Kuzu no Honkai – 06

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Hanabi is tired of feeling empty, or that she’s being hollowed out. She wonders more what it’s like to play with peoples emotions; whether it feels as good as Akane makes it seem. She wants to claim everyone who likes her for her own – no mean feat, but she feels like she can’t not try.

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Because Akane doesn’t want Ecchan, Hanabi tries to cut her loose as quickly as possible to avoid complications and ruining their friendship. But Hanabi and Ecchan have already slept together, so their relationship is irrevocably changed.

Not only that, Ecchan won’t let go; she’s not simply giving Hanabi leave to use her, she’s insisting. And because of their bond, she knows Hanabi won’t resist. Indeed, Hanabi considers it just punishment for what she did to Ecchan.

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After recovering from a fever (likely brought on in part from the stress of dealing with all this shit) Hanabi goes into town and bumps into Takeya, the guy she and Mugi saw with Akane. As soon as I realized who it was, I knew some trouble was going to ensue. After all, Hanabi is on a mission to beat Akane at her own game.

I’ll allow the coincidence, because it results in some of the best inner monologue by Hanabi yet; a sometimes disturbing, sometimes hilarious play-by-play commentary of her interactions with Takeya. She starts out with Don’t touch me, don’t get near me, then the light bulb goes off.

Before our eyes and ears, she starts to put in play what Ecchan says Hanabi naturally has: a knack for nabbing guys. It rarely occurs to her that she’s an attractive being, since she doesn’t really trust anyone other than Onii-chan, and her own inner voice despises her.

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When she learns he knows he’s one of many and will “never have [Akane]” to himself, his value to her drops considerably, but not completely. Taking something of Akane’s – particularly someone so into her, is one of her goals, so even though she almost caves and sends Takuya away, she manages to salvage the situation.

Takuya is, for the most part, respectful and keeps his ears open to what Hanabi does and does not want, and agrees they’ll take things slow, and not go all the way their first time.

Hanabi’s closing inner remarks regarding their date are suitably devastating in their frankness, and indicate she might just be getting the hang of this: I’ll pretend with you as much as you want. Then you can fall for a fake version of me.

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Another thing Ecchan said to Hanabi is that there’s nothing wrong with having oneself be the only one who knows one’s true self. Akane doesn’t seem to let anyone else know. After that bit of advice, Hanabi considers whether Akane truly is happy, or is lonely and sad as she, just better at hiding it. There are no true answers to be had, as it should be.

As for Ecchan, she acts against Hanabi x Mugi, planting in his head the possibility that Hanabi is still “cheating” on him with another guy. Hanabi never told Mugi who she slept with, and actually is popular with the guys, so Mugi has no problem letting that seed sprout suspicion in his head. Ecchan is still very much gunning for Hanabi.

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Well now, that’s a pretty apt subtitle there! I was beginning to think Kuzu had forgotten about Moca. But then, Kuzu doesn’t do anything by accident. After a slightly jarring introduction in which we kind of had our fill of her, the show wisely kept her away, knowing her extended absence would be noted, and increasing the drama when she suddenly shows up at the end of this episode.

Moca gets to the point, with honesty and forthrightness that seems to tick Mugi off, calling it “unexciting” in his head. Moca probably doesn’t even know who Ecchan is, but inadvertently benefits from the doubt she planted in Mugi’s head, adding water and fertilizer to the sprout by telling him Hanabi doesn’t really want him.

Then fruit is borne: Mugi asks Moca on a date. If Hanabi can have her something on the side, why can’t he?

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The episode closes with Hanabi stringing Takeya along via text (I love her fireworks avatar, as that’s what her name means), continuing to play the field, her bedroom window open to the Summer night, the night before vacation starts.

It’s a long way from being feverish, under the covers, and completely at a loss for what to do or who she is. Hanabi is now on a mission, and her date with Takuya gave her confidence. She just looks more with it, even if she still very little to no idea what she’s doing, but I think that’s part of what she’s learning: you’re only as weak as you look to others.

Like Moca with Mugi or Ecchan with her, she also seems to understand that persistence is necessary to achieve her goal of beating Akane. She can’t stop; if she does, she’s back in bed, back in her head; empty, hollowed out, alone again. She’s only lost if she stops and thinks about where she is or isn’t.

She’s still certainly no match for Akane yet, but good God, imagine if she becomes a match…or even surpasses Miss Minagawa? As Ecchan says (and Mugi agrees), what makes Hanabi great is her “danger.” It should be an interesting Summer.

