Zombieland Saga: Revenge – 06 – Tae-Tae’s Big Adventure

Ookoba Shinta needs a big scoop to maintain his sanity in Saga, and he can’t quite take his eyes of the group of lookalikes of deceased famous people that is Franchouchou. He’s not a fan (though I guess he’s not not a fan either); he wants more answers about who they are and what their deal is.

Well, their deal is pretty simple: they’re 20 million yen in debt, all thanks to Koutarou (who brazenly ignores that fact, thus rejecting reality and substituting his own). They’re out of their creative slump due to the past few events that also didn’t cost them anything, but they still need to get that paper.

He even calls out Tae as someone who really should be at least trying to make some money, though Yuugiri simply sends her on a grocery errand. Ookoba encounters “Number Zero” in a crosswalk and decides to start following her. What he—and we—witnesses is a delightful day in the life of Yamada Tae!

A kind old lady gives her a snack. Some soccer kids give her a snack. She has a snack of edible offerings at the Yamada family ancestral grave. Then she shows up at the supermarket…where my favorite pint-sized bozozoku girl Amabuki Maria has a job trying to pay for a new bike for her mama. Maria can’t help but talk Zero’s ear off whenever they meet; probably because Zero is such a good listener!

Maria and her two BFFs have decided to “tear it up” in a new way, through dance, and invite Zero to a pharma-sponsored dance-off where they proceed to put on, shall we say, a heartfelt and upbeat but ultimately underwhelming performance. They’re no match for the five-time champion Cocco-kun, who is someone in a chicken suit.

Because Cocco-kun represents Tae’s ideal—a chicken big enough for her veracious appetite—she joins him in a breakdancing duel, scaring the shit out of the pharma PR exec but also blowing the top off the competition with her inhuman moves, including spinning on her head so fast her head looks motionless…because it is! Ookoba tries to snap a photo, but Romero ruins his shot.

Tae easily dethrones the fully human Cocco-kun and claims the ¥30,000 Grand Prize, but seems only interested in the Bonus Prize: a 10kg bag of onions—and tosses the cash in the trash. Fortunately, Maria fishes it out and tries to give it back to Zero-chan, attracting the attention of Saga Policeman A.

He recommends she spend it at the tracks…not the horseracing track, as he repeatedly pleads to his chief, but the boatracing regatta. There, like Maria and her little dance troupe, Korosuke’s princess Misa has also found a new way to tear it up, even though she’s yet to win a single race and wipes out almost every time. While the cop is busy, Tae places a bet, demonstrating how easy to use the machines really are.

Misa spots Maria in the grandstand and it lights a fire in her belly, because she’s a Misa on a mission, channeling Saki on her bike and pulling the legendary “eel goby turn” while shocking everyone who bet on her to DNF once more.

Maria and Misa’s Korosuke crew are elated, and then Maria takes a look at betting ticket and realizes to her shock that Number Zero increased her money over six hundredfold with a perfect trifecta (or something…I don’t know all the terminology!)

This means she turned her ¥30,000 into a cool ¥20 million—thus erasing all of Franchouchou (really Koutarou’s) debt in one day, while out on a little grocery errand. She either took Koutarou’s insistence she get out there and make some money, or it happened entirely by accident (after all, she did try to throw that ¥30K in the trash at first).

Zombieland Saga loves the fact that we both desperately want to know and don’t want to know more about Yamada Tae, and spent an entire Tae-centric episode proving that it really isn’t a detriment for her shroud of mystery to remain fully intact, even unto the end of the series. Tae more than proved she can carry an episode without singing, speaking, or her past being revealed, while Ookoba followed her all day only ended up with more questions.

Cheif among those crops up right at the end of his stalking session. When Tae’s head pops off and falls on the ground, Maria just happens to have her back turned, and Saki keeps it that way by pulling her into a romantic embrace. But Ookoba not only sees Zero’s head come off, he snaps a photo of it. Just when he was about to give up, his underling’s joke about those famous girls being revived as zombies suddenly doesn’t seem so far-fetched…

Read Crow and Irina’s discussion of this episode here!

The Quintessential Quintuplets – 23 – Give and Take Five

Yotsuba walks in on Itsuki just as she’s hiding the photo of Fuu with “Rena”. Commenting on how things aren’t so hot among the sisters, Yotsuba invites Itsuki out shopping, where they run into Fuu and Raiha, who is imparting on Fuu the importance of buying belated birthday gifts for the quints. Raiha also mentions “the photo”, and Yotsuba demands to know details. Raiha goes on to say the girl in the photo was her bro’s first love.

On the Shinkansen to Kyoto, Ichika, Nino, and Miku continue their war through spirited card games, while Itsuki joins in just for the card competition, while Yotsuba is a little intimidated by how heated things have gotten. She’s hoping this trip can be an opportunity for the five of them to make up…but also an opportunity for Miku to give Fuu her clandestinely-made baked goods.

Nino unilaterally decides to follow Fuutarou’s group up the temple steps, and while the others don’t have any objections, Yotsuba brandishes her card game victory on the train to insist that she and Miku go up the right steps while Ichika, Nino and Itsuki will go up the left steps. Some mild sniping between Ichika and Nino ensues, while Itsuki is left bemused.

When Itsuki and Nino use the restroom, Ichika abandons them and continues her descent, determined to see Fuu first and calculating she can beat the faster Yotsuba as Miku is surely slowing her down. Unwilling to take back the lie she’s already told Fuu, all Ichika thinks she can do to stay in the fighting is continue to lie and block Miku by posing as her.

