Assault Lily: Bouquet – 12 (Fin) – Wrapped Up in You

Whatever Yuyu’s tortured emotional state prior to retrieving her late Schutzengel’s CHARM from Moyu’s lab, it’s all cleared up by the time she joins Riri in the battle against the mega-Huge. She uses Lunatic Trancer in a focused, controlled way, beating back the Huge’s sword-like appendages and helping Riri buy time for the other Lilies.

Riri crosses swords with Yuyu, and her Charisma skill seemingly binds with Misuzu’s within the Dainsleif to neutralize not only Yuyu’s Lunatic Tracer, but the damping field keeping everyone from using Magie. That allows the rest of the Hitotsuyanagi Legion to execute the Neunwelt Tactic. Not only do Yuyu and Riri’s seven legion-mates pass the Magie sphere amongst themselves, but pass it to each and every Lily in the Yurigaoka student body

Riri and Yuyu gladly accept that sphere and add their own Magie to it, resulting in a coup-de-grace that bisects the Huge and utterly destroys it. There are no Lily casualties, and there’s an unintended result to the collateral damage from the Huge explosion: the baths are now al fresco. The Lilies’ post-battle bath is also the first in which Yuyu joins Riri, much to the chagrin of Kaede.

But there’s one more battle to be fought: the ultra-class Huge lurking in the currently dormant nest. Moyu and the director determine that Riri and her highly advanced Charisma ability is the only one who can destroy the boss, but allow her to make the choice. Obviously, Riri accepts the mission, and Yuyu will accompany and protect her. The two are airdropped via V-22 Osprey into what looks like a hurricane’s eye, their descent slowed by a charming parasol.

I figured there’d be a little more mind wrestling among Yuyu, Misuzu, and Riri, but in a surprising twist we neither see nor hear Misuzu this week, and Yuyu is simply fine now, thanks to Riri. They descend down to the ocean floor and together they thrust Misuzu’s Dainsleif into the Huge.

This injects it with “bug” code courtesy of Moyu, and the Huge is obliterated without a fight. Riri pulls on Yuyu’s tie, which generates a spherical floatation device. Riri briefly loses consciousness and meets Yuri in a dream, who says a proper goodbye and promises she’ll get her and Yuyu home safe.

Riri wakes up to find she and Yuyu are inside the bubble in their skivvies. They wash up on the shore, and Kaede bursts the bubble and is mortified by the “lascivious” scene. Their Legion, along with Alfhiem and many other Lilies welcome the conquering heroines home. A photo of the scantily clad couple makes it in the paper, along with the news that Moyu and Gropi finally became Schutzengel and Schild—which is staged like a wedding.

Then everyone gathers under the old tree for a well-deserved nap. This finale wasn’t all that concerned with delving back into Yuyu’s complex relationship with Misuzu or the larger ramifications of synthetic Lilies or even the role of Lilies in a post-Huge era. Instead, it gave us one last slick battle, a final boss fight that’s more of a formality, and a return to the carefree life of leisure and fellowship the Lilies enjoyed when not dealing with crises. It’s a perfectly serviceable ending.

Assault Lily: Bouquet – 11 – A Drop of Morning Dew

Apprently, there is no separating Yuyu from Misuzu. Wracked by grief and guilt in the third and sixth episodes, Yuyu went on rampages and Riri was able to calm her, probably by using her Rare Skill Charisma. But that seems to have only been a temporary fix, as some lingering version of Misuzu continues to haunt and influence her.

As Riri’s Legion decides to throw a “ramune party” for Riri, Moyu reports the findings of her research, which suggest that not only did Misuzu possess the Rare Skill Charisma (like Riri), but that Charisma has influenced the Huge and caused them to evolve.

Moyu, an old friend of Yuyu’s, isn’t able to get much of anything useful out of Yuyu, as the Misuzu in her head seemingly tightens her hold on her, making her less useful and responsive. Moyu knows something is wrong, but unless Yuyu says something, she cant help.

Instead, Yuyu keeps returning to her past with Misuzu, who comes off like a young Anakin Skywalker, slowly being consumed by the fear and anger her powers are creating, and thus talking about things she wouldn’t say to anyone else. Young Yuyu is so glad to be loved, she doesn’t seem to realize Misuzu is serious about wanting to be killed if she “goes too far”.

When Riri tries to bring Yuyu back into the here or now, she’s unsuccessful; Yuyu’s simmering pain and the influence of the Misuzu in her head are too overwhelming to bother with Riri or parties. Misuzu wonders if it’s Yuyu with the Charisma. Just then, three bright lines streak up into the sky from the Huge Nest.

Those three objects eventually land, creating craters and forcing the evacuation of the academy. The three objects become active and combine their Magie into a single object. Even the Acting Chairman seems unsure if they’re going to be able to get out of this one. All of the Lilies discover their CHARMs have no Magie; the objects created some kind of dampening field. Only Riri’s CHARM works, and she heads off to find Yuyu.

Yuyu, who has all but Gone Bye-Bye, reliving a disturbing memory of Misuzu comparing her to a drop of morning dew. Misuzu is fighting with every fiber of her being not to destroy Yuyu like she did that beautiful but ephemeral drop…to hold back “wicked feelings.” Very Dark Side-y. It’s confirmed when the developing Huge flashes the same Rune Misuzu flashes when she uses Charisma to silence Yuyu in the flashback.

It’s clear Misuzu controls Yuyu still, as Yuyu tries to enter Lunatic Tracer mode to attack the developing Huge. When Riri arrives to try to take her out of harm’s way, Yuyu accuses her of trying to control her like Misuzu did. Riri, noting Yuyu’s CHARM has no Magie, she smacks it out of her hands, ruining it in the process.

