No Guns Life – 11 – An Arm Poorer, A Case Richer

Juuzou enters his office to find the Hands/GunSlave duo of Pepper and Seven, (perhaps not coincidentally named after sodas). Minase Inori does a baddie for once, giving Pepper a sultry, irreverent voice that actually sounds quite close to Mary’s Numakura Manami.

Pepper has a simple request: for Juuzou to let her kill him and his handler, whoever they are. Obviously, Juuzou has no intention of taking this”job.”

Seven may seem younger and less experienced than Juuzou, but he’s faster, and manages to shear off Juuzou’s left arm. Unfortunately, Pepper didn’t bother researching her target and his associates very carefully, or she’d know by now that Tetsuro is able to stop any Extended in its tracks with his Harmony (though doing so causes great strain to his sub-brain).

Pepper doesn’t want anything to do with Tetsuro, and so withdraws with Seven, and the fight ends in a stalemate—though not before licking Juuzou’s face and calling dibs (to Mary’s outrage).

While Tetsuro wallows in guilt and regret for starting all of this, Juuzou is confused and suspicious about why Berühren is suddenly targeting him and quietly dropped their search for the kid.

Whatever Berühren’s reasons (if any) for continuing to antagonize Juuzou, Mary invites a new client, who takes the two of them to a mansion where a kid is being “haunted” by some kind of Extended “ghost.” The episode ends just when they arrive at the gates of the mansion, so this felt more like a bridge between two unresolved stories than a standalone episode in its own right.

No Guns Life – 10 – Tomorrow Never Knows

From the moment he prepares to leave on his job, which turns out to be blowing up a train full of Berühren officials for Spitzbergen, Colt is prepared for this to be his final day. He’s not thinking about tomorrow for himself, only his bedridden mother and his two little sisters.

They’re slowly starving, looking as if they’ve come straight out of Grave of the Fireflies. The life in their eyes is fading, but Colt hopes to give them a future in the form of money, even if he won’t be around to enjoy it with them. It’s a simple yet powerful look into the marginalized lives Berühren grinds under its boots every day to further its own ambitions.

When Tetsuro comes to the arranged place and time, he and Mary soon learn what Colt is about to do. When Mary is almost arrested by a security bot, Tetsuro takes it over, and when they find Colt about to carry out his plan, he initially mistakes the bot as an enemy until realizing it’s Tetsuro.

Regardless, as much as Tetsuro (lawful good in this case) pleads with Colt (chaotic good) not to commit a crime that will hurt people (even lawful evil people), Colt sees this as the only option left to him that will secure a tomorrow for his family. He’s committed to being the means to and end—the end of their suffering—and nothing more.

Colt’s plan is turned on its head when a higher-level Berühren heavy shows up and tells him there are no targets on the train he means to bomb: only innocent protesters and children. Now not only will Colt not get paid, but Spitzbergen will be tagged as mindless terrorists who’ll just kill anyone.

Not about to let that happen, Colt leaps to the car where the bomb is and extracts it, but before he can toss it away, his meds give out and he can no longer move. That’s when Tetsuro ups his Harmony, giving his security bot a second wind, and tosses the bomb away, saving Colt and the innocents.

Colt took quite a bit of damage to both his cybernetic and organic parts, and all Tetsuro can do is use Harmony to help get him home. Alas, he dies of his injuries right outside that home, before he can say goodbye to his family. We also learn it’s doubtful he’ll even be paid, as the Spitzbergen contact is arrested by Juuzou and handed over to the Security Bureau’s Chief Rosso.

I worry for Colt’s mom and kids, especially as they’re only three in a city of thousands in such a hopeless situation. Will Mary, who never found out anything about Victor, bring them into Juuzou’s place? There’s only so much they can do, especially when a new danger in Pepper is waiting for Juuzou as soon as he returns to his office. It’s just one thing after another, and any one of those things could mean no more tomorrows.

No Guns Life – 09 – Bucking Colts

In what can best be described as a respite/setup episode, a lot of time is spent at Berühren HQ, where we finally see that the board of executives occupy a colossal many-faced robot/idol…thing. It’s pretty trippy. Cunningham beseeches the faces for another chance to redeem himself after a string of failures and is granted that shot.

