The aquatope on white sand – 05 – We only have august

Fuuka’s mom arrives, but she’s not a bitch, nor a force of nature. If anything, she’s apologetic towards Kukuru’s gramps for making him board a stranger for so long, and ashamed by how long she didn’t know where her child was. Despite her stern look that served as last week’s cliffhanger, she is someone whose position you can totally understand and respect. there’s no “bad guy” here.

That being said, Fuuka’s mom’s initial position is quite clear-cut: Fuuka is to come home to Iwate with her at once. Fuuka isn’t ready, so Kukuru and Kai aid her escape. Her mom could turn the corner at any moment, so they have to act fast—so fast, there’s no time for a proper goodbye between two friends who have only just begun to know each other.

Fuuka replicates the long, hot, sweaty walk she made upon first arriving there, making her wonder if she’s ended up right where she started. The major difference is, a friendly stranger in Karin saved her the first time; this time, she seeks refuge at Udon-chan’s family diner. Udon serves her up a quick and tasty lunch, along with this excellent nugget. When you’re busy, you don’t have time to think about things that don’t matter

Also, Udon’s mom is the fortune teller who told Fuuka she’d make a fated encounter. But that can be said not just of Kukuru, but the Gama Gama Aquarium, as well as the first creature she connected with: the shy little coral blinny. Udon’s mom offers to drive Fuuka to a free room in Haha, but when she remembers the blinny wasn’t looking so swell last time she saw it, she suddenly asks Udon’s mom to turn around and head back.

Unfortunately, Fuuka is too late, and Kukuru admits that when you’re dealing with living things every day, eventually you’re going to have to deal with death. As soon as she first remembered the little guy while in the car, I was just as emotionally invested in the poor doomed blinny as Fuuka was, resulting in this episode’s Goddamn Tearjerker status.

Fuuka’s mom happens to come into the back room just as her daughter is cleaning out the blinny’s tank, looking both pained and diligent. Kukuru steps up to the plate to tell Fuuka’s mom how much Fuuka means to her and the aquarium, but Fuuka stops her, and tells her mother directly that she wants to stay. Having been charmed by this place and its warm and generous people and seeing that Fuuka is serious, her mom agrees…but only until the school year starts in September.

Fuuka’s mom spends the night, lamenting at dinner to Kukuru’s grandparents how between Fuuka going off to be an idol and now, she’s barely been able to be a mother. Udon’s mom says letting a child go when they’re old enough is part of a parent’s job, while Kukuru’s grandparents assure her that everything will work out…even as the shrine of their daughter, Kukuru’s mother, sits in the corner.

Fuuka and her mom end up having a nice mother-daughter moment later that night as they sleep in adjacent futons, with her mom admitting she looked pretty good in those red boots. So the immediate threat of Fuuka and Kukuru being separated has passed, but they only have one month to achieve Kukuru’s dream (not to mention be together). I wonder if the remaining nineteen episodes will cover only that August, or the months of separation that follow.

GODDAMN TEARJERKER™ CERTIFIED

Nagi no Asukara – 20

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As the days went on and Manaka simply wouldn’t wake up, it was interesting how remarkably calm and upbeat Hikari remained. Perhaps it was because he really was optimistic Manaka would wake up any minute, and if she didn’t, that catching Lord Uroko and making him wake her up would be a piece of cake.

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But it doesn’t take long for Hikari to become a man obsessed, repeating patterns from early last season when he was a fiery ball of bad-tempered energy fueled by many factors, including his feelings for Manaka and the future of their village. Even as the sea grows colder and he grows more exhausted, he can’t just sit still; he suddenly can’t soldier on with normal life until she’s awake.

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In other words, things pretty much the same as they was when Miuna and Tsumugu first found the awakened Hikari, only amplified: before, he thought of little else but finding Manaka, and now that they’ve found her, now he thinks of little else than waking her up. In the midst of this wild intensity, Miuna no doubt feels more left out than ever. Manaka is the Sleeping Beauty that has invaded her home and monopolizes the thoughts and time of the boy she loves.

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It’s a very cruel situation for Miuna, in my opinion, and I can’t hold it against her if she happens to voice her frustration in a moment of weakness. She starts to wonder if a part of her doesn’t want Manaka to wake up. But her desperation for Hikari’s attention is butting up against his desperation to wake Manaka, and something has to give. It does, when after mistaking Miuna for Manaka (with her hair down, a rare sight), Hikari collapses into a feverish heap.

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Miuna learns again that she’s not alone; Tsumugu is having similar complications in his relationship with Chisaki, and the two have a very interesting little chat on a pier. Tsumugu admits he too pondered a simpler world without anyone ever waking up, but he can’t deny he was and continues to be happy they’re back too. Miunta wants to be happy too; Tsumugu says it will happen, but it’ll take time.

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He’s not suggesting she surrender, but it is important not to get sucked into a vortex of despair from persistent lack of success. Life is too precious to waste inordinate amounts of time on self-pity and navel-gazing. In life, circumstances and fortunes can change in an instant. To whit: Manaka quite suddenly waking up, not because Hikari kissed her, but to scold him for yelling at Miuna for suggesting he kiss her.

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Nagi no Asukara – 19

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The big adventures and discoveries in the last episode give way to a quieter, more introspective episode focusing primarily on Chisaki, who was mostly absent from all that. The episode explores her thoughts and her heart as thoroughly as the others explored Shioshishio.This leads to some beautiful, touching, and often hilarious scenes with her alternating between the childhood and adulthood.

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By all appearances, she the nurse and Tsumgu the researcher are a married couple, and Kaname is like their sour-faced kid who bristles when Tsumugu explains the pragmatic approach to everything that’s happened. Chisaki the Adult takes Tsumugu’s side, and Kaname excuses himself, making a snide comment about how much she’s grown up. This leads to her breaking out her old school uniform  (once cute, now sexy) and pouring herself into it, a deeply funny private moment that both guys invade when they hear her slip and fall.

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Chisaki also see that Miuna likes Hikari too, from the look in her eyes as she eavesdrops on Hikari talking to the still-slumbering Manaka, the bomb that will restart time if and when she awakens. Chisaki can’t not see her past self in Miuna, feel the futility and pain of not being the one. Between that and the result of trying on her old uni, she decides to pivot back to adulthood, insisting Tsumugu ply her with plum wine. Things get loose but never amorous, and she dozes off before Tsumugu and state an important truth.

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That truth is that he has filled the space left by Manaka for five years with Chisaki, which is what people do when they lose things in the transition from childhood to adulthood. Because he was able to do it, he’s sure she can too, if she takes the next step. Part of her back-and-forth this week is due to her realizing she’s the age Akari was when she had to decided between the sea and her love, mirroring the continuation of the Ofunehiki she hears from Tsumugu’s gramps.

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The rest of the story is that the sea god and surface girl are happy for a time, but she grows depressed and restless because her true love is still on the surface. The sea god finally allowed her to return, but in exchange for something—likely her ena—and sure enough, Manaka’s shattered. But when Hikari saves Chisaki from getting lost like he did years ago, she also realizes she still likes him. Nothing harder than growing up when the gaps you’re expected to fill with new things are still occupied by the old.

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