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Kuzu no Honkai – 05

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Hana believes Kanai has abandoned her, so seeks her “safe space”—or at least a space where she feels she belongs and doesn’t feel the weight of life crushing her—elsewhere. When Ecchan turns to face her in bed, Hana sees Akane for a moment. Akane seems to enjoy taking advantage of men.

Hana doesn’t seem to enjoy what transpired with her and Ecchan. Hana doesn’t seem to be sure what she likes or wants, which must make Akane’s apparent certainty and staunch confidence all the more vexing.

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Last week was light on Mugi, but he returns to the forefront with the revelation he’s known about Akane’s dalliances since he was dating senpai, who he only realizes now might’ve bitten his ear out of jealousy.

He still has her number; she shows up for a booty call, from his perspective almost out of obligation, as she was the one who popped his cherry. According to her, it’s the first time they did it when he wanted to, but she still doesn’t spend the night at the love hotel with him, considering them even.

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Like Hana with Ecchan, Mugi seems unfulfilled and insufficiently stimulated by his encounter with his senpai. After a period of him and Hana drifitng apart, one day on the roof they come back together. Hana can tell Mugi slept with someone else, and he can tell she did too.

They did it for the same reason: to test if they really needed each other, or if they could get what they needed elsewhere. The results weren’t as conclusive as either had likely hoped. Hana’s thoughts say they’re both terrible. I just think they’re both profoundly lonely and unhappy.

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Shift to Akane’s POV, as she grudgingly asks Kanai out, despite the fact he’s super-boring to her. That boring-ness continues throughout most of their date, until she drinks too many to compensate and he catches her before she falls in the street, accidentally calling her “Hana-chan.”…“-chan.”

Those words, not the catch, are the first things that get Akane interested. When she gets him in a room, and he asks permission, she brings up Hana as an object of envy, and he responds by kissing her and getting things started. Too easy says Akane. Indeed. The implication is, when things are too easy for Akane, watch out.

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Hana decides she wants to have sex with Mugi at his place. He has reservations, but he can’t deny her beauty, her honesty, the directness of her gaze, and her “hysteric, fickle, recklessly egocentric remarks.” So the two of them decide to break the rules of their arrangement and do something that could upset the uneasy balance that had been maintained.

But it’s Hana’s first time, and it hurts, so they stop. She’s not into it at all, but is still frustrated they can’t do it. Mugi thinks it’s because she doesn’t really love him. Just saying she loves him doesn’t work, and then Mugi insults her. The mood ruined, she gets dressed and leaves.

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Mugi sleeps alone, frustrated and depressed. Hana sleeps alone, frustrated and depressed. She wants to sleep with someone. She wants to fill the void of loneliness, but nothing is currently working, and it’s becoming unbearable.

Akane almost seems to sense her frustration, because the next day at school she walks past Hana to twist the knife, reporting on her conquest of Kanai. Ice. Cold.

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Kuzu no Honkai – 04

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Whew…well that was a properly intense episode. In it, we finally enter the head of Minagawa Akane and find out what makes her tick and what she says gives her joy in life: being desired by men. She started back when she was in school, stealing away her best friend’s crush even though she didn’t even like the guy.

Indeed, she’s only interested in guys other girls desire; it’s how she gauges their value. It’s as if she only derides pleasure from her contact with men if she knows it’s pleasure being taken from other women; depriving them of it.

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Her latest victim is Hanabi, but what’s so insidious is that like her best friend’s crush, Akane wouldn’t even care about Kanai if Hanabi didn’t love him. Hanabi is unknowingly fueling her own despair by making it so clear to Akane that she’s into Onii-san. It makes Akane the villain – if you’re rooting for Hanabi. On the other hand, if you’re rooting for the one person who seems to be confident in what they’re doing, Akane’s your girl.

Akane believes it’s Hanabi’s own fault she’s in her predicament, but not because Hanabi has never gathered the stones to confess to Kanai, but because Hanabi should be on same side of this game. She kinda already is; Moca essentially feels for Mugi (whom Hanabi has) what Hanabi feels for Onii-san (whom Akane has). Akane’s become quite adept at taking full advantage of the situation, but Hanabi seems to lack the will.

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We’re then thrust out of Akane’s head and into Kanai’s for the first time, and while I didn’t quite fathom the scope of Akane’s true personality before it was unveiled to us, Kanai is pretty much what I expected.