But while she’s the first to reach the top, Fuu isn’t there. The next to arrive is Yotsuba, with Miku on her back, and they both see that Ichika is impersonating Miku. When asked for an explanation, Yotsuba says Ichika is trying to get in the way of Miku’s confession to Fuu. She says this just as Fuu makes it to the top, and hears what she said.

Miku runs off in tears as Nino and Itsuki arrive, and Nino has had it with Ichika’s bullshit now that she’s made someone cry. But Ichika doesn’t want to hear about it, considering how cutthroat Nino has been. It’s here where Nino admits she was being overly harsh, and that in reality she’d want to celebrate with whoever ended up “winning” because the bond between the five of them was just as important to her as Fuu.

Speaking of Fuu, he tries to lower the temperature, but it’s too late; Nino is already also crying, and orders him to chase after Miku. He’s unsuccessful, but Itsuki ran after her earlier and saw her get on a bus back to the hotel, so Fuu gets on the next bus, and Yotsuba joins him. She blames herself for making Miku cry, and may have created a monster by encouraging Ichika.

Fuu assures Yotsuba that he was already pretty sure of Miku’s feelings, such that the Fake Miku seemed fake even to him, “Uesugi the Dense.” He tells her she worries about the others too much, but Yotsuba still feels she owes them for making them follow her to another school when she was the only one to flunk out.

She wants to know how everyone can be happy, but Fuu tells her there’s only so far you can go; ultimately someone’s happiness must be gained by taking it from someone else. Like, say, when many girls like the same boy.

Back at the hotel during dinner, Nino informs Yotsuba and Itsuki that there’s a creep sneaking photos of them (as evidenced by the shutter sounds she’s heard behind her several times). When the three decide to go check on Miku and Ichika, Miku doesn’t answer the door, but they all hear another shutter and freak out.

Ichika, meanwhile, manages to bump into Fuu in the hall, and asks if he’s free tomorrow, because she needs to talk to him about something. Hopefully to come clean about impersonating Miku…but probably not! Meanwhile, Nino calls Miku to ask if she’s free to talk tomorrow.

The next day, Fuu ends up running into Itsuki and Yotsuba again, this time from the top of Kiyomizu Temple. Itsuki all of a sudden adopts a super-affectionate and clingy attitude, having Yotsuba snap a picture of them with the view as a backdrop. She’s hoping to jog his memory about another certain photo from six years ago.

Nino gets to stay at the hotel by impersonating Miku (which is apparently all the rage these days) and when Miku asks her what she wants, Nino jumps on top of her in order to rattle her cage. She says her rival “backed down by herself” on this class trip that should have been a golden opportunity for her to make progress. Now all she needs to do is defeat Ichika, that “sly fox”. Long story short: Nino is taking Fuu.

Miku may have fallen for him first, but as far as Nino’s concerned she loves him the most, even if it’s her first time in love and she’s not sure what’s right or wrong. To this, Miku voices her protest, insisting she’s not done fighting for him yet. It’s just…she’s scared. Scared that she’s not good enough; scared of fighting fair and square; more scared than she thought she’d be. But even if it’s scary, she’s not going to quit…not yet.

That’s good, because Itsuki knows for a fact that the sister who posed with Fuu in that six-year-old photo is none other than Yotsuba!

Episode Eleven Quintuplet Ranking:

  1. Nino: Nino was busy this week! She was the sister who decided they were following Fuutarou’s group, setting some potentially cathartic scenes in motion. Calls out Ichika’s scheming, but also admits that she’s just as ruthless in trying to get what she wants. Most importantly, when Miku runs away crying, Nino puts the war on hold and sends Fuu after her. Finally, is the one to rattle Miku’s cage. Total Points: 43 (1st)
  2. Yotsuba: Turns in another strong showing by hanging with Fuu at the mall, serving as Miku’s emotional support, winning the card game so the sisters were forced to split up the way she dictated, literally carries Miku on her back, and has a solemn and frank convo with Fuu on the bus about the limits of happiness for all. Oh, and she’s the damn girl in the photo! Total Points: 34 (2nd)
  3. Ichika: Love or hate her, there’s no denying Ichika is a woman on a mission, and it’s take-no-prisoners. Her second use of the Miku disguise compounds the throne of lies upon which she sits, but when it backfires she doesn’t want to hear Nino scold her when Nino said she’d step over anyone who got between her and her man.  Total Points: 29 (Tied for 4th)
  4. Itsuki: There’s actual signs life in Camp Itsuki this week, as she plays big sister to Raiha at the mall. However, her cute photo moment with Fuu at the temple wasn’t self-serving so much as designed to get him to remember the Kyoto trip years ago. Total Points: 30 (3rd)
  5. Miku: While Ichika’s Fake Miku act didn’t work on Fuu, the fact Yotsuba blurted out her desire to confess sent her into a spiral of inadequacy, and she remained confined to her hotel room far too much to do anything. That said, she has nowhere to go but up! Total Points: 29 (4th)

The Millionaire Detective – Balance: UNLIMITED – 08 – Much Ado(llium) About Something

19 years ago Chou-san’s fruitless obsession with the Kambe Sayuri murder began. But Daisuke actually witnessed his father killing as a lad. Far from joining the force to protect the Kambe family and its interests, Daisuke is as eager for answers about the murder—and his fathers suicide—as Chou-san.

