Planetarian: Chiisana Hoshi no Yume – 05

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If one believes we were made in our creator’s image, we do our creators honor by making robots in oursPlanetarian posits the possibility that we might’ve done a better job, as Hoshino Yumemi exhibits the kind of pure, unswerving selflessness and nobility befitting an angel; a kind not all humans are capable of summoning, for myriad reasons.

Unlike God with us, Yumemi’s makers kept things simple, both due to their limited budget and the more important limits to how human we can make robots. Because of this, Yumemi sacrifices herself to save her customer, following to the letter the Three Laws of Robotics.

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The Customer doesn’t run out to stop Yumemi from approaching the giant battle mech, and you can’t blame him. It’s a miracle he’s managed to stay alive with such an unrelenting mechanical monster firing high-caliber round after round at him, in addition to flinging and armored vehicle in the air as if it were a Hot Wheels.

Yumemi provides a diversion at a crucial moment that the Customer, down to his last grenade, cannot squander. So he fires his last show and disables the mech, but not before the mech opens fire at Yumemi, tearing her in two in a fraught sequence that’s painful to watch in its inevitability.

The balance of the episode is an extended, and at times unbearably sad goodbye, as the halved Yumemi only has 600 seconds of battery life left.

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The Customer weeps for her as he would a fellow human; no, moreso, as her following of her robotic directives bore the sheen of heroism, and at the end of the day it makes no difference whether she was artificial or not; she was a person to the Customer, and to us.

She’s a person because she’s utterly unique in her collected experiences, memories, and the evolution of her programming stretched across over 44 years—29 of them waiting, like Hachiko, for her co-workers and customers to return like they say they would. When they don’t, and she starts to think no one is ever coming back, she thinks she must be malfunctioning.

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The Customer’s arrival reassured her that she was not wrong to trust that someone would return. And while her body goes off-line, and it’s gutwrenching to hear her voice fizzle out and her green eyes go gray, the show fittingly leaves a sliver of hope by having the Customer retrieve her memories.

Perhaps, one day, when…whatever is going on with the world ends and peace returns, those memories can be put in a new body, and Yumemi can continue her job immersing customers in the vast, inspiring sea of stars.

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P.S. The stirring piece of music that accompanies the end credits of this final episode is stunningly, hauntingly gorgeous; melancholy and hopeful all at once. If I ever find it, it will surely be included in a future Weekly ED entry.

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Planetarian: Chiisana Hoshi no Yume – 04

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Yumemi has followed Mr. Customer out of the Planetarium, but only to escort him to his car. After that, she’s programmed to return and await more customers. If none come, she’ll still wait.

As Mr. Customer walks through the city with her, a part of him hopes her synthetic eyes will become open to the reality of the situation. There is no car, there are no people, there is no power.

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But for much of this episode, Yumemi remains blissfully unaware of the dystopia around her. A bump here, an accident there; the dearth of people can be chalked up to the rain…which will never end.

Customer sees an unbroken bottle of scotch and worries it could trigger a mine. But Yumemi picks it up and offers it to him, (correctly) believing it’s merely a bottle of scotch.

But for every demonstration that Yumemi is a dumb robot, there’s another moment when both I and Customer have to wonder, despite knowing what we know.

She even comes up with a wish to the robot gods: that the heavens be a place where robots can be with the humans they served in life, and can continue to serve in the afterlife. Very Asimov-ian.

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The show likes to play with our sensibilities about humans and robots – one minute showing Yumemi staring into space or falling on her face; the next saying something truly unique and inspiring or even simply flashing a look that suggests sentience.

This is compounded by the fact this is anime, so neither Customer nor Yumemi look all that realistic. But if I encountered a robot that looked and acted just like a human in a place like that, I’d want to get her out of there too.

There’s one last battle mech between him and the way out of the city. He hunts it while he lets Yumemi think about whether to come with him. Leaving means leaving behind any hope that the power will come back on, Miss Jena will operate properly, and customers will return. But she has a customer, right here and now. If they part, she won’t be able to serve him.

Assuming Customer didn’t die in the mech attack, I’m very interested to learn how she chooses…and if Customer’s comrade’s words—“Do not talk to it” were a serious warning the Customer is choosing to ignore…at his peril.

