The Hidden Dungeon Only I Can Enter – 02 – Coasting Along in Easy Mode

Noir was accepted to Hero Academy, but the 300,000-rel tuition is too-steep for his baronet father, so he has to come up with the cash by himself. At no point did I doubt he’d be able to do so by the end of the episode. Olivia suggests he becomes an adventurer, so he registers with Odin, which just happens to be Olivia’s guild.

The receptionist Lola is skeptical of Noir’s claims, even going so far as to say she’ll lift her skirt up if he’s proven right by the Discerning Tome. Of course he’s proven right, and Lola is a woman of her word…but what a weird wager! It’s almost as if she knows she’s in an ecchi harem show.

Someone who’s known all along what kind of show this is is Emma, who soon joins Noir out in the field. He successfully catches a bunch of rainbow caterpillars to the tune of 250,000 rel, and his success seems to turn Lola on, resulting in a standoff between her and Emma. Are there, like, no other men?

Noir and Emma head back out into the field to defeat a giant evil rabbit to earn the remaining 50,000 rel he needs for tuition. Since this battle takes up the most time and seems the most hazardous, you’d think the rabbit quest would be worth 250,000 and the grasshopper quest 50,000. I guess it’s best just not to think…at all.

When Emma’s attacks prove ineffective, Noir decides to the skills Olivia gave him to increase her attributes, but Noir doesn’t feel like coughing up 700 LP, so he buffs her weapon adeptness instead to the tune of 500 LP. He gets more than enough LP to cover the magic with a slobbery ear-nibbling session with Emma. Her moans end up luring the rabbit to them, and she defeats it as easily as everything has fallen into Noir’s lap so far.

He gets the 300,000 rel he needs, he gets another hug from Lola and Emma (who make up after a rough start) and thanks to a skill he created that lets him store the dead rabbit in a trans-dimensional space, he ingratiates himself with the entire guild by offering it for a feast. When pressed for a speech, he thinks of how none of this would be possible without Olivia…only to not so much as mention her to the guild of which she was a member.

Looks like the easy times and make-out sessions are only going to continue from here. As I said last week, those looking for serious conflict, adversity, or any kind of surprises are barking up the wrong tree. This week I can add “receptionists unwilling to arbitrarily debase themselves” and “thrilling battle animation” to the growing list of stuff not in this anime.

Warlords of Sigrdrifa – 12 (Fin) – Sending Odin to Bed Without Supper

Looking our live Big Board, Assault Lily narrowly beats Sigrdrifa as the higher-rated of the two Top Cute Girls Doing Military Stuff shows I watched this Winter. Both shows had their flaws, and while combining the best bits of both into one show would result in a superior product, I won’t pretend either was groundbreaking or life-changing.

That said, Siggy has always been more interesting and consistent than Lily with its character work, and it also happens to deliver a more satisfying and beautifully animated finale. Our four Valkyries have never been closer or more comfortable in their own skins and cockpits, and once their sights were set on victory, their dad Odin never had a chance.

Odin’s heel turn was sudden, but actually made sense when you consider he was declaring war on a world that had forgotten him and everyone he ever loved. Odin gets the second Ragnarök he wanted, but he ends up on the losing side. Claudia may remember the words to the song of Valhalla, but she doesn’t sing it for him, or for the past.

She sings it for her friends and for herself, and this week we hear a new arrangement of the song with full orchestration that makes for some absolutely kick-ass final boss music, in addition to Claudy’s singing ending the interference and revealing the location of the Pillar’s core. She destroys Odin’s illusory ideal of the attentive daughter who will stay by his side forever.

Odin is lonely and miserable in this post-mythology era, and it’s no coincidence he’s taken the form of a small child. Letting his grief pour into the human world and wreak destruction is pure petulance; a divine temper tantrum from a petulant kid in desperate need of a time-out.

In one of the best-animated scenes of the series, Azuzu is the first to crash into his god cave. He’s able to overpower her and knock her gun out of her hand, but it was never the plan for him to shoot him, only to distract him until “her hero” Miyako arrived to cleave the Pillar’s core in two with her katana. This is after Miko had already splashed Thor with her Ultra Hero Cannon. She was busy this week!

With the core—sorry, the Vandrande destroyed, the Pillar disappears, giving the Takayama command crew an unmarred view of Fujiyama for the first time in a long while. Moe and Kurumi tow Sono (who awesomely jettisoned her floats to destroy a Dark Valkyrie), Azuzu gives Miko a lift in her Wing, and Claudia joins them in a loose formation as they head home victorious.

The battle wasn’t without cost, as the Shield Squadron sacrificed themselves to ensure Miko could take out Thor. The four Valks pay their respects after the eager younger Shield Squadron successors vow to carry on their legacy for being loud, somewhat inappropriate bros. Moe and Kurumi are subjected to Satomi’s toenail clipping (it’s been a while!) and then get an official tour from their four Valkyrie senpais.

