Cross Ange: Tenshi to Ryuu no Rondo – 14

ange1431

Ange, Vivian and Tusk awake in the ruins of what was once a great city that is obviously Tokyo. Vivian is in dragon mode and Ange rides her around to gather recon, which not only gives us plenty of glamour shots of blown-up-Tokyo but confirms our hapless heroes’ fears that they are entirely alone.

Then a perfectly functional robot zips by informing them that space is available at the central defense force’s shelter. So Team Ange wanders off to investigate what that’s all about.

ange1432

Piles of dead people, so it turns out. But also a computer, who’s chipper female avatar INFO-DUMPS us some back story about World War 7, the fall of the human race, and ultimately the destruction of everything by wars end  via BLACK VILLKISS(es)

Also, that this all happened more than 500 years ago, which depresses the hell out of Ange, who’s decided Tokyo is her home country due to the Dawn Pillar being present.

ange1433

In her funk, Ange is rather unthinking about her criticism of Liberatus to Tusk, who’s parents were both killed fighting in it. She also yells at Vivian.

However, after seeing cute knick-knacks in an underground shopping area, she changes her mind and gives Tusk a necklace and they make up. Then they find a hotel with clean beds and a nice bathroom and spend the night.

ange1434

Following some soap-flavored Ange-candy (and Vivi-washing) Ange and Tusk have an incredibly awkward and/or hilarious admission of liking each other and try to get some sleep next to each other in the same bed because Tusk broke the couch he wanted to sleep on by sitting on it.

COMEDY GOLD!

Then Dragons show up, complete with more elf rider-girls like the one we saw a few episodes ago, and this episode comes to a close…

ange1435

Good:

  • We almost went the whole episode without Tusk jamming his face in Ange’s crotch for once and the lack of exploitation was a nice change of pace.
  • We received a lot of information about the world and, while it was via info-dump, things make a lot more sense now.
  • It was a nice twist that Japan was destroyed by a nation that invented mecha instead of Japan being the source of mecha, which would be more typical for anime.
  • One or two of Tusk’s lines were actually pretty funny! (intentionally or not)

ange1436

Not so good:

  • The pacing was sluggish, with jerky info-heavy moments and none of it reinforced the sense of loneliness, isolation or fear. It’s just another weird place for Ange to be, wherever it is.
  • Ange and Tusk have no chemistry and the romance-thread feels as forced now as you would anticipate from Tusk’s first episode.
  • I can’t decide if the over-the-top back story, Vivian’s dragon ‘whale song’ talking or the introduction of elves is profoundly stupid or profoundly stupid in a way I should just accept as how Cross Ange does things.

ange1437

Verdict: This week was watchable, and advanced the plot efficiently-ish with limited skin-ploitation, which are all good things. That said, Ange has become less and less pretty to look at as time runs on and the story it is efficiently telling has gotten more and more ridiculous too.

As a series, I imagine Ange is what I imagine doing Bath Salts is like. At the beginning, it seems insane but straightforward, then it gets twisted and warped and you don’t know what anything means anymore, then you feel ill as the high crashes away and you’re left with a bleak world littered around you and half your neighbor’s fingers still digesting in your stomach.

7_ogk

Braverade’s Take:

When the Villkiss teleported Ange, Tusk, and Vivi away last week, I assumed they probably went to wherever dimension the DRAGON came from. Thus I was prepared for an entirely new and ultimately successful setting for the purpose of teasing a paradise for Ange. 538 years in the future, they’re literally the only two humans left.

ange1421

This was, in a way, a scaling-up of the infamous island episode, only better in every way. The ruined Misurugi capital, which is actually Tokyo (the Sky Tree, Rainbow Bridge, and Diet are all present) is a far more interesting and awe-inspiring setting, helped by the mystery that initially surrounds it and some of the best musical tracks of the series. Watching Ange soar over the foliage-covered ruins aboard Vivi is a surreal, gorgeous shot. As such I can’t quite agree with Franklin that the show is “getting less pretty to look at”.

Once they learn when they are and what happened from “Shelter Siri” (an infodump, but at least an infodump they tried to present in a practical manner, what with the holo-imagers) Tusk believes it, but Ange instantly calling it bullshit is true-to-character.

ange1422

It also helps that Tusk—and the show itself—are on their best behavior, as if they’d learned from the backlash to the island episode. Vivi stays in DRAGON form throughout, so there’s no naked loli. Ange never wakes up naked with a Tusk looming over her. They do end up in what looks like the love hotel near Amagi Brilliant Park, but Tusk doesn’t barge in on her bath, and when Ange opens her robes, it’s her decision, and because, well, she has needs just like anyone else…and he is the ‘last man on earth’.