Haru, who has basically been swept up in all this by Chou-san and Daisuke, thus becomes a willing member of their re-investigation team. While he’s initially tasked with what appears to be busy work—poring through piles of family files, it’s clear Daisuke is counting on Haru’s detective’s instincts to find something.

Meanwhile, Chou-san is served weird rich people food while he conducts an interrogation of Takei in a secure location within the Kambe residence, offering Takei expensive whisky as no sake is available. Unfortunately, Takei seems too scared to say anything more than they learned with the VR machine.

Daisuke’s grandma similarly stonewalls his efforts to acquire any further information about his parents’ deaths and the “third laboratory” where they both worked and where the mysterious Adollium was researched—a lab now suspiciously missing from the Kambe org chart.

When Suzue tries to bypass an uncooperative HEUSC by basically scouring the internet for mentions of Kambe’s father and the lab, an informational page suddenly shoots a 404 error and the remaining search results are suddenly reduced to zero before her eyes.

She clandestinely informs Daisuke that not only is HEUSC refusing any questioning, it’s now actively working against them, using their own voices and body language to keep them one step behind. She does this by taking a very confused Daisuke by the hand, throwing him on the bed, and covering the two of them with the sheet.

When Haru sees them slightly disheveled, there’s a whole lot he could say considering Daisuke told him Suzue is related to him; but more importantly, he’s found a clue in a photo of Daisuke and his folks that indicates a mountain summer mansion was the location of the Third Lab.

Daisuke and Haru head to the lab, with the latter serving as a auto-missile-chucking diversion so the former can infiltrate the lab. It’s good to see the two working side by side on the same case again, even if Haru was left in the dark about the exact nature of the heavy pack on his back.

As Daisuke gains access to the lab, Suzue reports an intruder back at the residence, who is having success breaking her firewalls in order to gain access to Takei’s cell. Stranger still, the computer identifies the intruder as Kambe Shigemaru, Daisuke’s dad. When the power to her control center is knocked out, she heads off the intruder, only to be knocked out cold.

The intruder than enters the cell, but despite being given an emergency escape route, Chou-san has no intention of crawling to safety like a rat. After one last drink of expensive liquor, he takes out his handcuffs and prepares to confront the knife-wielding intruder head on, and Takei stands beside him. It doesn’t go well.

So, things are a bit clearer now: Daisuke’s dad never committed suicide, but his death (and dental records) were faked…perhaps so he could continue his work without further interference. His wife clearly expressed moral and ethical objections about that work, but they were ignored. It’s possible Shigemaru snapped when Sayuri left him, and he certainly remains snapped to be able to slash two detectives to ribbons.

That said, there must be a method to his madness. He could be behind HEUSC working against Daisuke and Suzue, and he clearly exhibited the faculties to infiltrate the highly secure residence and its network. Whatever the state of his mind (and, incidentally, his research), Haru blames Daisuke for not coming to the doomed detectives’ aid sooner.

That said, Daisuke did give Chou-san an out from the start, but he made his choice (as did Takei). Chou called the Kambe Sayuri case his “life”, but now the case has outlived him. Here’s hoping his and Takei’s sacrifice wasn’t in vain, and Daisuke and Haru will be able to complete Chou-san’s 19-year search for the truth…and for justice.

Oregairu 3 – 02 – This Has to Be Done Now

The tipsy Haruno invites everyone upstairs so Yukino can say what she wants to say, and even pops out some solo champagne as she listens. The  operative word there is listen: she actually does so, now that she can tell Yukino has something to clearly say.

Haruno says she’ll support Yukino in her efforts as a big sis should, but warns that if she goes back home, she may not be able to leave for a while. Yukino already knows the difficulty of what she’s doing, but she can’t win (her independence) if she doesn’t play, so she’s decided to finally take the field.

As Yui stays over to help Yukino pack her things, Haruno walks with Hikigaya, and expresses her astonishment over her little sis finally making herself clear. The ol’ Haruno cynicism is still there, citing that “nothing will change” whether thing works out Yukino or not, but that giving up on “various things” is part of becoming an adult, and it’s good to see Yukino take those first steps.

She also confides in Hikki that she’s not actually drunk, even though her face is flush and she’s favoring his shoulder. The flushness suddenly fades and she stands straighter, and her demeanor and voice suddenly more closely resemble Yukino’s.

No matter how much Haruno has drunk, a part of her has always been able to stay calm and observe and temper herself. And she has a sneaking suspicion Hikki is the same, whispering “you can’t get drunk” in his ear.  Whether it’s alcohol…or love.

The next day at school, after a slight problem unlocking the club room, the trio are back at their places sipping tea when Isshiki Iroha makes her first appearance this season. She hooks up a portable projector and plays a TV drama, but not to just goof off. Instead of the end-of-year “thank you” party for grads, she wants to throw a prom, like Western high schools.

With so little time to prepare, it’s going to be a close call whether Iroha can actually get such an undertaking off the ground, and it wouldn’t even be for her class, but she’s determined to make it happen, stating her desire to be Prom Queen to be her primary motivator.

When Yukino tells her she’ll be queen for her own prom in two years even if she doesn’t “lay the groundwork”, Iroha stands her ground, insisting the prep is crucial to achieving her goals. Left unsaid is that within her selfish motivation there likely lies a desire to see Hikki, Yukino and Yui have a prom.