Kanai is normal, boring, and enough of a romantic to throw caution to the wind when someone like Akane appears in his life, even though a part of him knows (and is correct that) she’s too good to be true.

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Demonstrating how experienced she is at this kind of thing, Akane executes a perfect reenactment of the way she hurt her friend when she separately tells both Kanai and Hanabi to be in the music room after school, then lets Kanai do the rest, confessing to an utterly disinterested Akane as Hanabi watches helplessly.

Akane’s eyes narrow and turn to see Hanabi, and then the episode fades to black in a spine-chilling close to Akane’s half of the episode. This show excels at many things, but it’s particularly good at transitioning from one “soliloquy” to another and keeping the flow moving. The fantastic score and cinematography pulls you into its dark soup of an atmosphere and makes it impossible to break free.

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And we’re only halfway through! Good lord, the first half felt like a complete, and amazing, episode. Thankfully, it isn’t all downhill from here. In fact, Akane’s actions drive those of Hanabi, the main POV of the second half. They drive her to finally emulate the one who hurt her.

I’m not talking about getting hot and heavy with Mugi again, to Moca’s dismay. Seeking comfort from Mugi wouldn’t be possible without telling him what she knows about Akane (the poor bastard). So she heads home alone, in tatters, then realizes she’s been followed…by Ecchan.

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Ecchan still wants Hanabi…very much so. So when Hanabi, in tatters, impulsively embraces Ecchan, then worries how it will feel to her, Ecchan assures her it’s all good. Hanabi this way is better than no Hanabi at all. Besides, Ecchan, makes no apologies for taking what she can when the opportunity arises, almost as payment for the pain Hanabi’s caused her to that point.

As they start having sex, Hanabi finds herself in an Onii-chan fantasy, but it’s soon broken by her waking senses making her see, smell, taste and touch Ecchan, and only Ecchan. Ecchan is ready to stop at any time, but Hanabi won’t tell her to, so she doesn’t. Ecchan wants Hanabi to be filled with her, and Hanabi lets her fill her void.

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The experience, however, leaves Hanabi cold and alone, walking home in the rain, with only her force ghost as company, taunting her for destroying a friendship, notifying her that she’s actively taken advantage of someone’s feelings for the first time, and congratulating her for being scum just like Akane.

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Her force ghost doesn’t tell her anything she doesn’t already know, it is her who is talking to her, after all. She’s having a conversation in her head, and the fact this part of her is mocking her means that she is no match whatsoever for Akane right now. But she wants to be a match, and she’s going to work towards it with everything she’s got. Dark shoujo.

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In one last scene, Hanabi confronts Akane openly about being loved by people she doesn’t even like, and how it can be so fun for her. Akane’s response? There is no greater feeling than being desired by men. Whether she likes them or not is irrelevant, as long as they’re liked, preferably loved, by someone.

It’s a “get with the program” kind of line; one suspects if Hanabi somehow fell out of love with Kanai there’d be nothing left of him to interest Akane. You can have it like i have it, she seems to be telling Hanabi, as long as you’re able to redirect your energies.

Indeed, Hanabi already started with Ecchan, but if she’s serious about wanting to be a match for Akane, she’s got her work cut out for her. And I’m not saying she should! Shit’s already pretty damn heavy. Everyone has their limits. She may just not be cut out for it.

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Kuzu no Honkai – 03

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Just as Moca has a legitimate reason for loving Mugi (they’ve known each other a long time), Ecchan has one as well: Hanabi saved her from being assaulted on the train. When she ends up sharing Hanabi’s bed, Ecchan isn’t planning to do anything, but she just can’t hold back, and takes a gamble…one that doesn’t work out.

Hanabi thinks Ecchan is pretty, and she clearly values her as a friend, but when things get physical…it just doesn’t feel right for Hanabi, and not just because Ecchan is a girl. There’s a heavy weight she feels from being the object of Ecchan’s desires, accompanied by an acute, paralyzing fear.

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We learn a little more about what sent Mugi head over heels in love with his tutor Akane; he had his cherry popped by a beautiful senpai who later dumps him and breaks his heart. There’s every indication the girl he was with treated their fling as just a fling: casual, secret, fun while it lasted. Then she moved on.

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We see this unfold in what turns out to be a sexy dream Mugi wakes up from with an erection, just when Hanabi sneaks into his room for some contact. He initially stops her from touching him, worried he won’t be able to stop if they cross that line, but Hanabi doesn’t want him to stop, so she continues.