From there we move on to Juuzou, who is back at his office, being courted by the others for some hot pot togetherness. Mary also announces she’s moving in with him, for various reasons. While undergoing routine maintenance, Tetsuro asks Mary why she became an Extension engineer.

Her reluctant answer? In short, so that she’d one day cross paths with…someone she’s been waiting for a long time. We later learn that someone is her brother, Victor.

When one of Mary’s clients, Colt, passes out outside the building, she fixes him up, and she and Tetsuro learn that the news reports about Berühren offering restitution to the families of testers killed by their latest research is B.S. As payment for her work, Colt offers her a fancy extension hand and forearm assembly that she geeks out on—turns out it was build by Victor.

But Colt also steals something of Mary’s, and Tetsuro spots it and follows him. After a brief scuffle, Colt asks Tetsuro to join him on his “job” which inevitably involves something bad. When asked if he wants to do it, Colt only replies only people with futures have stuff they want to do. Everyone else does what they have to.

No Guns Life – 08 – The Justice in Personal Motives

As she rides a taxi to the memorial with Tetsuro to help Juuzou, Olivier recalls when her MP father first told her he’d be assigned to Norse Scott, a job he said “someone had to do.” Olivier didn’t like how her dad was an MP at all, and dedicated herself to rising to the ranks in order to fire him.

Turns out she didn’t reach those heights in time; Gondry murdered her dad along with sixteen others, and all she got out of it was a bouquet and a can of very bad-smelling food. But Gondry was just a puppet, utilized by Armed, while Juuzou is another person he has to erase in order to preserve the progress he believes he’s made with Extended-Anti-Extended relations.

To that end, he crushes the last of Juuzou’s medicinal cigarettes, which results in Juuzou going berserk and revealing heretofore unseen arsenal of weapons and directives. Once he’s in battle formation, the protocol governing his operation awaits “authorization” from an operator called “Hands.”

Ironically, he remained utterly harmless until Armed attacked him, after which the berserk Juuzou mops the floor with him. Olivier eventually arrives, having heard Armed blab about his grand corrupt plan and his inherent egotism; but manages to wake Juuzou up by lighting up one of the cigs Tetsuro brought and blowing the smoke into his mouth—in other words, kissing him.

The awakened Juuzou regains his senses, and resists the urge to kill Armed, even though it’s what his client Olivier wants in the moment. Instead, he’s to face a court, while Juuzou is carried off by Tetsuro. But as he rides in a paddy wagon with Olivier, he asks what court would try him?

Olivier and Juuzou have stepped into something probably better left alone, now that they’ve come to the point where there will be no true justice, since powers far above her authority have already tacitally (if not directly) approved Armed’s actions.

Additionally, since Armed has info that could harm those powers that be, he is killed by Pepper—using Harmony to operate a Gun Slave Unit whose name we learn is Seven—by blasting a huge hole in the wagon. It’s just one thing after another…

No Guns Life – 07 – You Can’t Put the Bullet Back in the Gun

As Olivier is suspended and replaced as EMS director for failing to take care of Gondry and acting on her own, Juuzou and Kronen battle Gondry, whom the former learns is a tough customer, but one whose extended components use up a huge amount of energy.

When Kronen’s paralysis needles fail due to him being unable to his Gondry’s internal sub-brain, Juuzou engages Gondry in a battle of stamina, constantly wailing on him until his armor finally cracks and his sub-brain overheats. It’s reckless and crude, but effective.

Last week I lamented that so much time was being spent on what I deemed to be a one-dimensional crazy-evil villain, but Gondry proves more than that. Unbeknownst to either Juuzou or Kronen, Gondry was being controlled remotely via Harmony by a pink-haired woman named Pepper, whose partner is a Gun Slave unit like Juuzou. That’s an interesting twist!

It also means when Pepper’s link is severed, Gondry has no idea what’s going on, and sounds like he thinks the war is still going on. That means all of the murders of his old unit might have been done using his body, but without his consent or knowledge. Now I kinda feel bad for the ugly bastard!

Turns out he may not have done any of the murders after all. That’s because once Armed realizes Juuzou and Kronen intend to get intel from Gondry about the old days, he turns on both of them, declaring them collateral victims of the overarching need to protect the Extended industry and the money it brings the nation.