Riri assures Yuyu that the Misuzu she’s seeing and interacting with isn’t the “real” Misuzu…but how can she know that? She then heads off, again, on her own…again. How did that work out for Yuri, again? The rest of the Legion may be all but powerless, but they’re still united in their desire to help Riri…somehow.

As for Riri, she comes face to face with the biggest, meanest, most advanced Huge yet; a Huge whose evolution has seemingly been sped along to near-perfection by Misuzu. Back in the dorm, Yuyu calms herself enough to remember there’s a CHARM she can use: the Dainsleif in the research lab. Sure enough, its Magie is still active. But will Yuyu use it to help Riri fight the Huge, or will she simply fight Riri?

Assault Lily gets super dark this week, building on a lot of bandied-about ideas about the similarities between the Lilies and their Nemeses the Huge. But I can’t help but feel like we’re treading on worn ground with Yuyu and Misuzu. I like all the dark new revelations that surfaced this week, but Yuyu’s previous struggles lend these events an air of repetitiveness.

The Yuri arc, on which considerable time was spent, doesn’t seem to offer much to all of this, or at least the show isn’t making a potential connection clear, other than possibly Misuzu chose to be a Huge while Yuri chose to be a Lily. I almost wish the Yuri story had been excised in favor of more development of Yuyu and others.

Assault Lily: Bouquet – 10 – Four-Leaf Clover

The big question going into this week was “What Now?” Would Riri and her Legion try to find a way to bring Yuri back, or would she accept and process her loss? This is answered pretty quickly: Yuri is gone, and she’s not coming back. As a formality, Riri is serving a week in solitary confinement.

Even her Schutzengel Yuyu can only visit her for ten minutes. It’s clear Riri’s building a hard shell in which to put all of her regret and sadness, and Yuyu wants to do something about it. So she asks the rest of the Legion to help her look for her missing four-leaf clover hairpin, which she lost in the battle.

They all think of ways their perception-based rare skills can be combined and experiment over the next six days, but without success. They mostly end up exhausting themselves and requiring long soothing baths to recover, but no one wants to give up.

During one of those bath sessions, other Lilies learn what Riri’s Legion is up to, and they want to help contribute if they can. Meanwhile, Kaede seems busy using the crafts workshop to create a new four-leaf clover for Riri.

On the seventh and final day before Riri is released, Yuyu and her Legion are shocked to find virtually the entire school has come out to the beach so they can all combine their magie into one massive ultra-precise search net.

It works: the location of the pin is determined, and Kaede rides on Thi Mai’s back and they race out to the open water to recover the pin…at the cost of getting very cold and wet and needing to sit by a fire afterwards.

When Riri emerges from her cell, she’s surprised to find not just her Legion members, but all of the other Lilies who helped out and were concerned about her. Kaede presents the four-leaf clover she made, and Riri recognizes it as a fake, as hers always had a crack in one leaf.

Kaede owns up to having found the genuine article early in their weeklong search, but it was so badly damaged she feared presenting it to Riri would do the opposite of cheer her up, so she spent long nights crafting a new one from scratch.

Kaede is contrite for duping everyone, but Riri gives her a big hug, thankful for her and everyone else’s efforts on her behalf. Then, despite being happy, tears start to fall, and before long she’s bawling her eyes out. Yuyu is glad she’s letting it all out; its a catharsis Riri’s imprisonment had unnaturally delayed.

Now that she’s free, Riri can finally visit Yuri’s grave and pay her respects, and the subject of Yuyu’s Schutzengel Kawazoe Misuzu comes up, with regard to how Yuyu managed to get over her death. Yuyu says it simply takes time and the acceptance that the past can’t be changed. Then the “ghost” of Misuzu appears and speaks to Yuyu (Riri can’t see her).

This is an odd coincidence, because a CHARM has been recovered from inside a Huge five months ago, and Moyu determines that its owner was…Kawazoe Misuzu. Is the ghost just in Yuyu’s head, or is it a product of Mizusu’s CHARM somehow “influencing” the Huge?

The Day I Became a God – 08 – The Temporary Luster of a Miracle

Hina cries as she dreams of her late, beloved grandfather once again, but the next day—only the fifth left in the whole world—she’s her usual cheerful self as Sora shoots footage for the “making of” movie. Watching Hina interact with the others, he can’t help but want to know more about her.

If the world is to end as she says, he feels they’d be parting far too soon for his taste. So he asks his parents, and they’re refreshingly open with him. Hina isn’t a relation, but the granddaughter of a teacher and mentor to both of them. Her mother passed away, her father abandoned her, so gramps is all she had.

When he died, he made sure arrangements were made, dressing her up in conspicuous clothes so Youta’s parents would know it was her. They gladly took their mentor’s granddaughter in, but it’s up to Hina—and Youta—how long her stay lasts. It’s interesting to note that at no point do Youta’s parents mention the countdown to the end of the world.

The next day, Hina is ready for video games when Youta tells her he wants to find her real father. Hina is not nearly as enthusiastic about this, but if Youta thinks it will help him learn more about her, she’s game, and helps him locate his current residence. It just happens to be by the ocean, which Hina has never seen, so there’s a built-in incentive for her to come.

Youta comments that it almost feels like they’re eloping, but for the bento boxes his mom prepared for them. After a train ride, a bus ride, and a bit of a walk, they finally arrive at what looks like a dream house. Hina’s father guardedly welcomes them in. For a moment Youta believes neither her dad nor his wife can see Hina, but she merely requested a different kind of tea.