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Planetarian: Chiisana Hoshi no Yume – 03

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The Mr. Customer of a few days ago would never have been patient enough to sit through a planetarium projection, much less allow the robot host to recite a spiel about being courteous during the show that he’s already heard several times. But just as the proximity of a human seems to be ever-so-slowly changing Yumemi, the proximity to such a painfully positive, upbeat, oblivious robot seems to be changing Mr. Customer.

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The show finally begins, and it’s hauntingly gorgeous, as planetarium shows tend to be if you’re into that kind of thing. More than a movie theater, having the entire dome above you turned into a screen really gives you the sense of how small and insignificant we are, and how vast space is.

Not only that, Yumemi proves to be a pro at astronomy and the rich mythology tied to it. Mr. Customer sits in awe of her command of the material and the confidence with which she presents it. For a brief time, she ceases to be simply an annoying robot and becomes an omnipotent being even the deities in the stars seem to bow to in deference.

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Then the power goes out, putting a damper on the show. No matter; Mr. Customer asks Yumemi to continue her part of the show without Miss Jena’s help. As he suspected, her language is vivid enough for him to create the pictures meant to be projected on the dome right in his mind’s eye.

Yumemi recites a story about humanity’s persistent, almost instinctual drive to reach the stars, starting with the sky and working their way up with each generation.

She also reveals the ability of the planetarium to serve as a time machine; I myself keenly remember looking up with awe at the starry sky 1,000 years into the future. There is no more basic—or more powerful—way to see that future. Ditto the past; as it takes years, centuries, and millenia for the light from stars to reach us as tiny faint spots.

Yumemi’s optimism and absolute certainty that humanity’s path will only continue to lead upward stands in direct, defiant contrast to the fallen world outside the walls of the Planetarium; a world Yumemi can’t begin to fathom or even perceive.

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Her only exposure to it has been through Mr. Customer, whom she calls because he’s just like any other customer, pre-apocalypse. And when that Customer gets up to leave, Yumemi says goodbye with her usual programmed charm. However, that isn’t the end, as I had suspected.

Almost as if she searched her database for some kind of protocol that would extend her exposure to Mr. Customer, Yumemi asks what transportation he’s using; when he says car, she attempts to connect with someone to take him to his car. Unable to connect (since there’s nothing to connect to), she takes discretionary measures by deciding to accompany the customer to his car. It’s a clever way to humanize her further without breaking her robot rules.

And just like that, leaving the idealized haven of Yumemi’s world isn’t so easy, those robotic eyes start looking more and more misleading, and the reverie continues.

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Fate / stay night: Unlimited Blade Works – 13

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When UBW’s first season wrapped three months ago, things were in a very bad way, and they only get worse this week, although from one perspective, perhaps it’s best that what happened happened for the sake of moving forward.

That may not quite explain why Saber is in such a suggestive position with the back of her gown hiked up, but that’s a small detail; suffice it to say she’s trying to fight Caster. She’s not yet a full thrall, but she has to fight her own body to resist.

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With Shirou no longer Saber’s Master, and still recovering from his severe wounds, this first episode back is full of doubt and dread, with the feeling that everything is high up in the air…and extremely breakable, so when it all comes down it will shatter. But that hopelessness only goes so far. We know Shirou will make a comeback in some form or another, it’s only a question of where and when.

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That where and when is decidedly not here and now, but Shirou still can’t keep his nose out of Holy Grail business. Which is just as well, as we find out later.

The moment Rin mentioned part of why she was going after Caster now was so that she could restore Saber to Shirou and thus restore their alliance, I knew Archer would have some misgivings about such a plan. What I didn’t expect is that those misgivings would be strong enough for him to straight-up betray Rin and join Caster.

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To be fair, Archer is a super-pragmatic guy who follows strength and goes with the odds, not ideals or hope or emotion. Rin’s motivations stunk of all three. He also warned her several times whether she really wanted to visit Caster, perhaps knowing what he’d do when they did. The fact he’s pieced together the fact she’s the famed, peerless Princess Medea made that choice all the easier.

Still, Archer’s still a billowing billowing dickweed for turning his cloak on Rin, especially in the middle of their battle. Yet, rather than allow Caster to finish Rin and Shirou (who leapt out from the shadows to save her), he makes their survival a condition of him joining her.

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Why the sentimentality all of a sudden? Aren’t the weak useless? Perhaps part of him hopes Rin will come back stronger than ever to wrest him from Caster’s grip…even if he knows she’ll never forgive him for this. Rin, for her part, promises she’ll do just that.