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Just as he was once so inexperience with his first, Mugi no doubt sees a little of himself in Hanabi’s inexperience, but after she expresses a bit of smugness, she starts to tear up, because she’s realized something: what she gets from Mugi she can’t just get from anyone. She didn’t get it from Ecchan, whom she was too scared to touch. Mugi is different.

Then and there, he’s someone she can see falling in love with, even if he isn’t Onii-san. After all, if she came on to Onii-san, who’s to say he wouldn’t feel the same tense, uncomfortable weight she felt from Ecchan? This is Hanabi taking stock of what she has in Mugi and thinking about her best interests.

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Later that night Mugi and Hanabi go to a family restaurant for dinner, and who do they run into but Akane-senpai, with a young-looking guy who definitely isn’t her brother who is really into him. Talk about awkward. Akane tries to be friendly, but the guy drags her away, clearly eager to continue their evening unfettered by her “students.”

The next day, Mugi tells Hanabi he recognized the guy as another student she’s tutoring. It’s all too clear he was more than that. Hanabi can’t believe how blind love makes Mugi, and is frustrated they don’t see things like this the same way, to the point she worries they weren’t as close as she thought.

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But then she realizes of course they’re not that close, at least not yet: their relationship, such as it is, has only just begun, and both of them agreed at the start they’d see other people in each other. Seeing Akane out in public with a different guy threw that plan into chaos for Hanabi.

She decides what she’s feeling now is something approaching hatred for Akane, which isn’t allayed by their brief, uneasy encounter in the schoolyard. Hanabi asks Akane (still wearing the same clothes from last night) if that guy was her boyfriend; she said it was just a friend, and that they can talk about it later. Assuming neither of them want Onii-san to find out about them being with other guys, Hanabi contemplates her next move as Akane, her back turned to her, cracks a wry, knowing smile.

Kuzu continues to excel with its serious, weighty but deft internal drama (not of the melo- variety) and quietly steamy scenes of sensuality (one of which ends with the mundane practicality of having to wash dirty clothes). We’re with Hanabi and Mugi all the way as they endure and explore their pain and pleasure; their playfulness and despair; their confusion and their revelations.

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Kuzu no Honkai – 02

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Just as Hanabi and Mugi are getting acclimated as a kinda-sorta-couple, Kuzu no Honkai throws a couple of wrenches into the works: namely, alternate love interests for both of them in the persons of Ecchan (Hanabi’s only female friend) and Moca (Mugi’s childhood friend).

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Hanabi makes it clear to Moca that Mugi is hers and she isn’t into sharing. Possessive or not, it’s logical for her to suggest Mugi gently reject Moca, but because both of them are in situations of unrequited love, it’s also not strange to see him hesitating.

That being said, there are already signs that Hanabi sees Mugi as more than just an onii-chan replacement; she even calls him Mugi when he starts to make out with her. The rules of their “arrangement” are being bent this quickly, what hope to they have of not falling for each other?

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Hanabi never having the slightest opening with onii-chan, nor Mugi with Akane, certainly makes being a couple together more mutually comforting. Mugi is starting to feel like a boyfriend, and she doesn’t hate that.

When she interacts with other girls who ask her for love advice, they seem to be simply playing around, compared to what she and Mugi are up against. They laugh off her talk of liking someone so much it hurts, so she can’t take them seriously from that point on.

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Hanabi decides she wants a girls-only night with her only friend Ecchan; little does she know Ecchan is harboring a crush on her; one we see her acting on despite herself as the night fast-forwards to Ecchan kissing Hanabi in bed. As if things weren’t already complicated enough, eh…

Kuzu no Honkai continues to be a moody, intriguing drama, wading into the murky swamp of infatuation and longing, and punctuated by sudden moments of intimate contact. Moca seems like she belongs in a different show so far, but Ecchan is more promising, if for no other reason than she completely blindsides Hanabi.

As Kuzu nears Nagi no Asukara levels of love polygonage in just its second episode, I’m curious to see how those pursuing their own one-sided loves deal with others pursuing them.

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Sidonia no Kishi 2 – 04

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Sidonia sticks to its strengths—intricate space battles, mayhem, and impending doom, not comedy and romance—with an episode-long epic battle of adernaline-pumping perfection. G550 is gunnin’ for Sidonia, literally. Its kill or be killed, and the episode never lets you forget how thin the line is between life and death.

