3-gatsu no Lion – 44 (Fin) – From Darkest Depths to Highest Heights

The eight minutes that kick off 3GL’s final episode (for a while at least), in which Rei visits the Kouda household, were some of the most hauntingly beautiful, unsettling, and emotionally gutting eight minutes I’ve ever seen. He is received only by the mother, who narrates the entire segment.

Rei was always capable—more capable than her children, which is why he had to go—but she finds him even more so now; he’s become an adult. Meanwhile, Kyouko and Ayumu (seen but never heard here) continue to flounder; they remain children, seeking immediate enjoyment.

Rei’s visit confirms to Mother Kouda that it was for the best for Rei to leave, and she is grateful that he did it of his own volition. Rei was such a genuinely good boy, it was a weight the rest of the family could not bear. When she dreams of Rei being her real son, he’s a sassy layabout like the others.

I was already in tears before the OP, but this episode wasn’t done, as Rei takes Takahashi and Rina out for monja to congratulate their graduation and bid farewell to the brawny baseball kid. Going pro is no longer a dream for him, it’s a goal, and leaving the home he loves was something he had to do to achieve it.

As they talk about how there won’t be monja where Takahashi is going, and that he’ll simply bring it with him to represent March Town, it dawns on Hina that while people may move away, they remain children of the town.

As the minutes and seconds left with Takahashi tick implacably down to zero, Hina savors those remaining moments with everything she has before saying goodbye. Again I held back tears…watching her hold back tears.

Takahashi leaves for his new school the day of the cherry blossom festival, which means he’ll miss it, but Hina doesn’t see him off. For one thing, the previous night’s farewell was just fine; for another, she’s got work to do, working at the Crescent Moon food stall.

She, Akari and Gramps clean up, capitalizing on the slight remnants of the winter chill by selling hot red bean soup and dumplings. Like so much with the Kawamotos, it’s warm, tasty, cozy, and fun.

And as Hina remembers a younger, smaller Takahashi sitting on the steps with an ice cream bar in his baseball uniform, she commits to doing her best where she is, just as he’ll be doing his best farther away.

Soon thereafter, just before she starts high school, Hina decides she’s going to get her hair cut. Privately (or rather in the presence of their aunt), Akari has bittersweet pangs about Hina’s choice to give her childhood self a “proper sendoff” and take a step forward as “the new me.” Akari is sad that one stage of her little sister’s life is ending, but excited and even a little envious of the next; Hina’s “springtime of life.”

However, that first step forward seems to go horribly awry when only an older hair stylist was at the salon. Hina asked for an “adult-like bob”, but once she get it, Akari can barely contain her shock, while Gramps, in his most hilarious reaction to date, thought on first glance that Hina was the household deity. Momo thinks she looks like a kokeshi doll, while Akari asks her to pose with a box of candy.

But when’s all said and done and we get a decent look at it (from numerous intimate close-up angles) I’m in agreement with Rei’s first impression: it’s nice. It’s a really nice new look! Despite the references made by her family, she looks a little more mature and serious, especially in her new high school uniform.

The more Rei looks at it, the more he likes it…and the more embarrassed Hina gets. But let’s not forget what’s happening: the two are walking to school together! This is huge. What will his classmates think? What will they say? How will Rei and Hina handle the fact that they look like one of history’s most perfect couples, straight out of the gate?

Unfortunately, all of that must be left up to my imagination, because 3-gatsu no Lion closes the book on the life of Rei, Hina, the Kawamotos, the Koudas, and all of the shogi folk. Hopefully it will be back, but if this is truly the end of the anime, it couldn’t have ended on a higher, brighter note, rising from the sullen depths of the Kouda household.

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3-gatsu no Lion – 24

A new tournament bracket has been released, and Nikaidou is furious that he and Rei are in different groups…as if Rei had anything to do with the seeding. The only thing for it is for the two to win their respective groups and face each other in the finals.

Nikaidou then launches into a torrent of trash-talk, calling Rei arrogant and pompous, and their loudness almost gets them kicked out of the watching room where the other pros are watching Souya and Kumakura. The two are still kids, after all…they need to argue with shoji, not words.

A couple other younger pros start talking about Shimada’s mental and physical state after losing to Souya, and Gotou, who hears a bit too much of it, is having none of it, sticking up for the absent Shimada by saying unproven young whelps who may never get within a mile of a title match shouldn’t be running their mouths about those who have “been in the ring.”