Ange’s advances, along with her sentiment about this whole situation perhaps being for the best, are both dashed when a DRAGON shows up with two Ragna-Mail riders responding to a distress call. The show insists on getting one super-quick facecrotch in—the proverbial insolent child or dog doing something it knows is wrong.

ange1423

This was a vast improvement over the last Ange+Tusk episode (not a tough achievement, but still). It was helped by its fresh setting, by the presence of Vivian, by the show’s restraint, and finally the tenderness with which it treated the romance of a couple who, let’s not forget, are both greatly wounded souls with vast weights on their shoulders.

No, it’s not Shakespeare, but their pairing at least makes sense and is being treated more seriously. And Tusk, while not ideal, is certainly Ange’s best choice for an opposite-sex romance in the show.

null

Advertisements

Cross Ange: Tenshi to Ryuu no Rondo – 13

ange131

Cross Ange wastes no time getting back into the swing of things, picking up where we left off: an obviously phony ‘rescue flotilla’ commanded by Julio. He’s only after Angelise, Villkiss, and other Mail Riders, and he gives orders to exterminate the rest.

Everyone has to decide what to do quickly. Jill proclaims the official start of the rebellion and orders all of Arzenal’s defenses turned against Julio’s fleet. She also orders Salia to retrieve Ange at all costs. Yes, retrieving the real savior is now pretty much the most important thing poor Salia can do.

ange132

Ange isn’t interested in going along with Salia or Jill. At the moment, she’s only thinking short-term: Get Julio. Momoka helps spring her (with pepper, of all things), and after assessing the slaughter (and taking out child-killing soldiers whose defense is ‘just following orders’, which is never a good defense) she races to Villkiss.

ange133

Even though she’s totally outmatched, Salia still tries to stop Ange, who is having none of it, trashing Salia’s mail and ditching her in the sea. Salia must watch helplessly as the woman who has all the power and privilege and importance she doesn’t have utterly reject it for her own reasons.

ange134

Back in Arzenal’s wreck of a landing bay, Hilda displays bravery and selflessness despite the odds, even literally taking a bullet for Chris, whom she scorned so bitterly not too long ago. As the three reunited girls take off, an errant human solider gets a headshot on Chris. Damn.

However, the cutting back to Chris, followed by Embryo eventually healing her, makes this nothing more than a close call, though at this point both Hilda and Rose still think she’s dead.

ange135

Free of Salia, Ange paints the sea red by sinking every ship in Julio’s fleet before slicing off the front of the bridge where he cowers and bargains for his life. Before Ange can finish him, Embryo blocks her blow with his own paramail, not wanting her ‘divine flame’ to be tarnished ‘burning useless things.’ He kills Julio himself, likely pissed off the emperor launched the Arzenal attack without his leave.

ange136

While Julio is eaten up by the white light of destruction, and Good Riddance, Riza takes wing and escapes—topless, no less—suddenly down a royal puppet. I’m sure we haven’t seen the last of her, boring a character as she is. Meanwhile, with no one left alive on Arzenal, Jill sets off with the survivors aboard the submarine Aurora (which we’re just now hearing about) to start her rebellion in earnest.

ange137

“Own-Agenda Ange”, meanwhile, does something else new with her Villkiss when Embryo targets an approaching Tusk (with Vivian), who says Embryo is a very dangerous dude (and is probably right). Villkiss turns blue, sidles up to Tusk’s ride, and they teleport away before Embryo can destroy him.

Good:

  • A great overarching sense of all hell breaking loose, because it does
  • Nice character beats with Ange/Salia hitting a new low and Hilda/Chris/Roselie reconciling
  • Tusk was used sparingly but well this week, kicking ass and saving Vivian.
  • Julio’s dead. Who’s in charge of the empire now?
  • The new opening theme is fantastic.

Not so good:

  • Julio’s fleet and assault force was awfully easy to defeat.
  • lot of people died, and died horribly, but they were all nameless extras.
  • Where the heck did that awesome sub come from?
  • Another “Tusk and Ange on an island’ episode next week. Oh dear…

Verdict: Lots of huge and exciting developments this week, delivered with confidence, if not finesse. We’ll see where they lead. The Norma are now far less numerous and more vulnerable without a base, but the empire took its licks, too. Not a bad start at all for Cross Ange’s second half.

