not having faith in his student; it’s Favaro knowing how Nina feels about Charioce, and how the King isn’t going to give up that bracelet easily. Al doesn’t have to pretend Nina is his fiancee or sister for long, as Nina ditches him the moment Charioce enters.

This is the Charioce who allowed the Onyx Commander to proceed with the plan to assassinate Nina, so with that in mind I couldn’t help but feel, like Favaro, that there was simply no way Nina would transform into a dragon, and thus no way he mission would succeed.

Nina is, however, able to ask the king to dance and draw him to her, and they become the center of attention as they cut a mean rug all over the ballroom. The CGI extras are a bit stiff, but the dancing animation is as crisp and smooth as it was during their first dance at the festival, and just as adorable. It’s almost enough to make you forget that this love story can only end in tragedy and despair.

On a secluded balcony, Nina waits for Charioce to come out and tell her “everything”, as he promised to do the next time they met. But instead, he dumps her like she’s never been dumped before, without even a hint of empathy or compassion. Just “we’re done, don’t come back, go before I have the guards seize you.”

Being subjected to exactly the opposite treatment from him she expected, Nina is a wreck, but Favaro emerges from the shadows to scold “Mr. King” for hurting his student, and demands he give up the bracelet. When Charioce says it can’t be removed as long as he lives, Favaro says he can fix that, but Nina comes between them, not able to betray the man she loves as he was able to betray her.

The guards arrive, but Favaro tosses some smoke bombs, which are also the signal that the plan has failed. Everyone evacuates without any trouble, but Al tries to go off on his own, only to be intercepted by Azazel and El; the three later encounter Jeanne and Sofiel in the streets.

Nina, Favaro and Kaisar end up at the waterfront, where they are quickly surrounded by Onyx Soldiers. Then the burly assassin arrives, prepared to kill the dragon. The look in Nina’s eyes suggests he’s welcome to try.

This was a fun and often thrilling episode, but its impact was somewhat lessoned by the certainty that the caper would ultimately fail. It’s too early for the good guys to possess the means to rob the bad guy of his power. But (please) let there be no (or very little) remaining doubt: Charioce has made his choice: to let Onyx run free. He is the bad guy, however much Nina may love him.

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Little Witch Academia – 10

Note: I filled in for Oigakkosan reviewing this episode. —Preston

Akko, Lotte, and Sucy’s pleasant afternoon ice cream is marred when Diana’s Maybach limo rolls up and her two lackeys jump out just to gloat that they’re going to a sumptuous party celebrating Lord Andrew’s top marks.

Sucy has just shown Akko and Lotte a “Fallin Lovelove Bee” that was delivered to her in error, and we already know precisely where this is going: the peasant girls will crash Andrew’s party, and the Love Bee will sting him, sending him head-over-heels for Akko.

Because it’s so obvious this is going to happen, Akko’s desire to stick it to Diana’s lackeys by attending the party uninvited doesn’t feel like her own choice, only a means to get that bee sting in Andrew’s neck. While Akko and Lotte clean up great, the two-hour, half-price “Cinderella Kit” is just a means to those means…not to mention overly borrow-y feeling.

Andrew is his usual dismissive, aloof jerkface self, while his pal Frank is his usual friendly, decent self. Just when he’s tossing the witches out, Drew gets stung, Akko is the first face he sees, and we’re off to the races. The Bee also stings Frank and three other dudes who all fall for Lotte, then stings Diana, who also falls for Akko. Akko spends much of the evening flailing around, not ready for this kind of “attention.”

Eventually she gets away from her pursuers, then overhears Andrew’s dad chewing him out about staying on the precise path that has already been laid out for him, and not wasting his time on witches or “effeminate” piano playing.

When Akko gets a bead on the bee, she darts all around the party, swatting at it in vain. Andrew, still at least partially under her spell, plays the piano (“Flight of the Bumblebee”, of course) to accompany her. Finally the bee stings Drew’s father, but seconds later Akko kills the bee and the spell is lifted from all.

The Cinderella spell also fizzles out, Akko & Co. return to their uniforms, and Andrew reverts back to being a dick. Maybe he changed a little bit, like the last time he met Akko, but the guy is so stone-faced and inert, it’s as hard to tell as last time, leading to another shrug on the night.

In a nice twist, even post-spell, Frank asks Lotte out because he thinks they’d get along, but she turns him down gently, preferring they were friends first. But otherwise, after the bee reset button is pressed, we’re pretty much back to where we started. No one has changed and nothing was learned.

Now ten episodes in, LWA is not what I was hoping it would be: a show with a structured arc in which Akko gradually improves as a fledgeling witch, some kind of sustained conflict arrives that she and her friends and classmates must come together to overcome. The modern world’s increasing rejection of their craft, for instance.

Instead, the show is content to dawdle around with self-contained episodes that start and end in pretty much the same place, and an Akko who is unapologetically static in both her magical ability and personality. Her dreams remain way to vague and childish to carry any further significance, no matter how much she waxes poetic about them, and the entire premise of crashing a party for spite, leading to the pedestrian “love spell” antics, was generally unsatisfying.

Akko, Lotta and Sucy are still usually more fun to watch than not, but their lack of development and LWA’s lack of direction thus far make it hard to keep coming back. I never expected Madoka, but I would have settled for a story, rather than the series of disjointed, inconsequential vignettes we got.