Iroduku: The World in Colors – 04 – Fewer Colors, More Understanding

When Kohaku arrived she looked so bright and confident I feared her light would completely envelop Hitomi. But instead of a bright sun blinding everything else in its vicinity, Kohaku proves to be a warm sun, embracing Hitomi just as her granny would…because she is her granny. She takes that role very seriously without pulling herself out of her own present.

Immediately, Kohaku attracts a lot of attention, especially when she “transports” her class to England by casting an illusion spell that puts the class into a photo. It would seem her penchant for causing mayhem at school rears its head when an illusory steam locomotive covers everyone with soot and smoke.

That night, at the ridiculously awesome Tsukishiro residence, Hitomi and Kohaku talk before bed, about how Hitomi not knowing precisely why she’s there or for how long, in other words not knowing what will come next, is exciting. She also shows Hitomi a photo of a train that was in the album she held; the magic train was her doing; she has magic power, it’s just hidden and dormant, only coming out under certain circumstances.

And for all the havoc she’s wreaked over the years, Kohaku maintains that magic should only be used to help people and to make them happy. She considers magic to be a gift from God, and its the duty of every mage given such a gift to give it back to the world through happiness.

The photography arts club is a happy bunch, with Chigusa and Kurumi slowly growing together (though Kurumi puts on a front of loathing and Chigusa pretends to be aloof). They go on the high school roof at night to take photos of the skyline.

Yuito tells Hitomi that seeing only in monochrome can have its advantages. She’s able to see or understand things color normally obscures for everyone else. The gang also learns that Hitomi is Kohaku’s granddaughter from sixty years into the future…and they’re perfectly fine with it (for the most part).

The two Tsukishiro mages cap off the night by transcribing Yuito’s tablet drawing of a train into the sky. They’re using magic to help their friends by making them happy. The next day while going over their shots, Kohaku officially joins the club and adds “magic” to its name,  making it the “Magic Photography Arts Club.”

Rather than someone who was going to shove Hitomi out of relevance, Kohaku is a net positive to the group, strong and self-assured in every way Hitomi is not, but also warm, generous, and loving. Knowing Hitomi is from the future worries Yuito, because he doesn’t know if or when she’ll return there. I imagine such worries are premature; Hitomi still has a lot left to experience in the past.

Advertisements

Iroduku: The World in Colors – 03 – Someday Works Just Fine

Yuito’s words echo in Hitomi’s mind, as she now has a reason to explore her magic—so she can “someday” show it to him again, as he showed her his art. Each of them did something that made them vulnerable but came with the reward of growing just a little closer.

Still, the fact is Hitomi really isn’t that good at magic, even if she has the potential within her. To unlock it she’ll need to practice; her great-grandmother suggests she use a “wand” in the form of a Pocky to help focus while doing so. No harm in trying something new a little at a time.

She’ll also need practice finding a place at the school, which is practically fanatical about clubs. Both faculty and students insist she join one, but believes her achromatopsia precludes her from joining Yuito & Co’s photography arts club; conveniently forgetting the existence of black and white photography (though to be fair, she is from sixty years in the future).

When Yuito has her dive into the arts part of the club by painting a picture, her treatment of color all but confirms to him her inability to see them, at least as others do. Still, he’s quite sincere in his appraisal, and considering she’d “never drawn a picture” before, she did quite well!

From there she gets drawn more and more into the photo/arts club’s activities that day, from accompanying them as they recruit potential new members, to serving as a model during a dreamlike shoot at the pool.

While she fails to use the star sand that enables one to walk on water, she isn’t aware she picked the wrong color, and her own magic allows her to walk on it anyway…until one of the club members tells her she picked the wrong one, and she plunges into the drink.

Upon drying herself, Yuito comes to apologize, but she believes it just as much her fault for not refusing strongly enough (I don’t know, I thought she refused pretty dang strongly; they just ignored her!) Indeed, her tendency to so easily say there’s “no way” she can do something, or that she stay out of people’s way to make it “easier for everyone.”