In truth they can see her just fine; they just have no idea the girl with lilac hair in nun cosplay is Hina. When Youta clarifies that it is indeed her, her father reacts as if he’s seen a ghost, while his wife drops her royal milk tea and completely loses it.

Hina’s dad moves their conversation to the beach and has Hina play with the family dog while he explains his shock to Youta. You see, he only knew Hina until age 7. All her life to that point, she suffered from the hereditary condition known as Logos Syndrome, which negatively affected both the brain and the muscles.

The last time he saw her she could barely stand or speak. As he tries to sort through his swirling emotions, part of him feels he should be angry, telling Youta how cruel it is to show him a healthy, happy Hina he had, to be perfectly frank, left for dead, and replaced with a new wife and kids. When Youta asks if there’s any way the father and Hina can reunite, he says it’s impossible.

Hina’s father already cut that bond, and every time an increasingly agitated Youta tries to take him to task for that—Your daughter is right there!, and such—he responds with “You’re young; you wouldn’t understand.” Youta admits he doesn’t, but Hina’s father says the time will come when he will. There is no cure or treatment for Logos, and he considers the luster of the miracle of a healthy Hina to be fleeting.

Hina has nothing to say to her biological father, so she and Youta take their leave. On the bus to the hotel where they’ll spend the night before returning home, Youta wonders what the point of the trip was. He’s pretty sure he would have preferred to remain ignorant of the existence of Hina’s father, just as he probably would have preferred not to know Hina still lived.

As for Hina, she’s her usual joyous, laughing self, playing with her food then getting excited about vintage Space Invaders in the rec room. When she notes Youta’s constant glum expression, she reminds him the world is about to end, which should be cause not to panic or despair, but to not worry about what one cannot control.

Youta has come to love Hina, as I have, but it sure looks like she’ll be a goner in four days. The rest of the world won’t end; Hina’s father and his happy family, Youta, Sora, their parents, Ashura, Kyouko, Kakou…they’ll all live on. Only Hina, who “became a god” 335 days ago, won’t be around in four more. But like Youta, I don’t want that, and I don’t want to believe her father.

Perhaps whatever treatment her grandfather administered allowed her to live for 339 days and no more. Or maybe Youta, possibly aided by Suzuki (who visits Hina’s dad that same night) and others, could end up saving her, delaying the end of her world indefinitely. One can hope…

Princess Connect! Re:Dive – 09 – Gettin’ Fishy With It

When Kokkoro wins a raffle for a beach tip, the Gourmet Guild don their tropical best and head out to the surf and sands. Kokkoro is particularly nervous about how cute she looks in her swimsuit, but a thumbs-up from Yuuki allays her fears. Peco also reveals that her armor gives her extensive attribute boosts at the cost of becoming hungrier more easily. Among friends it’s no big deal, but it’s also vital intel Karyl may feel she has to pass on to her master.

This is a beach episode that doesn’t really subvert any expectations; suffice it to say there’s no shortage of stylish swimwear and skin, and everyone looks great. Its middle section is essentially the first episode of Food Wars’ now-postponed fifth season: a battle of seaside food stands. Saren and Suzume run a stand that’s deserted due to their rivals the Mercurius Foundation, led by Akito, Saren’s childhood friend. Her underling Tamaki has devised a taiyaki that’s irresistible to the beach crowds.

Thus the Gourmet Guild actually have a quest that fits with their mission: to seek out, explore, and create new tastes. This starts by gathering as much fresh seafood as they can, but Peco’s “ice sushi” isn’t going to cut it. At the same time, another member of Mercurius, Yukari, gets depressed about all the lovey-dovey couples around and hits the bottle hard. Tamaki tosses her into a section of beach where a kraken was sighted, and it’s ultimately up to the Gourmet Guild to vanquish the monster and rescue the loaded Yukari.

Peco proves more than capable of handling the beast even without her armor. The defeated kraken is split up and grilled, become Saren’s hot new specialty dish that restores the balance between food stands. Saren and Akito share a moment of mutual respect and admiration, with Saren thanking her old friend for offering her a job, but preferring theirs to be a dynamic of equals.

To reward her comrades for a job well done, Karyl (clearly putting her darker mission out of her head) casts an underwater breathing spell on everyone, and they take a plunge beneath the waves. There, Kokkoro has an almost spiritual experience, remembering the vast expanses of the universe she used to daydream about, and now finding that real life can be just as exciting and rewarding.

It’s a surprisingly poignant (not to mention beautiful) closing scene that bumps this episode from a 7 to an 8 in my books, and further cements PriConne as the feel-good comfort food show of the Spring. It also makes any possible future betrayal by Karyl that much more heartbreaking.

Fruits Basket – 33 (S2 08) – Quiet Voices

In summoning the Zodiac members to the annex, Akito intends to gradually isolate Tooru, the “Ugly Girl” with whom Akito locked is in a one-sided competition. Tooru isn’t trying to take anyone from him, just get along and help out with their problems if she can.

Of course, simply by existing and being kind-hearted and caring, Tooru is an affront to Akito’s authority as “god” of the Zodiac. The members and their souls are Akito’s property. To put it crudely, Tooru is fuckin’ with Akito’s shit, and he will only tolerate it so far.

All we know is, none of the Zodiac members dare oppose Akito…except for Yuki, who thanks to Tooru has developed a more rigid spine and thicker skin. Tooru is worried about what Yuki said to her on the beach, especially the part spoken in such a “quiet voice” she couldn’t hear it even when she strained to do so.