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Now that Rin and Shirou are in the same boat. It looks as if the two could be walking home as if they’d simply stayed at school late doing club activities, rather than walking away from their captive servants; one taken against her will, one who went over willingly. They lost the big game, having come up a bit short, but they’re still alive, and not out of it yet. Shirou insists the best thing to do is to go home, rest, and formulate their next move.

When Rin asks Shirou why he went into that church with that injury, he tells her how her raw emotional wounds must hurt far more than his shoulder, and promises she can whine and gripe about it all she wants when they get home, and he’ll listen gladly; a gesture that moves her to tears.

 

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Later, atop a starlit hill, Shirou confesses why he really saved her life: because he has feelings for her; feelings he’s no longer afraid to report. Having just witnessed such unbridled honesty, Rin dispenses some of her own, thanking him for coming to her rescue, admitting how happy it made her that he saved her.

I for one was delighted that this season wasted no time addressing this couple. Saying such things took a lot of guts for both of them, but considering how much those guts have been punched of late, the time was nigh for the walls to come down and for the truth to come out in the open. It was also a welcome glimmer of hope in a dark sea of doom and gloom.

If they had the strength to be honest about their feelings, it bodes well for them working together to come up with some way to get their servants back.

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Fate / stay night: Unlimited Blade Works – 12 (Fin)

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Wisely choosing to go with a near hour-long format for its final episode until April 2015, F/sn also finds the magic of its first two episodes, which were responsible for immersing us in this show to begin with. There’s a heroic, almost intimidating scope to the narrative and the emotions that accompany it, that makes this feel like a short but very meaty film rather than a mere episode of television. In short, F/sn outdid itself yet again.

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“It was the best of times, it was the worst of times.” The adorable but unfazed Morning Rin brazenly asks Shirou out on a date, and while Saber tags along, she tells them to pretend she’s not there. They have coffee; they eat sweets; they try on glasses; they have a spirited go at the batting cages.

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They even have a picnic. It’s F/sn at its most domesticated and on its best behavior. But whether it’s Saber constantly eating or getting excited about eating or getting really into the baseball, or never really knowing 100% whether Rin is messing around with Shirou or sees him as a legitimate love interest (most likely both, I’d wager), this kind of Fate is also eminently charming and fun, even if there’s a foreboding feeling lurking just outside the frame.

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But these fun times only comprise a third of the sprawling episode. The idyllic bright sunny day darkens as we check in on Fuji-nee visiting Kiritsugu’s grave, and see that she’s being shadowed by a chick with familiar hair and lip color. Fuji-nee has shown that she’s got combat skills, so she should be fine…right?

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Shirou, Rin, and Saber’s lovely tripartite date comes to a violently rude close so suddenly, it comes as a gut punch, the first of many to come. Their bus is blasted into a bounded field…

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…and Caster appears, with her magic thread wound tightly round a freshly-caught Fuji-nee’s throat. Caster, never one to play by the rules of the Holy Grail War, seeks to end it quickly, and is intrigued by Shirou. If he swears fealty to her, she’ll free Fuji-nee. He refuses, so she makes a counter-offer: take his arm with its command seals.

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With the choice now his arm for Fuji-nee’s life, there is no choice to Shirou. Saber is less sure, and charges Caster. That’s when Shirou, in a panic and worried about Fuji-nee’s safety, inadvertently uses his final command seal to freeze Saber in her tracks. Caster takes full advantage, running her “Rule Breaker” dagger through her, which has the effect of transferring Saber from Shioru to Caster.

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This was…well, what can I say? It was a shock. A huge shock. Here were Shirou and the girls, having a harmless fun time on the town, and it ends with Shirou losing his servant and friend. This is Fate taking the gloves off, and showing no mercy to someone who has someone to lose (Fuji-nee) and who also has no idea what they’re doing.

Caster spares Shirou on a whim and sics Saber on Rin, but Shirou comes between them and takes the strike in his shoulder. Now Shirou is down a servant and bleeding out. Fortunately Archer breaks through and rescues him and Rin, but it’s tough to watch Saber being left behind.

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A surprisingly upbeat (perhaps putting up a strong front?) Rin patches Shirou up at her place, then showers and has a chat with her own servant Archer, a scene which hearkens back to their first encounter at her house in the first episode. Here, they discuss Archer’s past (and his possible tie to Saber), their priority (defeating Caster), and the status of her pact with Shirou, which she intends to honor, even though he’s no longer a Master, until he decides to leave the war for good.

