When Amane catches Eiji showing Nanako a beetle, she knows she’s gotta do something to get these two into a more age-appropriate relationship. Nanako still suggests they check out some fireflies at a pond, but Amane can work with that, and arranges another club field trip, using the nighttime setting to make it a test of courage that brings the two lovebirds closer together.
It works like an absolute charm—which is incidentally what Eiji and Nanako are full of—as Nanako naturally clings to Eiji when she gets scared, and he brings her even closer when he senses she’s in danger.
Unfortunately for Tao, she wasn’t let in on the plan for Koto to impersonate a ghost and grab her in the dark tunnel, but her real fear made it more likely Eiji and Nanako would run off together, which they do. When they get to the pond, there don’t seem to be any fireflies, so Nanako makes one with her phone, fooling Eiji with a giggle.
Then the fireflies do indeed appear, and the two get to share in another lovely experience together. When Eiji suggests they write senryuu to mark the occasion, she almost tells him how glad she is he’s there with her, but decides to be coy instead. Some things are better left unsaid…particularly when Eiji likely wouldn’t understand exactly what she meant!
Nanako’s dad, eager to assess his daughter’s “Yankee” friend (and threatened by expressions she makes when he brings him up), tells her she should invite Eiji to the house during summer vacation. When Eiji sees her text, his phone slips out of his hand and into his ramen.
While waiting for repairs at the store, he ends up having chance encounters with Koto (handing out tissues), Amane (trying/failing to look sophisticated at a cafe), Tao (dressing down for the summer) and Kino (carefully observing a mailbox but drawing a gorilla detective).
He observes that he’s managed to run into everyone today…except the one person he wants to see most. Turns out he saves his best chance encounter for last; the wind blowing her straw hat onto his head. Eiji admits he was thinking about her, missed her, and wanted to see her; Nanako admits she felt the same way about him.
With that, it’s off to Nanako’s house, where her dad is dressed in a traditional kimono and is poised to bare his chest and pounce on Eiji should he put a toe out of line. Ultimately, when he asks Nanako if she’s okay with Eiji’s affirmative answer to the question “are you just friends”, and sees her expression, all the energy drains out of him and Nanako and her brother have to help him to bed to lie down.
That’s when Nanako’s much more accepting mom has a one-on-one chat with Eiji. She explains her husband’s protectiveness as a result of how seclusive and melancholy she used to be, since she was bullied for communicating via senryuu.
That is, until one day, she came home cheerful and beaming, having met someone else who loved senryuu; the first person not in her family “she’d want by her side.” Eiji knows she’s talking about him, and Nanako is listening in the hall, but he doesn’t admit it’s him, and instead rushes off to grab his repaired phone.
It’s Summer, which means Summer Vacation, which means swimsuits. Amane wants to attract a man, and asks Tao to use her crystal ball to help her pick one out for that purpose. For her part, Nanako doesn’t even own one, as she hasn’t been in a pool since she was little.
Amane takes Tao, Nanako and Kino to the store where they are faced with far too large a selection. All the while, Tao’s ball suggests a slingshot bikini for Amane that is “just strings,” while Eiji is ambushed in his room by Koto in a stunning black bikini. If he’s going to have eyes for another girl, she’s clearly making sure he knows what he’s missing.
Nanako, by nature a modest person, starts out with a swimsuit indistinguishable from a dress, then a sarong, but eventually settles on a white bikini that catches the attention of everyone at the pool. It happens to be the same pool where Eiji is taking his little sister, which means he’s present for Nanako’s “grand unveiling” (Amane’s term, not mine!)
She runs back into the changing room, and when Amane tells him what the deal is, he apologizes to Nanako and tells her he’ll keep his distance and avert his gaze. Of course, Nanako wants neither of those things, and so rushes back outside to grab him and assert that it’s okay for him to look, a little—all using a tanzaku she seemingly conjured out of nowhere!
Nanako hates the rain because it makes her hair frizzy, but Amane tells her it’s not that bad—if she walks home with someone while sharing an umbrella, they’ll be “together forever,” and that’s something with which Nanako can get on board.
As a result of the last storm, a tree destroys the school rabbit hutch, so it’s up to Eiji to fix it, but while picking up branches his hand get riddled with splinters, necessitating a trip to the nurse…who is just Koto in nurse cosplay. Even not in the running, she’s going to have her occasional fun with him.
When Kino joins the reconstruction effort, she envisions a grand, avant-garde, Gaudi-like creation that’s simply too much for a rabbit hutch. Yet, when the hutch is rebuilt, the door falls off the hinges and all the rabbits escape, making Tao’s prophecy come true.
Thankfully, Amane sends a message through the PA for anyone who finds a rabbit to capture it and return it to the hutch, and all the rabbits are retrieved. All that’s left is for Eiji and Nanako to walk home, but since both of them forgot umbrellas, Amane provides a key assist by giving them one of hers. All’s well that ends well!
President Amane is all about trying to get Nanako and Eiji together, which includes eavesdropping on a truly bizarre game of charades in which Nanako somehow makes the upward wind you get on a roller coaster. I would have barged in too…where did that come from?
It’s a 4-koma kind of playful comedy that doesn’t always have to, say obey the laws of physics. Or something absurd, like when younger Nanako had temper tantrums, she still wrote senryuu to express herself. Amane’s challenging of Eiji asserting what a “manly man” he is was also amusing.
This all leads to the three making plans to go to an amusement park, but Amane bowing out at the last second in order to make it a date for Nanako and Eiji. The latter is your typical mostly-oblivious fella, who is almost appallingly late on the uptake despite the fact Nanako is flirting with him in writing.
I enjoyed the little white lies Nanako employed to try to get a little closer, whether with the shared soda cup or informing Eiji that her shoelaces broke, possibly implying that the only way for her to go home would be if he carried her.
Alas, Eiji notices she’s wearing shoes that don’t have laces. As with Nanako’s inexplicable wind-summoning, Amane can’t help but spring out from her hiding spot to protest Eiji’s denseness.
The Lit Club begins an initiative aimed at improving Eiji’s bad-boy image with the rest of the school, though Nanako likes him the way he is, even when his eyes roll back in his head when he’s deep in thought! That’s when Eiji’s beautiful “big sis” Ootsuki Koto shows up to thank Nanako and Amane for taking care of him. Turns out she’s just his childhood friend two years his senior. Then, while having a meal together, Eiji notes how much Nanako eats—not with malice, mind you—and Nanako starts to fear she’s gaining weight.
When her little brother teases her for eating as much as a sumo wrestler, Nanako resolves to go on a diet, but Koto offers to train her instead, using her military self-defense skills to whip her into shape. Time passes, and an excited Nanako takes Eiji’s hand and places it on her stomach…which would be quite forward if we didn’t know her true intentions were honorable. Instead, Eiji has to mention how he’s never felt a girl’s stomach and thus has no basis for comparison for Nanako to realize her faux pas.
Still, one think Nanako shouldn’t be ashamed of is that she likes Eiji—a genuinely nice guy—just the way he is. If others get to know him, they’ll learn the same thing. Koto already knows this, but when Amane asks if she likes anyone (if she had to give her a name, it would be Eiji), she says she doesn’t; not the way Amane means, anyway. Koto is fine with her and Eiji just the way they are, even if it means him getting closer to Nanako.
As it is, SS is a school slice-of-life with romantic undertones that just happens to integrate haiku wherever it can. And like that show about women enjoying various alcoholic beverages after work, it succeeds at its limited domain just as much as it needs to—which is to say, it’s fine.