Cop Craft – 10 – Democracy in Action

On the way to an interview with Coal Mozeleemay, Kei is stopped by the reporter Kevin Randall, but insists he has no comment. In their meeting with Coal (definitely awkward due to his last encounter with Tilarna), he has no comment either, as his wife Marla handles all the questions, confirming to Tilarna that he’s no leader.

Turns out he’ll never have a chance to prove Tilarna wrong, as he’s shot during a speech. Kei pares down 92 potential suspects in the crowd down to three by eliminating anyone not acting like an assassin would, showing Tilarna that Kei’s pretty good at this detective stuff when all’s said and done.

Unfortunately for both of them, the black suit-wearing culprit won’t surrender or come with them without a lengthy chase, during which he demonstrates superhuman speed, agility, strength, and an uncanny ability to shrug off multiple gunshot wounds.

Again predicting he’d require more agility than a full-size car, Kei commandeers a tiny, quirky Messerschmitt KR200, which is naturally abused and badly damaged in the dust-up with the perp.

Kei and Tilarna have no choice but to put the guy down by whatever means, but before he dies, his appearance completely changes, revealing he wasn’t Semanian at all, but a human soldier using Semani magic. His gun was also disguised as a camera, made of ridiculously precise Vaifaht steel Tilarna claims even the best smiths back home couldn’t come close to creating.

So on one hand we have two dead candidates, and the only one left standing is in favor of kicking out all “aliens,” and on the other you have a highly-trained human soldier using immensely sophisticated magics in order to make it look like a Semanian killed his own.

Chief Zimmer instructs Kei and Tilarna to interview Tourte next; we’ll see if he knows anything about this apparent human-led conspiracy to make him the next mayor, which could well lead to the expulsion of all Semanians, many of whom might not go without a fight—either legal or physical.

Meanwhile all these murders of candidates have the public on edge, and well-organized anti-Semani demonstrations are already underway. Whether they popped up organically due to fear or something arranged by pro-Tourte partisans, we shall see, but in the meantime Kei urges Tilarna to keep her cool, even if what’s going on is both unjust and undemocratic.

Advertisements

Cop Craft – 09 – The Cat’s Out of the (Garbage) Bag

As silly as I thought the Tilarna-Kuroi body swap is, if you ever find yourself in such a pinch, it helps to have a competent friend in Cecil Epps. Having missed the trash pickup, she calls the waste management company, and when they stonewall her, she plays the police card to get access.

Once at the processing center they find the exact truck that took the bag containing the crossbow, but they’re a little too late and it ends up the proverbial needle in a trash mountain. Still, they’ve narrowed down the location enough for Tilarna to go in and attempt to sense the crossbow’s latena, which she does.

Unfortunately, Tilarna-cat’s lack of thumbs means the crossbow ends up destroyed on the trash conveyor. But the good news is, destroying the artifact reverses the spell, and Tilarna returns to her own body, right when the smuggler has broken in and is trying to get her to cough up the crossbow.

Tilarna allows herself a few moments to jump for joy over getting her body back (as we all would), but the intruder saw her butt and everything else below the waist, so she beats the crap out of him, only sparing his life when Kei arrives, having been briefed by Cecil.

All’s well that ends well, though Tilarna would prefer if Kei were a little more upset about another man seeing her naked, again underscoring their…complex relationship.

With the body swap reversed, the episode trades Tilarna’s lack of pants for a school swimsuit, as Zimmer’s entire unit has a summer cookout at his place. It’s nice to see everyone unwinding after some hard cases—and for Kei’s extreme food snobbishness and bossiness exposed…honestly, he’s almost as bad as Zane!

The fun and relaxation is cut short when there’s breaking news report on the TV: mayoral candidate Nathan Kahns has been shot and killed. They determine the culprit, who had no criminal record, was being controlled by a wizard, possibly Zelada. With the “compromise” candidate in Kahns out, that leaves the Semanian Mozeleemay and the far-right Tourte, who wants to banish all Semanians.