The six young women then take flight once more, dedicated to taking out the last secondary and tertiary Pillars that still threaten humanity, but armed with the knowledge that they’ve prevailed over the worst of it. All’s well that ends well in a well-executed, action-packed, and thoroughly satisfying finale.

Rating: 4/5 Stars

Warlords of Sigrdrifa – 11 – Once More Unto the Breach

A haunting dream in a field with Odin transitions to Claudia waking in the morning with a gorgeous smash cut of her outstretched arm. Her eyes are full of tears, and then the camera jumps to each of the other Valkyries: Miko doing her morning dojo routine, Azu not being a morning person, and Sono watering her sunflowers as the sun that nourishes them rises like a beacon of hope for the day.

All this pure and lovely imagery is somewhat marred by some blatantly shameless fan service of the girls disrobing and changing into their flight outfits, but the mood is salvaged when the quartet proudly marches onto the tarmac, high-five their mechanics, jump into their cockpits and take flight for a parade sortie.

Like the Valkyries, the rookies, the old farts, Satomi and his CIC staff haven’t won anything yet, but they are intent on starting off the day as confident in victory as possible. For one thing, they trust in the cute genius that is Komagome Azuzu. For another, humanity is putting everything they’ve got left into this battle. This is their second shot at the Fuji Pillar, but there won’t be a third.

Odin is similarly smug in his woody god cave, sitting on his Yggdrasil La-Z-Boy while watching the battle unfold on his waterfall TV. Visiting Claudy again in a waking dream, he offers her and her alone a chance to come over to his side. She answers this offer by thrusting her katana into his throat, and he laments his beloved daughter’s foolishness.

Part of Azuzu’s strategy is to keep humanity’s most powerful weapon—the four of them—out of the fighting for as long as possible, saving them for when things get serious. Everything goes according to plan, with the rookies and fogies reaching beyond Point C before the Valkyries relieve them.

Despite the progress, and the fact his secondary pillars are being engaged all over Japan in a coordinated attack, Odin is unconcerned. He still has his wing of Zombie Valkyries and Thor and his hammer. The first hammer attack misses the base, but they can’t let it get off too many more if they want to come out of this alive.

Azuzu has been able to predict all of Odin’s moves thus far, which only inflates her ego further. Miko trusts “her Azu” from head to toe. Sono is embracing her tough side. Claudia has embraced the other three as her sisters and Tateyama as her home, and you can bet your ass she’ll fight with her last breath to protect those people and that place she’s come to love.

And while Sigrdrifa has broken our hearts a couple of times during its run, I highly doubt it will be so cruel as to withhold a victory for humanity. Especially in his gaudy new getup, Odin is a villain specially engineered to be brought low by the heroes and done in by his own smug arrogance.

Warlords of Sigrdrifa – 10 – Don’t Be a Memory Just Yet

Odin makes it official via hacked video feed at an international summit: he’s provided humanity with weapons to use, a motive to fight, and now enemies to fight. Now it’s up to them to resist their destruction. As far as he’s concerned, Ragnarök isn’t over—it’s still nigh.

Miko notes that Sono has seemingly become stronger following the loss of Yayoi, and also proposes they carry on with Tateyama’s summer festival in spite of the ongoing crisis. After all, if not now, when? Claudia accompanies Satomi on various PR gigs to shore up support for the next battle.

As for Azuzu, she’s extra-burdened by the weight on her shoulders, believing she’s the only one around her “smart” enough to comprehend that if they lose the next battle, it’s curtains for humanity. When Miko wakes her up and presents a yukata for the festival, Azu is furious: how can you think of festivals now?

She lashes out at Miko and runs off because she’s scared, and Miko knows it, so she runs around trying to locate her. Sono hides Azu, but maks it known that pretty much everyone agrees with Miko that this isn’t just an appropriate time to celebrate and make memories, but the only time. After the next battle, memories may be all remains of them.

After a brief chat with Claudia, who is as happy and at home in Takeyama as ever, Miko realizes where Azu has gone: the same vantage point where she used to gaze out at the sea when she first arrived. Azu is scared, and apologizes for being weak; Miko tells her she’s scared too, and tells her not to confuse being a crybaby with being weak.

The two lean closer, acknowledging that they may die very soon, but Miko assures her that if one of them dies, both of them will, leading to the most haunting lines of the series: “I’ll wake you in heaven for breakfast.” Now that they’ve made up, they join Claudy and Sono for the festival.

It’s a big success, as they and the townsfolk have a ton of fun doing standard festival stuff. Miko has Azu cram into her Hero Wing to apply the finishing touch: a fireworks display during the casting of water lanterns, meant to console the living as much as guide the dead.