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Tsumugi uses her man-made kabi claws to bust out of the trap the first wave of Gauna built around her, and in the process she seems to glean the Gauna’s intent for the humans, including her friends. Whether it was just another Gauna biological reflex in response to external stimuli, or a conscious, sentient effort to provoke Tsumugi, she reacts badly,  disobeying everyone’s orders and going on a destructive rampage of every Gauna in sight, despite being heavily damaged herself.

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The deus ex machina has a screw loose, and it informs the overarching peril of the situation rather nicely. What ultimately finally stops her attacks is when Izana tries to go after her and calm her down, and gets heavily damaged in the process. It’s been a little while since pilots I actually knew and cared about turned red on the CIC board, so when it’s Izana’s turn my heart sank into my stomach. Thankfully, Tsumugi gets to Izana and agrees to retreat for now, for her sake.

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The Guardes manage to take out the second wave of Gauna without Tsumugi’s help thanks to a shift to long-range tactics, and then enter ring formation to destroy G550’s core. But even this tactic backfires, as the equatorial trench they create is the perfect aperture for a massive Hyggs cannon the surviving Gauna fuse into.

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Sidonia is huge and slow, so I knew any beam launched at her would have to be somehow prevented outright, blocked, shifted, or absorbed by someone. In another case of the computer displays creating visceral reactions, the amount of red the damage analysis predicts makes it clear if none of those above things happen, it’s Game Over.

Tsumugi manages to deflect the beam enough so it misses Sidonia, but only by a few hundred meters to starboard. At this distance, the mere force emanating from the beam is enough to nearly shake Sidonia to pieces, and alarmingly, all the CIC displays go to static as the shock hits, and it was all I could do to pray those displays wouldn’t go dark, and that breaches wouldn’t occur.

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With G550 charging for another salvo, and both Tsumugi and Izana unaccounted for, Nagate decides to rush in headlong and uses his engine pack as a precision projectile, causing a Death Star-style chain reaction that brings that sweet, sweet sound of Bubble Desintegration. Once again, Nagate one-ups Kunato and emerges the hero.

It’s a costly victory: Nagate and Izana are both found, but Tsumugi is in tatters, and Izana fears she’s dead. They didn’t lose a lot of Guardes, and Sidonia wasn’t seriously damaged and didn’t need to carry out emergency maneuvers, but with Tsumugi’s fate unclear and the Gauna stronger than ever, it’s no longer simply “nice” to have Chimera on their side; it now appears absolutely essential for the battles to come.

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Sidonia no Kishi 2 – 03

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Kobayashi’s coup went off without a hitch, and she immediately changes Sidonia’s course, both literally and figuratively, in a chilling scene that makes it obvious there was no love lost between her and the not-so-Immortals. And yet this doesn’t mark any kind of sea change in the day-to-day operations of the ship, nor do higher-ranking officers like Yutaha have any problem with the new change of leadership. After all, Kobayashi’s bosses never were in the spotlight; it’s hard to mourn their loss. Or maybe Yutaha is simply being pragmatic.

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Either way, big changes in how Sidonia wages war are being implemented, from upgrading the armor of the Type-18 frames, to impregnating Placental Hoshijiro with a human seed, making her Tsugumi’s mommy. I really like the creep-factor this kind of sci-fi body mod/body horror stuff lends to Sidonia’s “world,” one already full of oddities.

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At the same time, this episode doesn’t forget about the sheer majesty of simply floating outside Sidonia. The careful camera placement and motion really sell the idea of how vast space is, and how the terror of that vastness can cause people like Kobayashi to take extreme steps to preserve their tiny civilization.  

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Where Sidonia continues to flail and fail is at comedy, particularly anything involving Nagate seeing naked ladies. All of the careful physics go out the window as they resort to cartoon violence, smashing a heavy metal door into Nagate, who hits the wall hard, and then has the door smash down on him, a sequence that would surely have put him in the hospital.

Like a previous instance in the first season where his face swelled up after getting beaten for a similar transgression, seeing his CG face get bent up here breaks the uncanny valley in a bad way. But most of all, this attempt at lightweight comedy comes off as ham-fisted and obvious, nothing like the expert precision of other areas of the show.

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This is more like it: giving us a glimpse into Yutaha’s spartan quarters gives us a glimpse into her character off-bridge: she dresses down, builds scale models, and tries to keep up with the news. Sure, emergency maneuvers would send most of the contents of her room flying along with her, but those are rare enough.