Rei is glad Shimada is being defended, but laments that the defense is coming from the same person who has caused, intentionally and unintentionally, his sister to suffer. It gets to the whole idea of “chaos” in this segment, in which both humans and shogi are full of contradictions and paradoxes; all mysteries that will never be solved, but we must simply live with.

In a move that surprises all spectators young and old, Kumakura responds to Souya’s seemingly innocuous move made to force a reaction out of his opponent…suddenly resigns, giving Souya another successful title defense. It’s only after everyone plays through that Rei and the other see what Kumakura saw: that Souya had beaten him, seeing many many moves ahead to Kuma’s doom.

Meanwhile, Kyouko is performing all of the duties of your classic wife figure for Gotou, and we learn why: his actual wife is in a coma in the hospital.

Rei may only see a villain and a scoundrel (or at best, an uneasy ally against those who would drag Shimada thorough the mud), but Kyouko’s been around him a lot more time, and while she may be blinded by infatuation, she also sees a role to play in Gotou’s wife’s absence…especially if her prognosis is such that soon Gotou will be a widower.

It’s not pretty to see him getting along with, even sharing the bed with, another woman poised to “attack” him while his wife still draws breath, but who ever said humanity was pretty? Not to mention, without Gotou, Kyouko always seems lost and alone, and Rei can’t be the one to fill the hole in her heart.

But Gotou made a good point to Rei that echos his own thoughts about chaos: seeing everything in good and bad or black and white is a recipe for a poor understanding the world. Life isn’t Go! If I had to choose between the two games, it’s more like Shoji.

As for the man who gives his name to this segment, Kumakura: he’s lost again, but takes the defeat with a cool calmness that makes many of his peers swoon. Of course, that is a public calmness; below the surface boils a man who has been shattered into pieces having to collect them all and re-construct himself in time for the next title challenge.

It’s a thankless, cruel task, but it’s the only way he knows how to live. Not to mention, kicking the shit out of a wall is always a quick way to release pent-up frustration!

This episode had solid slice of life and some good internal stuff with Rei…but after only catching a brief glimpse last week, I definitely missed the Kawamotos.

I realize the show is probably following the source’s chapters and the sisters and their grandpa are just one part of Rei’s life, but they’re an important (not to mention adorable!) one, and I hope we get to spend more quality time with them soon.

3-gatsu no Lion – 02

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Two stories are told in this episode of 3G, which have thesis statements of their own, but tie into the central idea that Rei and the Kawamoto sisters aren’t in a one-sided deal. He’s not the only one getting something out of this. And he’s well aware he’s getting something out of this.

The first begins with the not-surprising realization that Rei has shoji buddies with far more forceful personalities, which he’s nonetheless able to coexist with on his own terms. Nishioka has made Rei his personal rival, and Matsumoto wants to beat him so he can appear on TV for his ill grandpa who taught him.

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Matsumoto and his longtime friend Smith are also nice guys, so when they go out to celebrate at the hostess club where Akari works, they’re nothing but respectful (and appropriately in awe) of the stunning Akari, and don’t make their 17-year-old Kohei drink liquor. Akari confides to Rei that these are the kind of guys to hang out with.

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It hearkens to the first time Akari and Rei met: when some not-so-nice guys did make Rei drink himself into a stupor (which probably didn’t take much, considering his size and complete lack of tolerance). It was Rei at his most vulnerable, and he had no way to hide it.

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That didn’t matter at all to Akari, who took him into her home and took care of him. It’s a pretty good chance he got alcohol poisoning that night, so when he couldn’t force himself to vomit some of it up to ease his pain, she showed him how. Concerned, gentle, caring: both the Akari at home and Akari the Hostess are equally amazing and beautiful to Rei.

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Before he met Akari, Rina, and Momo, Rei saw the new town he lived in in monochrome, as if walking through a dream. But from the moment Akari welcomed him in their lives and told him he could come by anytime (and meaning it), color returned to his life, and with it, a measure of joy.

The second half, “the other side of the bridge”, marks the difference between the cold industrial/commercial side where he lives (akin to Ayanami Rei’s memorable digs) and the warm, homey, comfortable side where all the Kawamoto sisters are, as well as the food.