Claudia takes it all in, as it confirms her feeling of home in this place where she one felt so out of place, and adds her song to Miko and Azu’s display, tearing up in the process. When Satomi and the head mechanic see her cry, that settles it: they, and everyone beneath them will do everything they can to protect those tears. The calm has now come and gone, and now it’s time for the decisive storm.

Warlords of Sigrdrifa – 09 – Don’t Be a Baby

In the opening moments of this episode, Sonoka gingerly approaches her Hero Wing as if it were a vicious wild animal about to strike, and finally collapses into a quivering heap from fear and anxiety. My breath was short just watching her, because I knew she really really shouldn’t get in that cockpit. Thankfully she doesn’t, and the guys take off in their modern fighters to join the battle, telling her they’ve got this.

The battle itself isn’t going well, as whatever Miko blows up, whether it’s the Tertiary Pillars or the Secondary’s core, regenerate almost immediately, rendering all their hard work moot. It’s like they’re caught in a time loop. And in Odin’s extradimensional “temple”, Claudia fights of the golems, one of their escorts is seriously injured, and Azusu realizes something and…freezes.

That injured soldier ends up sacrificing himself to buy the others time to flee, and Claudy has to slap Azusu to snap her out of her brain feedback loop. All that matters is that Azusu gets back to Tateyama with the knowledge she’s learned. Back at the base, the Pillars are approaching, but the pregnant civilian woman has already gone into labor.

The doctors tending her won’t abandon her, but try to think of a way to move her out of harm’s way. Sono witnesses these “ordinary heroes” and remembers her big sis Yayoi telling her to look in her charm if things get to be “too much”. Inside the charm, Sono finds a handwritten note with the words Yayoi said to her many times: “Don’t be a baby, idiot!”

Tough love to be sure, but Sono is able to laugh at the words, and recovers her nerve. I’m no psychiatrist, but I’m pretty sure this isn’t how PTSD works—there’s no cure for it in reality, though it can be successfully treated, managed, and minimized—but it works enough for Sono to confidently and heroically stride back into the hangar, hop into her Hero Wing, and join the battle.

Miko is elated to find Sono by her side (better late than never) since she’s almost out of ammo. Sono’s fully loaded, and helps plow the road so Miko can make the most of her remaining ordinance. The thousands of spinning gears around them have been a clue for how to defeat the Pillar all along: they are a clockwork that enable it to turn back time and repair itself.

Once some of the gears are jammed with Tertiary Pillars and Miko splashes the Secondary’s core, the whole intricate Rube Goldberg machine falls apart. The Pillar is destroyed, leaving a big ‘ol tree, and the 909th have their first victory in a long time, and it feels so good.

Claudy, Azuzu, and the surviving escorts make it out of Odinville and Claudy successfully closes the portal; Azuzu saves her from being pulled back in by one of the golems. The four Valkyries reunite to join the celebration of the new birth, which brings light to an otherwise dark and death-filled time.

Their celebrations don’t last long, as Azuzu presents imagery of the murals they found in Odin’s temple, which suggest that while they’ve seemingly been fighting to prevent Ragnarök, the fact Norse mythology doesn’t exist anymore suggests Ragnarök already happened. That means Odin has been lying to them at best. The episode ends with him in the temple, insisting “we have not yet fallen.”

Following a recap, this episode offered a welcome glimmer of hope for our four air maidens and their cause, but their patron god has yet to reveal his true intentions for them. I also can’t help but feel like things were resolved too neatly and easily, particularly Sono recovering from her PTSD enough to fly again…just from reading a note.

Warlords of Sigrdrifa – 08 – Valhalla’s Gate

We open with Miyako, Satomi, the Shield Squadron, and the maintenance crew breaking through a barrier to reach a secret stash of equipment with which to continue the fight. Twelve hours earlier at Shimofusa Base, Satomi tells the Valkyries about this stash, located under Mt. Nokogiri in case of dire need.

Once again Azu is both frustrated and smitten with Miko’s determination to keep fighting despite the increasingly desperate odds. As for poor Sono, her last sortie and the loss of her Big Sis has rendered her too traumatized and distraught to get out of bed, let alone climb into a cockpit.

Satomi takes Azu aside to have her listen to a recording of General Okita’s last moments, during which Odin refers to such odd terms as “Valhalla” and “Asgard”. Azu isn’t familiar, but their resident Norther European Valkyrie and Odin’s favorite just might. Claudy, meanwhile, visits Lizbet, who recovers quickly, something she attributes to the blessing of Odin enduring even if his body was destroyed in the attack.

The bottom falls out of Lizbet’s heart when she hears Lily is dead, but tells Claudy that Yayoi’s last message to her was that Odin is hiding something and Claudy holds the key. Sure enough, when Azu asks her about it, Claudy recites something Odin once said about “Valhalla’s Gate” always being open to her. Sure enough, such a gate appears right there in the corridor.