P.S. I just discovered Cross Ange: Tenshi to Ryuu no Gakuen, which is a comedy 4koma that puts the same cast in a high school setting. Take that for what you will.

8_brav2

Franklin’s Take:

This week got all the explodey-killy terror we’ve come to expect from Ange and… just sort of flailed around incoherently and undid the most meaningful emotional moments. Dead Chris and children revive, Vivian is rescued, and Ange still gets to win the day no matter how much she runs off on her own.

If i still thought as highly of this show as I once did, I’d wonder if the entire structure was making fun of red herrings. For example, the episode opens by introducing FIVE new mail pilots who, presumably, immediately die off camera.

But thirteen episodes in and I wonder how well thought out or intentionally critical Ange really is? Sure, it can be over the top and ruthless. But is it all just for shock value or is there a point to this?

For now, I’m not really sure…

7_ogk

Cross Ange: Tenshi to Ryuu no Rondo – 12

ange121

I believe for the first time on Cross Ange, we get an Ominous Bigwig Conference, held in a pleasant holo-environment. which shows that Julio, whose name Misurugi is now synonymous with ‘criminal’, is very far down on the food chain. In fact, all the various leaders seem to defer to the apparently brilliant mind of one Embryo, a bishounen and dandy who proposes three options for humanity: surrender to DRAGON (unthinkable); wipe out DRAGON (impossible)…or scrap the world as it currently is and start over.

ang122

Tusk bugged this meeting, and relays their decision to Jill. She reorganizes the surviving mail pilots into new troops, putting a released Hilda in charge and throwing Salia in the brig for insubordination. She wants the girls on full battle alert; but she’s not so much concerned with more DRAGON attacks as imminent action by her superiors, in service of the ‘world-rebuilding’ decision that was made.

Before Ange jumps to and mans her bird, Ange wants answers, and Jill promised to give them. Jill insists they talk in the bath, since the revealing of secrets requires ‘total exposure.’ Call it ‘Q&A with T&A’.

ang123

Jill starts at the almost folktale-sounding beginning, in which a ‘god’ (Embryo) found a way to end war and suffering by engineering the ability to use mana in humans. When non-mana infant girls were born, the myth that these girls were dangerous society-rejecting monsters was propagated, in order to give the rest of humanity a common group to hate and discriminate against. But along with Norma girls, there was a faction of ‘old-fashioned’ humans who rejected mana (Tusk’s fam), and they joined forces in a rebellion.

ang124

The rebellion continues to this day, mostly quietly (though Tusk’s Ange-rescuing stunt was pretty high profile). But back then storming the palace netted them a ragnamail, prototype to paramail. That mail was Villkiss, but no one could pilot it until a Norma of royal blood appeared: Princess Elektra Maria von [German name]. But even she ended up failing; losing her right arm and her ring.

ang125
— “AAAAUGH!” — “AAAUUUUUGH!”

Ange mentions this is all well and good though she’s not ready to join “Libertus” movement yet, if ever, because she kinda likes her life. She also thanks Jill, whom she now knows was once a princess like her, for showing her what a stuck-up spoiled brat she was. Of course, Ange is still a brat, but whatever.

She also asks: What about the DRAGONs? On queue, Vivian wakes up and her hammock snaps under her weight. She lumbers about the barracks, wondering why she feels so big and bulky (we initially only see her POV, not her body). Then Vivi catches a glimpse of herself in the mirror: She’s a DRAGON. How very Kafkaesque. When Emma and the bridge staff see her, they scream… but she screams too. It’s good to have a sense of humor about such things.

ang126
The trio of Hilda, Roselie and Chris…back in the same frame together, if not back in bed

DRAGON-Vivi escapes to the sky, and hums Ange’s song until Ange sings back; the song transforms Vivi back into human form, where she’s sedated and taken away by Maggie, who I’m sure already knew about this, having been the former Arzenal commander. But Ange connects the dots, then runs to the giant pit of DRAGON corpses Jasmine is about to set ablaze.

ang127

Ange’s comrades accompany her to the burning pile, in which they find human bodies amongst the DRAGON. So yeah, DRAGONs are people too, man…including the DRAGON Ange savagely beat to death, and all the others she’s wasted in the air. Suddenly Ange’s contentment with her life of killing DRAGONS and making money isn’t so easy. Furthermore, ex-brother Julio (wearing a scar from Ange’s attack) is coming for her…for all of them.

