Kujira no Kora wa Sajou ni Utau – 02

What I thought was the start of some kind of grand adventure involving Chakuro, Ouni, and Lykos turned out to be more of a quick stop. Lykos (which isn’t her real name) shows them the creatures called “Nous” that suck all emotion out of humans, leaving them “heartless.” Chakuro and Ouni only get a brief taste of the experience, but I imagine neither of them wanted to get a longer one, as intriguing an experience as it might’ve been.

They’re brought back to Falaina, where Ouni is thrown in jail, Lykos returns to the custody of the elders, and Chakuro is freed after “cooling his head”—just in time for the extraordinary periodic phenomenon involving swarms of glowing star locusts. Chakuro breaks Lykos out of confinement so she can see the event with him, and jealous vibes immediately emanate from Sami.

Having been away from…whatever it was she was doing on that other island, Lykos is definitely starting to show more emotion, and when she remembers the time her father gave her a piggyback ride (out of practicality, not love or any other emotion) she can’t help but cry. Chakuro thinks it’s normal, and it proves she has a heart. And anyone’s heart would be stirred by the light show they get.

But that night, Lykos almost told Chakuro something very important, and the next day, really really wants to tell that something to the council of Elders. She best she gets is Suou…but by then, any warning she might’ve given is too late: another island sidles up to Falaina and an attack is launched by its highly-prepared and more technologically advanced occupants.

Those we see are wearing clown makeup (not a great first impression), and Chakuro and Sami stare up at their airship in Miyazakian awe…right until they open fire, Sami jumps in front of Chakuro, and gets riddled with bullets. I was not expecting that! Poor Sami!

It’s a bold, dark new turn for what had been an pleasant Utopian slice-of-life. That’s not quite right: the introduction of Lykos and her lethal magic last week marked the beginning of the end of the “good times”, while the locust swarm was the punctuation mark for the Mud Whale as a place of peace and contentment, and even that peace may have been artificially maintained, as the elders likely knew something like this was possible and/or coming, and have kept all of the Marked in the dark.

It would seem our protagonist and his society are viewed as “sinners” in the outside world, perhaps because they still possess the emotions the Nous feed on and make no effort to purge them. Thus ends Chakuro’s official archive of the Mud Whale, and the beginning of his personal diary.

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Kujira no Kora wa Sajou ni Utau – 01 (First Impressions)

Kujira no Kora wa Sajou ni Utau, or Children of the Whales, begins with a funeral of a much-loved and admired 29-year-old teacher. She didn’t live a long live because she’s “Marked”, like 90 percent of the inhabitants of the Mud Whale. The Marked can use Thymia (magic), but are cursed with those short lives. The Unmarked, who live much longer, serve as the Mud Whale’s leaders.

It’s an efficient introduction to all the necessary whats and wherefores of this world that avoids being dry, and indeed is suffused with quite a bit of emotion due to the funeral of someone who went too soon. It’s also clear that as 90 percent of the population is doomed to die young, this mini-civilization travelling the shifting seas of sand aboard the Mud Whale may not have much of a future…unless there’s a change in the status quo.

Our window to this world is Chakuro, the teenage archivist of the Mud Whale who is not only Marked, but also “cursed” with the compulsion to record all he sees and hears, while trying to keep his own personal emotions out of it; a kind of Mud Whaleipædia. Other introductions include his sister Sami (also Marked), the chieftain Taisha (Unmarked), and her heir apparent Suou (also Unmarked).

One day, Chakuro looks out onto the usually empty horizon and spots a “Driftland”, a rare island full of supplies for the Mud Whale. He and Sami join a scouting party, who use their Thymia to keep their boats from sinking into the sand.

Chakuro finds a sword, and when he wanders off to look for Sami, he finds an injured Marked girl with a tan and light blue hair, surrounded by swords and holding a bloody one. The ruins, the swords, the tuna cans suggest a completely different culture at work on this island than the Mud Whale, a self-contained miniature world that has diverged due to isolation.

I for one feared the worst for Sami, but thanks to his Thymia Chakuro deflects the girl’s sword strike, she passes out, and he carries her to the rest of the party, where Sami is safe and sound. He also picks up a strange, intelligent furry mammal who tags along.

They take the girl, whose shit tag reads “Lykos”, back to the Mud Whale, and she is brought before the elders, who clearly fear she’s an unstable element that will shake up the status quo, flawed as it is by the short lives of the Marked. She is also deemed “emotionless”, and likes saying “I/we lack that.”

She simply doesn’t belong here, but the fact that she’s proof of an outside world beyond the Whale is a kind of infection that instantly takes root there, thanks to the fact Suou happens to be releasing a gang of rebellious Whale-dwellers from the “Bowels” or dungeon, led by Ouni, who happens to have the most powerful Thymia on the Whale.

As soon as Ouni hears there’s someone from the outside world, he acts quickly to pluck her from the elders, as well as Chakuro, who was spying on them.

Ouni and his gang aren’t interested in living out their short lives on the pathetically small Mud Whale; they want to explore and find what else is out there. Since Lykos is from out there, he takes her and Chakuro accompany him back to the Drifland to find more clues.

Thus the lines of conflict are drawn: the faction who wishes to maintain the Utopian society, studying to find a cure for the short lives of the Marked; and the upstarts who reject the Mud Whale as the one and only world they need concern themselves with, even if contamination with the outside world could doom the Whale much faster. Chakuro finds himself in the middle, but if there’s one thing he’s sure of, whatever happens, he’ll record everything he sees, hears, and experiences along the way.

CotW is a lush fantasy yarn in the spirit of Nagi-Asu or Gargantia with attractive character design, a warm pastelly-watercolor aesthetic, and an appropriately robust score. While it lacks the immediate visceral punch and grandeur of Made in Abyss, it has a lot of potential, especially once the small world of the Mud Whale starts to expand at Ouni’s behest.