Zombieland Saga: Revenge – 12 (Fin) – Not Leaving It Up to God

ZSR’s totally epic saga of a finale starts out very stodgily, at the Saga Prefectural Office’s Special Task Force HQ. There’s a wonky procedural flavor to the proceedings reminiscent of the underrated Shin Godzilla, in that it mirrors the real life Japanese collective spirit of 1.) This Is The Problem; 2.) This Is What We Do About It; and 3.) We’ve All Got Matching Jumpsuits. Honestly I think it’s ultra badass that in dire times, even the government officials start dressing like a bike gang. Or is it t’other way ’round?

It is into this disaster CIC that Tatsumi Koutarou insinuates himself, and despite being held back by police, makes sure Saga’s governor hears his pleas to prioritize restoring the infrastructure around the Tosu area—where EFS happens to be located. Koutarou knows what Saga needs is a pure, uncut injeciton of reassurance into the hearts of every Saga resident. Something to unify them so they can all defeat this horrible disaster together.

That something is, obviously Franchouchou, who are enjoying a well-deserved bath prior to the biggest show of their lives that they’re still not even sure will happen due to the ongoing calamity.

While they rest up and make sure they’re prepared come what may, Koutarou is risking imprisonment to plead his case to the people who decide what happens in Saga, while Ookoba uses all of his media connections not for Koutarou’s sake, but for those girls who give everything their all, no matter how dead they are.

Sakura may get the day of the week wrong—and there were a good eight to ten months during Covid when I lost track too!—fate smiles on the group over at Saga FM, which is not only operational and on the air, but in dire need of personalities to fill that air time. Saki then proceeds to give a vulnerable and impassioned pep talk—one of the best monologues of the whole show—and Tano Asami absolutely nails it.

The next morning, Franchouchou, the Legendary Seven, strike out from the mall shelter they’ve called home the past few days and make the trek to EFS on foot. This offers them and us an opportunity to view both the devastation and the enduring beauty of their home.

When they arrive at EFS, it again seems to mock them with its cavernous emptiness. But instead of oppressive, I saw the venue as brimming with potential. Sure enough, people who love Franchouchou and whose lives they’ve touched start to trickle in, starting with their two first and most loyal fans, the metalheads.

Maria and the delinquents past and present file in, followed by Maimai and her classmates, Iron Frill and their followers, Oozora Light and his encourage, Hisanaka Pharmaceuticals, NHBK Fukuoka news chopper who has followed the group’s story since discovering them at the mall shelter, White Ryuu and a contingent of American troops, possibly from Yokozuka. Even the Dancing Chicken Man shows up!

It’s a beautiful and heartwarming reunion of everyone from Zombieland Saga, and their numerous powerful allies and fans combined with the might of both print, TV, and social media, ensure that this time—even in the midst of what could possibly be Saga’s worst disaster in its history—a packed and positively rocking Ekimae Fudosan Stadium.

The governor’s chief of staff reminds Koutarou that all they did was “choose to prioritize the most effective strategy, after logical consideration”, which is politicspeak for “the people need this right now and we’re going to do everything in our power to see that they get it”—”it” being nothing less than the biggest and best Franchouchou show yet.

No, the zombie idols aren’t coursing with electricity and crazy laser lightshows. Their outfits aren’t over-the-top, but call to mind seven angelic figures dedicated with every fiber of their undead being to make the people of Saga not simply forget their troubles, but to give them the courage to face and defeat them through surpassingly catchy song and dance.

This is not an episode satisfied with one climactic song. It opens with a big-league build-up to the energetic first song, then some call-and-response with the Legendary Yamada Tae (whose gibberish eventually coalesces into a franchouchou chant), which transitions into a slower and more contemplative piece.

Sakura, Saki, Ai, Junko, Yuugiri, Lily, and Tae are all at the top of their games, and the crowd—no doubt still traumatized by current events—are well and truly into it. And while not as important as the revitalizing impact they have on the people of Saga, the group gets their revenge and then some.