Rei can never refuse Akari, and he doesn’t when she invites him to join them for Obon. Because he knows, the Kawamotos have suffered profound loss just as he did. He helps fill the void in their lives so it doesn’t fill with grief, and they restore color to his. It’s a nice arrangement, and watching it play out is enough to melt the hardest heart.

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3-gatsu no Lion – 01 (First Impressions)

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Except for a taunting voice in a dream about how Kiriyama Rei’s worth nothing (his name means ‘zero’), the first six-plus minutes of 3GL begin in silence, as we watch Rei’s lonely commute to the shogi hall. I was half-surprised that the automatic doors sense his presence, because he looks like a specter floating around the town.

Rei moves as if the weight of the world is on his slim shoulders. The clacking of shogi pieces starts to grow oppressive, as if playing the game is plumbing the depths of his despair. This is SHAFT at its best, IMO: no walls of words, just impeccable atmosphere building.

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The sun begins to set on Rei’s silent, dour day, when he gets a text invitation to dinner and a second text that makes sure he can’t refuse. Rei goes to the Kawamoto home for dinner with Akari, Hinata and Momo, three sisters who live with their grandpa and cats and run a wagashi.

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And it’s just about the warmest, most loving place you can imagine. An Rei can barely enjoy any of it, because he’s a deeply emotionally wounded individual. The eldest daughter, Akari (Kayano Ai, great as always) can sense the pain emanating from him; all we need is a look to know that.

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The middle sister Hinata (Hanazawa Kana, also great as always) doesn’t fully grasp how bad things are until she puts a blanket on Rei and takes off his glasses, revealing he cried himself to sleep. All these sisters can relate to carrying pain, as they lost their mother and grandmother and there’s no father in the picture. But Rei’s problems seem to go beyond loss and into, well, more existential stuff.

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3GL is gorgeously rendered and deliberately paced to ease you into its world where despair contrasts with unconditional love. Rei comes from a not-so-loving family. Rei both looks similar to and has similar problems to Your Lie in April’s Arima Kousei, and I had to convince myself halfway in that none of these sisters had a terminal illness (thanks, Violin Girl), but he’s not the only thing going on here.

Shinbou and Shaft brings their trademark multi-establishing shots, baller sound design, and over-the-top comedic moments where characters (or cats) exhibit super-strength or speed, but all of his directorial quirks are assets here, and don’t overshadow a familiar but still very nice story.

The sisters a a whirlwind of kindness and love, the youngest Momo (voiced by Kuno Misaki, who has definitely found a groove in such roles) is a little kid done right, and while I’m sure there will be moments when we’re far less sympathetic to Kousei Rei (as he’s very lucky to have these sisters in his life, but he’s likely to shun or lash out at them), but this is still a show I won’t be able to miss.

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Shokugeki no Souma – 12

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Hannah: You know Zane, there wasn’t even a battle in this episode, but I was still bowled over by how much power lay in the deliberations, judgement and, aftermath, along with the surprise resolution that actually served both parties, thus transcending the typical Good Guys Win, Bad Guys Lose formula. A Food Wars episode without a Food War might sound transitory, but it sure didn’t feel that way. Instead, what it felt like was a masterpiece.

Zane: I’m inclined to agree, Han, that was an emotional spin cycle right there! Even with the cookoff concluded, it still had all the elements I’ve loved from previous previous showdowns, what with the highly-detailed analysis of the dish and its unique, metaphorical effect on the alumni-judges. At least in this Shokugeki, 7 > 9!

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Hannah: I like that; and I’m no math whiz, as you know. I also liked how the warm, earthy, nurturing flavor of Megumi’s terrine each evoked a different benevolent deity forthe judges. It spoke to them in different ways, but it spoke to them all, touching their hearts in a way Shinomiya’s simply didn’t.

Zane: Yeah, those Megumi gods were the best! I also appreciated how Megumi decided her best option was to try to put forth the best damn veggie terrine she could, freed of the limitations of Shino’s recette. Her Mature-vs.-Fresh treatment impressed the judges, and also laid the groundwork for the excellent character work to follow.

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Hannah: Was your heart, just warmed by the effect of her food when she’s on her game, suddenly cleaved in two upon the sight of those three coins on Shinomiya’s plate, indicating our heroine’s defeat? Even though I knew this wouldn’t be the end for her or Souma, mine certainly was.