There were times this felt like a long chore of an infodump, but in the end I don’t think I absorbed too many answers, but rather just enough to pique my interest for the second half of the show. More questions obviously remain. And the little Vivian reveal / action piece was as adorable as it was significant to the plot. Ange thought she could live a simpler life in Arzenal, but she’s still a princess with a right arm and a ring. In this world, that means something.

7_brav

Cross Ange: Tenshi to Ryuu no Rondo – 11

ange111

This is a Rondo of Angels and Demons, so I’m not surprised to see Julio under the mind control of Riza Randog, thanks to some kind of evil serum she secretes. Sylvia walks in on the two and is appalled before being restrained by RIza’s demon tail, suggesting the drug wears off. I’m guessing both were under Riza’s influence when Ange was around.  In any case, the royal family is in deep doo-doo.

This week gave me just about everything I could ask for in a Cross Ange episode: high stakes, new bad(?) guys; Arzenal camaraderie, more Salia backstory; a significant if incremental elaboration on the world’s mythology; lots of awesome aerial combat, and new friendships being forged in the crucible of imminent death!

ange112

We’ve seen from her hobbies that Salia is still a little girl at heart, and it seems to surprise even her when a group of actual kids salute her and regard her as an idol (she is quite pretty). She can’t believe she’s already a whopping seventeen.

As she and Mei visit the grave of (I’m guessing) Mei’s sister, a fallen pilot, and remembers losing her, as well as having ‘Elektra” (Jill) lose her arm, give Salia a first chance in Vilkiss, but not a second.

If she still lives her life like a kid who needs protecting, Jill is going to treat her like one. WIth only five active pilots, First Troop is downgraded to third.

ange113

But when an enormous cloud of DRAGONs appear directly over Arzenal HQ, the second and third troops are quickly overrun and it becomes necessary to put the half-strength Salia Squad out there anyway. And we’re talking the first couple minutes of combat that the other squads are wasted and the command center is wrecked.

ange114

The DRAGONs are apparently being led (shepherded?) by three Vilkiss-like paramails that emerged from the same portal. The pilot of the lead mail sings a song, and the mail turns gold and unleashes a high-yield beam that destroys half of the damn island. Forget this show being tough on Ange and Hilda; it’s tough on everyone.

agne115

With memories of the past fresh in her mind when the assault occurs, Salia gets it in her head that This Is Her Time to prove herself to Jill, Mei, the rest of her troop, and herself. To that end she disobeys orders and pilots Vilkiss herself.

Momoka frees Ange and Hilda and they race to the hangar bay. It’s kinda cute how pissed both Ange and Hilda that they’re so dirty, stinky, and disheveled from their confinement, but things get grimmer as they traverse the bloody corpse-filled mess hall.

ange116

It would be enough in their rusty states to simply hop aboard their own paramails and fight the biggest battle Arzenal has faced yet, but Ange and Hilda have to reel in Rogue Salia first before she gets herself killed and Vilkiss destroyed.

Rivals they may still be, but Ange and Hilda prove they’re still quite capable of working well together under duress. Hilda even gets a little turned on by Ange being so close, which is understandable considering how much sex Hilda is used to and how long it’s been since she’s felt a woman’s touch.

ange117

Ange also breaks out her daredevil routine, jumping on top of Salia and then tossing her off for Hilda to catch. There’s a lot of trust in these maneuvers, and however much the girls may swipe at each other, it’s clear they all know that they can count on one another.

That’s probably no comfort to Salia, as it’s basically confirmed during her short stint piloting Vilkiss that despite all her hard work and determination, she just doesn’t have what it takes. Vilkiss is sluggish and unresponsive in her hands.

ange118

But Salia’s shortcoming isn’t so much talent as intuition, not to mention blood. When Ange hears the enemy mail singing again, activating its main weapon, she sings her song right back (a little Macross with our Gundam, if you will) which causes an identical golden transformation in Vilkiss, both to Ange’s and the enemy pilot’s surprise.