Up in her room, Shirou stirs and finds the pendant Rin used to heal him from mortal wounds once before. The sight of it reminds him just how much he owes Rin, and his still-fresh wounds (no longer being quickly healed by Saber’s mana) remind him how powerless he presently is to repay his debts.

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As the good guys lick their wounds, Caster wastes no time, posting Assassin at the temple gate to protect her Master (opening his chest and rearranging his ribs as motivation), then sets her eyes on the church where Kirei hangs out.

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Even the stoic Kirei shows a bit of shock when Caster presents Saber from beneath her cloak (and gets all touchy, adding to Saber’s clear discomfort). Here, we first learn about a ‘lesser’ and ‘greater’ grail. The latter is summoned when one servant remains, but the former is something she believes can be acquired before that, and aims to beat Kirei into submission.

Kirei calls Caster by her former title, Princess of Colchis, intimates that her ‘soft heart’ is the reason she’s so keen to bring the war to a quick end. He gets pretty banged up in the ensuing battle, as Lancer hangs back, promising someone (his master) not to allow anyone to interfere.

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Speaking of interfering, Shirou goes after Rin, despite the fact he’s no longer a master and can do absolutely nothing except get in her way at this point. He finds her on a rooftop, where she tells him as much without mincing words. So much has happened, their date feels like ancient history. She leaps off the roof, knowing Archer will appear to catch her in midair, and before bounding off into the dense city lights, gives Shirou these parting words: “Stay out of this from now on, or you’re dead.”

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As much as Rin may be trying to cast (no pun intended) aside her emotions so she can focus on the pressing matter of winning the war, those words sound and feel just as much like Rin looking out for him than they are a threat. She can’t afford to have a Fuji-nee-like Achilles’ Heel, after all. But let’s get real: Shirou may be out of it now, but he obviously won’t be staying out of this. We’ll just have to wait three months to learn how he’ll claw his way back in. Three…long…months.

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Fate / stay night: Unlimited Blade Works – 11

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Fate / stay night gave us another breather between battles this week. Nothing major was revealed, nor did the Emiya/Rin alliance determine what, if any strategy they would pursue in hunting down Caster.

In fact, while Archer gives us a sliver more info on Emiya’s new secondary projection magic ability, I would argue the explanation is so vague and obviously loaded with unsaid implications about Archer’s own back story, that this episode raises more questions than answers.

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To sum up: Behind his casual smile, Emiya is on the ropes. Using his new ability has put the left half of his body into shock and upset his balance. Physical pain aside, he’s become clumsy and weak, breaking dishes and even struggling to hold an eraser.

However, it’s not until late in the episode that Saber and Rin start to catch on, and then, only Archer’s sudden arrival offers a solution. See, Archer claims this happened to him, during his own life, and he quickly sets Emiya on the mend. Cold as ever, he doesn’t explain any more than that but, on the up side, he says Emiya will most likely be a significantly stronger mage after a few days of recovery.

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In non-Emiya news, we got a lot more RIn this week and, despite some tsundere flame-ups over Emiya’s emotional density, we even got a lot more emotional range from her too. Her chat with Emiya about the differences between the houses they live in, and how that mood translates into the types of people they are was quite pleasant.

Otherwise? Ninja-sensei is dodging school, as expected. Sensei-chan is nagging, pesky, and easily defeated by Rin. Sakura, Shinji, and everyone else of note remain unseen…

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The Good: if you ignore Rin’s tsundere moment at the end of her conversation with Emiya, her scenes were very good this week. It was especially nice to see more of her and Saber getting along. The girls are really in sync and, in their own way, so are Archer and Emiya.

This is an interesting direction for the show to go in and I’m curious to see if we ever learn that Rin really should have summoned Saber and Emiya Archer, but some outside force prevented this. Despite their conflicts, Emiya is constantly emulating Archer and, after Archer helps Emiya at the end of this episode, and after Archer yells at him about his ideals, it really seems like Archer sees a lot of himself — his mistakes — in Emiya.

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The not so good: Sensei-chan is a dull anime trope. While it was fun to see Rin take her apart in verbal sparing, Sensei is so unimportant to the story, and so immature, Rin’s victory doesn’t hold much meaning.

Furthermore, if we have time to waste on fluff like Sensei-chan, the complete lack of Lancer/Berserker/Shinji or anyone who would scoot the broader story along is frustrating.

