Dagashi Kashi – 09

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This week brings back evenly-spaced variety and some interesting candy, all consumed while Hotaru is nursing a pretty bad canker sore (mouth ulcer). Of course, Hotaru has no idea how she got it, and when Saya suggests the obvious—too much candy—Hotaru swiftly laughs it off and pops the equivalent of cotton candy with Pop Rocks in her mouth.

This marks the return of “Candy POV” in DK, in which two of the straggler bits of explosive rock linger on her tongue, saying their heartfelt goodbyes before popping, causing a cascade of sharp pain. However, once it’s all over, Hotaru says it feels great. There’s a fine line between pleasure and pain.

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The discomfort becomes more mental than physical for Saya as she innocently points out a cute cartoon animal package that turns out to be the new hit product for primary schoolers: UnChoco (or PoopChoco), little grape-chocolate balls that are “pooped” out of a hole in the back.

Saya thinks she and Hotaru are a little too old for such things, so Hotaru classes it up by creating a mature lady’s al fresco tea party atmosphere, belying the fundamental immaturity of eating what are essentially candy turds. Hotaru never makes the connection (despite saying poop repeatedly); instead, she likens the candy to eggs being laid.

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Since no one character can withstand an entire episode alone with Hotaru’s hijinx (hojinx?) Saya is swapped out for Koko at the midpoint, and he’s perplexed to find her eating a bowl of rice (the canker sore goes unmentioned here, but we still see it; it’s not going away in a candy store!)

The reason Hotaru is eating rice is because the sweet and sour taste of Sakura Daikon makes her want to. She also decides to confess to Koko that she’s from Osaka, and has always been hiding a Kansai dialect. However, her Kansai-ed-out exclamations feel a bit forced to Koko (not to mention really irritating), so he’s not surprised when she confesses she isn’t actually from Osaka.

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This entire episode takes place in the Shikada storeroom, which technically makes it a “bottle episode”, but the final segment involves not the bottle, but the breast.

Hotaru asks Koko straight-up what he thinks of boobs, and he initially responds as if Hotaru were a normal girl – that they’re no big deal to him. Incidentally, this line would have worked well on Saya, who, while not necessarily normal herself, doesn’t need Koko to be boob-crazed considering her bust size.

But because it’s Hotaru, she nearly storms out at his measured response. He quickly reverses his opinion, and she presents him with tamago ice cream, which she calls “boob ice cream”, but which he’s always called “bomb” ice cream.

In one of the more raunchily suggestive sequences of the show to date, both nicknames are validated, first when Hotaru squishes the ball like a boob, then when the balls explode like bombs, releasing melted vanilla ice cream all over the place, making Hotaru’s clothes see-through. Call it mutual understanding through confectionary…er…release.

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Kill la Kill – 16

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Leave it to Kill la Kill to earnestly, regretfully inform us from the start that this is the recap episode we’ve been dreading, only to blaze through said recap in less than two minutes, occupying only the cold open before a brand new (and quite spiffy) OP. It’s a great little psychout, and one more reminder Kill la Kill isn’t just kicking ass telling its own story, but also an ongoing commentary of anime in general.

To whit: this week we learn the deep dark secrets of life fibers and kamui, and Ryuuko is revealed as the “Chosen One” who will curtail the Kiryuuins’ seemingly infinite ambitions. But Ryuuko isn’t the only chosen one here; so is Satsuki, who surprisingly undergoes an education parallel to Ryuuko’s: here we were thinking she was in the know about everything (she certainly didn’t hesitate to make Ryuuko think that was the case), but she wasn’t.

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It’s fitting then, that it’s confirmed to both her and Ryuuko at the same time what they had already suspected: each girl is the savior and hope of their respective faction, which makes them diametrically opposed enemies.That deep dark truth? In short, Life Fibers are aliens. They helped humanity evolve to its present level of physical and mental sophistication, and then, like creator gods, they simply sat back and admired what they had wrought. Like farmers, they awaited the fattening of their herds, for Life Fibers use humans as food.

As such, humans didn’t choose clothing, clothing chose them – a concept as absurd as it is awesome. Kiryuuin Ragyo re-initiated contact and has been essentially doing their bidding, distributing dormant fibers to the population on a global scale. Now possessed of this knowledge and their expected roles in the great battle to come, Ryuuko and Satsuki react in appropriately opposite ways.

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When the hatch to the helicopter closed, Satsuki collapsed from exhaustion and her kamui had to be sedated. Her activities have taken a far greater toll than Ryuuko or anyone beneath her know, but she refuses to give in to fatigue or pain. And yet even after her mother essentially fondles her in the bath (what is it with rich people?), and even though there are times when Satsuki seems taken aback by the things she’s learning, she doesn’t (outwardly) hesitate in answering her call to duty.

Meanwhlie, Ryuuko says “fuck that.” Because she doesn’t want to fight? Because she can’t handle that level of responsibility? No: because she doesn’t want her friend Senketsu to be forced into fighting his own kind just because Matoi Isshin made him good at it. At the end of the day, the only one who chose her to be the “Chosen One” was her dad, just as the only one who chose Satsuki was her mom. But we’re certain Senketsu will choose to fight with Ryuuko.

