Golden Kamuy – 28 – Big Top, Big Turd

There’s no shortage of deep, dark, horrible stuff in Golden Kamuy (see: last week), but what keeps the audience from descending into despair is its well-integrated, irreverent, and sometimes gross comedy. Yet the comedy almost always serves and propels the more serious and dramatic central story, rather than simply serving as isolated points of relief.

Take Kiroranke introducing Asirpa to a opokay, a fanged deer that was her father’s first kill. He has her smell the musk glad, giving us another wonderful Asirpa Face (Ogata’s face, funnily enough, barely changes upon smelling it). Kiroranke tells the tale of how he and Wilk not just hunted this deer, but were called musk deer due to their wandering.

Our sense of smell is most closely tied to memory, so Asirpa remembers the beaded hohchiri her dad gave her to wear until her first kill (which is typically only for boys). This is how Kiroranke hopes to uncover the mysteries Wilk left in his daughter’s head: by continuing to familiarize her with the man her dad was, and that above all she can trust him, her father’s friend.

Comedy returns to the fore in a big way this week as Team Sugimoto ends up in Toyohara, the cultural capital of Karafuto, and fall victim to a circus acrobat who snatches bags in his spare time. Despite the kid’s speed and agility, Koito is up to the task of chasing him down with the Japanese equivalent of parkour.

When the circus’ ringleader Yamada hears the boy was thieving again, he whips out his sword and appears to cut his face, only for there to be no cut, only blood. Turns out the sword is part of Yamada’s show-stopping fake harakiri act, which was so good in Russia that he was declared dead in the newspapers.

This gives Sugimoto a fresh idea for reuniting with Asirpa: by performing his “Immortal Sugimoto” act in the circus, he’ll be putting himself out there in front of a huge crowd as well as the local media, meaning there’s no way Asirpa will miss him.

The other three soldiers also join the circus temporarily, as they are all united in the goal of finding Asirpa. Koito is an instant hit with Yamada and the girls for his considerable and effortless acrobatic feats. When asked what circus he came up in, he proudly proclaims “The 7th Division of the Imperial Army!”

Tsukishima and Tanigaki, who lack any acrobatic talent, are shunted off to join the dancing girls who perform between acts. Tanigaki reveals how sensitive he is to harsh criticism by the stern battleaxe of a choreographer, but is comforted by one of the older girls, Beniko, who cheers him on as she contemplates her final performance before the circus cuts her loose.

Then Sugimoto is taught the harakiri act by Yamada, who not only reveals what a good showman he is, but how damn big his nipples are! In truth, the sword has a grove containing red dye, and the water splashed on the body to “purify” it is really the liquid the dye turns red upon contact, leading the audience from afar to believe real cuts were made.

The day of the big show arrives, and the soldiers must before to a packed house, only with their natural or acquired artistic skills, not their fists. Koito performs almost perfectly until he finds a photo of his beloved Tsurumi on the tightrope.

Later, Tsukishima confesses he put it there worried Koito’s performance would overshadow Sugimoto’s, and thus their objective to find Asirpa. But Koito’s resulting improvisation ends up bringing the house down anyway. As for Tanigaki, he turns in a performance he can be proud of, and is finally acknowledged by the tough choreographer.

All that remains is the big closer: the Immortal Sugimoto Harakiri Show. His assistant Cikapasi (whom we learned received a hohchiri from Enonoka that he won’t be removing anytime soon) douses him with water in the right places, but Sugimoto soon learns that the sword he has is real—Koito switched out the fake as revenge for trying to sabotage him (before Tsukishima claimed responsibility).

Sugimoto shows he has a bit of a gift for showmanship by drawing the sword close and pulling it back with a chuckle, allowing the audience to let out the collective breath they were holding in. But this only works a couple times; they want to see blood. So after cutting his wrist, he cuts his leg, and prepares to cut his chest in a place where it will bleed a lot but not damage anything vital.

Right then, he’s bailed out from having to cut himself when one of a trio of suspicious Russians pulls a gun on him. He slices the assassin’s hand off then slashes him across the mid-section. He then takes out the other two, all to the rapturous delight of the crowd, who of course think this is all fake.