This is good stuff. First you have the wildly popular and esteemed war hero Armed possibly being a big ol’ fraud, who might even have orchestrated the murders himself—if Pepper didn’t do them through Gondry…unless Pepper is working for Armed. There’s a lot of neat angles to this. And Armed even has a good big picture point, even if it boils down to ends justifying the means.

At any rate, there’s no way he’ll succeed in killing Juuzou or Kronen. Aside from the fact they’re tough bastards in their own right, Tetsuro managed to escape protective custody by inhabiting a guard thru Harmony. His goal is to get Juuzou the cigarettes to which he’s so addicted. Mary hints that they don’t just ease the pain of his Extended parts, but could be suppressing…something.

It’s a nice secondary plot thread that continues to fester in the background, and could come to the fore at the worst time for Juuzou, who it must be said doesn’t seem to have the best luck. But hey, at least he’s got good friends, or in the case of Kronen, people he doesn’t like he can trust nevertheless.

No Guns Life – 01 (First Impressions) – As the Cylinder Spins

No Guns Life is a somewhat awkwardly-titled cyberpunk noir series centered on Inui Juuzou, private detective-type guy called a resolver who also happens to have a gun for a head. That concept pays immediate comic dividends when we first see him lighting up a cigarette in his dingy office, or when we see a super-simplified version of his face when he expresses bashfulness over being kissed by a woman he helped out.

Juuzou may be an Extended with his gun head, indicating a past life as a tool of war, but seiyu Suwabe Junichi imparts a world-weary, warm and irreverent humanity to him—a heart of gold beneath all the gunmetal. The modifications made to his once fully-human form are the work of Berühren, a military megacorp whose monolithic headquarters called to mind Wallace Corp.’s in Blade Runner 2049.

Juuzou’s latest client is a seemingly “renegade” fellow Extended accused of kidnapping a boy named Tetsuro from an orphanage, but the scary-looking Extended’s meek disposition has Juuzou suspecting there’s more to it than that. Juuzou takes the job and custody of the unconscious Tetsuro while the Extended lures the Security Bureau away.

This scene hits all of the usual noir detective story points: a messed up office that wasn’t that nice to begin with, an immediate sense of peril, a new client who isn’t what they seem, and a job Juuzou can’t pass up if it pays, since he’s barely making rent. One key downside to the scene is that no one has any facial expressions, so the voices have to pull double duty.

We finally do see some facial expressions when Juuzou encounters Karen, a meek (but oddly not fearful) nun from the orphanage searching for Tetsuro. Juuzou doesn’t buy her cover, so she removes most of them to reveal she’s an evil badass Berühren operative tasked with retrieving a vital R&D asset, with a mean gun and an Extended eye that can see through his smoke bomb.

The Oni-faced Extended reappears to help Juuzou out, but Karen makes quick work of him, leaving Juuzou with no choice but to abandon Tetsuro as she shoots him, causing to fall down a very high ledge (also reminiscent of Blade Runner in its general dinginess and great height).

When he comes to, Oni-face has dressed his wounds, but is at the end of his rope. Then comes the twist: Oni-face was never an independent entity: it was being remote controlled all along by Tetsuro using something called Harmony. When Berühren, who rendered him incapable of escaping on his own legs, he manipulated the unoccupied Extended to aid his escape.

Before his remote Extended shuts down, Tetsuro thanks Juuzou for trying to help him, but is resigned to end up back in Berühren’s pokey-proddy clutches. Juuzou is not so resigned. Resolved to “finish the job” even if it ends up being pro bono, he locates Tetsuro (with a tracking device in his ear) aboard a train, and puts his Extended body to use stopping it in its tracks.

Comparisons to Cop Craft are there, only instead of a human-alien odd couple undertaking fairly conventional police missions, we have a cyborg P.I., in a world where his breed of cyborg isn’t particularly celebrated, trying to protect the weak in a world that will otherwise chew them up more viciously than our own. It swaps Cop Craft’s slick Range Murata design with the grittier style of Shino Masanori (Black Lagoon) and Iwasaki Taku’s soundtrack with Kawai Kenji’s (Gundam 00).

It’s a very fun (if sometimes dark and depressing world), again thanks to Juuzou’s irreverent attitude, and the story seems headed in a finite direction with confidence, something that definitely didn’t end up happening in Cop Craft. One episode’s not enough to judge whether it will succeed where that show failed, but that curiosity is thankfully not the only reason to keep watching.