The next day Yuki apologizes for making her worry, but won’t apologize for the kiss. In exchange, he’s fine with her forgetting everything he said, but she won’t. What was said (what she heard anyway) was important, after all.

Kyou is a little different in that he’s no so much in open rebellion against Akito as simply not worth his time or trouble, being the Cat and all. It’s because of this Akito doesn’t summon him, allowing him to continue hanging out with Tooru. What Akito doesn’t realize (at least until witnessing the two having fun on the beach) is that as long as Tooru has Kyou, she won’t be lonely and miserable, which is what Akito wants.

Previously, Akito assumed Kyou was a monster who even Tooru couldn’t have fun with, but he is ignorant to just how much growth Kyou has gone through. Rather than be tight-lipped about his rosary, for instance, Kyou tells Tooru how it’s made of bone and blood of “some great monk”, making it a constant reminder that someone was sacrificed so that his true form could be controlled. Just telling Tooru this, and letting her comfort him, is immense growth.

Meanwhile, someone who is clearly not only an emotional prisoner of Akito but of her own emotional complexes is Isuzu AKA Rin, whom Tooru finally meets by chance while chasing down a sheet.

She meets Rin in her Horse form, as Rin is exhausted from walking to the beach. In the cold open we see she’s crashing at Kagura’s house, but like virtually everyone else she has no intention of letting anyone know about her desires or problems.

Despite being exhausted, Rin transforms back into human form through sheer willpower after nearly kicking Tooru’s head in as a horse. She takes Tooru’s change of clothes, but otherwise doesn’t give her the time of day, and not-so-kindly asks Yuki to butt the hell out of her business. Seeing her as she is now reminds me of much earlier versions of Yuki and Kyou, but without the slightest interest in knowing Tooru.

When Rin calls Yuki Akito’s toy and Yuki doesn’t so much as flinch, it angers her even more, and she storms off in a rage, later stomping the sand castle Tooru and Kyou built. Yuki assures Tooru he’ll take care of Rin, but for now has to return to the annex from which he snuck out. He’s continuing to play Akito’s game, even as his hold on him is diminishing by the day.

But now that Akito has seen how well Kyou and Tooru have gotten on, which means a new avenue for antagonism. Thus he finally orders Hatori and Shigure to summon Kyou, in an effort to complete her isolation. Shigure is excited at this development as it no doubt fits within whatever twisted scheme he has, while Hatori is not amused.

As for Kyou, he has no idea what’s coming down the pike. Yuki warned him not to risk hurting Tooru by being too impertinent if and when Akito summoned him. Hopefully he got the message even though he hates the messenger…

Fruits Basket – 32 (S2 07) – So Hard Because It’s So Simple

This week’s cold open features Akito, who has followed Shigure’s advice and arrived at the seaside, confronting Yuki and whispering something in his ear. While we can’t hear what hesays, Akito is likely using the exact same ammunition he’s used in the past—trying to cover Yuki in a hopeless pitch black, warning him any glimmers of happiness or warmth are mere delusions.

But there’s something different about Yuki here from previous confrontations with Akito, and the fact Yuki’s voiceover is all we here is key to that. First of all, he’s not having a goddamn panic attack, so that’s good! While Akito approaches and launches his attack, Yuki is testing a new “armor” he has developed as a result of “opening the lid”—the armor of his memory of saving Tooru.

When Momiji proposes a watermelon splitting contest, Tooru starts to bring up her mother, but stops herself, awkwardly saying “gumshoe” instead of “mom”. She doesn’t want to trouble people with stories of her mom when she knows nothing about their own.

Hiro, who learned that morning that his mom is pregnant, can now see the effect of his harsh words to her, while Kyou can again sense something off in Tooru, and suspects it’s Hiro’s fault.

While Momiji, Hiro and Kisa are napping, Kyou asks Tooru about it, and she in turn asks Kyou about his parents. As expected, there’s not much to say: his mom was killed in an “accident” (holding back that it was suicide) when he was very small and he and his biological dad are estranged.

Tooru then shares the details of her watermelon splitting contest with her mom. Neither of them had any aim to speak of, as her mom smashed both a flowerpot and Tooru’s dad’s shrine, but they still had a lot of fun, and the warmth and love of that memory brings a smile to Kyou’s face.

But amidst all these happy feels, you can’t help but wonder: what is missing from Tooru’s almost impossibly ideal childhood with her mom prior to her death? Why doesn’t she remember (or claims not to remember) anything about her dad, from whom she inherited not only her kindness but her very manner of speaking?

Akito, Kureno, and Hattori arrive, and arrangements are made for the Zodiac members to formally greet her at the annex. Before that, Akito spends some time by the ocean, with Kureno not far away. Yuki encounters them while on a walk, and we’ve now reached the events of the cold open.

Predictably, Akito fires shoots some lies Yuki’s way—telling him he’s “all alone as usual” and “such a lonely boy.” Akito’s idea of Yuki as an individual might as well be frozen in amber. That’s who Yuki was, and those barbs don’t cut nearly as deep as they once did, when Akito’s influence on him was stronger.

Shigure rounds up Momiji, Hatsu, Kisa and Hiro, and all of them are gloomy because none of them are in a particular hurry to meet with Akito, especially if it means leaving Tooru behind (not to mention Kyou, who never sees Akito). Momiji in particular seems at peace with the fact he’s “disliked” by Akito, but he can deal with that if he can continue having fun with Tooru.

