Kamisama Hajimemashita 2 – 08

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The tables are turned on the human Nanami early this week as for once she is the one being regarded as a rare and strange supernatural creature, a “celestial nymph,” by Jiro. He’s not the gentlest soul to her, either, roughly grabbing her arm and threatening to break it before Mamoru, true to his name manages to spring her.

Scared, trembling, and sporting a sore arm, the sight of the far gentler Tomoe is enough to make Nanami collapse into his bosom ing joyful relief. This is the side of Nanami that makes Tomoe want to protect her with everything he’s got. And I’m sure Nanami would always prefer for Tomoe to be waiting with open arms whenever she gets into such a state.

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After being treated roughly and then gently, Suiro continues to talk to Nanami while facing Tomoe, as if her countenance is too awful to look upon. When she forces the issue, he admits he’s simply not used to interacting with women, especially, as he says, “beautiful maidens.”

After glimpsing his impossibly gorgeous face, Nanami has to wonder if he’s just being nice. Don’t get me wrong, Nanami is super-cute, and I wouldn’t call her plain, but it’s clear her’s is a more normal, casual beauty compared to all these magazine cover bishounen. 

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Suiro, perhaps the most classically feminine of the characters in the room, has always mothered Shinjuro, and now that he’s back it’s as if nothing has changed: he still sees him as a little kid with mussed hair who can be placated with apples and promises “it will all work out.” Only Kurama isn’t a kid, and isn’t buying it. Nothing will work out this time unless he acts.

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When Kurama storms out to cool his head, Suiro asks Nanami and Tomoe not just to leave themselves after giving the peach pills to give to Kurama’s sire, but to take Kurama with them as well. He can tell that Kurama left a lot behind in the mundane world to come to the mountain, and he shouldn’t be expected to abandon the life he’s lived for seventeen years.

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Nanami’s response is simple: she and Tomoe aren’t leaving until Kurama says he wants to go. They both find Kurama surveying Jiro’s heavily-fortified compound, and Kurama comes to the same conclusion Tomoe does: he can’t do this alone. Nanami volunteers to help in anyway they can, because she’s not just someone who runs scared into the arms of others. She’s both vulnerable and strong; scared and brave; all seemingly contradictory traits that perplex Tomoe so.

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Kurama doesn’t even have to ask Nanami, but he does anyway as a courtesy; not an easy thing at all for him to do, considering he prefers to shoulder all the burdens himself. What’s so funny is the cliff they’re on is so windy, Nanami doesn’t quite hear him ask for her help, and Kurama is too bashful to ask again. Thankfully, Tomoe heard.

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Meanwhile, within compound they intend to infiltrate tomorrow, it’s plain to Yatori—and us—that Nanami has had an effect on Jiro. You could say he’s been enchanted; his heart and mind are in disarray. His instincts made him act forcefully to a potential threat in the nymph, yet he cannot deny her presence in his mind has been all but constant ever since their meeting. You can call it puppy love, but no doubt he sees it as a weakness, one he’ll hide from his subordinates at all costs, even as he continues to cull young tengu who aren’t strong enough to pass muster.

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This episode is immediately made better by frikking having Tomoe in it, saying more than one line; although a few of his lines are obviously defensive barbs loosed against the girl he’s fallen for flustering him simply by existing. As fate would have it, they share a bedroom that night.

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Nothing really happens, despite what these images might suggest, but when coming back from the bathroom, Nanami accidentally curls up in Tomoe’s bed, and while initially freaked out, Tomoe is surprised to find himself embracing her, right up until she comes to. It’s all very “romawkward”, as one would expect from two people still on the very fringes of a romantic relationship, and still not comfortable openly talking about it or even acknowledging the mutual attraction exists.

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That morning, we see the plan that will get them into the compound: Kurama will pose as the land god Nanami really is, Tomoe will pose as his familiar instead of Nanami’s, and Nanami will pose as an apprentice tengu, which introduces us to Nanami Tengu Drag, which might be the most adorable thing I’ve seen all Winter.

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Kamisama Hajimemashita 2 – 07

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Botanmaru’s wretched state (he passes out from the mundane world “poison” and has welts from lashings) convinces Kurama to return to his home mountain from whence he descended seventeen years ago, when he wasn’t much bigger than lil’ Botan. I like how he admits he’s far more into the mundane world scene because of all the cute girls.