Thankfully, she does decide that she can join the arts/photography club, and even helps them with their punishment of cleaning the pool into which they weren’t allowed to let anyone jump. Meanwhile, her grandmother Kohaku is almost home, and she seems to be someone who doesn’t just think, but knows she can do anything, and does it. In other words, she’s someone Hitomi could probably use in her life right now.

Iroduku: The World in Colors – 02 – A (Little) Star Is Born

Hitomi wants to see Yuito’s vivid drawing again, but he’s preoccupied with the fact she broke into his room. Fair enough; it is a crime, not to mention a hassle for someone who clearly hates hassles. Hitomi has no choice but to tell the truth—it’s the magic’s fault—and hope he believes her.

Fortunately, he does, and accepts her apology without further trouble. Unfortunately, he scoots off before Hitomi can ask about his drawing. In the meantime, Hitomi isn’t sure what to do now that she’s in the future past, so her great-grandparents enroll her at Kohaku’s high school for the time being.

We only see a still image of Kohaku, but I found it exceedingly amusing that the mild-mannered granny of Hitomi’s time was such a wild child menace sixty years in the past, her presence is felt even in her absence, like some kind of Sauron-like supervillain!

Kohaku, with her frequent destructive exploits, has single-handedly given all mages a bad name, so it’s only natural that the students at school would be weary of Hitomi. If only they knew how much she can’t stand magic!

Well, they get a slight demonstration of that contempt when, in front of dozens of witnesses, among them her new acquaintances with the photography club, Hitomi proves she’s a mage by creating a very tiny, dim star that only sparkles for a moment.

And yet, even that poor showing represented the best Hitomi had probably done in months if not years. As a self-styled loather of magic, she never practiced, so whatever natural magical ability may dwell within her, she stinks at it because it’s like a totally unused, atrophied muscle.

Hitomi finds Yuito drawing on the rooftop after school, and offers an apology for causing such a stir. Yuito apologizes right back for forcing her to prove she was a mage when he could have simply trusted her word. Hitomi is surprised by his contriteness, but also uses it to ask to see his drawing one more time, as it’s something “special” to her.

This week I came to identify both Hitomi’s latent magic and Yuito’s private drawings as representing parts of themselves they’re loath to reveal to others, as if they were parts of their hearts or souls. Even though Yuito loves drawing while Hitomi hates magic, both of them would rather not show it to others…right up to the point they met each other.

Now, as one of Yuito’s friends observes later, Hitomi might not find magic to be that bad after all, as she’s practicing her star-making and has clearly already improved markedly from her previous attempt. In her case and in Yuito’s, all about who you show it to, and why.

I’m kinda glad Kohaku didn’t appear for at least one more week; I feel like her blowing in like a storm would have disrupted the delicate initial bonds forming between Hitomi and Yuito, not to mention even more adversely affect her first impression at school. We’ll see how the dynamic shifts when young Kohaku returns.

Tada-kun wa Koi wo Shinai – 03 – A Day in the Life of Nyanko Big

Much of this week’s story is told by the Tada family cat, Nyanko Big, who is over ten years old and hence not only knows a few things about life and the Tada family, but has a very deep voice that commands respect. But he’s also a fat-ass glutton, and so cannot leap nearly as far as he thinks he can. The cat-POV premise is a bit twee/hokey, but never offensively so; it’s mostly just charming.

Nyanko Big observes Mitsuyoshi with Teresa and Alec, two human women even he can see are pretty special, but he knows the boy who saved him ten years ago has never been that into women. The universe seems committed to changing that, both by having Teresa and Alec live right next door to his home and family cafe, but have then help out at the cafe while his gramps is out.

We encounter both newcomers in a young nervous couple and regulars like an elderly couple and someone who gives off a hitman vibe but shares Teresa’s love for the Rainbow Shogun, and also has the reflexes to catch a pitcher of water Teresa nearly drops.

The group takes a break, during which time Mitsu makes everyone coffee, while Teresa provides “hot chocolate spoons” to dip in their cups. Mitsu nonchalantly takes a taste from Teresa’s cup, making it an unspoken indirect kiss, but he doesn’t seem to realize it.

