Echidna accompanies Emilia into her recently unsealed memories, ever ready for stinging vitriol (she really is notably more hostile to Emilia than Subaru…but that would be Envy, not Greed!). After a literally cold open in which a naked young Emilia first meets Puck, Emilia and Echidna begin the journey in earlier, warmer, happier, and distinctly more fairy tale-ish times. Lil’ Lia, we find, is often cooped up in the “Princess Room” within a tree, but is otherwise lovingly cared for by Mother Fortuna (Tomatsu Haruka).
Fortuna is not her actual mother but her aunt; her brother’s younger sister. One day, while particularly bored, a lesser spirit—Lia actually refers to it as a “fairy”—leads her to a loose stone in the room. Takahashi Rie does a masterful job making her sound not just like a higher-pitched Emilia, but adopting the speech patterns and weird little sounds of an actual little kid. No one does that better than Kuno Misaki, but Takahashi is pretty damn good here.
The space behind the stone leads out of the tree, and the spring Lia revels in being able to stretch her legs. It’s while she’s sneaking around the margins of the elf village that we non LN readers receive the first genuine shock of this flashback: our boy Petelgeuse Romanee-Conti, back then a humble bishop, not only looked normal, but seemed like a pretty nice guy!
“Geuse” and Fortuna go back decades, and you can sense that long history in their effortless chemistry and gentle flirtation. Whether of the Witch’s Cult or some other order, Geuse and a group acolytes apparently make regular visits to the village in Elior Forest, both to deliver supplies and so Geuse can receive confirmation from Fortuna that “the seal is intact.”
Lil’ Lia knows she’s not supposed to be out and about, so even after the fairies help clean her up a little, she spills blue ink on her outfit to hide the dirt and grass stains. If Fortuna doesn’t buy it, she doesn’t tell Lia, instead hugging her and telling her she missed her even in the brief time they were apart. Lia, even back then someone quick to comfort others, places her little hand on Fortuna’s head.
While this is a helpful introduction to the places and players of the past, this initial stirng of memories isn’t yet enough for present-day Emilia. Fortuna and Geuse mentioned a seal, so Lia needs to keep soaking up these memories. They include the elf Archi giving Lia some nuts to snack on, and another visit from Geuse, who inadvertently flirts more with Fortuna. They really do make a cute couple.
Geuse also mentions that affairs outside the forest are “dubious at the moment”, so it’s more vital than ever the seal remain intact. He mentions Emilia, but also “the two of them”—her mother and father, perhaps. Emilia and Echidna follow Lil’ Lia to the famous seal itself, an ornate black door in a glade carpeted with snow all year long. Lia pushes the door, but it won’t budge…which is probably for the best at that point!
Outside, Subie cries about Gar having seen his supportive etchings for Emilia before she did, but both Gar and Otto tell him to buck up. As they wait outside the Graveyard for Lia to return, Ram comes by to tell Subie that Ryuzu Shima wants to talk to him about “a subject that is unavoidable if you wish to liberate the sanctuary”. Wait, Lia passing the trial won’t be enough to do that? What am I saying; of course it won’t be…
Back in the flashback, Lil’ Lia is sneaking around the woods when she’s spotted by Geuse, who I thought was about to say something that would reveal that he’s actually evil, but nothing ever comes of that. Instead, he acts more “Geuseian” (at least as we know him) than he had to that point when he spots Lia and realizes who she is.
His face contorts just a bit as he sheds tears of joy for being granted “salvation like never before.” Is this because of Lia’s resemblance to more than one Witch of his cult, his regard for Lia’s importance to the seal, or both? In any case, Lil’ Lia learns from him that people can cry out of happiness too, and because she’s such a good girl, she gives him a hug and strokes his head, telling him it will be okay.
It’s at this point Echidna tells Emilia she’s quickly approaching the end of the “warm-up round” and the beginning of the part of the trial that utterly broke her before. While Emilia knows Subaru wouldn’t think any less of her for depending on him, and she’s scared of what’s to come, she won’t cower any longer.
She’s going to take this as far as she can. Rather than voice her esteem for Emilia’s determination, Echidna tells her she’ll “find satisfaction” in her “suffering”. Looking every bit like a dreamlike fairy tale for its entire runtime, the warm pastoral greens of the beginning shift to a cooler, moodier, more foreboding purples and blues.
Emilia insists that Fortuna and Geuse play chase with her. Geuse is out of breath, so Fortuna snatches her up and imparts in her the importance of making and keeping promises. Emilia then summons her fairy friends, which identifies her as a future spirit user. Geuse tells her they’ll be her strength when no one is by her side, but Fortuna would just as soon not think about such scenarios, promising she’ll always be there for Lia.
When Geuse accidentally lets slip something about Lia’s parents (mentioning the days they were “well”, implying they aren’t well now), Fortuna has Lia run back home to the Princess Room…but before she can go, someone approaches, wearing a fancy white cloak. He gets pissy and verbose about Fortuna asking who he is before introducing herself, but he eventually tells her.
He’s an Archbishop of the Witch’s Cult, representing Greed: Regulus Corneas. This marks his second appearance in the anime, but his first since he attacked Rem and Crusch’s wagon back in this season’s first episode. As Echidna warned, the tough portion of this stroll down memory lane has arrived in earnest.