9_superiorRating: 9 (Superior)

Stray Observations:

  • Ryuuko’s dad used to work for Ragyo. This is just speculation, but were they once lovers too, making Ryuuko and Satsuki sisters? It would certainly be fitting.
  • Ryuuko’s dad also founded Nudist Beach, which has an actual nudist beach underground. Neat!
  • Mako isn’t going to stay behind while Ryuuko fights…though she’s not quite resolved to go nude.
  • The new ED is very Mako-centric (not a bad thing), and is what we imagine is what the inside of her head looks like. Kinda like how Kenneth in 30 Rock sees everyone as Muppets.

Kill la Kill – 15

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When Kill la Kill goes all out, it’s truly something to behold. Osaka’s forces continue to put up a fight thanks to Takarada Kaneo’s deep pockets, but then Satsuki arrives and teaches him that it’s fear, not money, that rules the hearts of mankind, scaring all his forces away. Cornered and alone, Kaneo counters with a giant crab mecha, but the new 3-Star Goku uniforms arrive just in time, and Uzu defeats him easily, sticking his katana where the sun don’t shine.

Satsuki & Co. are acting so cool, and Takarada is so loathsome, that up to this point they look like the protagonists. But at the end of the day Kaneo is the wronged party, defending his territory from aggressors, and he’s the one (momentarily) saved by the timely arrival of a very reinvigorated Matoi Ryuuko. Satsuki knows  Ryuuko can’t transform without the glove in her possession, and wastes no time wiping her face in it. That proved to be a miscalculation, as it only convinces Ryuuko to take the next step in her symbiotic relationship with her kamui and allow Senketsu to use her skin to synchronize.

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Satsuki had been treating Ryuuko like a pesky housefly, but underestimated the lengths Ryuuko would go to, and also failed to divine Ryuuko’s new motivation, which is no longer wholly revenge. The more grand plans for conquest and subjugation Satsuki carries out, the more forcefully Ryuuko will butt in; no longer a housefly but a formidable, unpredictable hornet. Ryuuko’s not afraid to gamble with her own life to attain victory, but unlike Satsuki she’s unwilling to let others sacrifice their lives in the service of her selfish goals. Now Ryuuko’s goals align with those of Nudist Beach, much of which seemed to have been wiped out by Jakuzure while Ryuuko fought Satsuki.

And theirs is a hell of a fight, winding through (and ultimately obliterating) a souped-up Osaka tower in some of the best and most manically-animated combat of the series. It’s also an immensely satisfying battle, as Ryuuko is able to fight toe-to-toe and even deliver a crippling punch to Satsuki, albeit by playing “dirty” (the ol’ sword-blood in the face trick). More than anything, Ryuuko and Satsuki displayed quite a bit of mutual respect; Ryuuko’s no longer after Satsuki’s head, but wants to convince her to stop her villainy; while Satsuki gets a refresher in Ryuuko’s staying power and seemingly bottomless font of spirit. One could totally see the two as friends, were circumstances different.

9_superiorRating: 9 (Superior)

Stray Observations:

  • We really dug the “Ryuuko Entrance Fanfare” of these last two eps, which always started with her motorbike’s engine revving.
  • We reiterate: Takarada never looked anything other than lame and slimy, but the Elite Four in their new threads look simultaneously mighty and correct.
  • Ira doesn’t want to hurt Mako…another cool quasi-friendship in the making.
  • We like how Ryuuko tells Mako to go somewhere safe, which Mako determines is by Ryuuko’s side.
  • We finally see Nudist Beach forces, who were Satsuki’s ultimate target (of course). They don’t wear any more than they need to, so they’re certainly the polar opposite of uniform-obsessed Honnouji.
  • The more encounters Satsuki has with Ryuuko, the more emotion she seems to express.

Kill la Kill – 14

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This week chronicled the threefold raids on Kobe, Kyoto, and Osaka by Gamagoori, Jakuzure (with Inumuta), and Sanageyama, respectively, and it’s a thrilling powerhouse of an episode. The Honnouji forces, enrobed in Goku uniforms and supplemented by shards of Senketsu, come up against stronger resistance than we’d foreseen, and that resistance comes in the form of the cities’ unique cultural attributes—distilled and amplified to a ridiculous degree, of course.

Kobe’s defense is bolstered by students in American football armor, tanks, and Kobe beef; Kyoto is protected by illusion-conjuring sorcerers, and Osaka is under the control of a powerful conglomerate like Kiryuins, which uses cash to mobilize every man woman and child in the city to resist Sanageyama’s onslaught. Mako ended up in the Osaka contingent, and she quickly shirks her duty to explore Osaka’s abundant culinary bounty.

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As Satsuki said to them earlier, the Elite Four’s loss to Senketsu was merely a rite of passage; something that prepared them for the campaigns they’re now heading up. It’s clear from the relish with which they press their attacks that they’ve all got their mojo back, and it’s fun to see them in action again, even if they’re ostensibly the bad guys. That brings us to the good guys: Mako is just goofing off, so what’s up with Ryuuko? Well, that small scrap of Senketsu she managed to hold on to happened to be his eye, and he can still communicate with her.

Much to our delight, Ryuuko doesn’t spend a whole lot of time sulking at rock bottom, donning a sweet tracksuit and red motorcycle, crashing the three already gloriously chaotic battles, and snatching back every last scrap of her friend. In the process she demonstrates that even with just a scrap of Senketsu round her neck, she’s become a formidable warrior. The last piece of him left is naturally on Satsuki’s person, setting up their next one-on-one confrontation. It should be a good one.

9_superiorRating: 9 (Superior)