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One of those cute girls insists on tagging along in case she can support Kurama. Nanami constantly referring to her damn white talismans is a nice little running gag, but it’s also a more serious sign that she’s no longer one to sit on the sidelines as friends—or even mere acquaintances—face challenges. And fixing the problem on the tengu mountain is definitely a challenge.

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Kurama didn’t just hesitate to return because there are no women on the mountain. When he says he’s a failure, he means it; and not only did he flee the mountain, but he fled after his beloved brother Suiro, who was the fastest tengu on the mountain, saved him from a cruel trial, costing his mentor his wings, which, for a tengu, are everything. The one who put Kurama thorugh that trial is now poised to succeed the dying leader.

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The mountain is also covered in thick, nasty misasma in which evil spirits lurk, one of which exploits Kurama’s weakness and takes Suiro’s form. At first I was like “Okay, this guy is kind of lame for spouting all this exposition like this” but it turns out he was an imposter. The real Suiro is much kinder, though notably cold to Nanami, sending her on a trek to the outhouse.

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The somewhat mannerless Yatori has slinked his way into Jiro’s court, which is troublesome, since we know Yatori aims to hand this mountain over to Akura-oh. As friendly as he’s being with Jiro, this guy is no ally. Jiro, all puffed-up and tough; the yang to Suiro’s yin, doesn’t see Yatori as a threat, which could prove fatal as the crisis on the mountain worsens.

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The change of setting would be refreshing if it weren’t essentially a bunch of thick green-gray fog and dead trees. The mountain is a very dreary place right now, though Nanami is hopeful she can bring some light and joy, if only to a few wary fledglings, one of whom had his orphaned boar piglet slaughtered by Jiro while cradling it in his arms.

Jiro is all about tough love and strength; he has no time for the weak or sentimental. But it’s not at all certain Jiro is the right one to ascend to leadership—especially with Yatori hanging off of him.

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Jiro is built up throughout the episode as a bit of an ass, but these are dire times and he has cause to put up a hard line. So when he spots Nanami under the cherry blossom tree she temporarily restored and seems to be instantly smitten (and why not; Nanami is a cutey), it’s clear this guy isn’t your normal villain/usurper. But while I realize this is the introduction to a more tengu-focused story arc, I was still miffed by Tomoe’s exceedinly scant presence.

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Kamisama Hajimemashita 2 – 06

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Following the Divine Assembly, this week’s Kami-Haji is a bit of a disjointed grab bag, with some parts superior (in terms of my interest in them) to others. I’ll get right to my favorite part: the aftermath of Nanami’s talk with Mikage. Despite Mikage’s blessing, without knowing explicitly why Mikage wants Tomoe to “choose” her so badly (beyond wanting him to be free of him), Nanami remains hesitant in her courtship of Tomoe, especially when Lord Okuninushi recommends against it.

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Nanami even travels home separately from Tomoe in order to give her situation more thought, but thankfully, she gets another viewpoint, and one she should give more weight than Okuninushi, who as far as we know hasn’t ever truly loved a human. That other viewpoint comes from Himemiko. It only takes one look at Nanami to sense her uncertainty, and wastes no time setting her straight.

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Nanami thinks she’s being reckless and foolish to cultivate a romance with Tomoe because she knows she’ll die long before him, and thus knows she could break his heart when that day arrives. She’s doubly concerned with the fact this would be the second time in Tomoe’s existence that he’s survived a human lover. But I, like Himemiko, think Nanami has it all backwards.

It’ll do Nanami no good to conceal her love the rest of her days, or settle for someone she doesn’t love. Rather, she should treasure what time she has in the living world with Tomoe, expressing her true and unfiltered feelings, not letting those years go to waste and lead to regret. Himemiko speaks from experience: the pain of one day losing her human love Kota will pale in comparison to the regret she’d have in her heart had she never pursued him.

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As great as Himemiko and Nanami’s day of shopping and love talk is, it doesn’t quite fill a whole episode, which is a good thing, as I preferred the montage (during which a lovely arrangement of the first season’s opening theme plays) to a more heavily-padded shopping scenes. Still, that means the balance of the episode must be filled, and in this case, it’s filled with less compelling stuff.

