SSSS.Gridman – 06 – The God who Went to a City School

“They shouldn’t be making episodes without kaiju!” proclaims Akane while at the Starbows having coffee with Shou. It’s a meta comment on the episode they’re in, which has no big kaiju battle. The resulting outing is largely a return to the quiet, normal, naturalistic sights and sounds of city life that distinguished the first episode, before All Hell Broke Loose.

And yet, the city always returns to that state after a kaiju battle. None of Yuuta’s classmates remember anything about the battle during their field trip, and because there’s no kaiju battle this week, he, Rikka and Shou are isolated from each other for the bulk of the episode.

Something sticking in Yuuta’s mind is Akane’s words to him, which suggest she has memories of the battles just as he does. He just needs one more push to learn at least some of the truth about her, and he gets that. But not before Akane puts out a hit on Yuuta, telling Anti that the two are one and the same.

The silences in this episode, or rather areas where there’s nothing but ambient sounds, are well-placed, and as such I really felt Rikka’s boredom of lounging around the house then milling through stores on a hot summer day.

It’s clearly a relief to her when she encounters Anti, who is not only hungry but also in great need of a bath. Rikka’s scenes with Anti further establish her as someone kind and generous with a good heart—someone Yuuta shouldn’t be so reticent about talking to.

When he can’t quite approach Rikka to discuss recent events, he tries the junk store, but she’s out. Then he’s confronted in an alley by a small girl who seems to revel in the creepiness of her own voice. She claims to be a kaiju, and grows to the size of a catbus to prove it. She’s not there to fight, but rather to repay Yuuta for something he doesn’t remember doing.

I just got done saying last week that I really don’t mind not having all the answers about what’s going on and why, beyond the fact that Akane makes the kaiju Yuuta fights. But the little stinky kaiju girl gets on a train with Yuuta and proceeds to provide some answers.

The city in which Yuuta lives is essentially ruled by Akane, whose lonely heart is being used by the outrageous-looking being we know as Alexis. Thus she creates kaiju who then go on rampages, constantly knocking down and remaking the city into something of a kaiju itself, while eliminating people or things she simply doesn’t like.

Beyond the confines of the city is a great fog, and then nothing, the kaiju continues. Thus, Akane is basically the city’s god, deciding what exists, stays, or goes. But because Akane is hurting and killing people, Yuuta knows what he has to do, which I imagine means confronting her soon.

In addition to ordering Anti to kill Yuuta, Akane ends up running into Shou at the bookstore, and then having coffee. He sole reason for interacting with him is to gather more info on Yuuta, just in case Anti didn’t fully understand her orders and fails. The thing is, Shou eventually catches on that Akane has no real interest in him, and stays loyal to Yuuta by saying nothing.

As for Anti, who now has a full belly and is squeaky clean thanks to Rikka’s kindness, he finally locates Yuuta and attacks him, only to be deflected by the members of Neon Genesis, whom we’ve seen lurking on the episode’s periphery the whole time, keeping an eye the Gridman Alliance.

When trouble comes in the form of Anti, they’re ready, not just with weapons, but words: If you kill Yuuta, you will never be able to defeat Gridman. That’s enough to get Anti to retreat. Akane’s words ultimately weren’t convincing enough for him to go against his primary directive, just as her charm wasn’t enough to get any info from Shou.

Those two failures belong to Akane this week, and while they’re not as big or flashy as the defeat of her various kaiju in the past weeks, they are defeats nevertheless that add to her frustration and rage, which Alexis is only too happy to exploit. I wouldn’t be surprised if Akane gets to work on a new kaiju design, which Lex will then embiggen so it can wreak havoc and challenge Gridman anew.

As for Yuuta, after a long, weird day of learning some truths, he ends up back at the junk store to brief Gridman on the computer (which the store bought back). There, to his relief and joy, are Rikka, Shou, and Neon Genesis.

Akane may be using her godlike powers to change almost everything, but the bonds Yuuta has formed with his friends and allies remain, and they look to be ready for whatever their opponent throws at them next.

Hibike! Euphonium – 11

euph111

I’m not good. I just love it.

Those are the words Yuko remembered Kaori saying when she first told her senpai how good she was at trumpet. They’re words she tried to put out of her mind in the midst of her crusade to elevate Kaori to the soloist’s chair, but nothing she can do can change the fact that Reina is better than Kaori. Even she can’t deny it anymore.

euph112

On the eve of the second chance she nabbed Kaori—by besmirching Taki-sensei and devaluing Reina—and Kaori’s inevitable defeat, Yuko starts to realize she’s made a mistake. As Natsuki tells her, Kaori is the one who’s going to feel the worst when she loses to Reina a second time. Asuka, always businesslike in matter of music, can’t and won’t humor Kaori.