The question now is should they move forward with trying to retake Takeyama with the Nokogiri stash, or go through the gate and explore Valhalla. The answer is, Why Not Both? Miko, backed up by her devoted Shield Squadron, volunteers to take Takeyama back on their own, while Azu and three escorts will accompany Claudy through the gate.

Just as they walk through it and it closes behind them, Sono appears, on her feet for the first time. At the sight of Miko she bolts but Miko chases her down. Sono is worried that every time she sees someone off it’s bad luck, but Miko takes hold of her and tells her not to think such things, and that there are ways for Valkyries to help even if they can’t fly.

As Claudy and Azu explore a grand, ornate and otherworldly corridor and Miko and the Shields prepare to sortie, Sono aids the civilian evac by helping out at the outdoor canteen. There, she’s approached by the two young pilots (lower-class Valkyries I imagine) from last week, who thank her profusely for, well, their lives, which they’re certain they wouldn’t have if not for her heroics. They vow to become “strong like her”, even though Sono breaks down after they leave, asserting she’s “not strong at all”.

Despite pushing back against the praise and gratitude of those pilots, hopefully it nevertheless helps nudge Sono closer to again stepping into a cockpit. It’s probably not a great idea at this point, but it may be necessary very soon, judging from what happens to her comrades. First, Claudy touches some rotating runes and starts to sing, then a nasty-looking golem appears, poised to attack.

As for Miko, she and her Shield take out a number of tertiary Pillars on their way to Takeyama, but there are simply Too Many Of Them, and they eventually clump together and coalesce into a secondary Pillar that totally envelops Miko’s Hero Wing. She’d flying through an otherwordly plane consisting of giant gears and strange eddies.

When the Gjallarhorn sounds, indicating the Pillars are heading towards Shimofusa, Sono urges the evacuees to remain calm, but one civilian woman collapses, having suddenly gone into labor. While the others have uphill battles with uncertain outcomes, Sono will have to do her best to help deliver the woman’s child. In other words, everyone is officially too busy to grief.

Warlords of Sigrdrifa – 07 – Ragnarok Salt in the Wound

Programming Note: Our other Cute Girls Battling Things show, Assault Lily: Bouquet, took the week off, so its episode 07 will air next week.—Hannah

Warlords of Sigrdrifa is not fucking around with the drama.

As soon as we open on the battle in progress both within and without the Primary Pillar, it’s clear everyone is in over their heads, and this battle was far more desperate and last-ditch than I initially imagined. You can see the weight of all those kids’ lives on Satomi’s shoulders, while General Okita adopts a Shinji Gendo/Oigakkosan pose.

There are two things inside the Pillar their forces didn’t expect and aren’t quite equipped to deal with: the seemingly undead fallen Valkyries like Jinguugi and Sakura piloting black Hero Wings who are just as skilled as they were when alive but are now the damn enemy, and the gigantic Thor guy against whom bullets are useless and the Hero Cannon only makes him mad.

Amidst all the ensuing chaos, second-string pilots Kurumi and Moe (call ’em the Biggs and Wedge of this episode) end up drifting into the Pillar, where they have no business being. Not that it’s any safer outside, with Thor’s bellow calling every Secondary in Japan to Fuji. Okita orders a full retreat and evacuation, but Sonoka wants to help Kurumi and Moe like Claudia and the European Valkyries.

Yayoi tells her that’s the prerogative of a Named and she should obey the order to flee. Sono suspects Yayoi is going to leave her behind like she did before, but in doing so she almost proves why she shouldn’t even be in a cockpit in her present state, as she’s hit bad by one of the black Hero Wings, losing both one of her landing pontoons and consciousness.

Just as Okita tries to ask Odin about Thor (who says it’s “too soon” to answer), Thor fires up his mighty hammer Mjolnir, which fires a massive green beam of destruction that takes out most of the air base and command center, and any unfortunate souls who were in the line of fire.

Sonoka wakes up in a field hospital bed surrounded by her three comrades and Yayoi. Satomi also arrives with the three-girl operations team; they were able to evacuate before the beam destroyed Fuji’s control tower. Okita’s final order was for them to regroup at an auxiliary site. As for Odin, he’s “missing”…but something tells me while the humans consider this a total defeat, for him, everything went according to plan.

Then Yayoi asks for privacy with Sonoka, and tells her that there are still comrades left behind in the Pillar, and she’s going back in to rescue them. I fail to see how Satomi sanctioned such a clearly suicidal operation considering how few viable forces remain, but Yayoi is a Named, which apparently gives her free reign to sortie at her pleasure.

After kinda-sorta making up with Sonoka, she takes her locket containing the photo of their old unit, then gives Sono her Safe Flying Charm to hold on to, and promises to return, even if she’s shot down. Claudia, Azu and Miku join the rest of the remaining forces in rendering formal honors to send off Yayoi and her escort, who toast to good luck with a shot of Satomi’s good booze.