Kirihito/Akura-oh’s quest to restore himself has promise, but the introduction of Yatori is sudden and shrug-worthy. Sure, I dig Yatori’s Sia Wig and crazy green eyes, and the fact he’s aware Kirihito is really Akura-oh (and Kirihito believes him to be a fool, which he isn’t), makes for an interesting dynamic. But nothing happens yet; Yatori only promises to raise a force and begin a campaign against the tengu mountain of Kurama in Akura-oh’s name. Kirihito’s just, like…“um, thanks?”

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The mention of Kurama calls to mind Nanami’s crow-tengu classmate and sometime-ally Kurama, who just happens to be having a concert that Ami invites Nanami to (Tomoe outright refuses). She then accidentally steps on a little tengu named Botanmaru who just happens to be looking for a fellow tengu who came down from the mountain seventeen years ago.

Botanmaru is specifically after this tengu because he doesn’t believe the commonly-held opinion among his peers that leaving the mountain made him a failure. He also looks up to him as an inspiration, because both of them are late-bloomers (Botan still can’t fly) and hopes he’ll be able to offer some advice.

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To Nanami’s surprise, the one Botanmaru seeks is Kurama. With her extra ticket, she takes Botanmaru to his concert, where he’s in Full Fallen Angel Idol Mode, and not anywhere any guy, particularly Tomoe, wants to be. The episode concludes without the two tengu meeting yet, but it seems the next main storyline will be about this, and I suspect Tomoe will object to Nanami intervening in tengu affairs, for no other reason than it means having to hang out with Kurama.

Nanami’s observation at the end that Kurama never actually plays the acoustic guitar he breaks out on stage for his “ballad”—it was just a prop—is a funny way to close.

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Kamisama Hajimemashita 2 – 05

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Nanami and Tomoe weren’t actualy apart that long these last two episodes, but as Nanami remarks, the netherworld had a way of skewing time, making it seem like far more than four days of separation, for her as well as me. Now Tomoe is a yokai again, and in prison. Is it Nanami’s turn to save him?

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Well…he asks for space, insisting it’s his decision whether to become her familiar again. And in his yokai form, he’s a bit of a short fuse, so Nanami gives him that space and tries to focus on work as Tomoe sulks in the dark. But in fine dysfunctional courtship form, both of them can think of nothing but the other, as if they had cast spells on one another.

Mizuki tells Tomoe his feelings for Nanami won’t go away just because he’s no longer contracted with her. So what does Tomoe do? Break into her room at night and contract with her, with the customary kiss, and boom, just like that, the Tomoe Yokai Experiment is resolved.

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The fact that a contract or lack of same had no effect on his feelings for her has a profound effect on Tomoe. It occurs to him he has fallen for her, but he can’t help but express that fall by yelling, scolding, bullying, and teasing. Matters aren’t helped by the fact that Nanami reiterates her love for him, but knows he’s not interested in her in that way at all. If he wasn’t, things would be much easier.

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Just when you think he’s realized he’s gone too far and comforts her, he follows it up by trying to strip her! In any case, this is a classic case of someone reflexively taking their romantic frustration out on the very object of their affection.

Tomoe doesn’t like himself in this state anymore than Nanami does. But once the Divine Assembly officially concludes with a big divine party, Tomoe is able to be civil and even debonair as her escort. Then Nanami chases a familiar butterfly that leads her to Mikage.

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Nanami’s duties at the diving assembly, which she was performing in Mikage’s stead, involved distributing strings of destiny to and fro with the other gods, deciding who will be matched with whom in the mundane world. What Nanami didn’t know is that a similar string connects her and Tomoe; a pairing facilitated explicitly by Mikage himself.

He knows Tomoe better than anyone else in any dimension. And so Mikage knows—and it has been confirmed time and again to us by Tomoe’s behavior towards Nanami—that Tomoe believes humans to frail and fleeting in their existence to devote his full soul to. He had done so once before with Yukiji, who passed away while he lingered. Human and yokai relationships are taboo because of the vast difference in lifespans.