Back at the beach house, Tooru is determined not to be glum, and stirs into action making pancakes with Kyou, who’s never had them before. Kyou can sense Akito’s reason for coming as putting a damper on their good times.

When Shigure arrives with the Zodiac members, he’s received by Akito, Kureno, and Hattori. Akito sends Kureno away without meeting with anyone (deeming it “unnecessary”) and proceeds to launch into a villainous rant, boasting about how she discouraged Yuki and laughing about his attempts to separate from her.

Shigure takes all this in stride, and is his usual polite self as Akito goes to receive the others. While Hattori isn’t pleased with Shigure’s methods (i.e. “scheming” and “shaking things up”) he lauds him for at least trying to do something to exact change.

I may not know exactly what Shigure is up to, but I do know that Akito is more a means and not an end to his plans. That Akito doesn’t seem aware he’s being manipulated seems to be working in Shigure’s favor.

While Yuki weathered his latest confrontation with Akito well, it still left him feeling as gloomy as everyone else who has dealings with the pale little shit this week. So it’s fortuitous that he and Tooru meet on the beach at dusk, just when he’s feeling his most alone.

Just then, there’s a beautiful meteor shower in the sky above them. They’re only visible to Yuki because he was able to survive dark clouds and pelting rain of Akito’s bitter mind games, which in turn was possible due to both his memory of and friendship with Tooru, twin totems in his efforts to cast away the darkness.

Akito tried so hard to make Yuki think he was useless, but when Yuki encountered Tooru and helped her out, it was the first time he felt needed. In that regard, she saved him just as much as he saved her, because it turned his world upside-down and let him dream of a better one, of which he’s now privileged to be a part.

Akito’s dark clouds never stood a chance against the dazzling showers of kindness, warmth and joy that Tooru so generously shares with him every day. They’re why he won’t lose to Akito. When Tooru asks why he looks sad, Yuki tenderly takes her shoulders, kisses her forehead, and tells her she’s “so dear” to him. So it’s official: Tooru is the Dear of the Zodiac!

Puns aside, Yuki compares Tooru to the sky: i.e. something he’ll never reach. It’s clear Kyou is making more progress with Tooru, and Yuki knows if he becomes bitter or possessive about it, he’s no better than Akito. Just as he’s liberated himself from Akito’s now-hollow lies an manipulations, he must move past the memory that helped him do so, and shrug off the comfy blanket that is Tooru in order to keep moving forward.

Fruits Basket – 31 (S2 06) – It’s NOT Okay!

In the midst of a bad storm, Momiji announces that he’s secured a Souma beach house for everyone to stay during summer break. He’s invited everyone but the Horse, the Rooster, and Rin. Tooru wants to go, but she hasn’t yet finished her summer homework. One wonders why she can’t just take it with her and finish it there…though I imagine with all those Soumas there will be too many distractions.

Leave it to Yuki, who is happy to help Tooru out. While in her room, he notices the old cap again and finally asks her about it. She keeps it because it represents a happy memory when a boy helped her out when she was lost. That she doesn’t remember what the boy looked like doesn’t change the fact that it’s a cherished memory, and why she still has the hat. That seems to comfort Yuki, who is on the cusp of discussing it more when Momiji interrupts.

The next day everyone clears out of Shigure’s house, and he prepares to join them after taking care of some “work” first. It seems Rin has paid him a visit, and wants…something from him. As tends to be the case when Shigure meets with someone in secret, the words spoken don’t always reveal what’s truly being said.

While what that “something” is isn’t 100% clear, one can make an educated guess from the way she kneels and draws closer to him, and Shigure’s gaze lingers on her low-cut blouse. Her addressing him as Gure-nii suggests they’re brother and sister, but this is the Soumas we’re talking about…so who the heck knows!

Down by the sea, Tooru revels in the sun, sand, and water, showing off her swimming skills (though she needs to learn how to breathe while doing so!) and playing with Momiji and Kisa. Kyou and Yuki eventually join in the fun, with Yuki even complimenting Tooru on the adorable swimsuit they all picked out for her.

He does so after remembering Akito’s past words about having to live a “pitch black path without potential or hope.” Rather than despair from those words, Yuki rejects them. He believes he can walk in the light, and that light is Tooru.

It looks like the summer fun will never end until Hiro ends it like a needle scratch after picking up Tooru’s wallet with her mom’s picture in it. He calls her out for not having a photo of her dad, and for always going on about her mom like she’s got some kind of complex.

If Hiro expected Tooru to come up with a retort or to defend herself, he doesn’t know Tooru! Instead she smiles a sad, defeated smile and gets saved by the Momiji bell. But Kisa can and will defend her friend, and asks why Hiro even came if he was just going to shit on poor Tooru!

That night Hiro apologizes to Kisa for being so harsh, and she apologizes for getting angry with him and questioning his motives for coming. Both these cute kids have grown quite a bit; I know that because time was it would take a whole episode to make up, now it’s adjacent scenes.

Meanwhile, Hiro’s words still ring in Tooru’s head, as do images from her memory: her mom at her dad’s shrine, a cup with two toothbrushes, suddenly finding herself with neither parent. They flash by so fast and yet carry so much seering sorrow and longing, and Tooru can only tell herself again and again that “it’s okay”, even if how she’s choosing to handle this isn’t particularly okay.

The next day Momiji’s regimen of summer fun continues with a beetle hunt, and Tooru is hiding behind a mask of cheer and enthusiasm, letting herself get swept up in Momiji’s flowery energy…anything to avoid burdening others with her grief. While Hiro initially sees her smiles and thinks all must be well, Kyou can tell she’s down, because he knows by now that sometimes it’s when Tooru looks most happy that she’s really the most depressed.