Zane: Absolutely. I also knew Shino’s far more technically proficient, real-world-tested, award-winning cuisine was going to blow Megumi’s earnest but sloppy effort out of the water. I mean, the guy has the Pluspol. The PLUSPOL, fer cryin’ out loud! And yet, the suddenness of the judgement, and the look on Megumi’s face as she realizes she’s done, still had impact.

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Hannah: That brings us to the Deus Ex Doujima [Gin], which turned out not to be what I thought. When he put his coin on Megumi’s plate, breaking the rules of the Shokugeki, I thought we were in for a predictable-ish 12 Angry Men scenario in which he convinces the other judges to change their votes one by one. What happened instead was…much better.

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Zane: It was…it so was! Last week Doujima opined that Shino was holding back against a student, and now we see why: he graduated from Totsuki, moved to France, and became the chef-owner of a restaurant, i.e. got to the top so frikkin’ quickly, he finds himself at the top of a precipice, unsure of his next move.

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Hannah: You gotta stop agreeing with me…it’s kinda freaking me out. Anyway. His stagnation is regression. He’s moved forward so forcefully by sheer will and talent, he’s left the heart behind…a heart he finds when he finally takes a bite of Megumi’s cooking.

I’m glad to see the tripartite Megumi-deities show up again, but I’m even more impressed that rather than a goofy ridiculous fantasy played for laughs, which is often how people react to Souma’s food, Megumi’s food creates a pang of nostalgia for Shinomiya, transporting him back to a simpler, safer time, before he was on a “knife’s edge.”

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Zane: It’s a beautiful memory, to be sure. And as you say, the other judges don’t change their votes. Doujima puts his coin on Megumi’s plate, followed by Shino himself. He scoffed at Doujima’s apparent “pity vote” for the loser, but now sees that the power of Megumi’s food must be acknowledged. …Then Hinako, who isn’t even a judge, puts a 500-yen piece (these guys are rich, after all!) on the plate, making the Shokugeki a tie. The rules are bent, but Shino not only approves of the bending, but is a dang part of it.

Hannah: The flashback of Shinomiya with Hinako and the others gives us a glimpse into how far back these guys go, and how they continue to want to look out for him. Doujima allows this shokugeki because he sensed Shinomiya was in a rut and crafted an opportunity to show, not tell, him what he was missing; what he lost sight of: caring for the customers. Showing hospitality, of which Megumi is apparently the goddess, at least in her class. Shinomiya found a way forward, while Megumi found her strength.

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Zane: Well said. I also enjoyed the little scene between Megumi and Souma on their way back to the hotel room. Free from the oppressive concrete and stainless steel of the basement kitchen, they now walk in a cool, soothing night, a great weight lifted. Megumi no knows without a doubt that Souma is a good person, someone she wants to keep cooking with for a long time yet, and thanks him for helping her get that opportunity.

Hannah: Yes, if it weren’t for his reckless gambit, she’d be packing her bags for home. But to his credit, Souma doesn’t take credit; he only provided a nudge—breaking through the light mesh of Shinomiya’s unfairness—in order to bust through the brick wall and inspire both the judges and the chef who would’ve expelled her, Megumi herself had to rise to the occasion and show what she’s made of…and she did.

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Zane: So, all’s well that ends well! Except when Megumi goes ahead, Souma expresses his intense displeasure with losing, smacking his fist against a wall so hard his friends notice it when he returns to the hotel room. However well things ended, he still drew, rather than beat, Shino, and Doujima saved both their asses. Even as the sous chef, he takes responsibility, and will likely take the draw as a bitter pill of wisdom: as we saw from Shino’s rise, you don’t always win.

Hannah: And that brings us to the midpoint of this awesome show that blends your love of cooking with my love of intense battles. I’m really looking forward to the second half, which I’m sure will be just as entertaining a watch.

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Shokugeki no Souma – 11

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Shinomiya concedes that shokugekis of the type Souma proposes aren’t unprecidented, but like any other shokugeki, they requite the consent of both parties; consent he’s not willing to provide. That would be that, but Doujima Gin, who is running this show and its venue, and Inui decide otherwise.

Gin authorizes an unofficial or “street” shokugeki in the basement kitchen of the resort annex. If Souma and Megumi wins, they’re both still in Totsuki. If they lose, they’re both expelled.

