Akagami no Shirayuki-hime – 12 (Fin)

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Snow White with the Red Hair’s coda is titled “Goodbye to the Beginning”, and as expected, after the romantic fireworks of last week, Shirayuki and Zen merely settle into the new normal of being a couple. They don’t get married or live happily ever after, mind you; they simply enjoy the time they have alone together as much as they can, and still manage to have fun with other people around.

And because it’s “Open Castle Day” in Wistal, there are a lot of people around.

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That being the case, Shirayuki and Zen don’t flaunt their love around to the masses. Only a select few close to them know (Mitsuhide, Kiki, and Obi), and rather than make this their big coming-out party, the couple more or less lays low. Shirayuki even makes sure her hair is covered in public, lest she attract too much attention. As Zen says, there are still a lot of idiots out there.

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Even so, Shirayuki gets “captured” one last time: this time by a theater troupe whose leading lady has broken her foot and can’t take the stage. Shirayuki is swept into the role of understudy, and ironically has to dress up as a princess before the prince; perhaps a preview to the not-too-distant future when Zen makes an honest woman out of her.

Yet we also have one last sneering villain in the troupe leader, who wishes to expose Shirayuki’s red hair in order to increase buzz. Zen is having none of it, and crashes the stage as a masked knight to protect Shirayuki’s hair, as well as keep the stage prince from kissing her hand. That’s his hand to kiss!

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After that excitement, Shirayuki and Zen get a little more time together, and Shirayuki gets to tell him a bit about how her grandparents raised her to be strong and independent, yet she still wants to rely on Zen, as he relies on her. In a neat little role-reversal, it’s Shirayuki who kisses Zen’s hand as a gesture of commitment to sharing her future with him.

Then they go out to watch hundreds of lanterns get launched; a striking final image for a show that was equally striking in its unblinking earnestness and warmth in portraying the coming together of two hearts from very different backgrounds, in a fashion more realistic than fairy-tale. I shall miss Hayami Saori’s Shirayuki.

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Akagami no Shirayuki-hime – 11

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I was hoping something substantial would come of Zen’s stolen kiss in the watchtower last week (God, that just sounds romantic), rather than serving as a tease. I was hoping that kiss would start something that couldn’t be undone. This week, AnS’s penultimate episode, confirmed those hopes and then some with the loveliest, most upliftingly romantic outing of the show, that looked every bit as good as it felt to watch.

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It starts off with a speechless, stunned Shirayuki. Zen’s warm words of concern and his kiss have lit a fire in her heart, one that burns with a brightness and heat she didn’t know was possible. She’s got it so bad, she finds it difficult to even look at Zen, which obviously causes him to worry. Fortunately for both, Zen must off to Kihal’s island to negotiate a deal for the messenger birds. As Zen’s absence makes her heart only grow fonder, Shirayuki has at least a little time to process her feelings and figure out how to form a proper response.

While away, Zen shows the island elder’s he’s not a shitstain like their Viscount and impresses some kids, but while Kihal seemed especially nervous to travel with Zen, the two are never alone, dashing any possibility of a side-romance. As for Obi, he not only takes up an interest in Shirayuki’s herbalism, but also wants to help sooth her heart, which he suspects is troubled by something Zen said or did.

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He’s about to take her hand to comfort her when Zen re-appears, saying he’s right on schedule but still shocking both Shirayuki and me with the promptness of his return, just when Shirayuki was seeking someplace to think in solitude. Obi gives her one last assist by urging her to run into the forest. It turns out to be an assist for Zen as well, as he’s able to follow her into the forest to talk.

Once he actually gets her to stop running and look in his general direction, they simply walk around, enjoying the forest breezes, and end up in the same spot Zen once hung out with Atri; a place he’s been uneasy returning to since, but feels totally at ease thanks to Shirayuki’s presence.

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The opportunity for Shirayuki to tell Zen how she feels is here, and she doesn’t waste it. She tells him she loves him in addition to him being very dear to him and wanting to be his strength; her concern is whether it’s really alright to feel that way and look that way at Zen, to which the answer is obvious, since we’re in Zen’s head as much as we’re in hers.

Just as he lit a fire in her heart, she did the same to him, and he finally knows that there is someone out there who truly needs him, and doesn’t just go along with his wishes because he’s the prince.

The lighting, the music, the close-ups, and the gentle, precise animation as the two lovers draw closer together and finally kiss again, making official what had been an informal truth for some time; it’s all superb. As for Hayami Saori, it’s her best scene since Hatoko’s Rant in InoBato, though truly, she’s been on a roll all Summer with her work as Shirayuki.

I also appreciate that the mutual confession is now taken care of with an episode to spare, in order to bask in the afterglow, so to speak. Hopefully, Shirayuki can avoid getting kidnapped one last time!

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Akagami no Shirayuki-hime – 10

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Shirayuki is finally herself again after recovering from Garack’s liquor prank, and by chance meets another beautiful young woman who, like herself, is committed to walk a path of her own choosing. This woman, Kihal Toghrul, has come to Wistal to ask Zen to weigh in on preserving a bird unique to her island’s culture which her new lord has decided to hunt for its gorgeous plumage.

