AICO – 06 – 99 Problems and a Burst Ain’t One

The closer the team gets to Primary Point, the more tricky it is to predict how the Matter will react, and what will work against it. Kaede’s recklessness puts the entire operation in danger when the Beetle is damaged and they lose precious time.

Maybe it’s the stress of their environment, but all of a sudden the Divers I touted as consummate professionals are bickering like siblings in the back seat. Ah well, Kaede gonna Kaede, I guess.

Back at Kiryu Hospital, Isazu and Nanbara complete their plot to edge Kurose out in order to maintain control of the Area situation. As villains go, these two are pretty dang dull, sitting in cars and offices and calmly betraying their college friend.

While I understand Isazu’s intense desire to save his daughter, what good will reviving her, or the Japanese economy, do if there’s no Japan, or world, in which to live or prosper? If he’s obsessed to the point of madness, he hides it well.

One thing made clear six episodes in is that AICO’s forte is clearly not characters. Nearly everyone is either derivative, generic, annoying, or a combination of same. Take Kanzaki. We still know almost nothing about him (though I somewhat suspect he may be artificial too), except that he loves bossing Aiko around and otherwise treating her like dirt.

The person he’s dealing with is Aiko’s real brain in a fake body, yet he treats her like she’s a full-on robot without a shred of humanity. He’s also oddly petty in that treatment, even scolding her for trying to make the Divers’ rations more palatable. Maybe he’s curt because time is an issue; maybe he’s an artificial dude who resents Aiko’s emotions…or maybe he’s just a dick.

The show’s saving grace continues to be its action and the heightened peril the nearly omnipresent Malignant Matter presents. Our infiltration team is a bunch of tiny, puny humans who are only kept alive by highly sophisticated technology, the proper training and experience to utilize it, nerves of steel, and a disturbingly high amount of luck.

This particular episode also benefits from having Aiko actually defy Kanzaki, not only by making a tasty meal for her protectors, but serving an ultimately decisive role as resident Matter Detector. If she’d listened to Kanzaki, and sat back and done nothing, the mission would have surely failed. Nice to finally see some agency from her.

Their successful passage through a devilish gauntlet of active Matter from above, below, and all sides, the Divers also manage to work out their interpersonal issues, particularly when it comes to Kaede being a loose cannon. Kaede almost runs out of her famous luck, but is saved by the same guy who grabbed her by the neck and chewed her out earlier, while the rich kid loses an arm, but it’s artificial and easily replaced.

Some may actually be disappointed by the show’s unwillingness to pare down the admittedly quite large Diver crew; losing some players would certainly raise the stakes. Perhaps it’s holding its powder until they get closer to Primary Point…and even then, mission success is not assured.

Aiko may have saved the day, but attacking Matter has a deleterious effect on her, and the surgery can’t proceed if she’s knocked out and can’t be revived. More pressing is the fact their way forward is blocked by more Matter, while a CAAC team is hot on their heels.

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AICO – 05 – I’m Not a Thing, I’m a Person and My Name is Aiko

After a harrowing trip through Area One, the group rests and resupplies at the facilities near the guillotine dam, a place of relative safety with all of the nearby Matter either destroyed or paralyzed. The respite also means a slowing of the brisk and satisfying pace AICO had maintained until now.

Outside the area, Kurose decides to give Director Nanbara a ride to CAAC headquarters. She and Kurose happened to date in college, but Nanbara dumped him, and while the two are on cordial terms, neither comes away with much information from the other about the situation with Aiko. Nanbara also warns Kurose to stay out of the affairs in the Area altogether—apparently unaware he’s already very much involved, and indeed facilitated Aiko’s escape.

While on watch duty, Kazuki and Kaede learn a bit more about their client, who remembers fishing with her family on the river now overrun by Matter, and the events that lead to her not getting tangled up with Yuya, Kurose, and eventually them. In the process, we also learn that Kazuki is a spoiled rich kid who joined the Divers to chart his own course, while Kaede came from a broken family and enjoys her new solitude and independence.

We also learn that the translucent blue ball Aiko has is actually a very valuable prototype for a mouse-like artificial life form. Yuya’s comparisons between it, the Live Suits, and Aiko bother her quite a bit, seeing as how she feels like a person and doesn’t appreciate being treated and talked about like an object, even if Yuya is correct that she, or at least her body, is just that.

Not five minutes after discovering her blue ball was really a pet, Aiko loses it as it runs outside. She puts on a suit and chases after it, slipping, falling, and getting lost in the woods. This would have been a perfect time for the drug that keeps her from attracting Matter to wear off, at least from an urgency perspective…but Daisuke finds her and a very worried Yuya finds her pet, whom Kaede names “Gummi.”