Not only is every seat and the entire field packed this time, but while the piddling crowd of their first disastrous EFS show didn’t call for any encores because they thought it would be just too cruel, this time there’s nothing that can stop Franchouchou from heading back out onto the stage after a quick breather.

Before they do, Koutarou prostrates himself before them and despite being a “grown-ass man” starts tearing up at the sheer restorative power of the zombie idols. Silly, Koutarou, being open with your emotions is what makes men grown-ass! As they head back out to hit the crowd with their collective soul, Koutarou tries to scrub out his blood from the floor; a truly ill omen.

Franchouchou’s final song is interspersed with scenes of Saga rebuilding and people overcoming adversity together, echoing their own personal struggles as well as their struggles as a group. Let it be said that both Franchouchou and Zombieland Saga as a series left absolutely everything on the stage in its finale.

In fact, if Saga were to, say, be destroyed utterly by an alien warship reminiscent of the City Destroyers from the 1997 blockbuster Independence Day, immediately after the concert wrapped, I don’t think a single person on or off EFS’s stage who’d deny that they went out on a good note.

That’s a good thing, because immediately after the concert wraps, Saga is in fact apparently destroyed utterly by an alien warship reminiscent of the City Destroyers from the 1997 blockbuster Independence Day. It’s kind of a downer, but it’s also the kind of irreverence and absurdity I’ve come to know and love from Zombieland Saga, and why I will miss it and each and every member of Franchouchou so damn much. What a frikkin’ ending!

RABUJOI WORLD HERITAGE LIST

Head over to Crow’s World of Anime for the latest discussion on our beloved zombie idols with Irina from I Drink and Watch Anime. Always a great read!

Darling in the FranXX – 18 – All too Brittle a Home in which to Live

Everything Squad 13 does in the remains of Mistilteinn is being monitored, so you knew the first night Kokoro and Mitsuru spent together would probably be their last. We start with what could be the happiest morning of their lives, where the love they shared seems to paint everything around them in a more beautiful light. They are experiencing that which humanity has apparently given up.

Sure enough, Hachi informs Ichigo that the squad will soon be packing up and leaving Mistilteinn, leaving their distinctive, human birdcage for a far more sterile, antiseptic one where all the other, emotionless parasites live. Hiro thinks they should close out their days there with a wedding ceremony for the beaming new couple (and notably not for him and Zero Two).

Everyone is gung-ho about making it a celebration to remember; all but Ikuno, who lies in bed dejected. Ichigo thanks her for getting angry and sticking up for Kokoro and Mitsuru, but Ikuno tells her she didn’t do it for them, but because she agreed with a part of the lead Nine’s assertion about man-woman pairings.

Ever since Ichigo gave her her name (turning the number 6 on its side to make the “no” kana), Ikuno has had eyes only for her, and always cursed the boys who got to stand by her side simply because they were boys. Ichigo recognizes the pain from her own unrequited love for Hiro in Ikuno, but draws her into a comforting hug and tells her she doesn’t mind.

These are simply part in parcel of all the messy things they have to live through that makes them human. Left unsaid is the fact that virtually everyone outside of Mistilteinn no longer feels that way. They’ve shed that vital part of humanity, presumably in order to survive most efficiently.

As the preparations for tomorrow’s ceremony are completed, the squad and Zero Two take a group photo together, mimicking the photo of the previous squad that lived there. As they stand there, their joy and camaraderie frozen for posterity, I thought of two things.

First, how much everyone has grown as characters, from Hiro and Zero to Ichigo, Mitsuru and Kokoro, Ikuno, Goro and even Futoshi. Only Zerome and Miku have remained more or less static in their childlike naivete. And yet I’ve come to love each and every one of these characters, and become fully invested not just in their safety, but in grasping the humanity the rest of their people abandoned and finding genuine happiness.

Second: that there probably won’t be a squad that comes after 13 who will ever see that photo. It just feels like the wheel is breaking, not least of which because Mistilteinn itself is no longer a viable place to live, having been crippled by the Mega-Klaxosaur hand slap.