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Not suprisingly, Megumi feels responsible for putting Souma in this predicament, but he won’t have her blaming herself for a choice he made. He says he made it because it’s not time for her to drop out yet, but the unspoken reason is, of course, she’s a dear friend who he couldn’t stand by and watch get unfairly washed out. They’re in this together now, because that’s what he wanted.

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When the contestants, Gin, and four other alumai judges assemble in the basement kitchen, Gin sets the rules: two hours, veggies leftover from the day’s training sessions, and most importantly, Megumi is the head chef who will be going up against Shinomiya. Souma will be a sous chef, nothing more, who must follow Megumi’s vision without alteration.

The reason for this is both plain and very welcome: if Souma is in charge and wins the shokugeki for Megumi, she’ll remain a tagalong, and continue to need to be saved by him. By putting her in the chef’s seat, Gin is hoping this shokugeki is the crucible through which they’ll finally see what Megumi’s made of, and whether Souma is justified in believing it’s worth un-expelling her.

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I loved the playful banter and horseplay between Gin, Shino, and the judges; all of whom are old classmates, if not friends who’ve known each other a long time. They also keep each other in check, the same way Aldini’s more reasonable brother kept him in check as his character was built, so not even Shino can become a full-blown villain.

Of course, the fact she’s going up against a seasoned, up-and-coming French chef-owner straight up freezes Megumi, until Souma slaps her hands together with his, a trick that always stops his hands from shaking, but require two people to do it. The message is clear: he’s here for her, only this time he’s behind her rather than the other way around.

She needn’t be concerned about her opponent or what he’s making, all she can do is put everything she has into her dish, using the skills she’s honed since she used to watch her mom cook as a young girl. Watching her stride proudly into battle with Souma as her trusty sidekick was a great image.

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Also a great image? DAT CHOU FARCI. Honestly, I’ve had cabbage rolls before, some delicious, some gross, but never anything like Chef Shino prepares. The judges put on a clinic in gastronomic know-how in analyzing his dish, and the animators do a great job whetting my own appetite by showing us the intricate step-by-step of its preparation.

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The foodgasm fantasy of the week is the four judges playing off of the fact it tastes like Shino put a spell on his dish, turning them into a magical girl team, complete with Gin in drag. I’ll admit, I’d probably watch a couple episodes of that show!

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Alas, this battle is not settled this week; in fact, we only catch a passing glimpse of the fruits of Chef Tadokoro’s labors, though we saw that she and Souma are like a well-oiled machine, with him supporting her in everything without making his own tasks suffer or taking over. You can literally see Megumi’s confidence surge as they cook, but she gets nervous again when it’s time to present.

Again, Souma gives her the push she needs to approach the alumni with her dish: an elaborate and delectable-looking terrine, this time not limited by Shino’s recette. We won’t know how they feel about it until next week, but we do know one thing: Shino held back, believing he could beat Megumi without breaking out his signature dish (or food bankai, if you will.) While Gin doesn’t think it likely Shino will lose, he does wonder if Shino’s arrogance is his Achilles Heel.

My take? It probably is. If Megumi really put everything she is and has into that terrine, while Shino just kinda half-assed things (at least by his standards), I believe the judges will be able to taste the difference.

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Shokugeki no Souma – 10

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Somewhat predictably based on how we’ve seen her act around Souma before, Erina is not particularly prepared to bump into Souma in the hallway after taking her bath. To whit: she denies she was humming the ED (she was, like Souma) and claims she’s not interested in playing cards later (which she is, as Hisako procured cards from the front desk). Still, it was nice to see a slightly more vulnerable side of her, even if she tried her darnedest to keep up a hostile front.

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Souma, who is perfectly comfortable expressing his happiness at being through the day’s trials, maintains his “whatever” attitude, and is surprised to find Doujima Gin already in the bath, stretching and making manly noises. While Gin oozes super-manliness, Souma isn’t intimidated, and the two actually bond, with Gin telling him more about Erina and her “God Tongue.”

Souma, not the sharpest tack with non-cooking-related things, realizes Erina beat him to the baths. He also learns Isshiki was the first back last year. He’s among greatness everywhere he looks, and fulfilling his wish to graduate at the top of his class will be no small feat.

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Thankfully, Souma’s whole dorm of first-years are able to survive the first day, and while many of them are all gung-ho about enjoying their fancy digs and playing through the night, those same people fall asleep quickly. Megumi doesn’t, though: fighting alongside Souma and rising to the occasion both with the first challenge and with dinner, she’s so full of confidence, she’s wide awake even though she’s exhausted.