Kumiko, just as obsessed with Reina as Yuko is with Kaori, happens to be on the right side of objectivity as well. She sees Shuu practicing hard by the water on a part Taki warned him to get right tomorrow, only increasing her desire to get better herself. But notably, she doesn’t approach him, and not just because she doesn’t want to disturb him.

euph113

For all the trouble she’s stirred up, Yuko isn’t quite done this week, as she tries to persuade Reina to take a fall in the audition for Kaori’s sake, reciting to her all the arguments for why Kaori should get the part, and is even willing to throw herself under the bus, telling Reina she can accuse her of bullying her, and she won’t deny it.

Kaori puts up a metered front: none of Yuko’s arguments have anything to do with her, and refuses her begging. Channeling Asuka, another no-nonsense musician, Reina assures Yuko that Taki will choose the trumpeter who plays best, even though she knows Yuko knows that, and is why she’s exploring…other options.

euph114

The day arrives, with the two would-be soloists excused from set-up duty in their rented hall to practice and get in the zone for their auditions. Tension mounts, and their respective cornerwomen pay them visits. Notably, Asuka doesn’t visit Kaori, as she probably finds this whole exercise distasteful. Haruka does wish her luck, and even asks why Kaori is so obsessed with Asuka.

Kaori’s answer is clear: she feels like Asuka can see right through her and knows what she’s thinking, so she wants nothing more than to surprise her. This second audition affords her just that chance, but having heard Reina’s playing, it’s practically certain she’ll come up a bit short.

euph115

That brings us to Reina, sitting alone in the gorgeously lit lobby of the concert hall when Kumiko approaches her. Reina’s had time to think about all of the things Yuko said about Kaori, and all of the things that will happen to her if she destroys her. She asks Kumiko if she’ll be upset if she loses, and Kumiko tells her she would: she is better than Kaori.

When Reina counters that winning would make her a villain, Kumiko promises to be a villain with her. Reina draws so very close to Kumiko, asking if she’ll really stay with her, and Kumiko tells her she can kill her if she doesn’t, stating her resolve as a confession of love, echoing Reina’s own confession up on the mountaintop.

euph116

Reassured with Kumiko beyond doubt, Reina assures her that she never had any intention of losing anyway. But it certainly didn’t hurt to hear the strongest words yet of affection and solidarity from her dear friend. All Kumiko did was speak from the heart, but she said exactly what Reina needed to hear to take the stage with the utmost confidence.

euph117

The tension builds again when the two trumpeters take that stage before the rest of the band, dwarfed by the massive music hall that still isn’t as big as the venue for the competition. Taki sets the rules: Kaori will play, then Reina, and the students will vote with applause.

Kaori really seems to rise to the occasion and plays beautifully, but when it’s Reina’s turn, the difference between them is considerable, even for these relatively untrained ears. Reina is crisper, louder, and seems far more in command of the instrument. Her solo fills the entire hall and resonates. It should be plain to any of the band members assembled that she’s the better soloist. It’s stirring stuff to boot; not even having to rely on weird trippy visuals like Violin Girl.

euph118

Yet when it comes time to applaud, only Yuko and Haruka clap for Kaori, while only Kumiko and Hazuki clap for Reina: a tie. Taki, ostensibly the tiebreaker, calls Kaori’s name, asking if she’ll be the soloist for the competition. After a few moment’s introspection, Kaori herself refuses, saying it should be Reina.

Really, how could she not? As both Kumiko and I have remarked, Kaori is a good person. She’s taken things as far as she can, and knows when she’s been beaten. Even if a hysterical Yuko still can’t quite accept it, she must, as Kaori does. As for Taki-sensei, it wouldn’t surprise me in the slightest if he knew this was exactly how the audition would go down.

While no one other than Kumiko and later Hazuki volunteered to clap for Reina, nor did they clap for Kaori after hearing how good Reina is, choosing to abstain. I’m sure both Reina and Taki would have preferred not being accused of being the recipient and doler-outer of favoritism, but in the end merit and talent triumphed over sentiment and pity.

If Kitauji’s going to have a chance at the Nationals, this is how it has to be.

10_ses

Hibike! Euphonium – 10

euph101

Not that it wasn’t going to anyway, Hibike! got on my good side early this week by elaborating on that dark flashback Kumiko keeps thinking of. Turns out she beat one of her senpais in auditions, and the senpai chewed her out, saying she’d be in the competition if only Kumiko…didn’t exist.

That’s a harsh thing for someone like Kumiko to hear, and it’s clearly stayed with her, because when Natsuki asks to talk, she’s worried she’s going to get it again.

euph102

It’s not that Kumiko doesn’t believe she deserves her spot, it’s that she can’t help but feel in the way of a senpai. She deals with her objective supriority by recoiling almost apologeticaly before the one she beat. Fortunately, Natsuki is, as Kumiko aptly puts it, “a nice person.”

That is, she doesn’t hold it against Kumiko for winning the seat. On the contrary, she’s only been playing a year and didn’t expect to win, and knew she wouldn’t be able to hide either fact from Taki-sensei. So while she’s her senpai in age, Kumiko is her senpai in Euph experience, by six years!

euph103

While I believe Natsuki when she says she didn’t have high hopes, Kaori is another story entirely. She really wanted the solo part in her final year, and while it’s clear she hasn’t made her peace with the fact she didn’t get it, she’s willing to accept the decision out of respect both for Taki-sensei, Reina, and the system.

