Touma sets to work whipping Haruki into shape, making him practice 10 hours a day at her house until he can play “White Album” without any mistakes. When Setsuna and Takeya join them for a full band practice, they’re delighted by Haruki’s progress. They agree that the second song they’ll play will be an Ogata Rina number, which requires quite a bit of technical guitar playing, but Touma promises Haruki that he’ll can do it, even with just a week to practice. After showering at Touma’s house, Setsuna notices Haruki’s travel kit by the sink, proof he’s been spending the night there.
White Album continues on a safe, steady path, neither embarrassing itself nor knocking any socks off with its earnest, un-ironic storytelling. The more Haruki hangs out with Touma, the closer they seem to come together. With practically the entire school save Haruki not really knowing the true Touma, it’s not surprising that even Touma isn’t quite on the ball about her confidence; in fact, she doesn’t believe she has any talent at all, at least not compared to her famous mom. Like Haruki, she works incredibly hard to maintain her skill level, but when he masters that song, its as if she’d suddenly started to believe anything is possible, which wasn’t the case before.
Of course, Touma’s new-found closeness with Haruki presents a problem: Setsuna likes him too, and looks pained and betrayed when she sees his toothbrush in Touma’s bathroom. Even if in reality nothing’s going on, her mind is sure to race at the possibilities. The scene when Setsuna is flirting with Touma at lunch while his friends look on awkwardly is mirrored when she and Takaya watch Touma laughing at/with Haruki, showing how close they’ve gotten in so short a time. We can see why Touma chose not to bring in Setsuna until Haruki was good enough, but in doing so she may have inadvertently opened a rift in the new band – likely the first of many to come.
Rating: 6 (Good)