With their client retrieved and the “Beetle” Tank loaded up, the team piles in, leaves their safe place, and heads to Area Two, just as a CAAC team enters Area One. Isazu and Nanbara agree that Kurose succeeds Dr. Yura as head of Kiryu Research, he’ll stop research Nanbara believes is crucial to the Japanese economy, and Isazu believes is crucial to saving his daughter. As such, he prepares to oust Kurose from Kiryu with trumped-up corruption charges.

She and Her Cat: Everything Flows – 04 (Fin)

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You’re lonely? Get a cat. They live thirteen years, then you get another one. Then another one after that. Then you’re done. —Katherine Olson, Mad Men

The devoutly-Catholic Kathy may only be telling her daughter this in response to learning she and her boyfriend have moved in together with no promise of marriage, but there’s a grim practicality to her advice, and it’s also oddly prescient of the events that close Everything Flows.

To whit: “She”, whom we learn is called Miyu, is lonely after her friend moves out and gets married. Miyu is so lonely and uncommunicative, in fact, her mother fears the worst when she gets a hang-up phone call from her daughter, and races over, which turns out to be a false alarm.

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It would seem a concerned Daru inadvertently dialed Mom’s number, but the effect of the happenstance is profound: Miyu’s mother is relieved. Miyu sees her mother for the first time in a while. They share a laugh. Daru is relieved too: Miyu is going to be alright. He was hanging onto life until he could confirm that. When he has, he passes away, quietly, in her arms.

Then, a psychic explosion destroys Tokyo and initiates World War III. Just kidding! But that’s kinda what it looked like. That would have been quite the genre shift!

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Naturally, there’s a mourning period for Miyu, whose eye-bags and fetal position recalls another famous, devastating film (only without the drugs). She even feels Daru rub up against her back, the way he did countless times in his life. It’s only a phantom rub, but it doesn’t plunge Miyu into further despair. Instead, she sits up, smiles, and moves forward.

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Not wanting to worry Daru any further, she cleans up her place, finds a job, and faces the world with a smile once more. Then Daru apparently reincarnates as a white abandoned cat, which Miyu finds under a bridge and takes in.

But unlike Peggy Olson in her mom’s scenario of a life with three cats to ward off lonliness, Miyu will either need more than three—to combat the formidable longevity of the Japanese—or find a human. Either way, she’ll be fine. The world still moves, and we still travel upon it.

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She and Her Cat: Everything Flows – 03

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Daru had a rough youth, about which he remembers only bits and pieces: he was a stray along with his mom and three siblings, but after a bird attacked, he was suddenly all alone.

And while the girl may have Daru now, Daru is getting old. Looming over this episode is the fact that one day he won’t be around, and the girl really will be alone in her apartment for two, which she’s seriously let go due to being so exhausted after work.

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But more than that, Daru can only offer his particular cat breed of unconditional love and wordless support. But it doesn’t change the fact that the girl was always conflicted about moving out and leaving her mother alone, and now that Tomoka moved out to get married, she feels even more alone and lost.

She has no career, only part-time jobs; no romantic aspirations as she draws closer to the age people marry; and her cat is too old to even jump on the bed to comfort her as she stews in her depression, pleading for help, but with no one who can hear her.

Sure, it could be worse—her sociopathic crown prince brother hasn’t locked her in the palace dungeon—but she’s not doing so hot, and Daru seems like naught but a band-aid on a gaping wound.

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She and Her Cat: Everything Flows – 02

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This was a brief but lovely, emotionally rich, gently-told story of how the girl and Daru met. A lonely, morose girl who just transferred to school, her busy mother thought it would be a good idea for her to have a companion for all those hours home alone.

Like everything at this point in the girl’s life, she’s initially skeptical. After all, even Daru knew then she had a large hole in her heart he wasn’t sure he’d be able to fill.

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Still, Daru does his best to cheer her up, in a very catlike way: presenting her with a still-alive lizard, while breaking a mug her (apparently dead) father gave her. When the girl sees the cat take up precious few moments she has with her mother, she decides it would be best if both she and the cat were alone.

She puts him in a box with some toys and leaves him by the river…only to come right back when some schoolboys spot the box; she just couldn’t go through with abandoning the poor thing. And her change of heart is rewarded when Daru becomes a conduit for her to meet her first friend in her new town, who likes her cat.

A sunset in the present day reminds both the girl and Daru of the day they met. And now, though they can’t understand each other verbally, they’ve gotten to the point they know what they’re thinking.