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Mikage brought Nanami to Tomoe to teach him that humans aren’t weak. Nanami was cast away by her family and gone through innumerable hardships, but never gives up, never hesitates to help others, and never fails to flash a big adorable smile when Tomoe is around…and not acting like a dick.

Mikage’s aim was to “rekindle Tomoe’s bond with humanity”, by choosing Nanami, taboo be damned. But while Nanami and Tomoe have yet to figure out how such a thing will work, but the fact he came back to and contracted with her unbidden by anything other than his love for her, proves there’s is no shortage of sparks at the heart of that kindling.

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Kamisama Hajimemashita 2 – 04

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Nanami is given a warm welcome in the Netherworld (and a tray of food she can’t eat if she wants to leave), but her host Lady Izunami makes it clear as crystal that she’s not taking the human back with her; he’s already dead. Nanami’s response: thems may be the rules, but she won’t accept them. She’s going to do everything she can to get out of here with Kirihito. To that end, she eats the food, making her an official resident with free roam.

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It’s yet another selfless act by the benevolent Nanami, but the fact remains she knows not who (or what) it is she’s sticking her neck out to save. That’s what makes Nanami such a promising god: she doesn’t care who or what he is; she’s going to save him, and that’s that.

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As she searches for him, Kirihito finds himself back in a darkness similar to the kind he found himself in for centuries after the gods cast him into it, after he had probably made such a nuisance of himself that he gave them no choice (what with all the murdering). We learn how he got his human body: the real Kirihito offered it to him in exchange for delivering a message to his mother.

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In spite of himself (he only agrees on a whim), Akura-oh is so floored by being back in the living world of light and warmth, he holds up his end of the bargain, apologizing on Kirihito’s behalf. Not surprisingly, Kirihito’s mom, who has no reason to suspect the boy in the hospital bed is anything other than her son, doesn’t give it a second thought. All that matters to her is that he’s okay.

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Unfortunately, Kirihito’s ‘goodness’ doesn’t end up rubbing off on Akura-oh, who spends his time working tirelessly at the very limits of what a human is capable of doing to get his old form back, including gaining shikigami. But now he’s back in the darkness, right on the edge of panic…when Nanami suddenly opens the door to the cell where he’s being held.

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Turns out Nanami is on a confidence streak, and her talismans are proving useful not only in finding Kirihito, but the Netherworld’s exit as well, which is good, because Izunami sends her cat familiar after them. Unfortunately, the War God has sealed that exit. Fortunately, Tomoe has learned that Nanami is lost in the netherworld, and has come to rescue her.

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And rescue her he does, but not before Kotetsu hits him with the shrine’s lucky mallet, turning him back into a yokai so he can overpower the war god (which he’d have never been able to do had he remained a familiar). On the one side, I’m a little bummed, Nanami couldn’t save herself here, but on the other, she did put her life on the line to save Kirihito—more than once. She did good. Along with Kirihito waking up in the hospital (a recurring scene this Winter), Nanami and Tomoe’s reunion is a heart-lifting moment.

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That leaves Kirihito, whom Nanami hadn’t really thought much of beyond being a human in need of her help, but whom Tomoe immediately knows is not a human, but something else in a dead human’s body. Kirihito realizes pretty early his old fox friend Tomoe is Nanami’s familiar, and even gets to lay eyes on him before passing out. I wonder how long he’ll keep his true identity from Tomoe, who is now a yokai again.

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Kamisama Hajimemashita 2 – 03

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Nanami arrives at the Divine Assembly and actually stands her ground against the War God, who then threatens to kill her, until the host, bishonen Lord Okuninushi, intervenes, and sets Nanami on her next adventure immediately.

That’s right, just when we thought we were going to get into the nitty-gritty of divine politics (or at least partying), Nanami is sent off on a mission no other god has the nose for. Nanami seems to get that Okuninushi is almost looking down on her by offering this job, but she accepts it anyway, in exchange for his assistance in locating Mikage. I guess she’s learning the politics after all!

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The job involves clearing out the yokai who take advantage of the mass god absence to stir up trouble around Yomotsu Hirasaka, the entrance to the Netherworld. Kirihito (the wan lad Nanami met in the park) happens to be there, strong-arming some lesser yokai small fry into doing his bidding, when he’s shoved into the entrance, which is bad, since humans start to decay as soon as they near the gate, let along pass through it.