About that enemy: she’s the Chinese-looking woman at the end of the line of faces in the credits, and her outfit is extremely bizarre yet awesome-looking – essentially a loincloth that descends from bust to groin with a cross strap for her bust. Interestingly, it reveals the opposite parts of skin as the Arzenal flight suits. That would make for some bad-ass cosplay.

ange119

This woman wants to know why Ange knows a song no “unworthy citizen” should know, and Ange just wants to know who the heck she is. Both are then shown flashes of what looks like histories that never occurred involving the both of them, as everything from opponents to classmates to lovers. The still-nameless pilot withdraws after an alarm and five ominous words: “The time comes, it seems.” 

Nearly halfway through the series, we may still be in the dark about what’s really going on here, but this episode made us rest assured the time is indeed coming when light will be shed on that darkness. In the meantime, the Arzenal girls keep on keepin’ on, since all they have are each other.

8_brav

Cross Ange: Tenshi to Ryuu no Rondo – 10

ange101

One reason I handed off Gundam-G review duties to Zane was that there was just too much going on, none of which made enough sense me to care, whether it was the endless parade of proper nouns or the endless arbitrary political machinations. Ange doesn’t make sense either sometimes, but it’s telling a far more cohesive tale that has actually drawn me in.

It’s also uncomplicated: by making the Norma out to be monsters, something not all of them are by a long shot) the arrogant, prejudice masses of mana-using humans are the real monsters, as demonstrated at the evening public whipping, mocking and hanging Ange must endure for basically causing ‘mild discomfort and unhappiness’ for a few people.

ange102
Franklin: This is for you.

Yes, the people, including Ange’s former classmates, her brother, and even her little sister, are nothing but spoiled, petulant, hyper-sensitive shitstains and there’s nothing redeemable about them, nor is there meant to be anything redeeming about them. Uncomplicated.

Tusk also swoops in undeterred by any air defenses and actually takes his sweet time rescuing Ange like we knew he would.

The show doesn’t bother mussing its hair about details like ‘Ange did murder dozens of people’ (the scum deserved it), or ‘Tusk’s hoverbike is oddly quiet enough for Ange to give a “Fuck You” speech to the crowd’, and ‘its exhaust is cool enough not to burn her siblings on her way out’, or ‘Tusk buries his face in Ange’s crotch, making this kind of his running gag (which is terrible). Uncomplicated.

ange103

Never mind how Ange and Momoka found the cabin attachment to Tusk’s paramail while he was unconscious, I think this is the question we all most wanted answered this week. While Tusk doesn’t have a satisfying answer, we must assume he either has extremely bad (or possibly in his case, good) luck, or is actually a pervert who targets Ange’s crotch any chance he gets.

ange104

In any case, the joke is only used once, and our dealings with Tusk are thankfully limited to the first half. The rescue was ultimately swift and uncomplicated. And don’t say Jill doesn’t have a sense of humor, because when she locks Ange up for desertion, she has her share a cell with the also recently-recaptured (never mind how) Hilda.

ange105

The balance of the episode are the two proud and tenacious women licking their wounds and laughing at their own pathetic stupidity, believing they could simply go back to the world like nothing changed. These scenes built up more reluctant camaraderie between Ange and Hilda, who in the end agree to form a loose accord to take on and destroy that world full of bullshit for fooling them both not once but twice.

ange106

Of course, things won’t be quite the same at Arzenal, either, which didn’t stand still when Hilda and Ange deserted. Now they’re broke, possession-less, and at the bottom of the food chain. Chris takes over Hilda’s role taking over for Zola, which is an interestingly little twist as she always seemed so passive. But being betrayed changes people.

Salia and Ersha, Chris and Roselie; these are women who came to Arzenal as babies and have never seen the other world, let alone ever considered there was a place for them there. As such, none of them can quite fathom why Hilda and Ange did what they did.

Their isolation has also left them children on an emotional level, albeit children forced to fight. They put their trust into Ange and Hilda, and won’t forgive their treachery easily, if at all (Vivian already has).

Or maybe it will just take an episode. You know Ange; it likes to keep things…uncomplicated.

6_brav

Cross Ange: Tenshi to Ryuu no Rondo – 09

Picture 16

Oh Princess Mecha Sexy Violent Exploitation Adventure: this was not one of your best weeks. You either tried to make everyone betray Ange and Hilda, on every possible level, in order to drive our sympathy for these rain-soaked girls to the maximum level, or you tried to make fun of anime that use such melodramatic ham to control our emotions.