It’s that slap that Zero Two dreams of after nodding off while drawing her storybook illustrations. The dream also features a gang of partially injured soldiers grabbing her and preparing to drag her away. Hiro wakes her up and asks what’s wrong, but Zero Two doesn’t want to mar another lovely moment with her darling on the eve of such a blessed event with unpleasant portents.

The next day, Zero Two commits to living in the moment, sharing a playful frolick with Hiro through the blooming sakura trees, dressed in the same gray uniform as the other Squad 13 members, thus truly becoming one of them. She’s able to wear one of their unis because Kokoro has changed into her re-purposed curtain gown, looking every bit a bride as she descends the staircase to join her waiting groom.

Ikuno presents them with a bouquet and boutonniere and escorts them to the aisle, while the other assembled squadmates ring bells and toss petals. Futoshi decides to officiate the wedding, giving closure to his one-sided love for Kokoro by being the one to “give her away” to Mitsuru.

Everything is just lovely, until it isn’t. The Nines arrive aboard an APE assault ship with a squad of grunts and place everyone under arrest before Kokoro and Mitsuru can seal their bonds with a kiss. They fight; their squadmates fight; Zero Two attacks the Nines, her former comrades…but it’s all for naught.

Everything they carefully built crumbles like a stale old breadstick and an iffy Italian restaurant…or more appropriately, like the sakura blossoms falling from the tree. Like their lives on Mistilteinn, the wedding was only a passing dream; one everyone could happily live in only until it ended, and it couldn’t end more cruelly.

Hachi, while protesting the Nines’ actions, does nothing to stop them, and does nothing to comfort the rest of Squad 13 as Kokoro and Mitsuru are taken away for “reindoctrination” to remove the “dangerous” ideas they’ve developed.

As the rest of the squad defeatedly packs up to leave their home on the worst note ever, Hachi visits the similarly “defective” Nana in her cell and remembers the first time she was dragged away like Kokoro and Mitsuru, after her FranXX copilot (whom she must have loved) was killed she had an emotional outburst. Hachi, devoid of emotion then, as now, could only silently watch.

Here, he remarks that Nana “in her current state” could nonetheless better provide comfort to Squad 13 than he. It might not seem like much, but the mere fact he believes they need or deserve comfort means Hachi has gained back a slim measure of humanity simply buy observing the very emotional parasites.

Squad 13 and Zero Two sans Kokoro and Mitsuru arrive at the parasite camp  “Bird Nest”, and it’s a real downer of a place, reminding them of Garden and not in a good way (it also feels like they’ve been taken backwards in their development, which may well be Papa’s intention).

Weeks pass with no news until one day they are reunited with Kokoro and Mitsuru. Though they still wear the rings they so tenderly and lovingly presented to one another, their memories have been altered (like Hiro and Zero Two’s years before) to make them not only believe they are new members of the squad, but to make them forget they ever knew each other.

It’s a heartbreaking gut-punch to end the episode, and yet when Kokoro is on her own and spots the abstract “trees” in one of Bird Nest’s courtyards, she’s reminded of “sakura”, the blooming trees under which she and Mitsuru wed. She may not remember Mitsuru, or the wedding, or anything else, but she remembered the trees.

After watching what Papa and the adults and the Nines did to his squad, his home, and finally his two friends who truly and deeply loved one another, Hiro announces in voiceover that they are “at the end of their rope.” He’s done being ruled by a destiny that will only continue to pulverize the things they build into dust.

I’m eager to see how he’ll try to start fighting back, even if I’m dubious his efforts will net him anything but more cruel tragedy and loss.

Darling in the FranXX – 17 – All the New Rules are Starting to be Scrapped

Things have gotten so blissfully domestic in the scarred remains of Mistilteinn, Zero Two files her horns like one trims their nails, and Miku makes her a tiara of flowers that give her a more regal bearing. There’s a very Garden of Eden/Earthly Delights about their home, especially with Hiro Kokoro already having met their “serpents” in Zero Two and the pregnancy book, respectively.