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So naturally, the second day consists of a challenge that immediately puts that newfound confidence to the test by taking away her security blanket (Souma) in an every-person-for-themselves battle to prepare the best nine vegetable terrine for one Shinomiya Koujirou, who washed out 30 students in the first day.

Megumi initially freezes up at the sight of the bedlam before her, but clenches her fists and joins the fray, grabbing all the vegetables she needs…save one: the only cauliflower left when she gets to them are discolored due to oxidation. And in a dish where looks are as important as flavor, discolored cauli will sink her.

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I liked how Shinomiya gave Souma’s dish one bite, pondered it, and said “Pass.” No foodgasm, no elaborate fantasy; this guy is all business, and you don’t get any extra fanfare or praise for doing your job. Even Souma seems surprised by the lack of reaction.

But this isn’t Souma’s show this week; it’s Megumi’s. The A-part ended with a portentious scene of Megumi’s dish failing and Shinomiya expelling her, and that’s exactly what happens here. Yet even though we were fairly warned it would happen, when he brings the hammer down my heart sinks right along with Megumi’s.

The kicker: Shinomiya, while a dick, has a pretty ironclad reason for washing her out: she changed the chef’s recipe without his leave. Sure, the resulting dish was a success, but the point of the exercise was to show whether one was quick and tough enough to secure the freshest ingredients the fastest, and in this Megumi failed.

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But again, Shinomiya IS a dick, because there was no reason to include unfresh vegetables other than to increase the number of students who failed. Had she gotten a good cauli, she would have surely passed. Basically, Shinomiya’s logic is flawed, because in a restaurant situation, with a hungry customer waiting for a terrine, you’d probably do what Megumi did…though not necessarily in haute cuisine

At the end of the day, I’m siding with Megumi because I like her and don’t want her to go away, even if it’s unrealistic to expect everyone Souma knows to make it past the training camp, let alone graduate. It’s a bullshit reason to expel someone, and I’m glad Souma is standing up for her, even though the last thing she wants is for someone else to get expelled on her behalf—by challenging Shinomiya to a shokugeki. 

Shinomiya is by far the toughest foe he’s ever gone up against, so it should be a hell of a fight.

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Shokugeki no Souma – 09

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Aldini Takumi and his bro made a pretty bangin’ dish for Chef Hinako, but when pondering his response, Souma shows that two can tango. As soon as he asked Hinako to repeat the condition of the test about using anything inside the confines of the hotel grounds, I knew he was going for her beloved rice crackers, which means unlike all of the other students who are grilling the char, he’s now got a coating with which to deep fry it.

Now that’s resourcefulness; hinging one’s entire dish on a snack the judge just happened to have on her. I also like the cut from students wondering why Hinako was known as the “Empress of Mist”, to the “mists” of tea steam emanating from her, explaining the nickname.

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I also like SnS‘s insitence, at least at this point in the game, to have rivals, not villains or antagonists, face off against Souma. Takumi is a rival. He left home to attend this academy specifically because he wants to go toe-to-toe with worthy rivals like Souma. He’s even worried and apologetic when he accidentally crushes Souma’s crackers, afraid he may have inadvertently sabotaged Souma’s dish. Luckily, he needs those crackers pulverized.

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Also heartening: as down to the wire and in the dark as she initially was for this test, Megumi doesn’t just shrink before the task at hand. Once it’s Go Time, she’s fighting right beside Souma, delicately preparing the mountain veggies she has experience foraging for back home as he bones, coats, and fries the fish.

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The final dish that’s served is, like every other one he’s made (except the peanut butter squid) looks tantalizingly scrumptious, especialy that airy egg, oil, and herb dipping sauce.

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We knew this dish was going to be a hit with Hinako, it was just a matter of what spit-take-inducing fantasy she’d have in her taste-ecstasy. SnS doesn’t dissapoint here, either, with a mermaid Hinako (with an embellished bust) being taken into the muscular arms of an anthropomorphized rice cracker. You gotta love the creativity of  SnS‘s visual symbolism.

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Hinako passes Souma and Megumi, but contrary to her agreement with Takumi, never determines whose dish is superior. This is either because she’s a bit of an airhead (another reason for her “Empress of Mist nom de guerre”) or because she’s deliberately toying with the overeager guys. Probably a bit of both.