Nanami, believing him a victim of the yokai, plunges in and saves him, reasonably confident that she’ll survive since she’s a human god…but really having no idea what will happen. But that’s Nanami: quick to risk her life for a stranger.

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Meanwhile, Tomoe is utterly depresed and lonely with Nanami gone, and decides to drown his sorrows in sake at the local tanuki brothel. That’s right, I said tanuki brothel. Where else would a fox go to get into a little straaange?

Just one casual rumor by one of the girls sets a Dark Tomoe backstory into motion, as their madam once apprenticed at another brothel where Tomoe and his traveling companion Akura-oh once paid a visit.

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Akura-oh arrived first…and then slaughtered everyone there. The madam, only a child, managed to escape outside, where Tomoe found her and deigned to let her go. It was an act of kindness she never forgot…even though it was six centuries ago.

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To repay him for that kindness, the girl (named Mizutama) who would become the madam often kept Tomoe company, including the two decades between Mikage leaving and Nanami appearing. What Mizutama is, then, is the woman where Tomoe sought comfort and companionship in between masters.

It’s sudden trips off the main road like this that really add a vibrancy and warmth to this world, warmth Tomoe also found with Mikage, Mizutama, and now Nanami.

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The fact that a Nanami recalls him to the shrine in a dream turns out to be merely Kotetsu in Nanami cosplay, and the school P.A. announcement-like (complete with chime!) letter from Nanami tug Tomoe roughly back into the here and now.

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Back in the Netherworld, it takes a full sixty seconds before Nanami’s about to eat a dumpling offered by yokai that would keep her from ever leaving. Fortunately for her Kirihito knows the ways of this place…though she can’t fathom how, considering he’s a human who shouldn’t even be alive here.

The shots above show the pure variety of ways Nanami is drawn depending on the situation. I must say I’ve really missed her expressiveness and spunk.

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Of course, I’ve also kinda figured out that Kirihito is really Akura-oh in a human body. I don’t think it was meant to be hard to figure out, as among other similarities, both are voiced by Suwabe Junichi. But while I know Nanami can take care of herself in a pinch, I would still feel much better when she’s out of that creepy Netherworld and no longer along with this sketchy guy!

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Kamisama Hajimemashita 2 – 02

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Preparations for and the start of Nanami’s trip to Izumo for the Divine Assembly provide plenty of fodder for comedy and intrigue alike, kicking me back into that “Oh yeah, that’s why I liked this show so much!” gear that I wasn’t in last week.

Like Tomoe pretending it’s a chore to help Nanami with her necklace, yet jealously defending the duty when Mamoru takes human form (“grade school size” as Nanami cheerfully puts it) and offers to do it for her. Or Tomoe and Mizuki bickering to the point Nanami gets smacked in the head with some random wooden box.

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She leaves the two to play a game of shogi (a game neither has ever played) to determine who will accompany her to Izumo as she runs errands with Mamoru. She’s jumped by a host of former gods who warn her not to go, but she stands her ground. When a human male in the park gets injured, she uses Mamoru to dispatch the baddies, but the dude is more annoyed at her than anything else, then tries to steal a kiss, forcing Nanami into swift retreat.

That dude turns out to be more than just a random guy, but a god in human form who is scheming to leave it so he can once again rule the world (or something). Someone to watch out for later, to be sure.

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That dude turns out to be more than just a random guy, but a god in human form who is scheming to leave it so he can once again rule the world (or something). Back home, Tomoe beats Mizuki, but Nanami picks Mizuki to go with her anyway, fearful that if the other gods pick on him or her, things could turn ugly.

Tomoe must pose as Nanami while she’s gone, and while her classmates are fooled he’s her, they feel his nasty aura, one of the details I forgot from last season, but now that my memory has been jogged, I remember how much I liked that fact. Body-swaps done right, are the best.

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Of course, we don’t see much of that at all, because the focus here is Nanami. Mizuki promptly drops her on the way to the Grand Shrine, and she wakes up without Mamoru or her bag in front of a huge procession of gods.