It’s delcious irony that just as Tsukishima’s attempt to sabotage Koito’s act made his act much better, the same happens when Koito tries to sabotage Sugimoto’s. More than that, if Sugimoto hadn’t had a real sword, he could have been in real trouble against those three Russians.

After the show, which was an undisputed hit, ringleader Yamada reveals that the Russians were likely hired to assassinate him, as he was an Imperial Army spy embedded in Russia before the war and provided intelligence to Japan.

Yamada’s intelligence bonafides also make him an ideal source of intel for their search for Kiroranke and Asirpa, as the newspaper only had two sentences mentioning Sugimoto. Yamada tells them about Alexandrovskaya Prison, where a large group of “eastern minorities” were recently transferred there for plotting a resistance.

As the four soldiers prepare to head further north to the prison, Sugimoto holds out hope Asirpa’s beautiful blue eyes will read those two sentences about him in the Toyohara paper, and learn that he is still indeed alive. Instead, in another irreverent comedy aside, we see that Asirpa is actually, in that moment, looking at poop she mistakes for that of big game, when it is actually the recent leavings of one Shiraishi Yoshitake.

Maybe it’s just as well she’s staring at a turd…what if the paper had erroneously reported Sugimoto’s death? In any case, the ED sequence in which both Sugimoto and Asirpa see the same snowflake glide by gives me hope that one of these days he’s going to finally catch up to her, and with some amazing new stories to tell.

Rating: 4/5 Stars

Deca-Dence – 09 – Pushed to the Limit

After a cool Kaburagi warns Kurenai not die before he returns, calling her the “strongest, finest woman alive”,  he and Natsume take advantage of the chaos of the latest Gadoll battle to slip through and on to the factory’s barrier unnoticed.

On top of wondering if all the parts of their intricately constructed plan to break the system move how and when they’re supposed to, Kabu is dealing with a crucial unknown: how Natsume will actually react when she learns the truth about the Gadoll, the world, and him.

But when they reach the barrier, before Kabu can tell her anything she urges him to keep up, walking straight through the barrier without any problems. Both impressed with her resolve and realizing he shouldn’t be clouding her focus, he remains silent, and the operation proceeds.

And what an operation! Deca-Dence has been carefully preparing both the practicalities of the plan, the geography of the prison and factory, while also fleshing out all of the players involved. It’s an absolute treat to watch this episode wind up the sum product and let ‘er rip.

Turk initially performs his part of the plan, leading the inmates in a full-on riot in which they toss explosives into the piles of Gadoll shit and create a massive cloud of pollution that not only infects the lake’s clear water the Gadoll need to maturate, but causes to activate their natural defense systems, i.e. Zones.

The pollution of the lake and the berserk Gadoll and their Zones conspire to create utter havoc within the factory, allowing Kaburagi and Natsume to slip in without any of the preoccupied staff noticing. But upon entering a compartment that leads to the “Gadoll Genocide System” they must activate, they’re stopped dead in their tracks…by Hugin, tipped off by Turkey.

A desperate battle between Kaburagi and Hugin ensues, with Jill using her hacking prowess to make it appear that not only are their several dozen Kaburagis to target, but the “Natsume” whom Hugin impales with his hand (causing my heart to skip a beat or two in horror) is really just a hologram, and the real Natsume is safe behind a bulkhead.

Turk sits back and watches his betrayal bear rotten fruit as enhanced security forces start mowing down inmates. When Sarkozy asks Why? Turk simply laughs and tells him that’s how the cookie crumbles, and if he doesn’t like it, tough. Sark understandably feels betrayed by Turk, but still lacks the willpower to do anything about it.

When Jill discovers they’ve been betrayed and Turk and Sark are the culprits, she yanks Donatello (fighting one last Gadoll battle as a Gear) out of Deca-Dence and has him hunt Turk down, ultimately tossing him in the giant churning vat to drown in rotting Gadoll shit—a fitting end for someone “fine with the way things are.”