Then Yayoi heads into the hornet’s nest, and at that point I thought we wouldn’t learn their fate until next week at the earliest. Instead, we learn immediately: Yayoi doesn’t make it back, and neither do her escorts. Instead it’s just Lizbet who limps home in her barely-functioning Hero Wing. She gives Sono the locket back, saying it’s all she could bring back.

So four went in, and only one came back…another defeat. Strategically it could be a wash with one Named going in and one coming out, but Lizbet’s eye one bit; she may not be the same pilot anymore. So humans face an even more uphill battle, and there seems to be no end to Sonoka’s despair and suffering. She wasn’t in the right mind to fly earlier, she certainly isn’t now, but there may not be a choice. Whatever their next move, every last Valkyrie will be needed.

After that gut-wrenching ending and the solemn end credits, we’re treated to the usual goofy upbeat preview music and the return of the nearly-naked manly men. Talk about tonal whiplash! That aside, this was a wonderfully tense and dramatic outing that didn’t let any of the characters off easy. Will Yayoi end up keeping her promise of returning even if she’s shot down? Can the humans scrounge together some kind of win from these ruins? Whither Odin? Stay tuned…

Rating: 4/5 Stars

Warlords of Sigrdrifa – 06 – The Dead Are Coming

The Takeyama Four + Amatsuka Yayoi arrive at Iruma Air Base, the staging area for what is to be the decisive battle against the Fuji Primary Pillar. They are joined by Valkyries and elite Named from around the world, including Claudia’s former comrades Lizbet and Leyli. Lizbet pouts over the fact Claudy has found both peace and friends at her new posting, but that’s probably because she misses Claudy.

Among the Named present for the battle are the “Dancing Goddess” and the “Maid from Hell”. These are unassailably good nicknames for ace pilots, but the show is all too cognizant of the fact they’re all teenage girls and that is, regardless of their willingness to fight for the sake of humanity, bad and wrong. None of the adults seem comfortable or happy about having to rely on them.

Nevertheless, rely for them they must, and on Odin as well. At the end of this episode, I was left wondering Whose side is Odin even on? I’m left with the theory that He is only on His own side, and as much as he lauds his “daughters”, it’s clear they are disposable tools with which to execute his will—with varying degrees of success. They die; he keeps smirking.

I liked how it is established that Major General Okita has a unique and singular duty beyond simply bossing everyone below him around: it’s his job to rally the troops, be the Valkyries or their manly escort pilots. He gets the job done with a rousing speech with lots of call and response from those troops, but Odin just can’t let him get the last word in, taking over the stage at the end and infecting the occasion with his creepy inscrutability. It makes Yayoi click her tongue, and I can’t blame her.

Odin bestow his “blessing” all he wants, the fact is that blessing meant jack shit when it came to so many young Valkyries who are no longer around to fight his latest battle for him, like Jinguuji AKA Sakura, Yayoi and Sonoka’s former squad-mate. We also learn that in the same battle in which Jinguuji was KIA, Yayoi sabotaged Sonoka’s Hero Wing so she couldn’t fly.

This info helps us further understand the rift between Sono and Yayoi. It’s about more than just Yayoi screwing up on the field of battle two years ago. It was about her not even letting Sono take that field, despite her prodigal status.

Sonoka probably blames herself as much as Yayoi for the death of Sakura, but Yayoi was trying to answer the question of “How young is just too goddamn young to fight and die for the sake humanity?” She deemed Sonoka to be too young. She probably was. It was a question that needed to be explored. It still is!

The huge decisive battle I knew was coming only takes up the last seven or so minutes of the episode, but the establishment of the emotional stakes and character work that went into the previous seventeen minutes was well worth it. Watching cute girls in vintage planes kick some Pillar ass is fun, but is much more satisfying for having the stakes laid out in advance.

The Dancing Goddess is able to blast a hole in the dormant Pillar with a ten-ton bomb from her hulking Lancaster, which enables the other Valkyries to fly into the Pillar to find and destory its core. But instead they find themselves in a TARDIS-like trans-dimensional situation where there’s a lot more space within the Pillar that there should be.

Within that Pillar, the Valkyries find a graveyard of all those who died fighting the Pillar in the past. Back at the base, Odin ominously declares “The dead are coming.” Again I ask: Whose side is he on??? Because within the Pillar is his son (at least according to the mythology), Thor, a giant mecha-like final boss to be defeated.

But that’s not all…among the “dead” Odin warned about is Jinguuji, whose plane comes alongside Yayoi’s. Yayoi is thoroughly spooked. Sonoka is thoroughly spooked. Everyone is in uncharted territory. Just what the hell is going on in this Pillar, and why is Odin being such a creepy mysterious nonchalant jerk about everything? Warlords of Sigrdrifa has my full attention.