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And in the end, it doesn’t matter whose dish was better: both Souma and Takumi learned that the other is the real deal, and more importantly, someone they’d never have met if they both stayed in their family restaurants. Only by putting your skills up against others and being exposed to their methods can these two find their true passion; the passion that will take them beyond merely surpassing their elders.

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And that’s a wrap….oh wait, no it isn’t. We get Bonus SnS this week, which underlines how strenuous the training camp truly is. Poor Yuuki thinks they can kick back with extravagant meals prepared for them by the hotel staff, a nice hot bath, and a sumptuous hotel room. But she and the other students are the hotel kitchen staff, and they have to make 50 servings of a steak set each before they can feed themselves, to say nothing of the other comforts of the hotel.

Yuuki is crestfallen, but it’s not long before the intense situation puts her into Battle Mode, feeding an endless horde of ravenous bodybuilders, wrestlers, and football players. It’s good training for those who wish to run a restaruant, no matter what kind it is.

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Unsurprisingly, “Short-Order” Souma is the first to finish, and doesn’t even break a sweat. He heads cheerfully to the communal bath, certain he’ll have it all to himself. But as an extended version of the lovely ED plays and he sings along to it, an equally cheerful and relaxed Erina is singing the same song. It ends with the lyric “Fate is the spice of life” as the two bump into each other, as if by fate. Be it cordial or hostile, I look forward to seeing how this encounter pans out.

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Shokugeki no Souma – 08

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This week’s Food Wars leaves the confines of the school for an elaborate “training camp”, held on the premises of Totsuki’s famed (and very highly-priced) resorts. Isshiki warns his juniors that the purpose of the camp is to thin the herd; in some cases half of the students who participate end up on the expulsion block.

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Predictably, Megumi’s a nervous wreck, while Souma is perfectly relaxed, as he even calls out to “Nikumi” (a nickname he’s decided to use and she’ll just have to accept it) fresh off his victory over her. While I hope not every girl he beats gets the hots for him, I do like how nicely her haughtiness has been neutralized.

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Once at the resort, the students learn their various camp tasks will be judged by Totsuki alumni, all of whom went through this themselves and survived to graduation, and celebrity restaurateurs, who will be treating the students no differently than they treat their staff. If they’re no up to snuff, boom expelled. One judge makes their meaning plain by kicking out a kid just for having scented hair product.

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She’s paired with Souma again, to her sweet relief this time. The first time she thought she’d paired with a troublemaker who was all talk; but now she and many others know differently: he’s a troublemaker who is more than all talk. In fact, most of the talk is directed at him from one Takumi Aldini, who along with his fraternal twin bro Isumi, work at their family trattoria in Italy. Like Souma, he’s already a pro who’s served and satisfied thousands of customers.

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On top of their alumni judge Inui Hinako (a bubbly yet ruthless Noto Mamiko)’s challenge that they forage the resort grounds for the ingredients needed to create a Japanese-style dish, Takumi makes it a battle between him and Souma, with Inui deciding who’s best. In a nice character moment, Inui refuses, leaving Takumi stranded on his high horse, with even his own bro laughing at him. I like how everyone on the show is aware of Takumi’s overzealousness, as if he knows he’s in a shounen battle anime.

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He may be fiery, but he and Asumi are also one hell of a team, being the only students to find a duck, then perfectly timing their work to finish first with a Japanese-Italian fusion dish that makes Inui imagine herself in a Pavarotti-like opera singer’s arms as he serenades her while wearing a duck hat of sorts, in another bizarre foodgasm.

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Nikumi fell into a trap of “the best ingredients always win, period” and got clobbered by Souma, but these Aldini boys are a lot sharper and scrappier. The more limits you impose on them, the more creative and amazing the food they dish out. They’re a lot more on Souma’s level. On top of that, the brothers operate like a well-oiled machine, an efficiency we haven’t yet seen with Souma and Megumi.

Not only does Souma have to use river fish—the same thing everyone else is using—but he also has to properly coordinate its preparation with Megumi in the time remaining. Hopefully they Aldinis don’t try to sabotage them on top of all that, because their hill is steep enough as it is. Will Souma be able to turn Takumi’s loathing into grudging respect? I suspect so. What I look forward to is watching how.

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