Later, the photography club gathers at Hibiya Park for some Spring-themed photos, and not only does Ijuuin remember when Mitsuyoshi saved him from a “kappa” the river years ago, but Teresa remembers when Alec saved her after Teresa jumped in to retrieve the crown of flowers Alec made for her.

Nyanko Big, who had finished his patrol and was lounging in the park, encounters and falls in love with the local salon cat, Cherry, but once again his leap is far shorter than he’d like, and he ends up in the drink, then quickly up a tree.

But when he slips and falls, Teresa is there to catch him…and Mitsuyoshi is there to catch her. So far their romance has been extremely quiet and low-key, with no words at all said about it…save those of a cat. Whatever there is between Teresa and Mitsu, it’s clearly going to take some time.

Tada-kun wa Koi wo Shinai – 02 – Photography Club Can Be a Hoot

Between TKS and 3DK, Tada-kun takes round two. While we only took the tiniest step further in the ostensible romance between Tada and Teresa, we’re introduced to the rest of the crew and…I kinda like all of them?

On Teresa and Alec’s first day they’re the toast of the school, and bespectacled Class Rep Hasegawa asks if they’d like a tour to determine what club they’d like to join (they have to join something). 

That leads them to the photography club, where Teresa and Alec are reunited with Tada and Ijuuin, and upon inspecting a shrine of the club president Sugimoto’s favorite gravure idol HINA, Alec suddenly realizes that class rep Hasegawa is HINA.

Honestly, Tada and Teresa kinda chill in the background of most of this; the stars that shine brightest are Hasegawa, Sugimoto, and the trusty junior member Yamashita, nicknamed “dog” because he comes when Tada calls him.

When Teresa voices interest in joining the club, Sugimoto decides to hold a traditional photo-snapping contest to begin their trial period. The group splits in to, and they turn out to be inspired combinations.

Ijuuin ends up with Alec, with whom he clearly didn’t get off on the right foot, while Sugimoto and Hasegawa round out the 4-person Team B. Once the clock starts, they take turns running around the school trying to get good pictures of the other team, who doesn’t make it easy on them.

Tada, Teresa, and Yamashita make up Team A—a new couple and their pet dog—and the episode takes on a breathless, exciting energy as the club runs around the school with abandon, enjoying their youth.

In the midst of the competition, Yamashita reveals his excellent sense of smell, while Alec shows off her kunoichi skills (again adding fuel to my little princess’ bodyguard fire). We also get a lot of interesting interactions between Sugimoto and Hasegawa. She calls him “-chan”, so I wager they’re childhood friends.

But as Sugimoto falls for Yamashita’s “Look behind you, it’s HINA!”, it’s possible he’s unaware his friend is his favorite idol…and she’s fine keeping it that way. Still, gestures like Sugimoto shielding her from a bucket of water suggest that regardless of whether he knows, he definitely cares a great deal about Hasegawa.

Teresa and Tada thought they’d gotten the best shot of the contest by snapping a surprised Sugimoto and Hasegawa (cameras are good at picking up love between two people), it’s Ninja Alec who swoops in and snaps a picture of Teresa and Tada laughing, which ultimately wins.

So the two had a lot of fun together, and it looks like we have one long-standing couple and a pairing of opposites that just might work given time. And hey, even Yamashita has an admirer in Tada’s sister, Yui. Teresa and Alec join, and when Hasegawa takes her leave, Sugimoto stops her and invites her to join them in celebrating, since she’s part of the club too. All in all, a great ensemble effort.

Just Because! – 04

I’ve got some nice variety in my Fall watchlist. Food Wars is chugging along, with Souma scoring a big win thanks to his friends; MMO Junkie our elite NEET seems to be where she wants; and in ShoBitch we’ve had a steady, happy couple since the first episode, with all the comedy coming out of their mutual inexperience with being in a relationship.

That leaves Just Because!, the Fall show I’m watching in which people seem to suffer the most without much in the way of payoff. Just take Natsume’s interactions with Souma, trying to be a good friend by helping him get closer to Morikawa, despite the fact she still harbors feelings for him.