Yukino can probably sense this, and considering she has a lofty goal of her own, she’d be hypocritical if she pooh-pooh’s Iroha’s. So she agrees to help Iroha, but as an individual, not a Service Club member. She also tells Yui and Hikki they’re under no obligation to help her since it’s not an official request, but a personal one.

While they realize she wants to try to do this on her own, they’ll always be around to help out when needed (which is certain to be the case).

When Yui comes home and sees the photo of her between Yukino and Hikki, she frowns, and tells herself to forget the thing she saw while helping Yukino move: a photo of Yukino holding Hikki’s arm on the water ride, hidden behind the stuffed animals on her bed. Of course, Yui can’t forget what she saw, because it’s just another confirmation of the “place she can’t get into”, no matter how many times she stands in front of the door.

She interprets Yukino’s treasuring of that photo as further evidence she has feelings for Hikki. Yui has feelings for Hikki, but also loves Yukino, thus leaving her perpetually on the outside looking in. She’s had to be content with that limbo, in which her and Yukino and Hikki’s genuine feelings—and the conflicts they create—have been left unsaid, clearly or otherwise.

But with Yukino starting to speak clearly, that’s coming to an end. There’s an unavoidable element of destruction inherent in all acts of creation—in this case Yukino’s New Start, but also the overarching physical and psychological transition into adulthood. Yui sees that on the horizon and fears she’s unprepared…but isn’t everybody?

Kakushigoto – 11 – Out With a Bang

When Hime calls for a “family meeting”, the fact there’s no dedicated meeting room in their house becomes an issue. As Kakushi goes on a walk to ruminate about it, he encounters two others dreading their own meetings in Tomaruin and Ichiko.

Of course, when all three converge at a disused well (the ancient equivalent of a water cooler), they each assume the other two are talking about their own meeting, and come away with heightened opinions of each other. Tomaruin’s editor’s meeting results in him securing a fancy dinner for himself, Kakushi, and the Editor-in-Chief.

Kakushi interprets this as a signal that his manga is about to get the axe. The conversation remains vague and never gets to a point where Kakushi’s misunderstanding is resolved. When it does enter details, such as the EIC mentioning “colored pages”, Kakushi believes that’s finally being offered as a way for him to “go out with a bang”; in reality the EIC just thinks Kakushi wants colored pages after a long time without.

Kakushi then relays this misunderstanding to his assistance, and they not only take it well, they all believe the timing is perfect for them to travel, finish school, or work on their own thing. Because everyone thinks this is it for the manga and there’s nothing to lose, Kakushi goes all out, and both editors and readers respond favorably.

It isn’t until Hime’s friends’ detective agency locates a suitable spot for a meeting with her dad (i.e. another well) that Kakushi learns the manga isn’t going anywhere, and never was. Tomaruin loses the manuscript pages down a well, and when he’s counting them as he retrieves them, he sounds for all the world like a ghost.

This freaks out both Hime and Kakushi, postponing their meeting, and Kakushi has Roku pull Hime to safety before discovering it’s just his editor. Once he has the right of things, he informs the assistants, who were all gung-ho about moving on, and a dark cloud settles over their heads.

Ultimately the meeting Hime wanted was about learning to make karaage to bring to a friend’s birthday. Since she’s too young to deep-fry, she wants her dad’s help, and Kakushi warmly accepts. Fast-forward six months, and the eleventh episode portrays not one but two parties for Hime’s eleventh birthday.

The first one is a cookout with both Hime’s and Kakushi’s friends and associates, and a good time is had by all. The second is just for Hime, Kakushi, and Roku, with a cake and a gift of a music box. Hime looks forward to spending more years with her dad, thinking these good times will never end.

But at some point, we know they did, and Hime and Kakushi became separated…somehow. The show is still coy about the particulars, but the day Hime turns eighteen is decidedly grey and morose.  With a big old Roku beside her, Hime wistfully flips through the album of good times past and secures her music box.

Then there’s a sound at the door, and when she answers, a key and a map were left behind, along with a note stating “secrets lie here”, referring to the marked location on the map. With just one episode left, we’re sure to get the last pieces to make the clearest picture yet of What Exactly Happened between her eleventh and eighteenth birthdays, and—hopefully—What Will Happen Next.

The Quintessential Quintuplets – 08 – Somebody That He Used to Know

I know it’s usually the case in these kinds of shows that the less we know about the protagonist the better, but considering how much we’re learning about the five Nakano quintuplets, it was only a matter of time before we finally got a little more insight into where their tutor came from.

We know Fuutarou’s dad seems a lot carefree and “wilder” than his serious son. But it wasn’t always that way; Fuutarou used to be a wild man just like his old man, and still carries a photo in his student handbook to prove it. Pops also says that he transformed into the young man he is now shortly after meeting a certain girl. The plot thickens.

At Casa Nakano Miku ends up being the one to disrupt lessons when she becomes determined to make the perfect croquette, leading Fuutarou to overeat. When Nino and Itsuki prepare to leave for lunch, Fuutarou begs Yotsuba to keep them there, and she demonstrates how bad a liar she is by saying Fuutarou is so ill moving will kill him.

Still, Itsuki sits beside him and Nino whips up some porridge, showing that each and every one of them is a good girl at heart. Alas, when Nino slips on the ketchup Futaoru used to simulate coughed-up blood, the hot porridge spills on his face and he moves around…without dying.