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She and Her Cat: Everything Flows – 01

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This is the first installment of a compact four-part short-form anime, and the title says it all: this is about a female junior college student and her fluffy black pet cat. Specifically, the story unfolds from Daru the cat’s perspective, and he does the narrating (In a nice bonus, Hana-Kana is the voice of the girl).

Aside from the furry narrator, the show is highly naturalistic, with both time and space flowing much as it does in our own world. But by giving Daru a human voice (which the girl doesn’t hear, by the way), we are told that his love is not unconditional: there’s actually a good reason he loves his owner.

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When we first enter their lives, the girl’s roommate is moving out to be with her boyfriend, leaving her alone with an apartment she can’t afford. She also struggles to find a job to pay the bills, and doesn’t consider moving back home an option. She’s not always happy and chipper. Sometimes, she’s downright depressed.

While Daru thinks there’s nothing he can do to quell her pain, I suspect that’s not true, because pets are a great comfort to their owners. What I’m not so sure about is whether my own cat or my roommates respect or love us for working hard and standing up straight and going out to face the world everyday (more likely they love us mostly because we feed them!) However, Daru does love his owner for those very reasons.

In any case, this was a short, sweet look into the life of a girl and her cat. A heartwarming little watch if you own or like said small furry idiosyncratic carnivorous mammals. Oh, and this may interest Hannah: The girl doesn’t get eaten by monsters at the end…so there’s that!

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OverLord – 07

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This new world Momonga finds himself seems a little smaller this week, as the girl Nphirea likes (and is sadly unable to propose to) turns out to be Enri, the girl Momonga saved. She summoned helpful goblins who help keep the village safe and are even training the villagers to defend themselves. I for one am glad not all goblins are bad. Of course, Nphirea former knows him as Mr. Momon, while Enri knows him as Lord Gown.

Thus Momonga ends up getting caught in his own web of lies. Fortunately, Nphirea doesn’t have a malevolent bone in his body; he just wanted to follow and learn from Momon, and promises to keep the fact he has multiple identities a secret. Nabe offers to kill herself for blabbing about Albedo, but Momonga considers the incident closed and all is forgiven.

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Nphirea asks Momon not to kill the Wise King of the Forest if he encounters it, lest the power vacuum of the forest lead to an uptick in monster activity (the King is the lesser of two evils). His domain is a lovely, lush, dense forest primeval that reminds me of Mononoke-hime, and Aura’s giant talking beast friends continue that theme…

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…As does the unveil of the Wise King himself: a giant talking hamster. I…was not expecting that, though when I first saw the squirrel-like eyes in the dark I suspected something rodent-y. This is absurd and a little trippy, and Momonga, knowing an ally of his had a similar pet, doesn’t really want to deal with this guy, so I really like how everyone else is so in awe of this Wise King, despite being a giant hamster. Even Nabe sees power in its gaze (I didn’t catch a gender).

He also achieves what he wanted originally: to gain prestige and create buzz back in the city by capturing and registering the legendary beast, while inspiring Nphirea to ask if he can join his team. Momonga gently refuses, but promises he’ll help protect Carne, and in the meantime Nphirea is welcome to keep observing and learning from him.

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Back in town there’s the sense that everyone had just undertaken a great adventure and are now back home sweet home. Nphirea himself is ready to settle in for the night when he notices his grandma isn’t around, and that’s when he finds Clementine lying in wait for him, offering her chilling sing-song “Hiiii.” This is not good news for our long-banged pharmacist, but it is good news for the show. Things are moving along, slowly but surely.

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Ikoku Meiro no Croisée 4

Ah, it’s time for our weekly fix of period clash-of-cultures slice-of-life, with this episode bringing the blonde and annoying Alice Blanche into the picture. She’s an aristocratic fanatic of all things Oriental; though I couldn’t call her a Japonophile like myself because she’s simply too ignorant about Japanese culture to make a determination either way.

Anyway, I may have been too harsh on Claude’s manner with Yune; at least he treats her like a human. Upon laying eyes on her, Alice treats poor Yune like a cute pet, or a doll come to life. She also treats her like a slave to be purchased, and later tries to bribe her into living at her mansion. She almost succeeds, as the deal includes her prized kimono and a private bath, something Yune has been missing since she arrived in Paris. Baths were only a daily thing for the very rich in France. They still are, too…haha I kid. Sumimasen!

Anyway I’m not that optimistic about Alice as she seems almost to selfish and stupid to live, but I still enjoyed this episode. It contained a lot more comedy than before, and also chibi cuts, which were employed liberally, though not ad nauseum. I also continue to enjoy the rich Parisian scenery, and hope that Yune – and we along with her – gets to explore more of the grand city. And Claude learns to enjoy Japanese cuisine…’cause he’s really missing out!


Rating: 3.5