An experienced anime watcher it’s clear Natsume is in pain, but Souma’s your typical oblivious guy, and combined with Natsume’s silence on the matter and apparent interest in helping him with Morikawa, there’s really no way for him to question her smiles, even if she’s forcing them.

As a photog, Komiya knows all about smiles…and other expressions, like the one on Izumi’s face as he’s looking at Natsume in a candid photo Komiya took of them. Even after failing her last mission with Izumi (she brought a cat instead of a dog), she says she’ll delete the embarrassing shot if Izumi tells her something he likes about Natsume.

When she says “her awkwardness”, Komiya laughs, because it’s such an earnest, unflattering answer. It is itself an awkward answer, coming from someone just as awkward as Natsume (and, like her, unable to get his feelings to reach the one he likes).

Komiya then proposes another deal with Izumi: she’ll support him in trying to go out with the (former) president, and in exchange he’ll let her submit that photo she took of him, which she believes will win her a award and keep the photo club alive.

Of the five, Komiya is the hardest to read; she comes right out and says “I like you” to Izumi, throwing him off, before finishing with “…as a person”, inviting his ire. She’s clearly there to provide a yang counterbalance to Izumi’s yin main love interest and present multiple possible routes for the various characters.

When New Years comes around and it’s time for a shrine visit, Souma and Morikawa’s friends conspire to flake out on the visit, leaving the two alone. The two have a nice time, though Souma is often at a loss for words due to his stress over the task at hand.

That stress would seem to have been justified, for no sooner does he finally get the words “I like you” out and ask if Morikawa will go out with him, Morikawa…gravely declines. 

Ouch…that’s gotta be a fastball to the gut of Souma; all that preparation and anticipation, and at the end of the day, it wasn’t whether he could confess, but whether Morikawa would say yes, and she does not. Another sign Just Because! isn’t interested in doing things the easy way or taking the pressure off its characters.

After several instances of having someone—either Natsume’s plucky older sister or Yoriko—be a third wheel, Izumi and Natsume finally find themselves alone, and they continue to circle one another warily, putting on antagonistic airs to conceal the fact both of them have basically the same problem: their first choice likes someone else.

The fact that Souma was rejected is irrelevant here. Whether he wanted her to or not, Izumi is inspired enough by Komiya’s encouragement to at least broach the subject blocking any possible move in Natsume’s direction: her crush on Souma. She brings up exams again and again, which he calls nothing but an excuse.

That angers Natsume, who says the worst thing she can to Izumi in that moment: that it doesn’t involve him. That he doesn’t matter at all in this. Izumi sets the record straight: he’s always “cared about her”, so she can’t say it doesn’t involve him.

This may well be news to Natsume, and she’s definitely affected by the look on Izumi’s face as he passes her by to head home. Elsewhere, Souma also retreats following Morikawa’s rejection. Lots of emotions to sort through and pieces to pick up for everyone involved.

Just Because! – 03

Izumi’s entanglement with Komiya Ena proves all to brief, as she’s forgotten the photo that she wants permission to submit. Showing zero consideration for Izumi, she zooms off on her moped to grab it, and it’s no surprise when she returns, in the rain, to find he’s gone.

The next day is Christmas (?), and everyone seems a bit listless, mimicking the somewhat grayish day with their moods. Izumi and Natsume type messages into LINE, but delete them without sending, seemingly hesitant to make any forward motion that will evoke a response from the other. It’s a stalemate, I tellya!

Things are dreary at Casa Morikawa too, as Morikawa confides to Yoriko that her life plan after high school doesn’t include furthering her trumpet performance, but rather college, a job, and eventually taking over the family business. It’s all said with the enthusiasm of someone inspecting turnips.

Left unsaid is any discussion of starting her own family, and as Morikawa seems almost criminally oblivious to Souma’s feelings (mostly his fault, BTW), that’s not surprising.

When Komiya reaches out to Natsume for info on Souma, Natsume uses it as an excuse/opportunity to message and meet up with Izumi. When they meet up, they’re still very cold and distant to one another, and the energy completely changes when Komiya spots her elusive transfer student.