That means this case will have long-term ramifications for all of San Teresa that could threaten the future of human-Semanian coexistance. There’s a small but telling example of the insidious ethnic strife inherent in this case when a beat cop calls a passing Tilarna a “damn alien” under his breath.

Kei hears that, and aggressively defends Tilarna, who is both embarrassed and grateful that Kei did it. Kei’s explanation about how it’s not the same when he uses slurs like “alien” (because it comes from familiarity and not hate) isn’t the strongest, but it is realistic behavior. But Tilarna may find herself turning the other cheek a lot more as they dig into this sensitive case.

Cop Craft – 08 – Meow What?!

After a really heartfelt and powerful episode in which Tilarna made and then promptly lost a friend, Cop Craft takes a week off—to be charitable—with an episode that’s little more than a vehicle for showing as much Tilarna fanservice as possible.

After Tilarna fells a small prop plane, scoring them a crate full of junk that vaguely smells of latena, Kei uses the bath first, then leaves Tilly to analyze the trinkets on her own, with only Kuroi to keep her company.

Kuroi gets a little crazy and starts running around, Tilarna gets stuck by a tiny crossbow bolt, and she and the cat switch bodies. Kei doesn’t pick up on this, only that Tilarna must be sick or something since he wakes up with her in his bed, scantily clad, and about to rub her face against his when the cat—actually Tilarna—comes between them. Kei lets who he thinks is Tilarna to sleep in, but he’s got shit to do, so heads off.

Tilarna manages to text Cecil, who arrives to find a huge mess, Tilarna missing pants, and a cat nodding and texting her. The crossbow just happened to slide into a trash can, and Kei is fastidious enough to take out said trash, so Cecil and Tilarna have to chase it down, but not before Tilkuroi tackles Cecil and knocks her out, further slowing them down.

Meanwhile Kei, seeking O’Neill, walks in on the aftermath of an epic party involving prostitutes, a goat, and habanero sauce, but which is neither here nor there. Honestly, this entire episode felt like it was on hallucinogens and a sedative that ground every action to a halt in an effort to make this a two-parter for some reason. That’s what’s most frustrating: shows can have the odd bad week, but this tomfoolery isn’t even over yet…

Cop Craft – 07 – Keep Your Friends Close

Tilarna and Kei suddenly find themselves deep in the world of vice and political intrigue, as Tilarna serves as bait for a john at a high-end brothel, and they end up arresting Cole Mozeleemay, a powerful Semanian politician running for mayor of San Teresa. While Cole didn’t get far at all with Tilarna before Kei and the cops take the hotel room, the fact he touched her hair is enough to make her upset Kei didn’t bust in sooner.

Mozeleemay very publicly asserts his innocence to the press (gaslighting them in the process), while his ambitious politician’s wife commits to helping him get through this (but that doesn’t mean he can touch her). Tilarna is as expected disgusted by Earth’s slow, plodding brand of justice, especially when even that kind tends to slow even more when a powerful person is involved.

All Kei tells her is that this is the way it is, and that she’s going to have to resign herself to that, as he has over the years. She needs a friend—someone other than Kei—and is comforted when she has a chance encounter with Zoey, the woman who was kind to her at the brothel, and who is also an amateur photographer.

Zoey actually needs help moving after the police raid, and Tilarna, being nice, helps out. Knights may be solitary by nature, but the more Tilarna hangs out with Kei, the more used to relationships she gets. Her need for female companionship must have been stronger than ever considering what she went through and how Zoey (unlike, say, Cecil) can relate to the life.

Tilarna and Zoey become fast friends over their brief time together, and Kei just happens to return to the spot where they split up to pick her up later that night. She’s also enchanted by Zoey’s photography. They continue to hang out despite Kei’s warnings not to get too involved with people they’re investigating (Zoey believes Tilarna is merely a rich runaway).

Meanwhile, the already-tenuous solicitation case against Mozeleemay takes another blow when a list of the club’s clients is leaked to the media. Some of the names are real and some are fake, creating more reasonable doubt for Mozeleemay’s lawyers to use in his defense.

