Hinamatsuri – 11 – Just a Regular Nice Guy

TV journalist Seta Daisuke looking for an exciting, violent, and profane yakuza story and thinks he’s found one in Yoshifumi Nitta, who, after all, is known to have taken down an entire rival group single-handedly. Seta steels himself for a tough assignment, even writing his will.

As we know from watching Nitta, that might’ve been, ah, a bit premature. While Seta initially believes Nitta is just putting up a calm front to hide the unhinged savage within, Nitta’s daily life leads to Seta coming to the crushing conclusion that his vicious yakuza is just…a regular nice guy.

His mom and sister all but confirm it when they burst into rude laughter upon being asked whether there are any “exciting” stories about their son and brother. My friends, there are not. Nitta is as cool a cucumber as one can get in his business.

Mind you, we the audience know that he’s actually had some pretty spectacular moments that any journalist would sell non-vital organ to cover, but most to all of those involve Hina in some way, and Nitta has no intention of revealing anything about her besides the fact she has no one else so he takes care of her.

Seta resorts to staging a scene where Nitta loses his temper and brains Sabu with an ashtray. While it’s true he went a bit to far, Sabu kinda had it coming considering he almost got Nitta killed during the group’s now amicably-resolved succession crisis. That’s some good unspoken continuity!

When Seta surveys his amassed footage and concludes that he will be fired the moment he shows this to his boss at the station, he decides to abandon his journalistic integrity and resort to clever editing, narration, and flat-out fake news.

Nitta and Hina watch the farce of a yakuza profile, in which a pixel-faced Nitta’s completely tepid responses are made to sound like he’s the monster Seta’s voiceover claims him to be. Ironically, he ends his piece by lamenting the end of the decent, respectable yakuza in favor of “monsters” like Nitta (or the completely phony Nitta he created); despite the fact Nitta actually is that guy.

And not just him. His yakuza associates don’t hesitate to tease him with memorized lines from the show they knew was a bunch of bologna. Combined with Hina doing the same (and asking, bemused, who exactly was the subject of the profile they watched, ’cause it wasn’t him!), Nitta ends up running away, barely holding back tears. I guess it’s for the best the yakuza aren’t portrayed exactly like him…

 

In the second part of this episode, Nitta hosts Anzu while her parents are away at a hot spring. With Hina away on her middle school’s ski-training trip(?), it’s just him and Anzu, and in Anzu he finds a girl much better suited for his life than Hina, in terms of her ability, and enthusiastic willingness, to help out with domestic chores.

She doesn’t subtly mock or shade Nitta (as Hina is wont to do) either! Anzu is such a consistently, relentlessly good girl throughout her visit, Nitta has to run into another room to scream and curse the chinese restaurant owners for getting the good girl-in-a-metal-egg, while he’s stuck with…with Hina.

In fact, Nitta experiences a bit of what Seta did during the interview in the first segment. All of Anzu’s pleasantries and smiles sound fake to him after the ruthless “realness” of life with Hina, whom he regards as the typical spoiled brat of a kid who is a pain in the ass to their parent or guardian just ’cause.

But he’s wrong; just as Seta was wrong. This Anzu is the real Anzu. She may have been a lot more like Hina in the past, but her experiences and environment since have changed her, for the better.

Eventually, Anzu unconsciously manages to wear Nitta down until he dissolves into a cloud of sand, re-coalesces in mid-air, and flies away in formation with several Anzu-angels, leaving the Hina-demons crawling along the ground far behind.

After an incredible night in the “Ideal Father’s World”, the day arrives when Anzu’s folks return and she returns home, and the dream is over. Nitta decries that fact that “Reality is coming home.”

All the time he was shitting on Hina, something in the back of my head was telling me the show was going to teach him a lesson about not knowing what he’s lost until he lost it…even though it kinda already did that. My intuition turned out to be correct.

He gets an ominous call from the school ski trip informing him that Hina has been “lost in the mountains.” Now, you, me, and Nitta know that with her telekinetic abilities she’ll probably be just fine, and could easily deal with any threat she might come across.

That’s perhaps why Nitta responds so nonchalantly. But it’s still upsetting to hear that she’s lost, just when Nitta was dreading her return. Here’s hoping the final episode is devoted to his search for her and their reunion, perhaps with some assists from his various friends.