In either case, you were a hopeless failure, sad girls crying in the rain and all.

ange90

The Rundown: Hilda goes home to her mom and finds out her mom has had another daughter who she’s also named Hilda, everyone freaks out, Hilda runs away and gets beaten up by cops while crying in the rain.

Picture 20

Meanwhile, Ange and her maid raid Ange’s high school lacrosse locker room but are discovered by Ahiko, a former team mate. Ahiko betrays Ange, twice, but Ange still manages to fight all the way to the castle, where she is then betrayed by her little sister Sylvia and captured by her evil brother Julio.

ange93hahaha I’m so evil hahaha (snore)

The Good: if you’ve wanted to see people comically freak out over hot girls, then this week’s for you. Hilda’s Mom’s replacement baby, Hilda’s mom obviously calling the cops even though she has no reason to, Ange’s sister stabbing Ange in the arm, it’s all there.

Picture 18

Likewise, if you don’t like Ange much, it was nice to see her tactics fail constantly. However, It was also fun to see Ange kill a decent number of people with no concern at all.

ange91

The Not-So-Good: we got two flashbacks this episode, and one of those flashbacks was so absurdly soon after the event it flashed back to, it felt like a joke. Otherwise, the entire episode was a cheap mess of over-the-top acting, super betrayals and an out of nowhere evil plan by Ange’s big brother.

Really? The whole message to Arzenal was a trap to get Ange to…escape from Arzenal…so they could capture her? Oh shut up!

ange94

The Verdict: This was a stupid episode fueled by cheap emotions and storytelling clichés and what’s even worse is it as much as tells us Tusk will save Ange from her fate next week because He’s The Man, Dog! Yay.

It scores extra points for Hilda’s mom throwing the cherished apple pie at Hilda but it loses as many for not thinking the details through. I mean, I can’t be the only one who wonders where Hilda’s dad is in all of this. EITHER Hilda’s dad, for that matter…

5_ogk

Cross Ange: Tenshi to Ryuu no Rondo – 08

ange81
Aw, sucks to be the only Norma who has to stay on duty…

I won’t lie…I was kind of dreading this episode. But it wasn’t nearly as bad as I thought it would be. In fact, it wasn’t that bad at all. But why don’t I let Ange herself give us a quick synopsis, speaking as the mascot “Perolina”:

It’s the long-awaited swimsuit episode, pero. But there were only a few slurpy scenes, pero. Running pigs, stinky outfits, and a great escape, pero! Do they really know what a swimsuit episode is, pero? You’re just making me make funny noises, aren’t you? Pero!

I love Ange’s little meta commentaries after the episodes. In addition to being funny, they prove the show has a cheeky sense of awareness that knows when it’s being exploitative and knows when to pull back on the fanservice throttle, for instance, and give us some meat and potatoes.

ange81a

Yes, even in Hell, there’s a day off for hope, fun, and happiness, if only one. I’m not averse to this concept; at some point, all the Norma in Arzenal will snap and go nuts and probably cause a great deal of damage…if not given some kind of release valve. Granted other valves already exist — from the marketplace to spend one’s earnings to tacitly permitting conjugation. But the Festa is a day long deep-scrub of all the crap that’s been built up. I daresay the ladies deserve it.

ange82

Ange mentioned a great escape, though. There are actually two that take place this week, and these events thankfully push the Festa into the background where it’s more than tolerable. The first is borne out of Ange’s totally understandable depression over the plight of her sister Sylvia. Initially she believes there’s nothing she can do, but an opportunity presents itself when Misty Rosenblum, whose family administrates Arzenal and who once played lacrosse with Ange a lifetime ago, arrives on the island to meet Ange.

ange83

Ange isn’t the only one not into the spirit of the Festa. Emma seems to resent giving these filthy barbaric Norma a day of sun and fun, and stays stubbornly in her duty uniform, as this isn’t her festa. I liked this little exchange while she was searching for Ange, because it underlines her disapproval with this whole exercise.

ange84

Ange, meanwhile, has shrewedly hidden herself within the Perolina suit, wanders off to the flight deck, scares off a couple of lovers, and broods in peace. Then she spots the Rosenblum crest on the transport ship and hatches a plan: she’ll take Misty hostage and force her to fly her off the island, so she can find Sylvia.

This is important for Ange not just because it’s her little sister, but because Ange blames herself for paralyzing Sylvia when she fell from a horse during a ride. When she though Sylvia was dead she was content to be Ange, but she’s not, so she has to try to save her.