The only one who even speaks directly to her is the war god, but when she can’t impress him, he zooms off with the others, warning her not to speak to him, or anyone else. It’s hardly a warm welcome for lil’ Nanami, but to her credit she sounds super-serious when explaining her gift for white talismans.

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With Mizuki stuck at the gate with a by-the-book guardsrabbit, Nanami is alone, and soon gets lost in the strange space between the world of the living and the divine. Even her guiding flame goes out, she seems on the edge of panic, but a glowing butterfly god leads her the right way.

That’s not all he does: Nanami was unable to give the war god a straight answer about her special skill, but the butterfly guy knows what it is: among all the myriad gods, she’s the only one who can see and feel with the eyes and heart of a human. That makes her just as special and valuable as all of them, and it’s something she should carry with pride.

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Buoyed by those kinds words of the nameless butterfly, Nanami enters the assembly hall with her head held high and with big, pretty brown eyes unclouded. Her reception is cool, save the assembly’s host, who “chooses” her on the spot. Nanami wondered what kind of god lived in such a grand shrine; it’s looking like he’s some kind of casanova.

While last week was pleasant and charming enough, it didn’t really enchant me; this episode remedied that by stripping Nanami of her protection and plunging her deeper than ever into the surreal realm of the divine, while reinforcing her worth and right to stand among them. Intolerant gods underestimate this high school girl at their peril!

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Kamisama Hajimemashita 2 – 01 (First Impressions)

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It’s been two years and eight seasons since I last glanced at KamiHaji, so I for one was glad for the quick refresher at the beginning. In fact, much of the rest of the episode that followed felt a bit like the show knew we needed to be eased back into things, and so revisited a common pattern from the first season.

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Tomoe is overprotective; Nanami rebels, gets in over her head, and has to be rescued a couple of times; and then she finds a new wellspring of power (a baby monkey shikigami she names Mamoru) and rescues both Tomoe and the day. Sure, it’s not the most original formula, but it’s one this show has executed entertainingly, to the tune of an 8.08 average rating here and an 8.09 MAL score its first go-round. It’s a really charming, feel-good kind of show, and can be very funny when it wants to.

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Nanami says “Don’t come inside me!” to the yokai. Was that meant to be a double entendre, or is that just my dirty mind?

The question is, can that formula be sustained for an entire second season, and is KamiHaji 2 something I want to review in a Winter season that’s far lighter than Fall but features a lot of promising non-sequels? Looking back on my first season reviews, I didn’t express any particular burning desire for a second.

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It’s too early to tell. This is my first taste of Winter 2015, and it was very much a re-introductory episode that part of me appreciated but at which another part simply shrugged. Perhaps the goings-on at the Divine Assembly in Izumo next week will help me form a stronger opinion one way or t’other.

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Kamisama Hajimemashita – 13 (Fin)

Tomoe sends his fox flames to scour the town for Nanami, but she’s wearing a concealing talisman. When she hears two girls excited about the upcoming shrine festival, she races back to the shrine. By then, the seals around a box are dissolved by Otohiko’s miasma, unleashing the even larger, more powerful misasma of the Earth Spider, defeated by Mikage centuries ago. With a little help from Mikage himself, she uses a Kagura dance to re-defeat the spider, and the shrine is restored to pristine condition. Humans and spirits alike amass at the night festival to watch Nanami’s Kagura dance. After it’s over, Tomoe praises her and “contracts with” (kisses) her, this time from the heart.

Last week we wondered why Nanami totally ran away so suddenly, but then we realized she’s still very young and prone to rash not always rational action. Tomoe also could have been a little more tactful in telling her to sit tight, so she wouldn’t feel useless. Fortunately, she snaps out of it before the earth spider totally levels the shrine. And as it turns out, there’s a lot more power within Nanami than anyone imagined. Everyone except Mikage, of course, who chose her (and left the spider in the box behind) for just this situation. Is the shrine and its grounds fully restored a bit too easily? Sure, but these are supernatural forces at work, so we’ll give it a pass.