Komiya’s casual nature with Izumi doubtless irks Natsume even more, since neither she not Izumi know what the heck they’re doing or what they should do. And while Komiya’s mission to get Izumi’s permission or LINE ID fails, she doesn’t seem like the type to give up easily.

Meanwhile, Souma is invited by Yoriko to join her and Morikawa for a walk, and his resulting meandering bike ride to their location is a constant source of suspense…will he ever get to them?

He does, only to freak out when Morikawa’s dog barks at him, which he thinks is a deal-breaker where dating her is concerned. Frankly, he should be more worried about, you know, telling her how he feels about her and asking her out on a proper date…but who am I?

When Souma reports the dog incident to Izumi and begs him for help getting better with dogs, Izumi tells him he has no pets, but Komiya stealthily enters the frame and offers her help…in exchange for Izumi’s LINE ID, which he gives her.

Interestingly, Komiya makes it clear she’s “over” the fact Izumi didn’t give her permission to use the photo, but with his ID, maybe she’s playing a longer game. Heck, maybe she just likes the cut of Izumi’s jib and wants to be friends…or more, which would complicate the love polygon even further.

Speaking of complications, Souma, unaware of the deal Izumi struck with Komiya, messages Natsume about helping him with dogs, since she has one too. This basically puts Natsume in the friendzone area of helping her unrequited crush get along with his own crush.

Over the most mundane circumstances, and in the absence of direct, honest, face-to-face conversation regarding how people feel about one another, the web of conflicting or one-sided romantic interests grows ever more tangled.

Just Because! – 02

Izuki reacts the way he does to Souma’s text about Natsume being at the school because, as we learn in another flashback, he liked her in middle school. Unfortunately for him, Natsume liked Souma, something Souma never knew.

Back in the present, Izuki and Natsume reunite in a similar situation, with Souma nearby with another girl, this time Morikawa. He’s unable to properly confess his feelings to her, but instead manages to invite her, along with Izuki and Natsume to the aquarium on the weekend.

Morikawa accedes to the wishes of her two little brothers and brings them along, further muddying the “date” waters for Souma, but he comports himself well, even earning the brothers’ trust and showing Morikawa he’s good with kids, which is definitely something she’d look for in a man…were she looking.

It’s a pleasant, cozy trip to the aquarium, and by the end Morikawa and Souma are virtually exuding warmth. As for Izumi and Natsume, well…they’re less warm together, even if I got the sneaking suspicion that Izumi still likes Natsume despite his aloof manner with her.

Similarly, the more time she spends with Izumi, the more comfortable she seems interacting with him. It’s far from lovey-dovey, but it’s a nice low-key resumption of their relationship.

While Souma and Morikawa have a kind of “talent anchor” (baseball and trumpet, respectively), I appreciate how Izumi nor Natsume don’t really have those anchors, and are also alike in being on the wrong side of an unrequited love.

With the benefit of future episodes—as well as the flashbacks they’ll likely contain—we’re sure to learn more about these kids and who likes whom, and what Komiya plans to do with Izumi now that she literally has him in her grasp. I like that JB! is taking the time to flesh out the various characters and not rushing things.

Just Because! – 01 (First Impressions)

With a rookie director, two rookie seiyuus in the lead roles and a super-vague synopsis, I had no idea what to expect from Just Because! —all I had to work with was a script by the guy who wrote seven scripts for Gundam IBO. What I did know was that Just Because! is a pretty nifty title.

We begin with an extended introduction to the neck-of-the-woods where we’ll presumably be spending time, and the show seemingly blows its entire suspended monorail budget in those first few minutes. Still, it’s a nice slow, but not flashy, establishment of this world.

The slow unflashiness continues at school, where there seems to be a dreary atmosphere; a malaise waiting to be snuffed out. Like the transfer student we eventually meet, we’re thrust into this school without knowing quite who to follow or what to do. That lack of bearing is essential to putting us in the mindspace of the protagonist, before he’s even anywhere near the center of the frame.

