Anya’s initial attempt to impress Damian with news of her new dog failed, so she’s brought a new family portrait to “accidentally” drop when Damian is passing by, hoping he’ll see it and marvel at Bond’s grand floofiness.
Unfortunately it doesn’t go as planned, as Damian and his toadies ignore the photo. It flies off and is picked up by Becky, who is immediately smitten with the hot guy and asks Anya if he’s “seeing anyone”. A dismayed Anya responds “Papa is married to Mama!”
In a stroke of luck for Anya, she and Damian are paired off for and arts-and-crafts project: making an animal. Becky ends up making a model of Loid with a “battle suit” from her dad’s company, and when substitute teacher Mr. Henderson tells her the assignment was animals, she once again demonstrates her precociousness by stating “In the end, humans are animals too”, something our mustachioed paragon of elegance cannot dispute.
Anya doesn’t fair so well, as she’s as bad at arts and crafts as her Mama is (or at least was) at cooking. When she reads Damian’s mind to make a griffin, the heraldic beast of his family, she magnanimously offers to assist, but proves absolute rubbish, building legs with jet engines and uneven feathers. Damian is so pissed by her uselessness he makes her and another girl cry, inviting a scolding from Mr. Henderson, who exclaims “Not Elegant!”
Henderson understands Damian probably wants to impress his father, but he tells Damian there’s no need to rush; all he can do is what he can with the resources he has. The resulting “griffin”, with Anya’s interpretation of a griffin beside it, looks like a disaster, but it invokes patriotic fervor in one of the bigwig judges, and the pair end up winning first prize.
The griffin is proud-looking despite its sorry state, while what is interpreted as “the corpse of an innocent baby griffin” moved the judge to strong emotion. It’s a great bit of still art.
Unfortunately, Anya doen’t really make any progress in her friendship to Damian, nor does the prize include any Stella. But as big of a jerk as he often is to Anya, I couldn’t help but feel bad when he called home and had to settle with talking to the butler Jeeves, since his father is away in more ways than one, and generally disinterested in his second son.
The episode switches gears to do a brief profile of Sylvia Sherwood, AKA Handler, AKA Fullmetal Lady, so-called due to her flawless performance as a spymaster for Westalis. Varying cinematic shots of her walking down the street create a sense of paranoia, but her tail turns out to be a couple of easily-fooled guys who never considered she’d use the public pool locker rooms to change into a disguise and give them the slip.
We witness two separate meetings between Sylvia and Loid, with the episode underscoring that every meeting threatens both of their lives. So it’s amusing both that Loid makes sure not to tell the Fullmetal Lady that the tag on her dress is still on, and also that his “report” to her on Operation Strix involves Anya’s athletic progress.
The final post-credits skit, basically an omake, is a flashback to when Anya would cook dishes for Yuri to eat (all of which are pixelated and feature worryingly unnatural colors), and Yuri scarfs it down with a smile in between projectile vomiting. When he tells her she’ll make a great wife, she gets bashful and slaps him so hard he bounces off the floor and spins horizontally to the far end of the room.
This combination of being repeatedly poisoned and thrashed about due to his sister not knowing her strength is what makes Yuri the excellent operative he is today. He’s been toughened to such an extent that getting his by a truck is of absolutely no consequence. After all, Yor’s tougher than a truck.