We learn that Zoey is the one who provided Mozeleemay with the list, in exchange for enough cash to afford the gorgeous apartment with an ocean view. Mozeleemay shows his true colors once more when he offers extra pay for a quick trick, but Zoey spurns him. Mozeleemay’s wife, who is following him, spots Zoey exiting his car.

Tilarna, increasingly distraught over the increasing possibility she went undercover and endured what she did for no good reason, brings up the possibility of an employee at the club being the leaker. Jamie shows them the video stills of everyone who accessed the list, and sure enough, Zoey’s photo sticks out.

She goes to Zoey’s place immediately to confront her. Zoey doesn’t answer the door and Tilarna prepares for the worse by drawing her sword, only for Zoey to ambush her…with her camera. She has a photo canvas for Tilarna as a gift for helping her move, but Tilarna is all business, and starts with the accusations. Zoey denies, then asks if Tilarna is a cop, and Tilarna can’t lie.

Then, as the two stand almost back-to-back in front of those huge ocean view windows, a bullet strikes Zoey in the chest, then a hail of bullets shatter the windows as the women hit the deck. Kei, providing backup for Tilarna, manages to shoot one of the two assassins, but he says nothing about who sent him before passing out.

That night, as he watches the news about himself, Mozeleemay gets word that Zoey was shot, and relays the message to his wife when she comes in the room, and noting how it could help him beat the charge. Then he realizes his wife was the one who arranged the hit. She denies it, of course, but taking his hand in hers, tells him he shouldn’t worry about such things—the implication being his job is to win the election; nothing more.

Zoey’s final words to Tilarna before passing out express her disappointment in having been betrayed by someone she thought was a friend. There’s not enough time for Tilarna to explain the complex circumstances, and how she considered Zoey a good friend too. Kei is by her side at the hospital when she learns Zoey has died, and upon returning to her apartment, unwraps the photo Zoey gave her as a gift: a behind-the-back of Tilarna beaming in the sunset. Tilarna takes Zoey’s camera as a memento.

It’s as heartbreaking and poignant as Cop Craft has dared to get so far, and really makes me feel for poor Tilarna. While she’s no fool, she is young, inexperienced, and naive. And Zoey was right when she said Tilarna can’t understand the difficulty of lowborn Semanians trying to go straight in San Teresa. Adding ironic insult to injury, the self-proclaimed advocate of Semanians like her is…Cole Mozeleemay.

Yet look at what he allowed to happen to someone like Zoey, just because he couldn’t keep it in his goddamn pants. I want Tilarna to get revenge, but I don’t want her to get in trouble. At the same time, I don’t want her to suffer the unique turmoil that comes from being perpetually unable to do what is right and just in a world where justice is whatever the most rich and powerful say it is.

As far as Tilarna and Kei’s partnership friendship may have come, Earth still feels like a place that will only continue to eat away at her pure and virtuous soul…as it has already done to him. How can a place like that—which gave her a new older sister then took her away just as fast—ever feel like a home?

Zankyou no Terror – 10

znt101

Twelve deals with the guilt of betraying Nine, while trying to have fun with Lisa. Nine rolls the dice and surrenders to the police. Five makes one last desperate grasp at Nine, who “belongs to her.”

znt102

Shibazaki comes face to face with Shunzo Mamiya, who orchestrated the Athena Project and the investigation of whom led to his demotion. An atomic bomb is released into the sky, to go off at 10pm. This episode isn’t messing around, expertly setting up the endgame.

znt103

Interestingly, this episode is Five’s last. For those of you who tired of her relatively petty and nebulous vendetta and terrible English, rejoice, for she ends up doing herself in. Physically deteriorating, she senses the end is near, and after a harrowing chase and crossing the line with her American handlers, all that’s left to do on that highway is thank Nine for being the reason she stayed alive this long at all; to pursue him.

znt104

She has him in her sight, but doesn’t pull the trigger, knowing she’s been beaten. Instead, she gives Nine a chaste parting kiss and ignites the pool of gasoline she’s standing in. This explosion was brought to you by the number Five.

