Hibike! Euphonium 2 – 11

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All we needed was the slightest look from Reina to know, with relative confidence what was amiss and why: Thanks to Hashimoto, Reina learns that Kumiko knew about Taki’s wife before she did, and she’s angry Kumiko never told her.

Whether Kumiko was busy with Asuka and the other girls, and was going to eventually tell Reina, we’ll never know. But we do know that Kumiko hesitated as long as she did because she didn’t want to hurt Reina.

During Reina’s suitably elaborate procedure for confronting Kumiko – by going to the summit of the mountain that seems to accentuate Reina’s beauty – Reina yells at the top of her lungs, asks Kumiko why, and gets the answer she already knew.

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Reina turns out not to be that mad at Kumiko after all, but at herself: at the weakness she exhibits upon hearing this news; the fact she didn’t know. Her armor has cracked just as the Nationals approach, and while she can say she’s going to “forget about it” until they’re over, it’s likely she’s not 100% sure she can follow through.

Kumiko, for her part, tells her she’s still rooting for her, making sure Reina hears that Taki isn’t married anymore, even if it’s hard both to say and hear. She’s almost making up for not telling her to begin with.

It’s another wonderful scene between the two friends, and a very welcome one after Reina’s presence had dwindled in recent eps. Both the animation and the voice performances soar.

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In a quick flashback, we see a young Reina first lay eyes on Taki and fall for him right then and there. She quickly finds how hard it is to follow through, having an elaborate, warm daydream in which Taki compliments her playing and gives her a piece just for her to play.

She’s ripped from her reverie by the real Taki-sensei calling her playing “weak.” She needs to get it together. But how?

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Reina finds a way. While delivering the practice room key back to Taki at the end of the day with Kumiko, Reina asks him about his wife. Not about where she went to school or who she knew, but what she was like.

Taki opens up to her, and confirms what Reina had suspected, but wasn’t ready to face until now, when her playing is being effected by the doubt. There is not doubt; Taki still loves his wife, and he very likely became their director for his wife’s sake. He wants to go to the Nationals and win Gold for her sake.

And so, we see both Reina and Taki at their most vulnerable and emotional this week. I guess Christmas came early!

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Having gotten all the answers and confirmations she needed for the time being, Reina returns to normal, and starts playing the way she and everyone else have come to expect. Niiyama gives her the location of Taki’s wife’s grave, where takes Kumiko and prays.

That flashback was the beginning of Reina wishing time would move faster for her, so she could catch up to Taki. But now she has another goal to set her sights on, something that she wouldn’t have been able to accomplish if she was his age: She’s going to help Taki win Gold.

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Hibike! Euphonium 2 – 10

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It’s no coincidence Mamiko spends most of a scene scrubbing a pot she burned trying to make dinner. Mamiko wants to make up, not just with her parents, but with her sister as well. She’s scrubbing all the grease and grime that had amassed so that a new pot of soup can be made – a fresh start, without forgetting about what was said or what choices she made in the past.

As Kumiko volunteers to cook in her stead as she scrubs (she’s clearly the better cook of the two), Mamiko lays it all out candidly: how she thought going along with whatever her parents wanted was the adult thing to do, even though she wasn’t an adult at the time; how she resented Kumiko for being able to have fun with band; how she now regrets the choices she made, but is now ready to live her own life, hoping to avoid similar mistakes in the future.

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Kumiko always assumed her folks let her do as she pleased because they’d given up on her, because she had no promise. Mamiko doesn’t believe that; she just felt, as many older kids do, that her parents were taking a different approach with the younger kid; it’s what parents do. And before going to her room for a nap, Mamiko tells Kumiko to live her life too: be a kid when she’s a kid and an adult when she’s an adult; don’t be left with any regrets; learn from your suddenly awesome big sis.

While other friend-reconciling or concert-heavy episodes packed emotional and at times visceral punches, this may be my favorite episode of Euph2, because it’s the most personal one for Kumiko. She reacts to Mamiko’s news of leaving home with a stoic face, but on the train the next day, she suddenly bursts into tears. She is sad her sister is going, even if it’s what her sister wants…and probably needs.

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The episode brilliantly presents Mamiko as a parallel to Asuka, a connection I never really though about, but which makes perfect sense. I love how it’s Kumiko’s sister who provides a timely assist in terms of giving her a usable angle to go after an exceedingly stubborn Asuka.

Asuka is doing almost exactly what Mamiko did at her age, and while Kumiko didn’t do anything about that at the time – indeed, she didn’t even know what was going on, except that her sister was drifting away – she’ll be damned if she’s going to stand by and let Asuka go through with it unchallenged.

Challenge her Kumiko does, and Asuka, at least initially, is ready. She peppers Kumiko’s assertions with doubts like an expert debater. She keeps the focus on Kumiko’s argument rather than her problem, and even gets personal with Kumiko in a not-very-nice way, regarding her typical method of dealing with people.

She questions how someone like Kumiko, who herself tries to avoid hurting or getting hurt; who is “wishy washy” and keeps a safe distance; can expect people to tell her what they really feel, not just about Asuka coming back, but about anything.

 

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Kumiko is disheartened and temporarily stopped in her tracks, but the power of Mamiko’s words ring in her head and mix with Asuka’s euphonium, and Kumiko gets her second wind. Her voice rises in intensisty, tears stream from her cheeks as she confronts the heart of the matter.

She knows Asuka wants her father to hear her at the Nationals, and so does Kumiko herself. And she reminds Asuka that neither of them are adults yet, just high schoolers; and pretending to know everything and think “sucking it up and dealing” is the best course just isn’t right.

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Kumiko delivers an argument even Asuka didn’t quite expect, and moreso, delivers it with an honest passion Asuka can’t help but admire. Kumiko hurt her here, and let herself get hurt in return. The little blush on Asuka’s face is proof that that matters.

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Of course, Kumiko didn’t know if it would work when Asuka is suddenly called away. So when Asuka shows up the next day for band practice, Kumiko is gobsmacked. Many other band members tear up at her return.

And why? Well, Asuka proved she actually is special, at least when it comes to academics, scoring high enough in mock exams to have ammunition against her mom’s assertion she can’t succeed if she stays in band. Asuka takes her place beside Kumiko, and they prepare to practice.

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Asuka isn’t the only one Kumiko is surprised to see: Reina is also there. With everything that’s been going on with Mamiko and Asuka, Kumiko admits she’s kinda let Reina fall by the wayside.

By the look of Reina, I’d guess she’s either pissed off at the lack of Kumiko’s attention (doubtful) or has put the pieces together regarding Taki-sensei and his late wife, knows Kumiko knows, and is angry she didn’t tell her.

It’s almost as if the show intentionally made Reina and Kumiko such wonderful BFFs to this point so that when they hit a bump in the road, which seems to be the case here, it would have that much more impact. Of course, I’m just theorizing at some point. Gotta hear the next piece.

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