Meanwhile, Shigure stops by Akito’s before joining the others at the beach. Akito hates everything about the summer and curses the “ugly girl” and the others for getting cocky and deluding themselves. Akito wants to “teach them a lesson”, to which Shigure suggests Akito accompany him to the vacation house so the lesson can be taught in person.

Whether Shigure is plotting against Tooru and the others or merely being deferential to remain on Akito’s “good” side (as if such a thing existed), these interactions always makes my skin crawl and fill my heart with dread.

It’s a good thing, then, that the episode ends by replacing some of that dread with tenderness. Yuki comes down with a low-grade fever, but he is notably smiling the whole time. When Hatsu leaves him with Tooru, he takes a bit of her hair in his hands and gently, lovingly twirls it about as he tells her that one day he’ll have something important to tell her, and hopes she’ll listen when that day comes. It’s the day he plans to “open the lid” on a shut box.

That’s both the pitch black box Akito stuffed him in, and the boy-with-the-cap mystery box. Will Yuki’s avowal here spur Tooru to explore opening the lids on her own boxes containing the painful things she’s ashamed to share? Will she tire of carrying those burdens alone? Will she be a match for Akito’s curelty and scorn…or will her light get snuffed out like so many others in this wretched family’s history?

Vinland Saga – 06 – Engulfed by the Quarrels of Men

On November 13, 1002, King Æthelred II of orders all Danish immigrants in England killed. The Danish respond by sending troops across the sea, and the Vikings—Danish pirates—serve as the “army’s army.” Askeladd’s crew are right in the middle of this.

When English archers ambush their camp, Thorfinn gets a crash course in mass death, killing, and living with it, taking his first life and letting out a cry of vicious despair that carries through the forest, while Askeladd observes in quiet approval.

The battles with the English continue, and Thorfinn continues to kill and gets better at it, with his enemies continually underestimating him due to his size and youth. Askeladd starts using him as a scout, and he manages to kill two foes who come at him, gaining a second dagger with which he dual-wields henceforth.

While on another scouting mission he takes an arrow to the shoulder and washes up on a branch in a river in East Anglia. A kindly, God-fearing mother and her daughter take him in, clean him up, and feed him. The daughter worries (rightfully) that he’s a Dane, their enemy; but her mom doesn’t think any women or children should be bothered with the quarrels of men.

The mother even combs the fleas and lice from Thorfinn’s unruly hair, with the same comb she used to use on her son, who died of a cold two years ago. An English soldier arrives looking for a pint-sized scout, but the mother covers for Finn.

That night, while the daughter continues to argue with her mother about harboring him, Finn abruptly takes his leave, saying just one word to them in English: Run. He then sets a cottage on the beach aflame; the signal to Askeladd to make his landing.

The mother doesn’t run as Finn urged her; she comes to the beach and sees for herself the boy she nursed back to health and harbored: a rabid killing machine. When Finn spots her among the crowd, tears streaming down her cheeks, guilt momentarily washes across his face, as he remembers his own mother and older sister.

Then the mother is simply gobbled up by the charging viking horde, Finn takes a deep breath, and the guilt is replaced by cold detachment as he too gets lost in the crush, joining his fellow fighters in the latest retaliatory raid on a relatively well-off English village. The comb the mother used on him is trod upon and broken, and perhaps with it any possible chance of Thorfinn turning back from his current, blood-soaked path.

Vinland Saga – 05 – A Duel Deferred

Despite Askeladd and his crew being sure Thorfinn would eventually die of hunger, thirst, and/or exposure on the captured ship, he survives long enough for them to sail into the Humber for a brief stint in England. At first his thirst for revenge outweighs everything, but he slips on some moss and gets knocked out by a tree trunk. Defeated by his surroundings before he’s anywhere near the enemy.

He awakes in a gorgeously lit forest and finally drinks some fresh water. He’s so surprised to still be alive he even manages to smile and laugh, but that cheerful mood doesn’t last when he starts to hear screams and spots flames in the distance. Askeladd’s men have decided to spend their “resting time” doing what they apparently do best: rape, burn, and pillage.

Once things die down Finn sneaks into the village and finds the hut where Askeladd is sleeping, unprotected. Eschewing his dagger for an unwieldy longsword, he raises it in preparation to behead his father’s murderer, but stops and retreats, much to the surprise of Askeladd (who was briefly roused before going back to sleep.

In the morning, it’s confirmed why Finn stayed his hand: he’s his’ father’s son. Stabbing a sleeping man in the back isn’t his style; he wants a proper duel with Askeladd. Unfortunately Finn is absolutely no match for Askeladd, especially when he’s letting his sword swing him. He gets a brutal kick to the gut, but that’s all he gets.

Back in Iceland, Leif and the rest of the crew return and inform Helga and Ylva of Thors’ honorable death, and promise to not rest until they’ve found Thorfinn. Ylva, bypassing several stages of grief, flies straight to detatched acceptance and gets back to work, reacting to the news with little more than a shrug and by admitting she figured he’d get killed one of these days.

Neither Ylva’s friends nor her mother are buying what she’s selling—that she feels nothing for what has happened and merely wants to move on—and this is most powerfully illustrated when Ylva is working on a loom late into the night and Helga puts her hands on hers to stop her.

Only then, when Ylva stops—working, busying her mind, simply stops—do tears start to flow, almost despite herself, from her crystal blue eyes. Then Helga draws her into an embrace of shared grief and comfort. Will Ylva stay with her mother, perhaps the only family she has left, or join Leif on the search for her kid brother?