znt105

With Five now gone, all that’s left is for Nine to expose Athena to the world, if that was indeed his plan. The only problem is, the press conference he demanded the police allow him to hold is interrupted by Five’s meddling, and the atomic bomb is loosed, unable to be stopped by anyone.

znt107

While meeting with Shunzo, who was convinced the spirit of Japan was “that of a loser, without a shred of dignity”, and thus pushed forward with Athena, Shibazaki can fathom the scale of the backlash, which looks tenuously close to being realized.

znt106

In his final broadcast, transmitted automatically when Nine doesn’t get to the Hyatt at 8:00 PM, Sphinx One warns that nothing can stop the bomb. If he’s right, then we’re in for a catastrophe in the finale. But I’m not entirely convinced he’s not bluffing at this point.

znt108

I’m not even sure his entire plan from the start was to draw out Five so that she could, well, finish herself off. Also, Twelve even ends up redeeming himself somewhat by interfering in Five’s pursuit of Nine, and I like how he does so on Lisa’s urging, telling him how happy she was when he saved her, and how Nine will probably feel the same way. Five may be gone, but there’s a lot left to sort out.

9_brav

Zankyou no Terror – 09

znt92

Betray your brother, run away, or die with the girl he’s come to care for. The day Twelve had been dreading, when things go bad and he has to make an impossible choice, arrives much earlier than he probably hoped. With a ton of bombs strapped to her and not enough time to defuse them, Twelve ultimately makes a choice based on where he is there and then. Giving up the location doesn’t mean Nine’s certain death, just the destruction of their alliance (in all likelihood) and the jeopardizing of their grand scheme.

znt93

But with Lisa sitting there—covered with bombs, initially trembling with fear; but after comforting words, becomes calm and accepting of her impending death—there’s no choice. Twelve can’t let her die. If he could give his life to save hers, he probably would have, but that wasn’t one of the options Five gave him. I must say, Five really did make good use of Lisa, and I’m alternating between the great risk she took and the reality that Twelve had already demonstrated to her that he would do anything to protect her, even sell out Nine.

znt95

But despite being fairly certain, as Five was, that Twelve and Lisa weren’t going to blow up, did nothing to deflate the raw, horrifying, virtuoso tension of that Ferris Wheel scene. Yes, Ferris Wheels are a goofily poetic place to stage such a scene—as they’re supposed to be a place where joy is experienced, rather than despair (Deadman Wonderland FTW)—but the music sells the shit out of it, as does the animation of the characters’ faces. Not to mention, with two episodes left, it’s not impossible for them to die now—just highly unlikely. I’m glad they didn’t.

znt91

This episode’s awesome continues as Shibazaki and Hamura pay a visit to Aoki, one of the researchers who participated in Project Athena, in which human pharmacological experimentation was performed on 26 numbered orphan test subjects, with the goal of synthesizing an artificial “savant syndrome”; an exercise in eugenics that went far beyond the pale of any acceptable human conduct. Aoki gives a weak “Befehl ist Befehl” defense, but he knows he’s a monster; in fact, he’s glad someone came so he could make his confession before he died.

znt94

What brings everything together isn’t just that Shibazaki is now aware of Twelve and Nine’s past, and that they have a very good reason to be pissed off; nor is it merely the fact that Twelve and Nine didn’t steal plutonium, but an experimental and probably highly destructive nuclear weapon. No, it’s that the one who gave Aoki his marching orders to poke and prod helpless kids to death, was none other than the politician who Shibazaki came so very close to bagging before he was demoted for peering to deeply into the abyss.

znt96

Shibazaki can add thus add this to his heavy satchel of regrets: all those years ago, he might’ve had an opportunity, however small, to expose and put an end to Athena, had he rejected his demotion, gone rogue, and continued his investigation outside the law, as he is doing now. How far will he go this time? How far will the powers that be let him? It’s also implied from talk of “being out of time” and Five collapsing, that the remaining three subjects wont live much longer, even if they put aside their troubles. Now I’m thinking maybe Lisa outlives everyone else.

9_brav