Within its first two minutes, SnO leaps from a wounded boy apologizing to a burning pile of children-corpses, to a young girl taking a bath while a Ranma 1/2 style ‘micro old woman’ talks to her about foreboding exorcist politics, to an over the top confession/rejection scene on a school playground, which ends with Rokuro running head-first into boobs.
SnO is the definition of jarring, awkwardly composed, tone deaf anime.
Even the character name text boxes are over active—they literally pulse into life, zoom the camera, wiggle, and morph out. It’s an interesting play on the convention of having characters named graphically and avoids expositional dialog but it feels out of place during the setup scenes.
What’s the gist? Rokuro was a super prodigy exorcist but he lost a lot of friends in a monster fight gone wrong and now he refuses to be an exorcist. Benio has been the best of the best in her small world outside Tokyo, where she’s been summoned for some meeting.
Several monster fights ensure, first at a train, then when kids are stolen by the river. Benio is super good but not good enough to beat the final boss, which Rokuro obviously beats with one punch, a bunch of angst, and roll credits.
The fighting is stylish and character designs are okay, if not slightly over designed and slightly generic. The way the monsters laugh and occasionally eat each other is pretty rocking too.
But SnO’s real hindrance is Rokuro & Benio: his obnoxious, girl crazy, ‘tragically wounded’ archetype isn’t likable and her stoic yet selfish, self-indulgent superiority complex isn’t likable either.
In short, SnO is paint-by-numbers anime. It’s well-built visually, it keeps the T&A relatively tame, and its easy to follow. But you’ve seen the show before and can predict almost every line of dialog as it comes—you could even snap your fingers on cue for the boss to arrive or Benio to bump into Rokuro for the first time or for Rokuro to win the day and say his pithy ending line.
If that’s good enough, that’s all it has to offer.