Rating: 4/5 Stars

Warlords of Sigrdrifa – 05 – Black Cod

After the Tateyama crew are introduced to Valkyrie Amatsuka “Big Sis” Yayoi and her Shield Squadron, they all bathe together (in an extremely indulgent but lavishly animated scene of fanservice) with the exception of Sonoka, who seems to have bad blood with Yayoi.

Amatsuka is typically assigned to where the fighting is heaviest, and this time that’s the Fuji Primary Pillar, due to be attacked shortly after it enters its dormant state. Tateyama is the stage for the decisive battle for Japan, and this week is the calm before the storm.

Claudia and Azu visit Odin, who is a picture of confidence as he beats Azu in a Street Fighter II-like video game featuring pilots from the show. He admits that Claudia was also transferred here in preparation for the big Primary Pillar fight, since she’s a Named, and Japan lost theirs (Ortlinde). He also tells Azu that while her mind is a “gem”, she’s “mediocre” as a Valkyrie. I wouldn’t be surprised if Azu remains a Valk nevertheless due to Miko.

The next day, the five Valkyries have a meal at a popular spot; the last big meal they’ll have before the coming battle. Miko intends to mend fences between Yayoi and Sonoka, but it doesn’t go well. Yayoi also teases Azu by pretending to claim Miko as a wife. As for Claudia, she blindly orders a black cod, but is able to resolutely power through the gigantic fatty fish, impressing Yayoi.

Sonoka seeks refuge in the commander’s office, and we see that on his desk is the previous Tateyama squadron, composed of her, Yayoi, Ortlinde, and a redhead I can’t place. Obviously something went down, and Sonoka blames Yayoi for it. As for the commander, like the other adults he simply wallows in despair for having to deploy such young kids to fight the Pillars.

Later that night, everyone assembles in the control tower to see if the Primary Pillar goes dormant, which it does right on time. That said, as soon as they attack it, it will wake up and start fighting back. They’ll have a slight window of surprise when it will be defenseless, so they’ll have to hit it with all they’ve got. I for one can’t help but be worried about any one of the Valkyries—the death flag-wreathed Miko in particular.

The Day I Became a God – 03 – Shouting for the Future of Ramen

Youta’s little sister Sora has a strong sense of justice, since she feels obligated to help her senpai (and film club alumnus) Jinguuji Hikari out at her struggling ramen restaurant. Sora ended up getting chased by an unscrupulous debt collector, but her family and Hina won’t let her fight this fight alone. And by that, they all agree Youta should help her out.

Hina is supremely confident in her plan from the start, almost as if she knows how it will turn out—which I guess she does, seeing as how she’s a god and all. But it requires more strenuous work from Youta, who poses as a babyfaced 40-year-old “revitalization contractor” who promises to turn Hikari’s business around in a week—for the low price of ¥300!

Following Hina’s instructions to the letter, Youta practices tough love as he picks apart all of the flaws in Hikari’s menu and business model, and gets her to reformulate her ramen and develop a cold noodle substitute. He does this while shouting quite a bit, as if to shake the lovely Hikari from complacency.

Youta’s seiyu Hanae Natsuki is up to the task of strict taskmaster, and his detailed explanations for the changes Hikari is making—even changing the name from “Heavanward Ramen” to “Fallen Angel”—are delivered with hilarious conviction and intensity.

With the restaurant now serving food that’s tasty and cheaper to make, Hina’s next phase involves Youta the “40-year-old contractor” doing an interview for TV in order to create media buzz. The resulting segment is extremely well-produced, with Youta not just sitting in a chair between two ferns but in thematically-appropriate settings.

Like the film spoofs last week, Kamisama ni Natta Hi knows when to let its hair down and get silly, but here gets silly with such a stern straight face it accentuates the absurdity of, say, Youta’s claim to have worn the same one suit for ten years, even during his climb up Mt. Everest!

In an interesting segue, we meet a new character while he’s watching Youta’s interview in the back of a car. His fingers are bound and he’s being driven by a MiB handler, and we learn why when a mom calls out for her lost child: he’s some kind of master hacker who uses computer gloves to create a Minority Report-style floating 3D interface wherever he happens to be.

The silver-haired (and silver-tongued) lad quickly locates the lost daughter and reunites her with her mom, after which his handler re-locks his hands and return to the car. How exactly this hacker kid will connect with Youta and Hina, we’re left to speculate.

Meanwhile, Hina’s plan is a huge success, as there’s a line going outside Fallen Angel for its grand re-opening. That only leaves one more matter her plan must account for: the predatory lender. When he arrives to throw his weight around, Hina has Youta fight him.

While this would normally be impossible, as Youta is far more into basketball than martial arts, Hina laid out a sequential series of steps on the floor for Youta to follow so he’s able to dodge the low-level gangster’s punches and land a couple of his own, hastening the tough’s retreat.