But Ange wasn’t the first person to come up with this plan: Hilda, who has been just as sullen at the Festa, has been waiting for this day to escape.

ange5

Contrast that with Ersha, who suited up as Pero first and then gets a massage, or Salia, who avails herself of the cinema, pop culture aficionado that she is. And then there’s Chris and Roselie, who deal with Hilda avoiding them after they ‘betrayed’  her, in different ways.

Roselie washes her worries in gambling, but Chris decides to put everything into winning all the sporting events and a fat prize check so she can spend it with Roselie…and Hilda. It’s a great character beat for Chris, who we haven’t seen much of, but who genuinely cares about Hilda.

ange86

Speaking of cash, Ange leaves enough to cover the weapons she’s taking aboard the ship (which are guarded by a dog easily bribed by a tub full of cheeseburgers, the functional equivalent of diverting a pursuing dog with a string of wieners).

Ange and Misty arrive at the ship to find Hilda and Momoka already there, and that’s when Hilda suggests they team up, for a better chance of getting away. Ange grudgingly agrees when Hilda points out the arresting locks need to be unlocked to take off.

ange87

After a nifty, carefully-coordinated operation in which they wait until the noisy fireworks start, they get the transport moving. Now Hilda just needs to catch up with it and jump aboard…something Ange isn’t so sure she wants to allow after all.

ange88
“CURSE YOUR SUDDEN BUT INEVITABLE BETRAYAL!”

When Ange starts goading Momoka to take off without Hilda, something that doesn’t sit right with the still morally pure maid, Hilda forces the issue and makes a desperate leap onto the ramp, and we learn the truth about Hilda: everything she’s done, from becoming Zola’s plaything to befriending Roselie and Chris to planning this escape, she’s done to get back home to her mother. She’s going to get off this rock or die trying. At the last moment, Ange lends her an outstretched arm to prevent her from dying, and their alliance holds. And all this in flip-flops!

ange89

Once they reach land, they ditch Misty and the transport quickly, Hilda unearths her motorcycle, and then heads off on her own to the Enderant Union to find her mom, but not before an exchange of respectful looks and promises not to die. While they were bitter enemies at Arzenal, finally putting aside their differences led to their freedom. But how long will that freedom last?

7_brav

Cross Ange: Tenshi to Ryuu no Rondo – 07

ange71

From the beginning, Cross Ange has used difficult-to-watch, aggressive exploitation of skin that toes the line of outright adult content to make a point about racism and self-destruction. That skin-fueled message has (almost) always been the point though, and the creepiness has been relentless in forcing us to consider the very meaning of fan service, what it means and why we shouldn’t like it so much.

ange72

Not this week though. This week was just fan service, stretched like lovely skin over an empty plot about team building and waving away all of Ange’s enemies problems.

ange78

To sum up: Ange continues to defeat all the DRAGONs on her own, which means she’s ignoring orders and no one is making money. Team Hilda continue to try and shoot her down but are unsuccessful until Ange catches a cold.

ange77

Then the episode devolves into a cliché-fest where the Salia finally realizes no one has died since Ange came back and that Ange is really good for them, regardless of following orders. Then they go on a mission and immediately get their asses kicked, until sick Ange comes to save the day.

ange74

I would have a whole lot less against episode 7 if it wasn’t full of so much skin. (or ‘steam censorship’ equivalent to skin) There was just no point in having the girls fight in the bath nor have a nude bath party after the ‘we are all friends now’ battle. It was just skin and totally censored skin at that.

ange76

So I’m deeply frustrated at the moment. I’ve enjoyed Ange, and I don’t mind its graphic nature where and when it’s making a point but this makes two episodes that I’ve gotten to review that were utterly cliché, disposable exploitation bits without any value or creative point.

ange75

Sure, we get to know that Tusk is known by the prison’s command team and, during the credits, Ange’s sister some how gets a secret message to Ange that she needs help but so what? The only entertainment was finding out the captain is a cosplayer and Vivi is implied to be her lover…

5_ogk

Cross Ange: Tenshi to Ryuu no Rondo – 06

ange61

First of all, kudos to this episode for not bringing up anything about Tusk and his island…like, at all. Not that that episode was totally irredeemable, but it was pretty bad, and it was too soon to follow up on its events. This week was Cross Ange’s chance to show it could turn the page and move on, and to its credit, the show did just that.