Turk’s comeuppance comes just after he left a wounded Sarkozy for dead, ultimately only interested in getting a pardon and rejoining the outside world. But as he suffers a lethal oxyone leak, he remember’s Kabu’s words about taking himself to his very limits.

Rather than lie around and die, Sark decides to take himself to his limits as well, and in doing so becomes the hero he was so intent on becoming. By injesting a tube of super-concentrated oxyone liquor (the titular “super charger”) he essentially becomes a walking bomb whose body is the fuse. Leaping into the vat after Turk, he detonates the Gadoll shit within.

The resulting explosion takes out the factory’s reactor, meaning Jill and Kabu’s plan is still viable. The fouled water starts bursting through vents and walls, including in Hugin’s face at a crucial moment that gives Kabu and Natsume time to escape.

They reach the room containing GGS controls, Kabu hits a couple buttons, and he and Natsume pull two levers in tandem. The GGS works instantly, as Gadoll everywhere spontaneously burst into clouds of black ash, much like victims of Thanos’ Snap.

This confuses Natsume, as the control screens glow within her puzzled eyes: there was no main nest to destroy, just levers to pull…what’s that all about? Injured, possibly seriously, by his scrap with Hugin, Kabu decides to simply come out and say it: the world, the Gadoll, and even his body are manufactured.

Just like that, Natsume’s world is changed forever, and with it the status quo of Deca-Dence. And it was all perfectly set up and executed. Now we await her reaction—and learn whether these revelations end up pushing her sanity past its limits.

Deca-Dence – 08 – Demolishing the Crap Factory

When Kaburagi announces his plan to destroy the Gadoll Factory to his fellow inmates, they think he’s touched. Their cyborg forms are trapped in the underground poop prison; their avatar forms in Deca-Dence have chips that instantly log them out if they touch the shield surrounding the factory.

Well, not every avatar has a chip: Kaburagi’s original avatar doesn’t, so all they have to do is log in and steal it from the avatar deep storage. That means a heist, though if we’re honest the most useful member of his team by far is the sardonic super-hacker Jill.

And what a heist it is! Watching our robot inmate friends in slick human forms with Skittle colors dart around the storage facility just as Hugin responds to a tip that Minato is illegally hoarding the very Kaburagi avatar they’re after.

The speed and complexity of the storage module tracks, their precise timing, and Hugin’s agile menace, combined with how loud and clumsy Sarkozy is being (Turkey has to snap his neck, causing him to log out)—it all conspires to kick the tension up to 11.

Thankfully, Kaburagi and Donatello manage to secure the avatar before it reaches its destination, replacing it with a sex toy that Hugin will let slide as long as Minato “enjoys it alone and in private.”

While Donatello gets the other inmates on board with destroying the poop factory (aided by Jill telling them the poop they clean up is recycled, refined and injected right back into them—a literal toxic cycle) Kaburagi decides to reunite with Natsume and Kurenai in the creepiest way possible: by sidling up to them from behind and reaching out to touch her shoulder.

While the ladies hit him, when they realize who he is they’re both elated. Natsume doesn’t even bring up the fact he left without saying anything, as she knew it had to be something important…and it was: finding the source of the Gadoll.

Just as all avatars with chips cannot cross the factory shield, it will also terminate all Tankers. But since Natsume is a Tanker Bug who is already considered dead, Kabu is confident she’ll be able to pass through with him, which is important, since he can’t bring the factory down alone.

When Kabu brings up the fact it may well be a one-way mission with no guarantee either of them will survive, Natsume urges him to dispense with such talk. She’s not quite the same kid Kaburagi left behind. She’s stronger, wiser, and braver…and she’s coming with him, no matter what. It isn’t even a question.

During their chat, Kabu gets a call from Minato asking to meet him in the prison immediately. Minato has been a good and loyal friend to Kabu, but like Fei with Natsume, had placed limits on how far that friendship can go. Like Fei wanted things to stay the same, Minato wanted Kabu to keep his head down. Threatening to blow up the Gadoll Factory and bringing down the entire system…ain’t that.