Nino and Itsuki bail in outrage, leaving Fuutarou alone with Yotsuba. When she laments how little she’s been able to change, Fuutarou reassures her: she was the one sister who was honest, straightforward, and friendly from the start, and without her his job would have been impossible.

When he says she’s too straightforward to lie properly, Yotsuba draws in close—too close; intimately close—to tell Fuutarou she can’t help but be straightforward…she likes him. After an appropriate beat to allow Fuutarou’s heart to stop, a wide Cheshire Cat grin sprouts from her face…she was “just kidding”, and can lie just fine when she wants to. The question is, was she really lying?!

Back at school we learn School Camp is coming up, always fertile ground for rom-com events. The task of running the Test of Courage is foisted upon Fuutarou, who is determined to get back at his class by scaring the shit out of them. His clown mask is certainly effective on Yotsuba.

Ichika then shows up to tell him she can’t sit in on the lesson because she has a shoot, and proactively gives him her contact info so she can tell him in advance of schedule conflicts. Only that’s not her only reason: not thirty seconds after receiving his number, she texts him a photo of him sleeping on her lap, which she threatens to distribute to the others unless he acquires her sisters’ contacts as well.

It’s a diabolical and very Ichika scheme, in keeping with her promise to help him out by letting him help himself, in this case by earnestly reaching out to the others. Getting Miku’s number is easy (and she’s eleated to have his), and he bribes Itsuki by throwing in Raiha’s contact info with his own. Nino’s a tougher cookie, but FOMO forces her hand as well, and she writes her info in Fuutarou’s handbook.

While giving Fuutarou her info, Yotsuba gets a call from the basketball club. Wondering if she’s the world’s biggest pushover or is maliciously agreeing to anything to avoid studying (why not both?), a suspicious Fuutarou follows her, only to be pleasantly surprised when she gives the club her regrets: she tells them about her “previous engagement” and the “someone who’s spurring me on, even though I have no talent.”

Fuutarou may may light of Yotsuba’s ditziness, but he shouldn’t throw stones in glass houses, as he doesn’t realize Nino still has his handbook until he’s home that evening! The next morning Miku lets him in her room, and catches her asleep in a very unglamorous position.

Nino agrees to let the infraction pass if he agrees to pierce her ears, the tool for which she got from Ichika. Despite his hostility towards him, it says a lot about how she really feels about him that he’d ask her to do something so personal for her. But he uses her moment of vulnerability to try to snag the handbook, and it falls to the ground, revealing the picture of a “hot guy” who is just Nino’s type.

Perhaps due to his pierced ear and bleached hair, Nino doesn’t recognize it as a younger Fuutarou, and Fuutarou claims it’s just a “relative” he’ll introduce to her some day. But Fuutarou is just relieved to have the photo back before she saw the other half, which stayed folded over. The second half reveals the girl he met five years ago whom his father mentioned led to his metamorphosis in to an ace student.

Just as Nino shows her sisters an album with a photo from those same five years ago. It’s now indisputable: Fuutarou’s first love was one of the quints. Only we just don’t know which one, since they all looked exactly alike five years ago. Fuutarou changed quite a bit too, so neither side recognizes the other from the past…unless that certain one of them does remember and is keeping it a secret.

This is all great stuff! I’m actually glad there’s a deeper connection, and I love a good wholuvit mystery. A lot happened and was introduced in this episode, and it didn’t always connect organically, but QQ has more than earned my faith in its ability to develop its new plot points and tap the new central mystery for drama and possibly resolve it in a smart and entertaining manner.

Jibaku Shounen Hanako-kun – 05 – Love is In the Air

…Or at least it seems that way, with Nene and Aoi’s class suddenly chock full of new couples. Rumor has it when you confess to someone under a certain tree on school grounds, you’re assured to become a couple. When Aoi’s childhood friend who likes her practices on his male friend, the next day they’re a lovey-dovey couple.

When Hanako-kun suddenly asks Nene to meet him under the tree, she begins to consider if he likes her, rather than wonder what apparition he’s trying to rein in. The source of the successful confessions turns out to be a kodama, or tree spirit. Hanako does indeed confess to Nene, but compels her to reject him, rendering her bait for the kodama, which he then defeats.

Afterwards, Hanako teases Nene for hoping it would be a real confession, only to make her cry genuine tears. Realizing he was reckless with her feelings, Hanako chases after her, takes her hand, removes his hat, and offers a sincere apology, and insisting she stay with him until her tears stop. It’s a very moving scene, aided in no small part by Ogata Megumi’s excellent voice acting.

Seeing Hanako-kun without his hat sparks a newfound interest in learning more about the mysterious ghost boy, including what crime he committed and how he died. Hanako is suspicious of her prying, however, and places Kou between them as a buffer. When Minamoto-senpai is brought up, Nene sings his praises in an admiring, flowery tone, unaware the subject of her praise is not only right behind her, but Kou’s big brother.

As it happens, Teru has come to take Kou aside and admonish him for his lack of progress. His duty is to defeat the Seven Wonders, including Hanako, and Teru is not pleased with the fact Kou seems to have become chums with him. “There are no good apparitions,” warns Teru, who decides if Kou can’t do the job, he will, setting up a major confrontation with Hanako in the near future.

