Sword Art Online: Alicization – 15 – Books and Covers

This is an episode of jumping to conclusions with regard to one’s opponents…or is it? Eugeo and Kirito are seemingly caught off guard when the two young Axiom nuns plunge their paralyzing poison daggers into their chest and back, respectively. Linel and Fizel are not merely nuns, but Integrity Knights in their own right. And they both revel in having been seen as nuns just long enough to draw in close enough to attack their prey.

The girls drag the paralyzed guys up to the fiftieth floor Hall of Ghostly Light, where the Four Whirling Blades and Vice Commander Fanatio Synthesis Two are waiting. The nun knights, the last two sheltered survivors of one of the Ponfex’s resurrection experiments, don’t want the other knights stealing their thunder, but still need witnesses when they behead the criminals.

Unfortunately for them, Kirito only mistook them for harmless kids for an instant; far less time than they thought. When he noticed apprentices were disobeying orders (an impossibility in the cathedral) and wearing ruby oak sheaths (for poison daggers), he quietly recited a poison-dissolving art, which completed in time for him to stop them and give them a taste of their own medicine.

He cures Eugeo, then tells him to quietly recite a perfect weapon control art when he can and wait for his signal. Then he drives past the Four Whirling Blades and crosses swords with Fanatio one-on-one. Perhaps impressed by his cheek, Fanatio orders the subordinates to stand back as they duel.

Fanatio learns that despite a sword that contains the reflective power of the sun itself, Kirito and his black sword are no slouch. He chips off a piece of Fanatio’s helmet, endures the heavenly sword’s beam-like strikes (to non-vital areas) and eventually knocks her helmet off. That’s right: Fanatio is a woman. The look of momentary shock in Kirito and Eugeo’s faces pisses her off to no end; they’re faces she’s seen all her life.

But the one who seems most upset that Fanatio is a woman is…Fanatio herself. It is Fanatio reading her own book by its cover, and reading Kirito’s cover as Just Another Guy who won’t fight her with everything he has. As with Zel and Nel, Kirito quickly moves beyond his instinctive surprise and fights her on equal terms; as he says and we know, he’s no stranger to being beaten by swordswomen.

A splendid duel ensues; one that Fanatio almost seems grateful for, as for once she isn’t being underestimated or not taken seriously, despite her “detestable” face. Kirito asks her if she thinks she’s so detestable, why does she doll herself up so; it’s strongly implied she loved/loves Commander Bercouli Synthesis One.

But there’s no room for love, or anything else, for Integrity Knights. Only “glory” through obedience to the Pontifex. And so even when Eugeo unleashes his Blue Rose Sword upon her, he can’t quite finish the job. Part of that is that he trying to beat her with his hatred, and as Kirito calls for his own weapon enhancement, he corrects Eugeo’s thinking.

They’re not there to kill the enemies they hate, but to save the people they love—as well as those enemies themselves—and end the tyranny of Axiom so humans can live normal lives. And he’s going to do it or die trying.

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Mobile Suit Gundam: Iron-Blooded Orphans – 38

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This episode teases us a bit by jumping from the beginning of Mika’s battle with Hashmal to “One Month Later”, but thankfully Orga’s talk with McMurdo is a vehicle for rehashing that battle, which is one of the more vicious ones we’ve seen.

For perhaps the first time, an opponent is able to keep up with Mika, push him back, and do a ridiculous amount of damage, such that Mika truly has to pull out all the stops (and borrow Isurugi’s ludicrously huge sword) to get the job done. And he does: it’s immensely satisfying to hear the smash of Hashmal finally hitting the ground, out for the count.

McMurdo, like Naze before, gives Orga a polite — for now — warning not to let his interests clash with Teiwaz’s, because his life won’t be the only one to be forfeit. With each battle, it becomes more and more impossible for Orga to deviate from his forward path to dominion over Mars, as more and more alternate avenues close around him and Tekkadan.

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In another satisfying scene, Master Rustal all but drops his alliance with an increasingly chaotic Iok Kujan, and in doing so, gains a lot more respect from me. Rustal wants to rid himself of McGillis, but he’s not going to operate, or continue to allow someone like Iok, to work outside of the established ideals of Gjallarhorn; i.e. to protect order.

This is why Rustal gives Iok the cold shoulder at the meeting of the Seven Stars, congratulates Fareed for his hard-won victory, and bides his time. Like Iok, Julieta wants to act and act fast, but she’s at least able to take dierection from Rustal better.

What he wants from her isn’t mere brute strength like Mikazuki Augus; he wants something more; perhaps something that will endure longer than a bright-yet-brief flame. Julie is willing to try to find out what that is.

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As for Mika, he continues to sacrifice pieces of himself, almost exclusively for Orga’s sake. One could argue Orga has the power to stop him, but he simply can’t say the words, perhaps for fear it would undermine their relationship and Mika’s faith in him; perhaps simply because he knows Tekkadan would likely have fallen many times by now were it not for Mika’s singular contributions.

But Mika’s whole left side is paralyzed now. He needs (a very willing) Hush to carry him around, and is constantly asking if Barbatos is repaired so he can get back into the cockpit and be able to “move” again. In exchange for its Calamity War-ending power, Barbatos is exacting a heavy cost upon Mika by making it increasingly difficult for him to function without it.

There isn’t even any discussion about whether such effects can be reversed, so it certainly isn’t looking good for Mika long-term. This upsets Kudelia and Atra alike, who are also worried that all the gains Tekkadan has made hasn’t really changed Mika at all; he still sees himself as a blade; Orga’s blade, and only lives to serve him in any way he can, until his body and mind and soul are utterly spent.

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This compels Atra, likely too bashful to consider herself for the job, to beg Kudelia to have a baby with Mika, so that, if the worst happens and Mika doesn’t come back one day, they’ll still have a part of him to love and care for. It’s very in-character for Atra to propose such a thing, but I doubt it will go anywhere, since I don’t see Kudelia ever being able to propose such a thing to Mika, even if Mika could well simply say “ok, sure fine” about it.

But for now, Mika is focused on one thing: continuing to fight, kill, destroy, for Orga. For Tekkadan. For the Kingdom of Mars. He considers his current position “not that bad” as it “simplifies things.” Kudelia wants to create a world where he doesn’t have to fight. Now he can no longer move, let alone fight, without Barbatos, so as far as Mika’s concerned, there is no going back until Kudelia’s dream is attained. The only other outcome is death.

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Again, it makes sense for Mika to be so obsessed with Barbatos’ status; it is literally the machine that keeps him alive and able to be useful. When Orga visits him, thinking he’s asleep, he refuses to apologize for what happened, but Mika isn’t asleep; he hears him.

And he agrees: Mika chose to do what he did, and he can live with the consequences. He is also willing to keep going, and keep giving up pieces of himself for the cause. He won’t let Orga apologize, because there’s nothing to apologize for.

As McGillis considers Gaelio’s apparent return to the field of play, and Julieta aims to emulate Mika in her unswerving devotion as her master’s blade, Mika stays the course. With Orga, he believes he can go anywhere. In the final dozen episodes, we’ll see how far that is and how much more it will cost.

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