He’ll admit he wasn’t following a command of the system when he saved and helped Kabu, but that’s one thing; destroying the system is another. Whether due to the privilege of his position, emotional distance from the human beings in the Tank, or effective conditioning from the system (or all three), Minato believes there must be a system for there to be order.

Where did freedom for all get humanity? Bought out and treated as livestock by their own creations. Having never met someone like Natsume to transform his way of thinking, or instill a sense of envy for humans’ innate ability to think for themselves and choose their own path, Minato can’t see what Kabu sees. He may not immediately report Kabu, but Minato isn’t a bug.

I’m not sure that’s that—Minato may well change his mind—but Donatello’s sidekick Turkey is already forging his own path, believing Kabu’s plan to be folly and the only option is to make a deal with the authorities and save Kabu and Don “from themselves” as he sees it.

Sarkozy seemingly falls for Turk’s plan, so now Kabu and Natsume will face threats from all directions. No matter; obeying the system is no longer an option, and can no longer be called true living. They’re going to break it or die trying.

Golden Kamuy – 06 – Be Born Again and Hear Pleasant Sounds

No bloodthirsty samurai or touched-in-the-head military commanders this week, just two pairs of hunters pursuing their prey. In Nihei Tetsuzou Tanigaki finds someone who both respects and can relate to his Matagi heritage. When it comes to hunting, he knows his stuff.

Nihei’s also a rude old man obsessed with boners, and nothing makes him more erect than the prospect of killing the one remaining wolf in Japan, considering how clever such a wolf would have to be to escape extinction thus far.

Meanwhile, in those same mountains, Sugimoto and Asirpa continue to track the buck he wounded, but the damn thing manages to have the speed and stamina to force them to give up for the day and seek refuge in a felled tree.

While dining on Nihei’s bear delicacies, Tanigaki decides to toss his cap in the flames, abandoning his military life. While returning home may be difficult, showing up with the head and pelt of a great white wolf will certainly help matters.

Elsewhere, Sugimoto is in perfect position to kill the buck, but freezes when he sees the bloodcicle sticking out of its rump, and sees himself: an immortal beast doing everything it can to stay alive. Sugimoto woke up that morning from a PTSD nightmare, but can help but see his own indomitable spirit staring back at him.

Thankfully, Retar is around to bring the buck down once and for all. Asirpa cuts it open and has Sugimoto place his freezing hands inside its still-steaming warm body. It’s heat is becoming his heat, and when they feast upon its brains and other parts (and wash it down with sake) its death sustains their life.

Nihei and Tanigaki stake out the buck carcess, believing the white wolf will return for the meat, but the next morning they only find its droppings, which Nihei burns to further anger the beast. He gets tantalizingly close to putting a bullet in Retar’s brain, but this time Asirpa and Sugimoto have the wolf’s back, startling it off with an arrow.

With that, Sugimoto the Immortal comes face to face with Nihei, who wishes to become part of the mountains, but only when he’s good and goddamn ready, meaning he’ll put up a hell of a fight before he surrenders his tattoos, especially since his wolf hunt was interrupted.

Prison School – 03

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Three episodes, in, and I’ve been subjected to three sickeningly funny, pants-shittingly good outings by Prison School…and hope is still alive that Kiyoshi will have his date! But while there’s plenty of sex and toilet humor, and enormous boobs to be had, there’s also taut, witty dialogue, tremendous voice performances, and a solid narrative replete with “cause and effect” situations. And holes. Lots of holes.

Cause: the guys peep on the girls. Effect: they’re thrown in Prison School. Cause: Kiyoshi escapes the scorn of his sweetheart. Effect: the date is still on, he just needs to break out. Cause: Kirihara also has a secret he needs to conceal. Effect: Kiyoshi’s Plan A fails, and he’s forced to move to a more daring Plan B.

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But those are just the main plot points. There’s also the fact that Shingo, Andre, and Joe start getting suspicious when Kiyoshi and Gakuto start spending so much time together, while they start to suspect Shingo is on to their escape plan. Then Shingo catches them in the shower in a couple of very compromising (but ultimately innocent) positions, giving Shingo the idea that his two friends have begun a physical relationship. And while his initial reaction is shock and horror, he accepts Kiyoshi for who he is. What a nice friend!