With Hikari’s family business saved and the threat of the loan shark neutralized, Youta comes clean about being Sora’s brother, not uncle, and having never won a baby-face contest (as, he hilariously puts it, such contests don’t exist).

Hikari admits she already knew he was putting on an act (thanks to her film club experience) but adds that his efforts were real, as were their effect the restaurant. Youta, in turn, urges her to direct all praise to Hina. He’s not sure if she’s really a god, but is she isn’t that was a lot of coincidences, right down to his fight!

The episode closes with our learning the hacker’s name—Suzuki—as he’s been conscripted to find dirt on a preeminent quantum physicist and computer scientist. Could that be the guy who causes the end of the world, which is now in just seventeen days? We shall see. Until then, this was a fun “project” episode that gave Youta another chance to demonstrate he’s an uncommonly capable lad when following a divine plan.

Rating: 4/5 Stars

The Day I Became a God – 02 – The Skies, the Sun, the Earth, and Time

“Odin”, AKA Hina, makes herself at home at Youta’s, and to his shock neither his mom nor dad have a problem with her staying as long as she likes, both of them insisting she’s a relative without evidence we’re aware of.

Could the fact the Narukami’s all have god-like names be a hint that they’re related to gods? Whatever the case, her interactions with Youta, his parents, and his little sister Sora are wonderfully animated by P.A. Works and performed by Ayane Sakura.

Youta elaborates on his long relationship with Izanami, who became extremely introverted after her mother died young. Once preoccupied with basketball, Youta committed to spending more time with her, and that’s when he realized he loved her—and really had always loved her.

Barring a plan to save the world, Hina comes up with a fresh plan to help Youta win Izanami’s heart and help Sora with her film project. After the baseball fiasco Youta is reluctant to participate, but when beloved little sister asks if he’ll help with her project he immediately agrees.

What results are three wonderfully blatant rip-offs of Armageddon, Rocky, and Edward Scissorhands. Hina’s scripts don’t just open Sora up to unwanted legal action, but the dialogue is written in a David Mamet-esque scattershot rhythm that saps any emotional resonance the scenes had in the movies they’re aping.

Nevertheless, Izanami is surprisingly game, though her movie dialogue seems sprinkled with lines that are actually her own words, like “Doesn’t your father have work?” I found these scenes, and both Youta’s and Izanami’s commentary, hilarious, Sora is licking her chops at the footage she’s amassed.

However, the project utterly fails to move the needle for Youta vis-a-vis Izanami, so Hina comes up with something knew. And again, Youta learns he doesn’t know Izanami as well as he should, as Hina tells him Izanami’s dream is to be a musical director for movies. She ends up writing a moving piece of music that Youta intensely practices at the music store over a period of days.

Youta asks if he can come to Izanami’s house to play it for her, and she seems genuinely intrigued. When he can’t quite get the tempo right, she sits beside him and plays it perfectly, revealing to him just how lovely a piece it is. More importantly, Izanami really seems to come alive, wearing a placid smile as she plays it.

When the time comes to again tell her how he feels, Youta isn’t able to do so, but he at least buys himself another opportunity down the road when she agrees the two of them should study more. I kinda wish he’d actually told her his feelings, so that if she rejected him again he could at least find out why—even if it’s as simple as “I don’t like you that way.”

That night Hina castigates Youta for choking, but just as his father is asking where Sora is and expresses his worry, his mom drops and shatters a plate, increasing the unease. Then Sora’s classmate shows up at the door with a bruised and barely conscious Sora. What could be afoot here, and with twenty-four days before the End of Evangelion?

Rating: 4/5 Stars

Warlords of Sigrdrifa – 03 – The Secret to Strength

Move over Claudia—Miyako has quickly risen to my favorite of the four Tateyama Valkyries, and it really isn’t much of a contest. Early in the morning, after a vision-like meeting with Odin during which he warns Claudia not to get her new friends killed (what a dick), Claudia meets up with Miko, as they’re the only two who use the dojo.

Claudia used it because her father lived in Japan and imparted a lot of its culture into her upbringing, while Miyako grew up in a dojo. It was a stern and structured childhood, and her mom told her “she’s cute, but dumb, so learn housework”. Miyako took that to heart, and can now cook breakfast for the entire base.

But it’s more than cooking for Miyako, as we’ve seen in past episodes and reinforced this week. She’s basically both wife and mother to Azuzu, who doesn’t function well outside the cockpit (or in the morning). Of course, Miko doesn’t mind taking care of her, while Azu tries not to take it for granted.

After breakfast, the sleepy commander (a lot of people are yawning around the base) issues Claudia, Miko and Sono a special mission: a “Disaster Recovery Assessment” of Umihotaru, the shopping and entertainment isle they successfully defended last week. Miko is initially hesitant to agree to go, but when Azu (staying behind for maintenance meetings) reassures her, she’s in.

