The cynic in me was waiting for the other shoe to drop regarding Tsukasa suddenly leaving Nasa alone to “take care of something”, but it turns out she was simply going to get her suitcase from a coin locker. It doesn’t answer the question of why she’s homeless at 16—nor rule out the possibility she is the Real Princess Kaguya of legend—but it does allay some suspicion that this is anything other than what it appears to be: the story of two young newlyweds.
While the first episode dealt with how the couple met and the practicalities of Tsukasa and Nasa getting legally married, this week deals with the immediate requirements of sharing a living space, and in the process learning more about each other. It starts with Nasa asking why Tsukasa married him, and her answer is refreshing in its simplicity: same reason as you; ’cause I love you, goofball!
While Tsukasa was out, Nasa started testing ways the two of them could fit on his narrow single bed. Tsukasa doesn’t think they’ll be comfortable enough, and doesn’t want Nasa to have to sleep on the floor. As she leaves for a capsule hotel, Nasa flags her down and tells her he wants her to stay. In his mind to which we have full access, he’s worried she’ll disappear on him again.
It’s not the most logical thinking, but it’s understandable for a newlywed to want to stay close to their new spouse, especially on the first night. So they make it work; heading to a furniture store to find a futon that will be Nasa’s first gift to his wife. When it dawns on him they’re pretty much on a date and takes her hand, Tsukasa totally gets it.
Tsukasa learns that her husband is very studious when he lists off all there is to know about the various futon types. While lying down beside her to try out her futon is a bit too much for Nasa, they then realize she also needs bedwear and toiletries. He offers to hit up a konbini, but she also needs underwear, so they head back out into the late night together.
It stands to reason they’re both disoriented enough from the excitement of their sudden change in lives that they forgot that stuff their first trip out. There immediate signs Tsukasa has less hang-ups about privacy, as Nasa leaves the room so she can change, but she doesn’t mind if he changes in her presence—though when he brings up his embarrassment, she empathizes. They’ll be comfortable nude together someday…but not today!
Nasa learns still more about Tsukasa even as she sleeps. Turns out she’s a bit of a free-wheeling restless sleeper, kicking her feet up, wresting loose from her cover, and exposing her stomach to the night chill. Even her hair buns become undone! Nasa puts her back under her blanket, then leans down to kiss her, but reconsiders; on second thought he wants them both awake for their first kiss.
It’s a good thing he withdraws, since a half-awake Tsukasa springs up so quickly she might’ve cracked their skulls! Upon returning from drinking a glass of water, she falls face first onto his midsection, then hilariously slides down, taking his blanket along with her. Rather than try to fix the covers again and risk something else happening, he’s content to sleep without cover.
The next morning Nasa meets Morning Tsukasa for the first time, and is quietly entertained watching her notice her hair is down and she has Nasa’s blanket. She then cavalierly starts to disrobe as if he’s not there, which causes him to speak up and warn her that he is. And yeah, Nasa: sometimes women don’t wear bras to bed! It’s pretty common!
While he’s changing and talking to himself, Tsukasa notices that he referred to her as “Tsukasa-san”, which leads her to pick an official nickname for him: “Nasa-kun”. When he tries to suggest “Tsukasa-chan” as a cuter choice, she blushes uncontrollably, but allows it, though it may be a while before she can say “Nasa-kun”, and for now sticks with “Dan’na-sama” (“husband”). At last: something she’s more embarrassed about than him! He’s not alone in his bemusement of their new status quo!
TONIKAWA is definitely hitting the rom-com spot. So many anime deal with unrequited or will-they-won’t-they scenarios, and while they have value they can get torturous, which makes shows like this that give their characters quick and early wins in the romance department so important. I’m looking forward to the newlyweds’ next adventure in domestic life, previewed in a ridiculously heartwarming ED.
As for the excellent OP, here’s the opening video, featuring the song “Koi no Uta(feat. Tsukuyomi Tsukasa)” by Kitou Akari (who voices Tsukasa). It’s RABUJOI’s Undisputed Top OP of the Fall: