Carole & Tuesday – 11 – Plucked from the Jaws of Success

Tuesday’s hand is badly burned, and once bandaged, she cannot play the guitar. As the MC delays by appealing to the boundless ego of Ertegun, Gus tries to find the culprit with the security cams, with no success. We know that it was Cybelle, but everyone in the show has to play catch up, which leads to more interpersonal problems.

What I didn’t know? Whether Cybelle was sicced on Tuesday by either Katie or Dahlia, whether it was egging on her anger or giving her access to the dressing room. When Katie mentions who has motive, Angela suspects her mama. but Dahlia seems too proud for that kind of trickery. Katie has been very shifty the last couple episodes, and her “dumb assistant” act seems almost too practiced.

Whent C&T take the stage, the judges immediately note Tues’ injury and lack of a guitar. Carole passes it off nicely by saying they’e going to show they’re more of a guitar-and-piano duo; which isn’t really lying, since they may well want or have to branch out without either of those instruments at some point.

Carole is also asked about being a refugee and her family. She’s not sure what she’d say if her parents were watching, just “I’m here.” There’s not much of a crowd reaction to her background, so they move on with the song. It’s…fine, again. No ear bleeding thankfully, but the lyrics are reliably trite, sparse, and poorly structured. We see Cybelle is still somewhere in the building, watching on.

Ertegun starts the judge’s review by stating that someone who gets injured just before a performance has no business being a musician, and as harsh as he sounds, he’s not wrong. If Tuesday wants to make the big time, she’s got to learn how to protect herself, speak up, say no, and be a better judge of character. Unable to do all of the above led directly to her burns.

That said, the other judges loved them, and the woman who was introduced as the Simon Cowell of the trio states that the duo “stole her heart.” All the Insta followers in the world can’t keep Pyotr from losing this one, but like GGK he’s a good sport about it, happy he gained even more followers and has a bright future.

The final, then, is set: Carole & Tuesday vs. Angela. This leads Gus, absent any hard evidence, to accuse Dahlia of sabotaging Tuesday, just as Angela initially did. But when the culprit is described as “a slender young woman”, Angela’s suspicions shift immediately to Katie, and she reams her out for doubting her ability.

Katie, who we previously see smelling Angela’s lipstick, is either a very good actor, or legitimately devastated by her favorite artist’s accusations. Thankfully, the cops find Cybelle while she’s trying to flee, all thanks, incidentally, to Roddy spotting her in one of Pyotr’s many video posts. During her perp walk, Cybelle blows up at Tuesday, telling her she got what she deserved.

Like Ertegun, Cybelle isn’t the most tactful here, but she’s right. Though even a firm rejection at the start may have caused Cybelle to go after her, leading someone like her on was playing with fire…or in this, case dry ice. Carole tells her as much outside the hospital, where Tues was told she could play again in a week.

Carole doesn’t hold back in telling Tuesday she needs to not only learn how to handle people better, but also seemed unfocused in their performance, and that perhaps her commitment is less serious because she has a big fancy home to go to if this doesn’t pan out. It’s definitely the most distant these two have been for a while.

But things could always be worse…and they become worse almost immediately after Carole’s shots are fired, as burly goons sent by Tuesday’s family roll up and roughly toss her into the car. Carole gets punched when she tries to interfere, and when she manages to jump onto the fleeing car, the driver switches to manual mode and she’s thrown from it, though she suffers no serious injuries due to good rolling form.

Still, just like that, the duo has been severed, moments after cracks started to form due to their deeply different backgrounds. The timing is horrifically cruel, almost as if it was meant to be. But as we’ve seen, Tuesday is, like a young princess out in the world, not quite equipped to survive in it, and her injured hand was clear for all the millions of viewers to see.

A lot of those viewers are voters, so it behooves Tuesday’s pragmatic mom to put her house in order. I smell a rescue mission in the works.

Carole & Tuesday – 10 – Out of Whack

It’s the semifinals, which means bringing in a new guest judge to replace the AI dog, and it’s none other than DJ Ertegun, whose troubled history with Carole & Tuesday should have precluded him from judging at all, but I guess Mars Brightest doesn’t do much research!

One thing’s for certain: in a a tough competition where personalities can clash and tempers can flare, MB has appallingly bad security. Consider Cybelle, a stalker Tuesday never should have had to interact with again after she lost in the quarterfinals.

And yet here she is, in the green room, getting in Tues’ face and intimidating her with her unpredictable, capable-of-anything, nothing-to-lose vibe. Then Tuesday simply runs after Cybelle…and Carole lets her! So I ask: where the fuck is security???

When GGK dishes out more cosmic prattle and then performs a competently-produced song with like seven words in the repetitive lyrics, Tao finally pays Angela a visit to tell her they’re changing her song at the last minute.

GGK impresses the judges—who it should be said are easily impressed—and Gus and Dahlia continue their juvenile little competition with poor Roddy in the middle acting as a conduit for their barbs. I’m just not getting much out of the friction between these two.

Once again, Angela delivers the best song of the episode, though that’s not a high bar to clear, with a genuinely catchy pop number that honestly wouldn’t be out of place on a Top 40 radio station. The only strange thing is how it ends: the vocals and music just…stop. On a dime. Seems more like an AI production bug than a feature.

Meanwhile, instead of preparing for her performance with Carole, Tuesday has her priorities all out of order, running around the studio like a headless chicken looking for a Cybelle who is clearly not there anymore and furthermore, doesn’t want to be found. Carole wants to give Tuesday a present, but every time one of them shows up in one spot, the other has just left.

Angela ends up beating GGK, and heads to the showers afterwards, leading to a very suspicious scene of Katie Kimura dropping her smile and staring at the phone Angela left on a table. Is there more to Katie than hyper syncophant? God I hope so, because Angela’s path to becoming a pop star has seemed way too easy so far.

As Pyotr performs another mostly meh pop performance, Tuesday returns to the green room to find a present on the table…but not Carole’s present. The chaotic scrawl wishing her a Happy Birthday suggests it’s from Cybele, who must have doubled back after Tues followed her.

As for the contents of that present? My guess is dry ice, judging from the white smoke cloud that surrounds Tuesday as she clutches her hand in pain when Carole enters. Since Tuesday needs that hand to play guitar, a dry ice burn is going to be a big problem.

But all this could have been avoided with someany backstage security procedures. Cybelle’s revenge, if that’s what this is, only happened because the show decided that Mars Brightest is not a professional company of long standing capable of protecting one of the four contestants who were whittled down from a quarter of a million. That seems awfully implausible, but here we are. Better break out the aloe!

Just Because! – 04

I’ve got some nice variety in my Fall watchlist. Food Wars is chugging along, with Souma scoring a big win thanks to his friends; MMO Junkie our elite NEET seems to be where she wants; and in ShoBitch we’ve had a steady, happy couple since the first episode, with all the comedy coming out of their mutual inexperience with being in a relationship.

That leaves Just Because!, the Fall show I’m watching in which people seem to suffer the most without much in the way of payoff. Just take Natsume’s interactions with Souma, trying to be a good friend by helping him get closer to Morikawa, despite the fact she still harbors feelings for him.

An experienced anime watcher it’s clear Natsume is in pain, but Souma’s your typical oblivious guy, and combined with Natsume’s silence on the matter and apparent interest in helping him with Morikawa, there’s really no way for him to question her smiles, even if she’s forcing them.

As a photog, Komiya knows all about smiles…and other expressions, like the one on Izumi’s face as he’s looking at Natsume in a candid photo Komiya took of them. Even after failing her last mission with Izumi (she brought a cat instead of a dog), she says she’ll delete the embarrassing shot if Izumi tells her something he likes about Natsume.

When she says “her awkwardness”, Komiya laughs, because it’s such an earnest, unflattering answer. It is itself an awkward answer, coming from someone just as awkward as Natsume (and, like her, unable to get his feelings to reach the one he likes).

Komiya then proposes another deal with Izumi: she’ll support him in trying to go out with the (former) president, and in exchange he’ll let her submit that photo she took of him, which she believes will win her a award and keep the photo club alive.

Of the five, Komiya is the hardest to read; she comes right out and says “I like you” to Izumi, throwing him off, before finishing with “…as a person”, inviting his ire. She’s clearly there to provide a yang counterbalance to Izumi’s yin main love interest and present multiple possible routes for the various characters.

When New Years comes around and it’s time for a shrine visit, Souma and Morikawa’s friends conspire to flake out on the visit, leaving the two alone. The two have a nice time, though Souma is often at a loss for words due to his stress over the task at hand.

That stress would seem to have been justified, for no sooner does he finally get the words “I like you” out and ask if Morikawa will go out with him, Morikawa…gravely declines. 

Ouch…that’s gotta be a fastball to the gut of Souma; all that preparation and anticipation, and at the end of the day, it wasn’t whether he could confess, but whether Morikawa would say yes, and she does not. Another sign Just Because! isn’t interested in doing things the easy way or taking the pressure off its characters.

After several instances of having someone—either Natsume’s plucky older sister or Yoriko—be a third wheel, Izumi and Natsume finally find themselves alone, and they continue to circle one another warily, putting on antagonistic airs to conceal the fact both of them have basically the same problem: their first choice likes someone else.

The fact that Souma was rejected is irrelevant here. Whether he wanted her to or not, Izumi is inspired enough by Komiya’s encouragement to at least broach the subject blocking any possible move in Natsume’s direction: her crush on Souma. She brings up exams again and again, which he calls nothing but an excuse.

That angers Natsume, who says the worst thing she can to Izumi in that moment: that it doesn’t involve him. That he doesn’t matter at all in this. Izumi sets the record straight: he’s always “cared about her”, so she can’t say it doesn’t involve him.

This may well be news to Natsume, and she’s definitely affected by the look on Izumi’s face as he passes her by to head home. Elsewhere, Souma also retreats following Morikawa’s rejection. Lots of emotions to sort through and pieces to pick up for everyone involved.

Just Because! – 03

Izumi’s entanglement with Komiya Ena proves all to brief, as she’s forgotten the photo that she wants permission to submit. Showing zero consideration for Izumi, she zooms off on her moped to grab it, and it’s no surprise when she returns, in the rain, to find he’s gone.

The next day is Christmas (?), and everyone seems a bit listless, mimicking the somewhat grayish day with their moods. Izumi and Natsume type messages into LINE, but delete them without sending, seemingly hesitant to make any forward motion that will evoke a response from the other. It’s a stalemate, I tellya!

Things are dreary at Casa Morikawa too, as Morikawa confides to Yoriko that her life plan after high school doesn’t include furthering her trumpet performance, but rather college, a job, and eventually taking over the family business. It’s all said with the enthusiasm of someone inspecting turnips.

Left unsaid is any discussion of starting her own family, and as Morikawa seems almost criminally oblivious to Souma’s feelings (mostly his fault, BTW), that’s not surprising.

When Komiya reaches out to Natsume for info on Souma, Natsume uses it as an excuse/opportunity to message and meet up with Izumi. When they meet up, they’re still very cold and distant to one another, and the energy completely changes when Komiya spots her elusive transfer student.

Komiya’s casual nature with Izumi doubtless irks Natsume even more, since neither she not Izumi know what the heck they’re doing or what they should do. And while Komiya’s mission to get Izumi’s permission or LINE ID fails, she doesn’t seem like the type to give up easily.

Meanwhile, Souma is invited by Yoriko to join her and Morikawa for a walk, and his resulting meandering bike ride to their location is a constant source of suspense…will he ever get to them?

He does, only to freak out when Morikawa’s dog barks at him, which he thinks is a deal-breaker where dating her is concerned. Frankly, he should be more worried about, you know, telling her how he feels about her and asking her out on a proper date…but who am I?

When Souma reports the dog incident to Izumi and begs him for help getting better with dogs, Izumi tells him he has no pets, but Komiya stealthily enters the frame and offers her help…in exchange for Izumi’s LINE ID, which he gives her.

Interestingly, Komiya makes it clear she’s “over” the fact Izumi didn’t give her permission to use the photo, but with his ID, maybe she’s playing a longer game. Heck, maybe she just likes the cut of Izumi’s jib and wants to be friends…or more, which would complicate the love polygon even further.

Speaking of complications, Souma, unaware of the deal Izumi struck with Komiya, messages Natsume about helping him with dogs, since she has one too. This basically puts Natsume in the friendzone area of helping her unrequited crush get along with his own crush.

Over the most mundane circumstances, and in the absence of direct, honest, face-to-face conversation regarding how people feel about one another, the web of conflicting or one-sided romantic interests grows ever more tangled.