Durarara!! x2 Shou – 07

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This week’s Drrr! is all about the contrasts between similar pairs of people, starting with the Two grizzled Ivans somewhere in Russia, both post-Soviet arms dealers; one’s pretty much fire one’s pretty much water. The water Ivan is Vorona’s father, and she possesses both characteristics, sometimes in sync, but sometimes in chaos.

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When Egor enters Russia Sushi, Simon and Dennis initially suspect he’s there to knock them off, but he’s really there for Vorona over, among other things, stolen anti-materiel rifles. Dennis is doubtful Vorona would use such a weapon in Tokyo unless she was in “a real crisis”, and at that moment it become’s Chekhov’s AMR.

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For all its prolific complex, multi-modal, zig-zagging storytelling, Drrr is just as capable of focusing in one one person an delivering a quick, efficient profile. Vorona’s life as an assassin and general badass began with one of those real crises; an unsavory home invader.

Vorona, armed with a sprawling library full of knowledge in every field, but useful and useless, Vorona answers her sudden fear of being killed with a ruthless plan, luring the burglar into a trap and literally killing him with water (from the bath) and “fire” (from a hair-dryer), executing everything perfectly and precisely like her dad, but also seeming to take a bit of enjoyment from it like the other Ivan.

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Seeing this new side of Vorona for the first time, her dad let Simon and Dennis train her, and she learns quick. These two ex-military guys ostensibly came to Ikebukuro to start new, laid-back lives, but it’s cool to see their old lives on display here, and how closely they’re connected with Vorona, who’s only just arrived.

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Without their tutelage, she wouldn’t be nearly as tough and honed a killing machine as she is when we meet her. But because she’s not just a carbon copy of her father, once she gets really good, odd jobs and small fry aren’t enough for her. She seeks out her father’s rivals and eliminates them to a man, but not for his approval or to help with the family business or because they were an imminent threat. She did it because it was fun.

Her first kill was overzealous self-defense,  armed only with household appliance and her wits. But I don’t think Ivan turned his daughter into a monster by having her trained; he was only facilitating a foregone conclusion.

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That brings us to Vorona’s latest job; capturing Anri. Ikebukuro has been so weak and unimpressive to her thus far, she’s riding a wave of arrogance and invincibility, which rams her right into a concrete wall. Vorona is good, but she’s still human, and coming up against something not quite human is a glass of cold water to the face. Even more than that, it’s something she hasn’t read about in any of her books; an unknown.

Vorona and Anri are a lot alike, in that both are imminently capable and potentially dangerous young women, one of whom choses to explore that potential to the fullest, and one prefers as quiet and normal life as she can manage.

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Armed with her bookish knowledge, wits, resourcefulness, Vorona thrived, but she didn’t fact Anri with as an underdog, but with the mentality of of a favorite. Her earlier success wasn’t success at all; you cannot beheaded what is already headless. Suddenly outmatched by real and frightening aberrations, Vorona returns to that night before she took action, and remembers again what it’s like to fear being killed.

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In other words, she enters the “real crisis” mode Dennis thought so unlikely, whipping out the AMR and firing it right at Celty, blowing her away but obviously not killing her. Having bought some time, and learned more about what she’s dealing with, she’ll formulate a new strategy that doesn’t rely on brute force alone.

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That brings back to Mikado, who has followed Masaomi’s advice and stayed in of a Saturday night. Considering what went down, that looked like good advice. Of course, by staying in Mikado is subjected to another manipulative phone call from Izaya, who understands Mikado founded the Dollars not only to put some excitement in his life, but also to fit in, to belong within the ensuing community.

Just because that community is off doing unscrupulous things like picking fights with rival gangs, that Mikado doesn’t agree with, doesn’t mean it’s all falling apart, nor can Mikado impose his pacifist will on them without destroying the Dollars’ fundamental philosophy of freedom. The Dollars are evolving, that’s all, and Mikado’s fear of being left behind is similar in strength to Vorona’s fears about being weak, unable to cope with threats, or killed.

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It’s a New Day in the Dollars, and Mikado can’t stem the tide. Aoba, Izaya’s heir apparent arrives at his door the next day, as if to herald that fact. Simon’s voiceover returns, and he mirrors his earlier comparison of the two Ivans with these two Taros: one who is Mr. Nice Guy, and the other who uses nice guys.

Will Mikado evolve, or dig in and let the wave crash around him, leaving him alone and left behind, his greatest fears realized? Such a scenario suggests there’s no one around of like mind to help him resist that wave, which is untrue. But in that case it certainly points to some kind of conflict. Mikado can’t very well stay holed up in that room forever.

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