“Prince” Kashima discovers Hori’s copy of Team-Nozaki’s work and misinterpreters the extensive notes he’s made in it and conversations with Nozaki to mean that Hori is looking for love-guidance and/or wants Kashima to treat him like a princess.
Meanwhile, Hori is swamped with background rendering work for Nozaki’s next chapter. Nozaki isn’t helping, as he doesn’t think very hard about his character’s settings and gives vague directions for Hori to follow.
Chiyo suggests Nozaki take a swing at rendering his own backgrounds, which results in ‘floating’ characters, and character heights being off due to bad perspective. Nozaki ‘solves’ this problem by drawing boxes under various characters’ feet and by adding a page where the heroin explains that everyone is really into boxes these days.
These scenes are hilarious and make excellent use of simple, barely animated art (we’re just looking at pages of manga) so GSN-k can spend its money where and when it matters: Running around a school wearing a bull mask!
Still believing she’s helping Hori, Kashima continues to ‘harass’ him about wanting their play’s princess role and even makes him a thought out girls outfit, which she delivers one piece at a time to his locker, each with a note cheering him on.
Conflict between the two comes to a head after an all-nighter at Nozaki’s, where a passed out Hori finds himself riding on the back of a bull, racing across the school. After arriving at the nurse’s station, and revealing her identity, Hori appears marginally appreciative if not totally bewildered. (end episode)
GSN-k is all about how funny and absurd life gets when people don’t ‘get it.’ Specifically, it pokes at each character’s ignorance of romantic interest from another or ignorance of their own romantic interests. Of GSN-k’s 3.5 couples, Kashima and Hori collectively ‘get it’ least. (in no small part because Kashima knows nothing about the manga group)
Because their bond is the most ‘confused,’ it makes a fair amount of sense that Kashima x Hori’s relationship is the most juvenile. (re:violent, the ultimate response of the confused) Unfortunately, the relationship is also the least interesting.
Simple point: Kashima x Hori’s have no chemistry. (Kashima put more fire into clowning around with Mikarin over who was a stronger womanizer than anything she does with Hori)
Worse, you could argue that they have no real conflict. Hori isn’t consulting anyone to figure out how to be closer to Kashima. Nor is Kashima explicitly trying to express love for Hori. Good intentions and friendship, sure. Romance? Not so much.
Compare this to Seo x Hirotaka, where Hirotaka deeply loves the singing voice of the woman he deeply hates yet doesn’t know the two are one in the same. (And Seo is very confused about all of this) That drama has legs and a narrative path to resolution that could be interesting!
And then there’s the girl hitting, which fellow reviewer Zane was so deeply put off by. I’m certainly less offended by it but, in all fairness to Zane, I have to agree that it doesn’t add to the show. Not humor wise at least.
In closing, week eight brought us several good scenes. Kashima’s interviews with Mikorin and Nozaki, the box gags and Kashima’s mad-bull-run verged on snot bubble funny and the boxes in particular got me to play the episode a second time through, just to see if they snuck any into ‘the real world.’
So, sure, the plot didn’t advance and we learned nothing new about Hori and Kashima but in the end, my laughter more than made up for the Ranma 1/2 style ‘i’m hitting you because l like you but you make me angry all the time’ slog.
- The bull head was totally absurd and fantastic!
- Watching Mikorin get ‘out charmed’ by Kashima was fantastic and her comment that the Hero was a push over? Spot on!
- I have no idea where this sub plot is going? Will it resolve? I’m taking Nozaki’s inner thought as a sign that it wont be!