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The Verdict: I can’t help but think that I’m stuck watching the ‘dumb teenagers,’ who don’t know what they are doing or what is going on, while a much more interesting anime is going on around them. Obviously, these dumb kids will become the most successful and/or ‘win’ the day, and seeing their development into winners is the point but… I do feel like the show has spread out the opponents’ appearances too much.

I mean, we haven’t seen Lancer in 8-9 episodes!

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As many have mentioned in the comments, this show suffers from trying to capture all of the unrelatable threads of an interactive fiction into an ordered fiction. It does a very good job under those constraints, it’s visually stunning, and Emiya is finally developing as a character.

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More importantly, Rin got much needed screen time and it wasn’t all one note. All together, it was a great episode, certainly miles above average for a chapter bridge. Still, I can’t help but feel Rin doesn’t get enough screen time, or isn’t written well enough to get more…

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Fate / stay night: Unlimited Blade Works – 10

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That sky, that field, those swords…I must say, Rin has some pretty dreams.

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Archer continues to pout and be baffled by her choice to ally herself with Shirou, whom he considers the absolute worst choice, suggesting they team up with Caster instead. Rin tells him that’s not happening. Caster is a monster, and she can trust Shirou to never betray him. Archer still protests, and worries for his master, whom he believes Shirou is making soft.

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But she is his master, so what she says goes. The search for Caster’s Master continues and seemingly hits a breakthrough, as both Shirou and Rin witness Issei conferring with Rin’s homeroom teacher Kuzuki Souichirou, who is staying a Ryuudou Temple with his ‘fiancee’.

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That connection is enough for Rin to suspect Kuzuki, and she plans to test him that very night. Shirou, while dubious, won’t let his ally jump into potential danger alone.

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It becomes clearer and clearer that he’s not merely concerned with holding up his part of the alliance, but also with his dear friend’s safety.

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Rin fires a light magic burst at Kuzuki, ruining his umbrella, and Caster shows up shortly thereafter to protect him, proving Rin right. I can’t say I was surprised by this, but I guess it wouldn’t do for them to be wrong again. Caster must have a master; them’s the rules.

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But Kuzuki is an odd duck. When Shirou asks him if he’s somehow under Caster’s control, Kuzuki is bemused. Shirou calls him a good and decent man who would never turn a blind eye to Caster’s crimes…but he doesn’t know Kuzuki at all. Neither in Caster’s thrall nor totally controlling her, he prefers to stand on the sideline and see what happens, not involving himself unless absolutely necessary. Not a bad strategy, for a Master who claims not to be a mage at all.

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But then Rin, Shirou, and Saber force the issue, and he’s forced to involve himself. He comports himself far better than I imagines, as he’s able to block Saber’s strikes with his bare hands.

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Not only that, he’s able to strengthen those same bare hands in order to put Saber in a chokehold and toss her aside like a ragdoll.

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Rin is dispatched even quicker than Saber…Yowch…

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…And it doesn’t seem like Shriou will fare any better. In fact, it would appear that by hitting Kuzuki with that spell, she rattled a hornet’s nest and they now find themselves in way over their heads.

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Then, Shriou sees an injured, knocked-out, helpless Rin lying on the ground… and knows that he and only he has to do something, or she’s going to die. What he does looks more like instinct awakened from extreme conditions, i.e. Rin being in mortal danger. Shirou’s been thinking about Archer’s two swords for some time, and in this, the moment when he really needs a weapon that isn’t just a pipe or a stick, he is able to summon those swords using projection magic.

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With these, he’s able to not only keep up with Kuzuki, but keep him at bay until Saber recovers, forcing Kuzuki and Caster to withdraw. Rin is surprised and somewhat annoyed he didn’t mention how good he was at projection before, but he surprised himself was well. I also imagine from the pain we see him in that some kind of price will be exacted for using this power if and when he ends up using it again. And because he’s the hero, it’s likely he’ll bear that pain without telling anyone.

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That was a nice battle, and also a good new power awakening for Shirou, as well as another trial that brought him and Rin closer together. It seems like Archer would have been useful in the situation, but Rin left him home, afraid of Caster’s effect on him.

Meanwhile, Shinji is in a very green area talking with a bloke who I’m guessing is his new servant. Speaking of being in over one’s head; the naive, petulant Shinji definitely seems to be that.

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