As we know, she still has a brother, who simply refuses to die. While Thorfinn won’t accept scraps from Askeladd’s men when they’re offered, he comes back later to eat what little meat is left and suck out the marrow. He has a chance encounter with Bjorn (collecting mushrooms), who treats him as little more than an irritant, but tells him that while his father was indeed strong, he was also naive. Finn isn’t even strong, not yet, which means he doesn’t have a chance.

Taking that to heart, Thorfinn continues training in the forest, and one night encounters a hungry wolf. Remembering Askeladd’s words about being swung by his own sword, Finn ditches the huge weapon for something much more suited to his size: the dagger Thors gave him. He then kills his first wolf, learns to throw a dagger, kills his first rabbit, feeds himself, recovers some strength.

As Askeladd and his men prepare to depart, having stayed longer than originally planned, Thorfinn confronts him one last time with yet another duel challenge. This time, he shows Askeladd a lot more, and even surprises him with the thrown dagger, but Finn is still nowhere close to being a threat.

Demonstrating he has at least some heart and empathy for the kid’s plight, Askeladd refuses to kill him, and instead makes a promise: if Finn becomes stronger and distinguishes himself in battle, he will honor the duel at a later date. The implication is, he must first join Askeladd’s crew. Knowing that as much as he might want to avenge his father, he’s still too young and weak, Finn agrees, and a truce is struck.

Attack on Titan – 59 (S3 Fin) – Finally, A Beach Episode

After hearing testimony from the surviving scouts and the opinions of the brass, Queen Historia decides to make the truth public. It’s feared doing so will sow chaos, but as Pyxis puts with his usual elegant bluntness, if they’re going to keep lying or hiding the truth, why did they even bother ousting the last king?

Once the people are told what they really are and what was done to them, there is indeed a measure of heightened chaos, but public reaction runs the gamut from belief to disbelief, resignation to outrage, relief to rage. That’s a as good a sign as any that they made the right choice. The massive lie was another prison, but Eren & Co. found the key, and Historia used it to throw open the gates. People are now free to leave…or stay.

Of course, after the trauma of the battle that claimed Commander Erwin Smith and most of the scout “fodder,” that group’s sole survivor in Floch can’t escape the prison, even with the open door right in front of him. He can’t even see the door.

Floch is chained down by the belief that Armin was the wrong person to revive, and it was a decision born of emotion by Eren and Levi. He tells this to Armin’s face, and stands his ground when Eren gets in his face, because he believes has nothing left to lose. He already lost it all, and believes winning is no longer possible.

The conviction of his words shakes Armin to the core. He can’t help but agree with Floch that he shouldn’t have been the one saved, and that he has no idea how to turn things around. Armin is about to walk right back into his prison when Eren tries to encourage him that it’s too early to say, at least until they finally see what’s beyond the wall.

Since they were kids, Eren and Armin believed freedom was beyond the wall. But now that Eren has been beyond it, though his father’s memories and those of Kruger before him, to which he is now privy, but is being very careful about revealing what he knows to anyone else. In trying to comfort Armin, Eren only ends up bumming himself out when he dredges up the horrible scene of Faye torn to shreds by Marley dogs.

At the award ceremony, a fully decked-out Queen Historia presents the nine surviving scouts with medals of valor. Eren will do anything, including casting his life aside, to prevent a repeat of Faye’s fate. Anything except sacrificing Historia. And yet, upon taking her hand and kissing it, he pauses, leading Historia to wonder what is amiss.

Eren is remembering the day Grisha stormed into the Reiss chapel, before defeating Freida and eating her. He wears a subtler version of the same crazed, horror-filled face his father wore. Is there really hope beyond the walls, or only despair? Can freedom be achieved without harming Historia, or is Eren as much of a slave to this “cycle” as all who came before him?

Following that ceremony and Eren’s look of horror, a year passes. Wall Maria is purged of all Titans. Refugees return to their homes and begin to rebuild. The Scout Regiment rides again, beyond Maria, into the great frontier. A year older yet somehow much cooler-looking Eren, Mikasa and Armin are among them.

After finding a particularly unfortunate Titan whom Eren identifies as a “fellow patriot” sent to Paradis transformed, and left to crawl along the earth at an infinitesimal pace, he and the scouts simply leave it behind and continue pushing forward, through valleys and sands that were once only illustrations in Eren and Armin’s book.

And then, just like that, they arrive at the edge of the island of Paradis and glimpse the sea for the very first time. It is one of the most epic moments of the entire series, and it’s sold quite well. Everyone is in a giddy sort of shock about it, like it doesn’t quite feel real. They taste the water, splash around, have fun. And why not? It’s a gorgeous day and they’re at the beach!  It’s the kind of day dreams are made of.

As Armin dredges up a distinctive shell (notably empty), the breakers cause Mikasa, standing beside him, to stumble, but she manages to regain her balance. After a beat, Mikasa’s face shifts from surprise to sheepishness, before flashing perhaps her first genuine smile in six years; a smile which Armin returns. Honestly, her sequence of expressions was almost as momentous as the initial sight of the ocean.

Eren, who gesturally speaking is apparently still in that “phase” Levi mentioned to Hange, points dramatically to the horizon, to Marley, and tells his friends for the first time that he was wrong: freedom didn’t lie beyond the sea, enemies did.