ange62

With that out of the way…Momoka’s Here! It’s the ep’s title, and it’s what we get: Princess Angelise’s Top Maid. A girl who grew up alongside the princess as she served her. An inconvenient, awkward, painful manifestation of a life Ange thought was dead and buried. A reminder of how weak and dependent and vapid a girl she used to be. But these are also reasons why Momoka works, where Tusk didn’t.

ange63

Bringing Momoka to Arzenal was opening a can of worms, but I like how they use her mere presence and a short talk with Ange to finally feed us crumbs (though not too much) of what happened to the Misurugi empire: In short, after the Angelise fiasco, it fell. Not that it matters to Ange: she’s ordered by Command to take care of Momoka for the duration of her stay, and that’s all. On top of that, Ange resents Momoka for knowing she was a Norma all along and lying to her along with everyone else…and yet even if Momoka was as in the dark as Ange, the fact remains ignorance isn’t innocence.

ange64

Momoka’s presence also gives the Hilda Crew ammunition, which they immediately pounce upon wih relish. They know Momoka’s a sore spot and drive their heels into that spot, reminding Ange that everyone who’s shown her affection has ended up dead. They also imply that Momoka’s life is already forfeit due to her exposure to Arzenal, the DRAGON, and the use of Norma to fight them – all state secrets the powers at be will jealously protect. As cool an exterior as Ange maintains, the barbs are enough to throw off her aim.

ange65

How can they not? Momoka reopened Ange’s old wounds, but she doesn’t hate or blame Momoka half as much as she blames herself, for everything from bringing about the downfall of her family’s empire to getting Coco and Miranda killed. She rejects Momoka’s use of her full name and service and ridiculous room improvements and even roast quail because she feels she doesn’t deserve them. She’d worked so hard to find a groove in her new life of subjugation and death, and then Momoka went and complicated everything.

ange66

This, again, is something Momoka can plausibly do, where it was a bridge way too far last week with Tusk. And hey, we even get a bath scene with a practical purpose that serves the characters, a rare thing. I say practical, because the nudity and proximity reveals Momoka’s scar from a cut she got when she broke one of Angelise’s dolls long ago.

ange67

Rather than get angry about the doll, Angelise tears her dress to stop Momoka’s bleeding. Mana could easily repair a scar most may find ugly, but Momoka kept it. To her, it’s a symbol of Angelise’s kindness and compassion, as well of a mark that represents her service and devotion to the princess until death. Momoka thus shows us a side of Ange we weren’t sure existed until now; or at least a side we couldn’t quite see past her appalling racism in the first episode. Momoka believes her Angelise-sama isn’t dead, but lies just beneath the hard crust of life since her exile.

ange67a

And Momoka would be right. If one would apply that flashback to the present: Ange’s resentment, guilt, and desire to discard her past life, all of it, is the doll: it simply doesn’t matter compared to Momoka. We knew as soon as Emma got off the horn with “the Committee” that Momoka was a security threat that would not be allowed to leave the island alive. We also knew the episode would use our previous knowledge that it isn’t afraid to kill off characters to give the situation some weight. Jill and Emma even create the artifice of a “transport” coming to “take her home”, perhaps to soften the blow.

ange68

When Coco and Miranda were killed, it was because Ange was so green and freaked out of her gourd, there wasn’t much she could have done to save them, even if she hadn’t run. In this case, however, Ange has the means and the savvy over Arzenal’s system to save Momoka, so she makes it happen. She goes into battle, kills ALL the DRAGON, and uses her earnings to Buy Momoka, a transaction Jill permits, partially because even she probably feels bad about having to kill the innocent maid (Emma certainly does), and partially because Ange, the budding ace, finally understands how things work at Arzenal.

8_brav

Maid Observations:

  • I also wanted to mention that I appreciated how Momoka wasn’t some embarrassing, cliched bumbling fool. As a maid to the royal family, she’s naturally a highly competent all-rounder, whether it’s getting to Arzenal in one piece, defending herself with Mana, or spending Ange’s money on extravagances.
  • I must point out, however, that it was a bit silly for Momoka to show up in her Maid’s uniform, as well as continue to wear it throughout the episode. If you need to sneak on to a prison island, dressing down is probably the way to go.
  • It’s also my sincere hope that Momoka not only gets new, more practical clothes, but her role evolves from merely being Ange’s maid. I’m not saying she should jump in a cockpit, but like I said, she’s an all-rounder; surely there are several ways she can contribute moving forward.