Utawarerumono: Itsuwari no Kamen – 09

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It’s with a semi-heavy heart that I bid adieu to perhaps the strangest Fall show I’m watching. Its episodes are usually fairly fun, but has lacked substance and cohesion. The show’s M.O. is to introduce two or more new cute female characters per week, and the show has gotten very crowded and unfocused as a result.

This week it’s two of Kuon’s “sisters” from her homeland, who baby her like a couple of mother hens. Their treatment of her is over-the-top to the point of incredulity, and we’re talking a show were almost everyone has tails and fuzzy ears. I will say I liked the little mini-arc the Big bird and tiger had, but it’s all just so darned random.

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Random, but at the same time, very workaday. Much of this show has been Kuon and Haku eating and bathing while encountering the new characters of the week, many of whom have stuck around, leading to a huge entourage of people, many of them princesses.

It was  also nice to have Haku inadvertently demonstrate how well he’s come to know Kuon by visiting all of her usual haunts, and going somewhere he knew she’d never go (the BL bookstore) only to find her hiding there. But it’s not much we haven’t seen before, and nothing that reignited an interest in continuing the show for a whole second cour. As you can see, I can barely scrape together 250 words about it. That’s when you know it’s time to say sayonara.

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Utawarerumono: Itsuwari no Kamen – 08

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You have to give Utawarerumono credit where it’s due: it certainly knows how to surprise with its content. One episode we’re following Haku as he becomes entangled in one princess or another, the next, he’s on an undercover mission with Ukon and Atui to investigate corruption aboard the Eight Pillar General Dekoponpo’s immense pleasure barge.

It’s all quite wacky and out of left field, but it works, because Haku works so well as a protagonist with an inscrutable talent for being in the thick of things without even trying, and because the characters that surround him are as bright and quirky as he is unassuming and laid back.

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Sure enough, their time aboard the barge reveals a huge, apparently illicit gambling operation centered around duelling giant insects. That doesn’t stop Atui from getting really into the gambling, along with Kosuri, who makes a cameo as another party seeking corruption.

When the bugs get loose and have to be dealt with, Dekoponpo quickly flees, and his sycophantic valet Bokoinante tries to load as much loot onto the lifeboat as possible. These two characters are cartoonish and one-dimensional, but remain amusing in their banter nonetheless.

As for Atui, she proves again she’s a capable warrior, even if she just violently lashes out at her targets with her eyes closed (she doesn’t like bugs). As for her getting covered in a sticky white substance, well…I’m not sure that was entirely necessary.

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As for Haku, when he goes to the general’s office to find hard evidence of corruption, he encounters a furious Bokoinante who has come for his master’s favorite golden statue, which helpfully serves as a shield for Haku when Bokoinante slashes at him.

In any case, Kosuri and Ougi are the ones who end up with the evidence and quickly alight from the ship, while Atui’s spazzy attacks bust a hole in the hull, causing the whole barge to sink. Quite the collateral damage; hopefully Dekoponpo is well-insured.

Haku is saved from drowning by Ukon, but only after he drops the heavy golden statue he wanted to keep. The rest of the giant bugs are dealt with by troops under Oshutaru’s counterpart, Mikazuchi. In the end, they don’t collect any evidence, but as Ukon says, “it’ll all work out.”

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Back home, a strange fog comes upon Haku, along with two mysterious cloaked ladies who invite him to come with them through what seems to be an interdimensional portal. After a trip through some trippy caverns, he ends up in a strange indoor garden, where a familiar-looking woman serves him familiar-tasting tea.

Then an old man asks Haku to tell them all about his experiences since waking up in the mountains with no memory. Word is certainly getting around about Haku and his hard-to-describe but undeniable value to those around him. But I can’t pretend this episode wasn’t all over the place, because it was.

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Utawarerumono: Itsuwari no Kamen – 07

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First of all, Rurutie really lets her hair down this week as she plies a bookstore for BL literature, showing Atui an entirely different Rurutie than the one she’s accustomed to. She even meets her most beloved author. Say, he looks a bit like Haku, no?

From there, talk comes down of a ceremony in which the imperial princess will finally be revealed to the public. And as soon as I saw a new face, I figured she was that very un-revealed princess, hiding in plain sight.

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The only problem for her is, while no one knows who she is, she comes off as a haughty highborn girl, reading and taking whatever BL lands in her lap, eating whatever lovingly prepared desserts are lying around, and generally making a big mess with the expectation someone else will clean it up.

Absent the crucial piece of information that she’s royalty, Kuon treats her like she’d treat anyone who scarfed down her kunyui: with barely masked contempt and an intent to do bodily harm. The threat of punishment scares the girl off, and a lively chase ensues.

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That’s broken up rather quickly by the silver-haired Munechika, who proceeds to paint the girl’s back door red, showing everyone why the mention of punishment spooked her so. The next day, to Kuon and Haku and everyone else’s surprise, the girl who menaced their headquarters is revealed as the imperial princess, Anju. Though frankly, her upper-crust behavior and lofty manner of speaking should have tipped them off. In all, a not unpleasant, if predictable, little episode.

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