Nene, meanwhile, just wants to learn more about Hanako, and having limited success in the school library. Then a gorgeous, doll-like green-haired girl approaches her, and suggests she visit the Fifth Wonder, the 4 O’clock Library, for more info. Later Aoi warns that while white and black books are fine, one must never read a red book. Three guesses what color Hanako’s book is…

Jibaku Shounen Hanako-kun – 04 – Foxy Lady

When a beautiful woman appears she’s initially delighted to find that Nene, Kou and Hanako have constructed a human-ish body. But when she makes it move, it crumbles into a pile of parts; another “failure”she’ll add to the growing heap behind her, where Aoi and all the others who fell into her stairs lie, neither dead nor alive.

However, her scissors have the ability to turn a human (or a part of them) into a doll, so Hanako reiterates their goal of finding Misaki’s Yorishiro (or weakness). If the highest spot isn’t the deepest, then perhaps the lowest spot is…so he shoves Nene off the edge, and she falls, falls, and falls some more.

When she comes to she’s lying near the gate to a temple, surrounded by concerned Mokke. She finds a desk, an old photo, and a notebook that contains a kind of dialogue between a girl and her handwriting teacher. The handwriting gets better as the pages go on, but one day the teacher, named Misaki, doesn’t return.

Misaki, then, isn’t the woman in the kimono trying to turn everyone into dolls, but the teacher who abandoned her, likely when he died, or simply moved away. In any case, Nene now knows the woman’s weakness: a pair of haircutting scissors gifted to her by Misaki.

When the lady finds Nene and attacks her, Hanako intervenes, protecting Nene and giving her cover to make a run for the shrine containing the scissors. While the woman’s story is a sad one of unfulfilled love, she’s gone too far and way beyond her duties as a School Wonder. With her Yorishiro broken, Hanako strips her of her power.

Back in the realm of the living, Nene is safe and sound, while both a doll-ified Aoi, Kou, and all the other victims will be restored to their humanity. They were never dead, just trapped in between worlds. Then Hanako reveals the true form of the woman: an Inari statue in the form of a kitsune, or fox spirit.

In the past, Misaki-sensei befriended the ghost who inhabited the kitsune statue, name turns out to be Yako, and even included her when a photo was taken of him and his class. Yako grudingly agrees not to continue her mischief, but isn’t in a hurry to befriend Nene nor anyone else.

This latest School Wonder case thus solved, the black crane, really a black Haku-joudai  hiding in Nene’s hair, returns to its master, who then returns it to his master, a green-haired girl wearing the same uniform as Nene. She seems pleased things worked out. I assume at she’ll reveal herself and her intentions to Nene and/or Hanako at some point.

Oresuki – 11 – Stifled by Righteousness

After Joro dispatches Tampopo for running another kooky op—this time on him with Pansy’s cooperation—Cosmos rushes in to tell them the bad news: the school is shutting down the library. I won’t go into how bizarre and random a development this is…but it’s as bizarre and random as Tampopo’s ops!

Turns out there IS a way to save Pansy’s haven, but it might be a case of the cure being worse than the disease. It’s nice if her friends all tell their friends to start packing into the library, but isn’t the whole point for Pansy that it’s a place of peace, tranquility, and (present company excepted) relative solitude?

Oddly, this quandary isn’t really addressed, and it suffices that the end of the library remaining open will justify whatever means are used. It could also mean that having been warmly welcomed into Joro’s circle of friends, Pansy is ready to graduate to larger social networks.

Instead of exploring whether the rescued library will still be a place for Pansy, the episode instead ruminates on who is helping with the rescue, and why. Enter Hazuki “Hose” Yasuo, the seemingly perfect buddy who helped Joro out in a previous episode. Joro lacks a large group to call upon to help with filling the library, but he does have Hose.

Hose comes to Joro’s school with Sakurabara “Cherry” Momo and Kusami “Tsukimi” Luna, his StuCo president and childhood friend. It’s like “Bizarro” version of Oresuki, with Hose as Joro, Cherry as Cosmos, and Tsukimi as Himawari. They’ve come to help with the library problem in any way they can.

Joro could have probably predicted the resulting interactions would threaten to supplant him as MC. What Joro doesn’t know until it’s a problem is that Hose, Cherry, and Tsukimi all went to middle school with Pansy. Hose is the boy everyone in class wanted her to date, eventually leading her to disguise herself for high school.

At the end of the day, after Joro orders Asunaro to take Pansy to her house to talk newspaper story on the library (so that a visibly uncomfortable Pansy doesn’t have to walk home with Hose), Cherry and Tsukimi meet with Joro, Cosmos and Himawari. They come right out and say it: they’re both in love with Hose, but are putting their friendship with him and each other before those feelings.

They also know he loves Pansy, so they’re dedicated to getting them together. As the wheels turn in Joro’s head, he can’t help but conclude that there’s nothing inherently wrong or malicious about the two girls’ positions. Tsukimi even directly asked Joro if he liked Pansy. When he reflexively responds in the negative, she takes it as the truth.

That truth is all she needs to know that even if Pansy loves him, she’ll eventually have her heart broken, thus their nudging her towards someone who actually has feelings for her. But there’s a piece of this seemingly even-steven puzzle Joro feels is missing.

That piece is revealed and confirmed when he speaks with Pansy about it: Hose “doesn’t understand the other side of people’s feelings,” and his good intentions unintentionally hurt people. He’s hurting the two girls who love him, but he’s so good and kind and righteous that they feel compelled to put his feelings before their own. And he hurt Pansy too, even if he never meant to.