I’ll admit, I was dubious when terms like “transfer student” and “disbanding tiny club” came up; I consider myself just about clubbed out (both dance clubs and tiny school clubs in anime) and combined with the leisurely pace, I was starting to get a bit bored and depressed with this place. Especially when there’s no one or two people in focus for most of the episode. Even the camera feels afraid of showing us the players in this story.

Then Izumi Eita and Souma Haruto unexpectedly reunite on a baseball field after not contacting each other for the better part of four years (after Izumi moved away). He’s back for one semester, and while he and Haruto are initially a bit cool to each other, they manage to reconnect via baseball, with Izumi pitching and Haruto eager to hit a home run (I speak literally here, not in sexual euphemisms, BTW).

As their pitch-and-hit session heats up (hehe), it gradually garners the attention of the three other protagonists: the girl who is angry the photo club could be disbanded (the fiery Komiya Ena), the girl who plays the trumpet (Morikawa Hatsuki, providing the incidental score to the final act), and the former student council president who seems both jealous and part okay with the fact her friends went off to have fun without her (Natsume Mio).

Izumi and Souma are the magnets that draw the others together, though their individual vantage points keep them from realizing they’re all watching the same thing. This drawing together of disparate gazes also brings the show into focus. Finally, at the very end, we see people having fun, smiling, and laughing, after three quarters of an episode of somberness and ennui approaching existential dread.

Having hit a home run like he intended (but never thought he’d actually do), Souma goes off to ask Morikawa out, but he and Izumi exchange texts, and Izumi learns that Natsume, whom he also knows from the past, is also attending this school. Neither Izumi nor Natsume seem particularly happy at the start of this episode, but perhaps that will change when they reunite.

Tamayura: More Aggressive – 11

tama11

The day before New Year’s Eve, the girls set up their second annual “We” Exhibition. They fall behind, but finish strong with help from Shimokamiyama, Dougou, and Yakusa. Kanae is sad about the fact that come next year she’ll have to focus on exams, and that she’ll have to leave the photography club. The next day, a large crowd awaits when the doors are open, and the exhibition is a resounding success. After ringing in the new year, Sayomi picks everyone up before dawn to see the sunrise by the seaside, where everyone yells out their hopes for the new year.

There were times during this episode when we were worried that Kanae was going to disappear in a wisp of vapor on the stroke of midnight, so apprehensive she was of the coming new year. Part of us wanted to jump into the tv screen, give her a shake and say “Honey…everything will be fine!” She’ll always remember the past year as the year she broke out of her shell, inspired and supported by Fuu and her friends. As Maestro says, Kanae and Fuu shaped each other in that year, and they also enriched each other’s love for photography, and life in general. We like how their year is documented in photos and exhibited in chronological order, so that anyone who cares to can see the progression of their friendship along with their growth as photographers.

When the bells chimed midnight, the new year began, Kanae was still there in one piece, albeit having closed the lens cap on her camera. The series pulls out all the stops for the tearful, heartwarming final scenes that take stock of the past year and all it meant to everyone. We especially liked the sweet “parent meeting” in which Potte’s mom and grandma and Maon’s folks marvel at how far their kids have come since deciding to move to Takehara. Sayomi shows up to make sure the girls don’t miss the first dawn. Kanae makes sure to savor her last moments with Potte as her president: when the sun rises, she’s aggressive and pulls her in for a big ol’ hug, thanking her for a wonderful year. Potte tears up and reciprocates, which makes everyone else tear up…including us. A bit.

8_great
Rating: 8 
(Great)

Tamayura: More Aggressive – 09

tama9

As the town prepares bamboo lanterns for the annual Walk of Longing, a high school friend of Potte’s father, Natsume Nozomu, pays a long put-off visit. He doesn’t mince words while criticizing Potte’s work. When she and Kanae bump into Shihomi while snapping pictures, she tells them she’s also endured her share of criticism, and encourages her to keep cultivating her love for photography. Potte, Kanae and the others have okonomiyaki at Hoboro’s with Nozomu. Later he tells Potte a little about what her dad was like in high school, and is glad he visited, and lets her take a parting photo of him.