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While checking the logs of who’s gone to see Tsumugi, Yuhata discovers Nagate and Izana have been occasional visitors. I was expecting some kind of confrontation, but instead Yuhata is merely curious, and the others even invite her to lock hands with them, as they had come to do with Tsugumi (or rather Tsugumi’s balloon “sock puppet” avatar). Tsugumi continues to nicely toe the line between cute and creepy.

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When her sharp eyes spot a 500-core Gauna force heading their way, Kunato requests to intercept it with Tsugumi. Yuhata wants to see how she works in a formation, and so denies the request, but she’s overruled by Kobayashi, who is eager to see the full extent of the chimera’s powers. Perhaps because Kunato wasn’t among those who locked hands (a pilot superstition I’d expect him to shun), things go very wrong when he flies Tsugumi into a Gauna placenta trap. This, after Kunato guaranteed defeating the force would be a cakewalk.

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Two more of Sidonia’s strengths are its thrilling launch sequences and visceral pilot POV shots, both of which contribute to an adrenaline-laced sci-fi spectacle to end the ep. With Tsugumi neutralized, it’s up to the conventional Guardes to avert disaster on the very first leg of Kobayashi’s very possibly ill-conceived new course.

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To that end, all the Guardians that launch—96 in all—lock hands into a ring formation and blast away with authority, which is another Sidonia strength: immensely enticing cliffhangers. The strengths definitely outweighed the weaknesses this week, as they usually do with Sidonia, while building great anticipation for next week’s big battle.

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Sidonia no Kishi 2 – 02

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There’s been some super sketchy stuff going down behind that big KUNATO logo, especially now that Ochiai is in the mix. We see the fruit of his labor in full display this week in the Human-Gauna hybrid “Chimera”, Tsugumi Shiraui.

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The newest enemy Gauna with its “Onion Placenta” is proof the Gauna are not standing still when it comes to developing new weapons with which to attack Sidonia, so it makes sense that the humans should innovate or die. Competing factions among the humans clash over the best way to do this.

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At least here, the ends justify the means, as Tsugumi is able to destroy the enemy Gauna, finishing it off by blasting straight through it. Yuhata and the Guardians are more confused than anything, but it’s Nagate who decides Tsugumi isn’t their enemy, allowing her to do her work unfettered.

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There was probably a better way to sell Tsugumi to the crew than a King Kong-style unveiling, but Kunato has never struck me as being very good at P.R., and the fact he’s now a host for Ochiai made him even worse. Tsugumi is uncommonly courteous and friendly, but when she gets excited upon spotting Nagate in the crowd, her sheer mass shakes the entire assembly hall, scaring the masses and turning them against her.

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Tsugumi is huge and extremely creepy-looking. But in good sci-fi, one can never judge a book by its cover when it comes to aliens who look or act differently from us. Nagate, being the decent sort of chap he is, is willing to keep an open mind, and even visits her at the Kunato lab, convinced she could use some human company, as she is half-human.

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She greets them with a more human-sized but still very alien appendage, and Tsugumi is overcome by glee when Nagate allows her to “touch” him, which she takes as carte blanche to lift both him and Izana up with numerous tentacles and grope them both thoroughly.

But again, it’s not scary, despite the awesome destructive power she’s capable of, because she’s so gosh-darned earnest and adorable. Not sure about the goofy music that announces this is a comedic scene, but whatever.

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As for those factions I mentioned earlier, Kobayashi makes a decisive move against the ruling Immortal Ship Assembly, sending Ochiai’s clone to murder them all, including her would-be replacement, after they vote to impeach her from the captaincy.

While the good old-fashioned acquisition of power is probably a motivating factor, Kobayashi was also diametrically opposed to their defensive posture and refusal to entertain innovations such as Tsugumi. With her and other Chimeras, she’ll be able to take the fight to the Gauna, and presumably start winning the hearts and minds.

Even if she doesn’t manage to achieve the latter (Nagate, for instance doesn’t like how Tsugumi is being forced to fight and kill right out of the proverbial womb) it’s Kobayashi’s ship now, and those who oppose her will do so at their peril.

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Sidonia no Kishi 2 – 01 (First Impressions)

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I was pretty dejected when Sidonia’s second season didn’t air in October as I initially believed, but I’ve been waiting patiently like a good anime blogger for six more months and two seasons. Now the wait is over…and boy, was it worth it.