Pansy likens him to a demon. Even when he resisted his own feelings for her in order to protect her from others in middle school, he was only tackling the surface of her feelings. Joro has seen how conveniently things always seem to work out for Hose, but that’s only because, unlike him, Hose simply isn’t seeing the whole picture. His Bizarro counterpart is a cautionary tale: paths of least resistance can still cause great harm and even suffering.

Joro vows to make sure Pansy won’t be hurt or made uncomfortable any more, but while he’s off doing so, Pansy is confronted by Sun-chan, who for some reason thinks his “chance has finally come around,” following that up with an uncouth smirk. I knew they should have excommunicated this dirtbag when he threatened her back then!

Oresuki – 10 – Mission Creep

This week, Joro ends up back on the Bench from Hell, this time sharing it with a new girl. Well, not entirely new, as we caught a glimpse of her when she refused to participate in the Flower Dance. She’s baseball coach Kamata “Tampopo” Kimie, and right off the bat (pun intended), she exudes arrogance and egotism to match any New York Yankee (or Yomiuri Giant).

Joro at least knows full well by now that no good can come from whatever Tampopo wants during their bench chat. Turns out she wants him to help her hook up Sun-chan and Pansy, so Sun-chan will play better baseball, so their school will Win It All and increase Tampopo’s own notoriety.

Tampopo is so confident of her cuteness, she offers Joro a racy picture of her as payment for his services, which he accepts. But Asunaro happened to spot Joro being pulled into the science lab with Tampopo, and so inserts herself into this little venture. In exchange for being able to observe and write about their progress, she’ll also write a glowing article on Tampopo.

Asunaro loves a good story, but she’s also rooting for Pansy to get hooked up with someone other than Joro, which will increase her chances with him. Of course, that still leaves Cosmos, Tsubaki, and Himawari in the way. And while the episode almost forgets about poor sidelined Sasanqua, I won’t—though her brave attempt to ask Joro out to an amusement park while her clique watches…doesn’t go so well. The frikkin’ Queen Bee of his class wants to date him, and he doesn’t see it!

After a very ill-conceived quasi-military operation crashes and burns (earning Tampopo the deserved moniker “Commander Crazypants”) Joro offers a counter-scheme. To serve as the romantic rival Tampopo believes is needed to bring Pansy and Sun together, Joro will come right out and confess to Pansy behind the school. But that’s just what Joro says will take place.

At first I was worried that Joro was again playing games with people rather than being honest and confronting conflicts when they exist (as he’s done thus far in his happy little library group), thus inviting further ire from Pansy. However, that’s not the case! He actually brings Pansy in on this, with the new information that Tampopo and Pansy went to the same middle school.

Back then, before she disguised herself, Pansy was often pressured into getting a boyfriend by her peers. With this scheme, Tampopo hoped to get her a boyfriend by using Joro as an indirect catalyst rather than repeating the direct pressure of the past. She was thinking of Pansy. Tampopo’s baseball connection with Sun was just a happy coincidence.

Pansy then tells Tampopo that she’s already in love with Joro (AKA “Slipper Man”). When asks why she went through so much subterfuge when telling the truth from the start would have been fine, Tampopo hesitates then runs off before telling “the truth.” Is that truth that she actually likes Joro, and was getting Pansy out of the way?

Regardless, this was a mostly self-contained episode designed to introduce yet another girl to Joro’s already sizable cadre, but at the unfortunate cost of marginalizing another (Sasanqua), not to mention stop Himawari’s recent developments in their tracks. It didn’t really feel necessary.

Then there’s Cosmos, whose pained looks this week might be less about being neglected of late, and more because she’s the only one who knows the school is planning to close the library—Pansy’s sanctuary and their sacred meeting place—and not even she as StuCo President can do anything about it. I’m just hoping that on a show now brimming with relationships, a non-relationship plot development won’t get in the way in the last two episodes.

I also hope there’s a second season!

Programming Note: Just as there was no Oresuki episode last week, there’s no Cautious Hero episode this week.

HenSuki – 05 – Beware the White Rabbit

In an effort to keep “Witch-senpai” from monopolizing Keiki, Yuika joins the Shodou club, even abiding by Sayuki’s directive that she dress as a bunny girl for a day. Mao also joins, but doesn’t have to wear a costume, as Sayuki is already a huge fan of her BL manga.

But Keiki has bigger problems than the three weirdos in his orbit joining forces: a fourth weirdo who took an incriminating picture of him. She intends to blackmail him, but isn’t interested in him, only his friend Shouta.

This fourth girl is Ootori Koharu, who despite being tiny and having a bunny-like aura, is actually older than Keiki, and a third-year. That makes her demand to Keiki difficult, as she’s obsessed with Shouta and wants to meet him, but Keiki knows his best mate only likes younger girls.

Thanks to some inspiration from Mizuha, Keiki crafts a plan: when the summer unis come out, which are all the same color regardless of year, he’ll have Koharu meet Shouta wearing a hoodie concealing the bow that indicates she’s older. She also addresses him as senpai. Shouta falls for it hook, line, and sinker.

Things bode well for Keiki having the photo of him groping Sayuki deleted from Koharu’s phone—though I hasten to note she didn’t actually do it yet. Instead, after another quick check on the shodou club (which is a bit too much concentrated weirdness for Keiki’s taste), he spots the vice-chairperson Fujimoto descending the stairs with a tall stack of printouts.

Predictably, one of the papers ends up under her shoe, and she slips and falls, but Keiki saves her, ending up underneath. In a subversion of cliche, Fujimoto is not mortified by their ensuing amorous position. On the contrary, she’d prefer if they stayed that way a little longer. Could Keiki have finally found his Cinderella?