This week is an interesting new exercise in subjecting Potte to perhaps the prickliest person she’s had to deal with all season, someone immune to her charms and seems determined to pop her pleasant little bubble, and Kanae’s along with it. He says what some of us may have been thinking all along: all she does is impulsively point and shoot at things, keeping her subjects right in the center, just like her dad. As a guy who has no qualms about dispensing with pleasantries and picking on his dead mate’s daughter, having missed his wedding, her birth, and his funeral. He also stopped taking photos, even though he was the one who inspired her dad in the first place.

So this guy’s just a pompous dick, right? Well, fortunately, the more we see him interact with Takehara and Potte, the more he softens and becomes (slightly) more likable. His other mate Hinomaru knows the sourpuss is just a front. Kanae talks a lot about how Potte’s heart races when taking photos, which leads to the hearts of the people who see them also racing, as if catching a wave. Nozomu admits that while Potte’s dad’s (and her) photos aren’t the most technically adventurous, he admits that they’re all “overflowing with love.” Enough that they, along with a nostalgic taste of okonomiyaki and a wistful tour of the Walk of Longing, touch his heart.

8_great
Rating: 8 
(Great)

Tamayura: More Aggressive – 08

tama8

Chihiro visits Takehara for the upcoming fireworks festival, which she and Potte promised to watch in yukatas from their secret base years ago. Chihiro meets Kanae and sees the photography club in action. Riho invites Potte and Kanae to participate in a museum exhibition with her. Potte tentatively agrees, wanting to take pictures specifically for the show. Sayomi takes everyone to a hilltop with a fine view of the fireworks, but everyone leaves Potte and Chihiro alone in the isolated spot, which they liken to a secret base. From there Potte snaps photos of the fireworks using a tripod.

It’s a rare and precious thing to be able to fulfill a deferred but not forgotten dream, even if it was a silly little idea cooked up between you and your childhood friend when you were just little pipsqueaks. But Potte (AKA Fuunyan) and Chihiro share a deep bond of friendship, and both wanted to see that shared dream come true. As it happens, the dream was fulfilled by happenstance: Kaoru’s adventurous sister happened to run into them and lure them into another deathmarch, which led them to the “base” they dreamed of. And it’s a lovely spot.

Potte may only be president of herself and Kanae, a painfully shy upperclassman, but Chihiro is still impressed by her presiding skills, and when she musters up the aggressive enough to accept Riho’s offer. We wouldn’t be surprised if the entire season runs by without another person joining the photography club, but that exhibition could be a very big deal for both Potte and Kanae. The show is a goal that could inspire them to create their best work yet, will give them exposure in that world, and boost their confidence. With old dreams fulfilled, it’s time to fulfill new ones.

7_very_good
Rating:7 (Very Good)

Tamayura: More Aggressive – 05

tama5

Shimokamiyama-sensei informs Potte and Mitani of a sakura photography contest. They agree to enter and set out to snap photos, but all of the cherry trees they encounter have already shed most of their blossoms. They run into Kaoru’s sister Sayomi, who gathers everyone together for a trek up Mt. Asahi, home to a grand 250-year-old cherry tree in full bloom. Potte and Mitani snap up tons of photos, and even though Shimokamiyama got the deadline of the contest wrong, they still had fun.

Potte and Mitani Kanae may lack confidence in their photographic abilities while simultaneously revering one another. Mitani even credits Potte’s presence in her photo for winning the contest for her; she’s always been too nervous to take portraits of anyone, but something about Potte in that time and place affected Mitani so powerfully, she forgot to be shy or worry about failure and just snapped up a damn good picture.

As it turns out, there are many ways of being aggressive; perhaps no one is more aggressive than Sayomi, who wrangles everyone up for another one of her patented “death marches” that always pay off in the end. Not only does everyone end of having fun, but Mitani gets back that feeling she got when she snapped Potte; the ability to stop over-thinking everything, live in the moment, and not be afraid to document it. She’s even able to halt her tendency to delete photos that don’t come out perfectly. Part of being aggressive is not fearing failure and trusting in the world, and Mitani’s on her way.

8_great
Rating: 8 
(Great)