Sidonia no Kishi: Daikyuu Wakusei Seneki (Battle for Planet Nine) the best premiere of the spring – a rich, soaring, booming, squirming sci-fi masterpiece that lays out a fresh batch of challenges and conflicts for the spacefaring remainder of mankind, already hanging on a string last season.

The cold open mirrors the first season’s, in which a space battle turns out to be a simulation run by Nagate, only this time he’s a decorated veteran putting up a high score for the fresh crop of Guardian recruits to aspire to, even if he doesn’t have any inspiring words to say to them.

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We then cut back to whatever it was Kunato was up to with that big door in the first season finale. Even if it means the end of his family, he opens it and steps inside, and his loyal sister Mozoku follows him. This secret forbidden nook of Sidonia turns out to be Ochiai’s lab, and they’re not alone in there. In quick succession, Mozoku loses a digit, then her head, and Norio’s body is taken over by parasites as a strange, not-quite-human figure looks on. Talk about setting the tone!

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Not too much later, a girl who looks like a white-haired Shizuka in Mozoku’s clothes fumbles with her dinner, apparently still getting used to her body (if they switched heads, her high collar hides the signs). She calls Norio “Ochiai”, and “Norio”, really Ochiai, corrects her. A tentacle slithers in “Mozoku”‘s eye. Just like that, it’s the end of the Kunato siblings as we knew them.

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The transformed pair then visit the lab to inspect Placental Shizuka as representatives of Kunato Corp. As he puts Numi under full-body paralysis with one prick to her cheek, “Norio” also hits her with a dose of anti-human vitriol (calling them naught nothing but filthy insects, far inferior to Gauna, etc.) before giving her a parasite. Things are moving very quickly.

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Meanwhile, we see why Nagate was so distracted at the simulator, and why he isn’t eating much or acknowledging Izana much: he’s having semi-sexy, semi-horrifying dreams about Placental Shizuka, whom he hasn’t seen in some time. When he crosses paths with Norio on an escalator, Norio insists he forget about Shizuka, who is dead, and stop worrying about the placenta that shares her appearance.

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Yuhata steals Nagate from Izana on a day they’re to go on a trip to the shrine, but only to tell him what Norio did: to give up on Placental Shizuka. Possibly out of pity for having to order her friend to do this, she lends him a rocket pack so he can meet up with Izana at the top of the stairs, surprising and delighting her in the process. It’s a great little glimmer of light and hope in an episode steeped in darkness and dread.

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That glimmer doesn’t last long, as the Gauna alert sounds and Battle Stations are ordered. The third-person shot of XO Yuhata entering the CIC as it comes to life with Gauna threat information, is audiovisual perfection.

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So is the battle that commences, though that’s nothing new where Sidonia is concerned. Using a combination of wide, slightly shaky shots and in-cockpit POV shots, all supplemented with maps, schematics, and other digital information, all of which reveals that this latest Gauna is unlike any they’ve fought before.

In addition to being heavily armed, it has dozens of layers of placenta, like an onion, and it looks like the Guardians are simply going to run out of ammo and/or fuel long before they reach the true body. This force Nagate to move dangerously closer in with his all-new, powerful but untested frame to try to take the Gauna out. Ren, who’s been through some stuff with Izana, stays by his side.

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Sidonia also excels at stepping ever so close to the brink of total disaster and destruction, before being pulled back by some last-minute miracle. Usually it’s Nagate who pulls these off, making him the shining new hero, but this time, he can’t do a thing. In fact, when another Gauna appears on radar (or whatever they use) and heads toward Nagate and Ren at 10x the speed of their guardians, it appeared like the Gauna had Sidonia, and humanity, in check.

But then the second Gauna blows the Onion Gauna to kingdom come with one shot. Everyone gawks at this strange Guardian-sized Gauna, which is being piloted by Norio. Look out, Nagate: the guy who always considered you his nemesis is now faster and stronger than you…and he’s not even really Norio anymore.

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As for the reveal that the “Gauna Guardian” he’s piloting has Shizuka’s voice and talks to him like a beloved master, well, this fake Norio also went and stole Nagate’s fake woman, who introduces herself as Shiraui Tsumugi. The shot of the delicate yet frightening-looking Tsumugi floating in space even bears a striking resemblance to the bone/satellite match cut of 2001, lending it a powerful, mythic aura. Move over…everything else: Sidonia is back, and I couldn’t be more thrilled.

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