Kihal, jaded by her dealings with Lord Brecker (a bit of a smirking dick), doesn’t think she’ll get anywhere with Zen, and indeed, Zen’s hands are tied as far as curtailing a lord’s activities on his own lands. However, Shirayuki backs Kihal up by mentioning the bird’s possible value to Clarines, with its potential to deliver messages faster than by horse.

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A test is set up, which is almost immediately corrupted by Brecker, who tries to strike a deal in which he’ll support Shirayuki in secret if she helps kill the test, and locks her up in a room when she refuses. Brecker spews the typical “status is everything” monologue that Shirayuki’s heard before. Not one to take lip from old assholes, Shirayuki puts Brecker in his place before leaping out the window to the lake below to recover the bell Brecker tossed away.

The bird points out the location of the bell to Shirayuki, who grabs it and sends the bird back right on time for the test to be a success. It would have been even more successful were it not for Brecker’s callous meddling, which gets him arrested. (I’d point out Obi was pretty dang hands-off as her bodyguard this week, leaving her alone with Brecker and all).

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When Zen rides to the watchtower and hears everything that happened from a guard, he races to the room where Shirayuki is resting and drying off. The arm injury she sustained from diving into the lake almost brings him to tears, and when she assures him she would never have hid it from him, he finally reaches a breaking point that was a long time coming, and kisses her; not on the hand or the forehead, but on the lips.

This is Zen acting on how he feels, and Shirayuki made it possible. This particular act was private, but whether it was a passionate impulse or a premeditated act of conviction, there’s no going back now. At least, I hope it isn’t laughed off, because I’m eager to see what happens if and when their relationship goes beyond mere friendship and mutual respect and into the realm of the romantic.

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Akagami no Shirayuki-hime – 09

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This week Shirayuki is still drunk, but also conscious enough to start wandering around on a mission. Of what sort remains a mystery until Obi figures it out (after swatting the Clarines equivalent of a paparazzo): her drunkenness has brought her guilt over Zen’s punishment at Laxdo drives her to want to ride there; only problem is, she can’t ride a horse.

Zen offers to take her, but qualifies that he’s just recently back from there, and produces the proof: some rare herbs that only grow in snow, and a detailed journal of the health of the garrison, both prepared by Shuka, the fortress’ herbalist-in-training. It’s enough to appease and please Shirayuki, though she wouldn’t have gotten far anyway, as she passes out again.

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Since this show has trained us to expect a flashback whenever Shirayuki passes out, we get a brief continuation of Mitsuhide’s recalling of the tragic events with Zen and Atri. Turns out Zen thought something was off about Atri too, but wanted to believe that gut feeling was overly suspicious. Losing Atri and being wrong shook Zen to the core, but it was ‘Hide who told him nobody will ever get close to a prince who prioritizes his suspicions. Essentially, Zen wasn’t wrong, or unprincely, to hope he was wrong about Atri. He was just wrong to have no backup plan.

I think that’s why in the present Zen keeps Atri’s arrowhead in a prominent spot in his desk drawer, which Hide spots, triggering the flashback. Since Atri has no grave, it’s a memorial, but also a reminder to take extra care in vetting those he’d allow close to him. It’s what he believes he’s achieved with Obi, which is why he presents him with a royal ID and the official role of royal messenger, though he’s still expected to keep an eye on Shirayuki whenever Zen can’t spare one.

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Obi purports to be like us, merely observers, not participants, in the goings-on within Wistal Castle. However, Zen seems to be welcoming him into the same tight-knit fold already consisting of Mitsuhide and Kiki (whose story we have yet to hear, unless I forgot about it :P). The episode ends with a wonderful atmosphere of everything being right in the world, with the stars shining down, Shirayuki peacefully sleeping it off, Zen and Obi drinking together, and Hide and Kiki sparring.

And that’s all fine and dandy…except that this episode also felt a bit too stagnant; that we’re going over and over the same themes about Zen finding the right balance of warmth and authority, and surrounding himself with those he trusts. He mentions a path he’s on, similar to how Shirayuki puts it; and indeed, she’s on that path, as well as all his trusted friends and attendants. Rather than talking about it more, why not let’s get back on that path and continue down that path, shall we?

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The Omelet Rice Crisis (Ricis?) is resolved thanks to some handy moderation from Nako, Ohana and Yuina; the menu is set, the food is cooked, and the cafe goes off without a hitch. Even Tohru shows up, motivating a beet-faced Minko to write “love” in ketchup on his omelet. Unfortunately that’s what they all say; she really should have been more specific…

This was a good payoff, as Minko finally opens up about what her issue with the omelet rice was all about. That was the food she watched being made at a department store as a young girl may very well may have set her on her path to becoming a chef. Of her circle of friends, she’s the only one with such a well-defined path, and she’s been on it since the end of middle school.

Nako’s arc this week was a little murkier, while once again Ohana takes on a supporting role. For all intents and purposes, this was Minko’s episode, and it’s always good to see the serious, surly little chef crack a smile once in a while, or failing that, at least appear to be enjoying herself. I can relate, as cooking is a great stress reliever that just so happens to result in a meal at the end.


Rating: 3.5