The “assessment” that follows is totally unlike the official military operation Claudia expected. Instead, the three girls (with three very happy and lucky escorts from among the guys) have was amounts to a day full of fun and diversion. They hit up the arcades. No one lets them pay for anything, because the Valkyries are their idols and saviors.

When Claudia finally asks when the actual assessment will happen, Miko tells her, simply, they’re doing it. It’s enough for them to avail themselves of Umihotaru’s facilities and witness all of the people happy and smiling. Miko runs out into the middle of a crowd to yell out “How’s everyone doing?” and sure enough, everyone’s super.

On the way home, the girls stop for ice cream, but Miko gets a call from Azu and immediately returns to base on the back of a motorcycle. When Claudia and Sono catch up, Claudia learns why Miko had to go so suddenly, why she was weary of going on the trip at all, and why everyone is so sleepy. Turns out a member of the recon team is in critical condition and near death.

Miyako takes her additional Valkyrie role of sending off soldiers as seriously as Azu scornfully shirks that duty entirely. It’s clear this is not the first soldier she’s been with when they die, nor will it be the last, but no one will ever tell her it’s stupid or a superstition.

If, as Azu says, only “idiots” do it, then Claudia would rather be an idiot too, joining Miko for the solemn task, and aiding the soldier’s passing by singing a soulful song. It’s a beautiful, heartbreaking, poignant scene I didn’t think this show had in it, but I was mistaken.

A few hours later, Miyako is back in the dojo training vigorously, tears mixing with her sweat as she goes through her practiced combat motions. Claudia, who arrives in time to train with Miko, doesn’t feel worthy. After watching the soldier pass away and thinking of Odin’s words and all the others who died while she piloted her plane, Claudia is feeling weak and ashamed what she feels to be an unearned reputation for strength.

When Miko finds her outside, Clau asks her, “How are you so strong?” To her surprise, Miko answers that she doesn’t think she’s strong at all. Claudia isn’t alone in never thinking she’s doing enough, that everything she doesn’t do will hurt others. But Miko adds, if Clau insists she’s strong, she’ll let her in on the secret to that strength: Don’t be a picky eater! So Claudia tries the sashimi for breakfast, and finds it delicious.

That Miyako is always trying to keep everyone smiling and positive, whether they’re going through the daily grind, in the heat of battle, or on death’s door. Her generosity and emotional intelligence is unmatched among the characters of Sigrdrifa, which when paired with Odin’s warning of something big on the horizon gives me terrible pause. Could this episode have been one big Miyako Death Flag? I sure hope not.

Rating: 4/5 Stars

The Day I Became a God – 01 (First Impressions) – O Ye of Chibi Faith

From Maeda Jun and Key (Air, Clannad, Angel Beats!, Charlotte) comes a new show with a wonderfully simple premise. Ordinary high school senior Narukami Youta encounters a little girl in nun cosplay claiming to be a god, Odin specifically. She doesn’t explain why she’s approached Youta, just that she has, and that the world will end in 30 days.

Their dynamic is pretty predictable, and your mileage may vary on its level of irritating, but Youta is understandably skeptical of this kid with apparent Chuuniboyou, and his attempts to treat her like a kid are met with shrill tantrums. It works for me, and Ayane Sakura and Hanae Natsuki have good comic timing and chemistry. Then you have Youta’s childhood friend and unrequited love, Mikasa Ack–err, Izanami.

“Odin” hacks away at Youta’s doubting bit by bit, first by predicting rain, then a bus getting stuck in traffic, and finally the entire order of a horse race on TV. Youta removes her from the ramen stand and demands an explanation, but he’s already given him one: she’s an omniscient god.

Now that she’s with him, he has the power of the gods. When asked for his wish, Izanami’s heart comes to mind. Odin can’t make her fall for him, but she can help him to become someone she will fall for.

They start with her love of baseball, with Youta challenging the entire team to a one-out game. Odin correctly predicts every pitch but he strikes out looking since she was unaware you only get three strikes. When he approaches Izanami, who was watching, and asks her out with a dramatically gorgeous and romantic backdrop…she rejects him.

Youta remains in a heap as the sun sets, and Odin eventually says they should be heading home. When Youta declares his parents would never take her in, she has him call them, and his mother swiftly approves once he says she’s an grade schooler in a nun outfit. Does his mom know something he doesn’t?

All of Odin’s predictions indicate she’ll also be correct about the end of the world in 30 days. Maeda Jun’s works usually make you laugh at first and then cry a lot later, so the world’s end may be unavoidable. Perhaps the goal is not about preventing the apocalypse, but Youta simply living the last thirty days to the fullest, with the help and power of a god by his side. We shall see!