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As for the holes I mentioned, a change in their duties the day of his date means Kiyoshi must find an alternate covert route to his hole in the wall, so he uses a drainage channel. While hiding there, he comes across an even smaller hole, through which he can watch Shiraki doing Hindu squats, as is her wont, from the most favorable possible angle.

But again cause and effect rear their ugly heads: due to his position, when Shiraki’s stiletto slips and falls through a hole, it goes right into Kiyoshi’s hole. The resulting blood makes his friends, who’ve been told about him and Gakuto by Shingo, think he pitches as well as catches. But Shingo makes the excuse to Shiraki that Kiyoshi has hemorrhoids.

That segues nicely into Gakuto’s revised plan for Kiyoshi to escape: using an audio recorder with sounds of flatulance to serve as a diversion for Kiyoshi while he’s away. Only their internet access is restricted, so he must record those sounds himself.

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The Three Kingdoms-obsessed Gakuto is always extremely formal and archaic in his speech patterns and vocabulary, so when he and Kiyoshi discuss the pros and cons of what he’s about to do, it’s given all the pomp and heft of a far nobler venture than intentionally shitting oneself in computer class. Yet Gakuto sells the ever-loving shit out of it, cutting loose and producing the necessary audio to aid Kiyoshi—who is, after all, getting him his ultra-rare 3K figures.

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Cause and Effect strike again, when a weak-willed Kurihara, having dug up the booty pics he buried, re-buries them in concrete, he also patches up Kiyoshi’s escape hole. But Kiyoshi doesn’t despair long; he decides he’ll break out by dressing as a girl (snatching a uniform from the laundry truck that will come Friday) and walking out the front gate with the other girls. This is a very old, very stupid bit, but I have full confidence in Prison School to put its unique mark on it when the time comes.

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That confidence is even further buoyed by the final dramatic set piece of the episode, a masterpiece of movement, timing, and ecchiness. Gakuto, who seems a little more weary of Kiyoshi’s chances of success, seemingly goes nuts when he’s supposed to lay low, getting up in Shiraki’s crotch, being smothered in her bust, and finally pulling down President Mari’s skirt. What is his deal…has he lost it? Or is this another plan? Is he creating a cause for some intended effect? We shall see, my friends.

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Binbougami ga! – 10

Ichiko takes in an abandoned kitten and names it Fluffy, but she dwells on Momoji’s warning about her hurting those close to her. Ibuki, the toilet god appears, but when he mentions misfortune, she flushes him out of hand. The next day Momijij kidnaps her cat, which she originally planted. Ichiko summons her demon friends, but Momiji uses a “Dayson” to vacuum them up, along with a good amount of her fortune. The gym they met in catches fire. Ibuki arrives to save Fluffy, but accidentally turns her into a Beckoning Cat god which leads Ichiko to safety. Ibuki gives Momiji a necklace with a “keystone” which will prevent her from draining others’ fortune.

This entire episode is an over-complicated scheme by Momiji to slap that keystone on Ichiko. As Poop-god (we’ve seen a lot of poop lately, innit?) Ibuki points out, she could have just asked her if she’d put it on. As the audience, we know that Ichiko is worried about how all the people she’s getting closer to will be affected by her natural ability to sap their fortune. Of course, if she’d simply asked her nicely, without any insults or pretense, she probably would have agreed, and we’d have no episode. (Though we’ll note this episode  is heavily-padded by omake.)

Instead, Momiji takes the long road: planting a cat, hiring Ibuki to go in the house and introduce himself; kidnapping the cat; challenging Ichiko to a duel; foilng her with her latest gadget (which resembles a real Dyson); etc. When Ichiko is trapped in a burning gym, Momiji realizes she may have gone too far, and fortune ends up finding Ichiko in the form of a mistake by Ibuki that turns Fluffy into a friggin’ god. In any case, Ichiko will no longer be draining anyone’s fortune – which seems to go a long way towards Momiji accomplishing her mission of neutralizing that threat.


Rating: 5 (Average)