As for whether killing all of their enemies will free them once and for all, that remains a question to hopefully be answered in the fourth—and most likely final—season of Shingeki no Kyojin, to air in 2020. Until then, we are all of us trapped in a new prison…of waiting.

Grand Blue – 03 – Stepping into a New World

Diving involves a lot of equipment in good order, which means it’s quite a costly activity for a college club to be involved in; far costlier than, say, the tiddly winks club or the pogo stick club. Iori and Kouhei are informed of this in a matter-of-fact way, meaning they will have to help contribute to club funds.

They already have a way for them to contribute right away: by participating in the Izu Spring Festival’s Inter-Club Men’s Beauty Pageant. But before that, Ryuu takes Iori out for his very first scuba-diving lesson. Before he departs, he gets words from encouragement from Chisa.

Chisa is clearly excited that her old friend is about to experience something she’s already familiar with—and which she loves. Things start out a bit rough, as Iori isn’t used to the kind of breathing one does in scuba gear, and when his mask floods he panics.

But once everything is readjusted, he remembers what Chisa showed him at the aquarium, and it’s like stepping through the doorway into a new world. You can see the switch flip in Iori’s head from panic to nirvana, and the look of joy and wonder on his face is plain to see—and something that delights Chisa. “Good, he gets it now,” she seems to be thinking.

The wonder and joy lead to excessive celebration, which is nothing new to Iori and Kouhei, but what is new is the manner in which Iori finds himself waking up: beside a buxom half-naked woman a couple years her senior. This is how he meets third-year student and fellow diving club member Hamaoka Azusa.

Azusa is the kind of girl who doesn’t mind sleeping in the same room with a bunch of guys, but she’s also a good cook, and teaches Iori, Kouhei and Chisa how to make okonomiyaki to raise more funds for the club at the festival. The festival where, in exchange for not having to compete in the boy’s pageant, the boys must convince Chisa to compete in the girls’ pageant.

The lads, likely still hungover, decide the best way to convince Chisa is to liquor her up so she’ll be more open to the pageant. However, each time they try to slip her a spiked drink, she either already has one, politely declines, it’s taken by Azusa, or one or both of them have to take the drink. Before long, they’re drunk as skunks.

Azusa also reveals she knows what they’re up to—to the heretofore unaware but now horrified Chisa—and forces them to confess their true goal. They ask Chisa to enter the pageant; she refuses; and they reveal that they’re trying to get her to enter so they don’t have to.

That night, the lads play naked rock-paper-scissors, which Azusa joins in but doesn’t have to shed a single article of clothing as she whoops everyone. She gets Chisa to admit that it’s not that she doesn’t want to enter, but more that she doesn’t want to bear the embarrassment of the pageant all alone. Azusa also points out that the only reason they asked her at all is because they were supremely confident all she’d have to do is enter and her victory would be assured.

So Chisa agrees to enter…but only if Iori and Kouhei enter too. Thus the embarrassment is shared, if one loses one of the other two could still win, and if all three win, the club funds are tripled, so everyone wins. When the means with which to enter a new world are so expensive, sometimes you just gotta shake what your mama gave ya…proverbially!

Grand Blue – 02 – Underwater Isn’t So Bad

Iori continues to contend with the constant nudity of his male peers, but everyone dresses for dinner, which is when Nanaka observes he’s gone out every day he’s been in Izu, and doesn’t even know where his room is!

Nanaka forcefully forbids him from spending a third night out, but when the boys say they’ll be having drinks with students at a women’s university, Iori begs Nanaka to let him go. She refuses.

Iori doesn’t give up there, an decides he’ll unpack his stuff and set his room up in a way that will convince Nanaka to change her mind. Kotobuki and Tokita volunteer to help, and eventually Imamura is also involved in various ill-conceived makeovers.

They festoon his room in porn, then lolis, then BL, and finally, in order to sway Nanaka most powerfully, slap Chisa’s face on everything. In the last case, Chisa ends up seeing their handiwork before her sister.

It’s a competent example of the “best laid plans” comedy trope, in which Iori keeps trusting his friends, things just keep getting worse, and he just grows more angry and frustrated. His own idea is worse still, suggesting the entire venture was doomed from the start!

Chisa banishes him to an isolated room that also happens to be the meeting room for the diving club; Iori only learns this when he wakes up to find a meeting taking place in the room, and the club ain’t vacating!

Kotobuki and Tokita decide to give the three freshmen—Iori, Imamura, and Chisa—some basic lessons. Chisa is forced to participate despite already being well-versed in said basics.

The swimming lesson goes south when Iori is treated to the sight of way more underwater manhood than with he’s comfortable. The senpais even trick him into totally disrobing just when Chisa emerges from the changing room in her orange bikini.

Iori just can’t seem to prevent Chisa from seeing him in almost exclusively embarrassing and shameful situations!

But when Iori idly says he’s not interested in underwater—something she’s painfully passionate about—Chisa has Nanaka take Iori to the aquarium after-hours.

This visit and the majesty of the underwater to which divers have access doubtlessly inspires Iori, but so does video he sees of an entirely different side of Chisa; one he never sees because he always looks like a jackass around her.

Nanaka is honest about Chisa telling her to take him and why, and the next time Iori sees Chisa, he makes sure to express his gratitude, both by being fully clothed, and by giving her a souvenir. Chisa would’ve preferred a cuter trinket, but she clearly appreciates the gesture.

This was by far the least cringe-worthy interactions between the two childhood friends, and hopefully the start of a trend of more cordial encounters. Still, I also hope the show doesn’t stop mining Iori’s embarrassment/jackassery around Chisa for comedy…it’s still a rich mine!