Happy Sugar Life – 09 – Eliminating All Risks

In exchange for the change to see and be purified by Shio, Taiyo follows through with Satou’s instructions, giving Asahi Shio’s sock and telling a tale about it being found at a station some distance away. A cordial exchange quickly devolves into nastiness when Asahi smells some kind of trickery afoot, and then triggers Taiyo into a rage by calling him a “dirty adult”; pretty much the worst insult you can throw his way.

Still, Asahi regrets how things ended, and decides to take Taiyos advice and travel afar for more clues. The night before he leaves he meets Shouko in the park once more. Shouko thinks everything about Asahi is amazing, and while he’s not manly or her type at all, a part of her is jealous of Shio for having such a gallant prince willing to move forward no matter how much it may hurt or how scared he is. She bids him farewell with an exchange of contact info, and a kiss.

Satou is at the station to make sure Asahi is on his way, then returns home to 1208 to spend the whole day with Shio. It just happens to be the “anniversary” of the day she first kidnapped her. Satou celebrates by buying a bunch of fancy sweets which the two share together, and when Shio brings up the future, and securing said future together with the bonds of marriage, Satou is ready with two rings.

Both she and Shio are happy beyond words; giddy, even. And in a moment of particularly intense giddiness, Shio pounces on Satou as she’s exiting the front door…

…Where Shouko is waiting there with her cameraphone, and snaps a picture of Shio with Satou. It’s a devastating needle scratch but also a welcome glass of cold ice water on Satou’s frankly impossible (and ridiculously amoral) fantasy dream world. Her Happy Sugar Life is a sham; a mere house of cards that falls all too easily once a sliver of reality peeks in.

And yet, as evil as Satou’s actions are, Shouko comes with at least a veneer of non-judgment, acceptance, and love of and for Satou, no matter what she’s become, what she’s done. No matter how far she’s sunk into the muck, Shouko wants to pull her out and back into the light—the real light. But Shouko is doomed the moment Satou saw her on the balcony; before she even snapped that picture.

In a thoroughly unpleasant, sickeningly brutal scene, Satou grabs Shouko from behind as she’s leaving, sticks a knife in her throat, and suffocates her with her hand as she bleeds out. Another risk eliminated. She used soft power on Asahi, but had to go hard with Shouko, who kept persisting and interfering.

But Shouko’s death wasn’t in vain. The photo of Shio with Satou reaches Asahi. Will he be prudent enough to report Shio’s kidnapping to trained authorities and let them deal with Satou, or will he try to go after her alone? How will Satou deal with Shouko’s body, and will her murder spark a purge of more “risks”?

Most importantly, how will Shio respond to this once the initial shock wears off? Perhaps Shio herself could end up dealing the decisive blow to Satou’s delusional,  impossible world of sugar and happiness. The foundations of that world are as rotten as her aunt’s apartment; they’re sinking ever deeper into the earth made soft by spilled blood.

Steins;Gate 0 – 15 – MOE MOE KYUN

Up to this point, it looked like things were going well for Daru and Yuki. Not fast, but good. Both were comfortable with the pace. Suzuha isn’t satisfied with his dad’s pace, so gets Feyris to doctor a photo to make it look like she’s slowly fading from time—Back to the Future style—because Daru isn’t spending enough time with her future mother. Meanwhile, Maho returns to Japan…but doesn’t have much to do at first.

She joins Suzuha, who gathers all of the other women (plus Ruka, minus Nae) to put Daru through a kind of “Dating Boot Camp”, even going so far as to have Maho hook him up to some kind of ridiculous “sleep learning” device.

The resulting Daru is confident—suave, even. But no matter how good his fancy date with Yuki looks from afar, in the end, Yuki has simply seen and heared and endured enough, and gives Daru the “oh look at the time.”

Daru needs time alone, and Suzu thinks she’s torpedoed her own birth. She thinks of the time her mom sacrificed herself to save her from a killer drone. She admits to Daru that the photo and stuff was a lie because she wanted to watch him and Yuki fall in love firsthand.

Daru was on to Suzuha all along (he is her dad, after all), but is grateful for the little push in the back he needed. He calls Yuki, apologizes for the first date, and she grants him a second in as many days, suggesting Suzu never had anything to worry about.

The nature of the date also suggests that any kind of unnatural meddling in Daru and Yuki’s romance would be fruitless, because Yuki likes Daru just the way he normally is, right down to the way he confesses, which is up in the title of this review. Justhewayouarism; clearly Yuki was a student of Fred Rogers.

After Yuki and Suzu talk post-Daru’s confession, they share a knowing hug that almost makes be think Yuki is aware of exactly who Suzu is. I mean, why not? Daru knows Suzu is his daughter, why wouldn’t Yuki instinctively know she’s her mother? As for Suzu’s sour face after departing from Yuki’s embrace, what was that all about? Does she sense K6205 watching her from on high?

This was an inoffensive enough little palate-cleanser for the coming trials involving Maho, Daru, the time leap machine, etc. But it lacked stakes, as I never believed Suzuha’s never being born was particularly likely, and certainly not something that would be determined in one episode.

As I said, Maho was mostly wasted this week, though I’m keeping an eye on the widening distance between Rintarou and Mayuri. It’s not that he doesn’t want to hang out with her ever; he’s just a very busy dude right now.