Both have lent knowledge “Papa” (i.e. God”) did not directly give them, and has fundamentally changed their destinies, with Kokoro gaining the drive to procreate and Hiro growing horns of his own. Once Adam and Eve Know Too Much, anyone who’s read Genesis knows what happens next—expulsion from paradise. Papa’s agents arrive almost on queue to “check on” Squad 13 and see if any “corrections” are needed.

The Nines come dripping with the smug superiority you’d expect of such agents, looking down upon the less-than-ideal living conditions. None of them seem to touch the meager repast their hosts made and caught themselves—and no doubt can’t afford to waste. They look upon Squad 13 with pity, if not outright disgust, and their honeyed words and wry grins are fooling nobody (except Zorome, of course).

Meanwhile, during their latest meeting in the “birdcage” conservatory, Kokoro finally tries to come on to Mitsuru, having read the contents of the pregnancy booklet over and over, seeing the profound difference in their bodies, and thinking how right it feels to bring them together to make a life that will carry on after they’re gone.

Unfortunately, the night before while bumping into a Nine, Kokoro lost her booklet and it fell into Alpha’s hands. That’s when the wry grin vanishes.

Mitsuru rebuffed Kokoro’s advancements, but more out of shock that she was acting on feelings he knew he had for her. It takes a bath with his old buddy Hiro to realize those are feelings of love, and he should do what his heart is telling him to do.

Before he has a chance to, the Nines confront Kokoro in front of the rest Squad 13 (who heard from Zorome that she and Mitsuru are an “item” now), and Alpha presents her baby booklet, full of straight-up taboo ideas that aren’t even supposed to be spoken of. Reproduction has been banned ever since humans “evolved past it.”

What’s interesting is how Alpha handles what could be a life-jeopardizing situation for Kokoro like a hall monitor finding contraband. He is merely an instrument of Papa speaking only with Papa’s voice. But his dispassionate tone becomes cruel when Kokoro makes her case for why humans are no different in other animals, and how there should be more to life than piloting FranXX into battle.

He calls her and her perfectly reasonable ideas utterly “disgusting”, and for that, Ikuno slaps him and has to be held back from doing more, not merely lashing out on Kokoro’s behalf, but due to her own unrequited love for Ichigo.

Hachi and Nana separate Kokoro from the others and reveals that they’ve been watching Squad 13 all along, as part of Dr. FranXX’s “final test” for them. When Nana insists that even talking about reproduction is banned, let alone doing ti, Kokoro rightfully asks why they have the organs to do so, and emotions that seem to compel them to do so.

These questions from Kokoro spark a sharp visceral reaction in Nana, leading both Hachi and Alpha to suspect that she’s “relapsed to puberty”, which is ominously referred to as “not being good” for the person to which it happens. Alpha even blithely suggests they replace her with a “new Nana,” as the current one has been rendered “useless.” Harsh shit.

Based on Dr. FranXX’s reaction to Squad 13’s developments (and absent further information) it seems his primary goal was to see how easing 13’s emotional and sexual suppression would improve their performance as weapons against the Klaxosaurs. After all, he never expected his experiments would lead 13 to develop “humanity’s original reproductive instincts.”

And yet, here we are. When two members of APE arrive at Klaxosaur Central (presumably in the Gran Crevasse), they meet the humanoid “Princess of the Klaxosaurs” and formally ask her to surrender to Humanity and end the now century-long war.

When she refuses, one of the APE members attacks her, and she slaughters him, his partner, and their three guards with ease. When she removes the mask of one of the corpses to find nothing there, she derides them as “human wannabes.”

That got the gears going in my head: what if, perhaps a century ago or more, aliens invaded earth and imposed the system they have now? What if the “humans” we’ve seen in the various plantations are the anamoly, and the Klaxosaurs are actually closer to what humans used to be?

We can’t say how far in the future this story takes place, so the fact Nana, Hachi, and the parasites we’ve watched could have tricked us into thinking they’re “real humans” with their familiar looks and ways of living. The Princess’ words throw everything into doubt…though one thing we learn from Zero Two is that she can’t reproduce like humans.