What’s important is that Nanami came through in the clutch. Her Kagura standoff with the Spider shows that she’s willing and able to face and battle threats to the shrine rather than cower and let others save her (though she still trips). The festival is a nice way to end, with cameos by all the other deities, spirits, and classmates whose lives she’s touched. And in the end, Nanami gets what she’s always wanted from Tomoe: a nice long kiss that expresses his love for her, not just his obedience. Her deadbeat dad may have abandoned her, but in doing so, Nanami was able to find a purpose and a home that are truly her own.


Rating: 9 (Superior)

Kamisama Hajimemashita – 12

Upset with the town’s rumors that her shrine is rundown and haunted, Nanami begins planning an autumn festival. Among the events is a Kagura dance, which Nanami only has one week to learn. Normally not clumsy, she cannot remain calm around Tomoe, and progress is slow. Making matters worse is the wind deity Otohiko, who doubts Nanami can truly succeed his friend Mikage. He unleashes a cloud of miasma that envelops the shrine, and Nanami cannot disperse it no matter how hard she tries. Having accomplished nothing, a dejected Nanami flees the shrine. Meanwhile, an ominous sealed box she knocked over in storage breaks open.

All episode titles up to this point have been pretty accurate in describing what the episode will be about (“God Gets Kidnapped”, “God Goes To The Beach”, etc.) So with a title like “Nanami Quits Being a God”, combined with the fact it’s the penultimate episode, we knew despite things ending on a happy note last week, some final conflict would commence this week, and Nanami would indeed quit being a God. Nor were we surprised that the architect of that conflict is the deity who had only played a bit role up until now – the bizarrely-attired Otohiko – whose formidable power and devotion to Mikage pointed to an inevitable clash with Nanami. So what was surprising? Simply put, the manner and speed with which Nanami gives up.

That there’s only one episode left after this underscores the need to get things going, but 9/10ths of this episode goes at a very leisurely pace, replete with scenes of Nanami practicing the Kagura dance – which is fun, but repetitive. This lollygagging is to the detriment of creating a plausible scenario in which Nanami would truly say “I can’t take this anymore” and flee. The episode does not  fully succeed in doing so. One could say Tomoe’s “you need not come” remark was the straw that broke the earth deity’s back, but we’re talking Nanami, who has not only gone through quite a bit of hopeless situations, but also has nowhere else to go (besides Kurama’s again). Nanami’s rather rushed retreat aside, the series has more than earned our confidence it will recover with a strong finale.


Rating: 7 (Very Good)

Kamisama Hajimemashita – 08

Nanami’s friends Ami and Kei suggest they all go to the beach for summer vacation so she can get over Tomoe’s rejection. Tomoe is against it, as he says he cannot enter the sea, but comes along anyway, as does Mizuki. When Ami nearly drowns (due to the intervention of a wind deity who is friends with Mikage), Tomoe goes in after her, alerting the Dragon Lord Sakuna to his presence. Sakuna imprisons him in a giant mollusk. Nanami swims after him but Sakuna rescues her from the deep, telling her he’ll only give up Tomoe if she retrieves the eye he stole from him 526 years ago. Begging Mizuki for aid, they travel to the distant past.

This series is definitely on a roll. Nanami has barely an episode to digest what happened between her and Tomoe last week (and as a result can’t easily digest any food either) before Tomoe is spirited away by another deity. Fortunately for her she knows other deities; this week it’s Mizuki’s turn to help her out again. She insists wanting to rescue Tomoe has nothing to do with her being in love with him, but of course that’s nonsense; she can’t separate that reason from any of the others she may have, no matter how practical they may be. Interestingly, it seems like Mikage is orchestrating this whole thing, pulling the strings from the shadows to get Nanami to save Tomoe. Why exactly is anyone’s guess.

This Dragon Lord guy has the memory of an elephant and is quite the stickler when it comes to debts (he has the date of Tomoe’s transgression down to the second), but we like how he’s also a pretty reasonable guy who not only saves Nanami from her foolhardy dive into the ocean (even deities need gills down there), but also promises to hand Tomoe over to her if his debt is repaid. And the only way to do that is to go to the past and avert Tomoe’s theft in the first place. Now that it’s not just her soul but her body going back, Nanami’s love and resolve will be tested to greater degree than ever, as she’ll once again be confronted with the Tomoe of the past, who isn’t bound to her and may not be as nice as the present Tomoe (and even he’s not that nice…)


Rating: 8 (Great)