Earlier in the series I doubt anyone would have guessed that the first Squad 13 couple to jump into bed together would be Kokoro and Mitsuru, but here we are. I enjoyed the contrast between the candlelit chasteness of Zero Two and Hiro’s romance, and the more physical, primal, hot-and-heavy Kokoro+Mitsuru variety that finally crests with the two having sex.

It is an act of simple human biology, and yearning to decide one’s future with one’s own heart an act of simple human psychology. But in their artificial world, these are also acts of rebellion, as well as capital crimes for which there may well be dire consequences. After all, Dr. FranXX, Hachi, Nana, the Nines, and APE are all watching. The Garden of Eden may feel secluded, but nothing that goes on there is really private.

APE, however, have more pressing matters. The Princess has violently rebuffed their condescending “olive branch”, and so they vow the Klaxosaurs will “feel the pain of having their earth scorched by their own creation.” ‘Their?’ Scratch that about aliens: perhaps Klaxosaurs are highly-evolved humans who created the APE and their ilk; now they’re at war with them, with Zero Two, Hero, and Squad 13 stuck in the middle.

While we’re on the subject of creations coming to bite their creators in the ass, I’ll close with that iconic quote from Jurassic Park:

Ian: God creates dinosaurs. God destroys dinosaurs. God creates man. Man destroys God. Man creates dinosaurs.

Ellie: Dinosaurs eat man…Woman inherits the earth.

Hey, at least Dinosaurs never destroyed God…right?

Darling in the FranXX – 16 – How The Mood Has Changed

The Gran Crevasse is now under human control, but at the cost of about 40% of their parasites. Plantation 13 has been devastated, and Mistilteinn is without reliable sources of clean water, food, and electricity. Squad 13 has been ordered to stand by, and they’ve stood by for a month with nary a word from Nana or Hachi and only weekly deliveries of rations.

Despite all that, the group has never been closer. The squad went through the wringer and came out with bonds stronger than ever. The decision to collectively forgive and embrace Zero Two has also led to her pitching in and working diligently to do her part to help everyone out in the tougher times where their every domestic need is no longer taken care of.

The lack of sorties means Goro is a bit restless, while when Michiru asks Kokoro to cut his hair (during which time he works through his angst rather nicely), Kokoro gives him a kiss, and is wordlessly rebuffed.

There are also signs that the parasites might not be long for this world. Ikuno suffers from headaches and fever, and while bathing, Zero Two discovers white hairs among Miku’s red locks. Still, Hiro is having fun, and would love to live the way they’re living forever; sentiments Zero Two shares.

The two also spearhead a different kind of operation: one that will ensure the squad’s survival even if the food rations end. The squad catches their own fish, prepare them, and eat them on their own, a huge step towards independence for the once-coddled parasites.

While they’re engaging in this operation, Ichigo comments about how the mood of the squad has changed, how she likes the change, and how she admits she initially misjudged Zero Two as being fundamentally “different” from the rest of them; and now believes that not to be true.

In another case of the parasites perhaps not being quite as well as they could be, Zorome calls Futoshi out on his recent habit of not eating, or throwing up what he does eat. Zorome tears up while pleading with his comrade to eat if he wants to survive.

The squad may sometimes butt up against each other in these lean and trying times when they’re not sure when their next meal or drink will come, but Hiro maintains that this is all a good thing for them. He feels like this is “where they truly belong”, because there should be, and is, more to their lives than piloting FranXX and fighting Klaxosaurs.

Later that night, while drawing beautiful illustrations drawn from her memory of the picture book she had—her first “pretty thing”, Zero Two admits to having learned that being human is about more than looking human, and that Hiro’s humanity was the kind she truly wanted.

Their bliss is short-lived, as expected; Zero Two senses…something off in the distance—someone who looks for all the world like some kind of humanoid Klaxosaur pilot, like her, no doubt come to sour what had been such a pleasant and tranquil mood.