But then rumors spread of Taki and Reina knowing each other, introducing suspicions of favoritism. Yuko relays these rumors second-hand to Kaori, and while I know she’s just trying to be a loyal and caring friend, she only made things worse in terms of Kaori getting over things, because things may not be on the straight and narrow.

euph104

What’s disappointing is how indelicately Yuko brings the issue before Taki-sensei, in front of everyone. He doesn’t deny knowing Reina, but insists he showed no favoritism. When Yuko presses, Reina can no longer hold her tongue. Both she and Taki make things worse by refusing to to anything about it.

Reina storms out, followed closely by Kumiko, but rather than find Reina depressed or crying, Reina is simply frikkin’ PISSED OFF, unable to stand Yuko’s presence any longer. She gathers Kumiko in a big warm hug, seeking assurance that she’s right about being the best trumpeter for the soloist part. Kumiko gives it to her, not just because they’re friends, but because she believes it herself.

And because these two are so close and open now, Reina also informs Kumiko that she attended this school because she knew Taki would be directing the band. She probably knew rumors would surface, but they’d come from what amounts to sore losers, and she’d simply barrel through them and press forward. (Does this confirmation of her love for Taki mean Reina and Kumiko don’t have a yuri future? I guess we’ll see.)

euph105

But that’s going to be tricky. As good as Reina is, the controversy has had a profound effect on band cohesion, with people taking sides all over again, and talking about everything behind Taki’s back. The bassists send Kumiko to try to get Asuka’s opinion on the matter, but off the record (and in confidence) Asuka admits she doesn’t care either way; insinuating she’s focused on her own path. Kumiko can’t tell if she’s putting up a facade; neither can we. Asuka remains wonderfully enigmatic.

Less enigmatic but still wonderful is Haruka, who can’t rely on Kaori again (since Kaori is mired in the middle of this) nor the ever-neutral Asuka. She knows that she, the president, needs to get the band back on track. So before Taki arrives, she addresses them, and gets a show of hands for those with problems with the auditions.

She gets a number of hands, but can’t do anything with them as Taki-sensei enters, having just gotten a brief talk with the faculty adviser, who also happened to know his father. She knows that he can’t help but be honest and only care about music when it’s good enough. But in this situation, he has to be more than a greatness detector: he has to regain his band’s trust, even if it means screwing over those who already won.

euph106

To this end, he too breaks the silence about the controversy, and offers a second audition to anyone who wants one, only this time it will be held in the concert hall he rented, in front of the whole band. The first to raise her hand is Kaori, which we know has nothing to do with her thinking she’s better than Reina or believing Taki played favorites. I don’t think she believes either.

This is, as her friend said, about accepting herself, something she won’t be able to do if she doesn’t take this opportunity. Reina’s disappointment is clear and justified, but knowing her, she’ll take this as a fresh challenge on her path to become truly special. Even if she doesn’t care what others think of her, she can’t get to the nationals without the rest of the band.

I don’t think she’ll ever win the love Yuko and others have for Kaori, and it’s possible she’ll beat Kaori so badly they’ll still be against her. But who knows, perhaps this time, out in the open, she can convince them beyond doubt she deserves the solo part. It isn’t something she should have to do, but she has to all the same.

9_ses

Hibike! Euphonium – 09

euph91
Kowai…

Last week was a beautiful and highly memorable episode oozing with romance, love, heart-swells and heartbreaks and confessions and rejections, and ASUKA DON’T GIVE A SHIT. She is the voice of the episode that brings us back down to earth from those indelible images of a sore-footed, one-piece-dressed Reina lugging a Euph up a mountain, or the perfect duet played high above the shimmering festival. Fun Time is over. Gotta practice!

While Asuka’s objection to “issues” getting in the way of her practice time is presented in a semi-comedic tone, it’s nice how her very objection and complete lack of patience on such a subject is also an indication of her issues, which remain internal so far.

euph92

The distracted girl Asuka all but kicks out of the room is Midori, who still feels bad and possibly guilty about Hazuki getting rejected, believing she played a part in her failure. Her depressed mood is translating to noticeably poor play.

Hazuki keeps her frown upside-down, even though we know she feels bad too, she wants to be happy, and is taking the well-worn path of acting happy first. Her strategic (and very graceful) change of direction when Shuu enters the train is proof she wants to move on.

Kumiko, meanwhile, is still wrestling with the fact that people are telling her she likes Shuu, when she’s never given much thought about it, and can neither confirm or deny it. She can craft a defense against such allegations—”I didn’t want to lose a friend”; “we go way back.”—but they don’t tell the whole story of her true feelings, because that story hasn’t been written in a language in her head she can understand yet; it’s all out of focus.

This show does a fine job emphasizing how different Kumiko, Midori, and Hazuki are, which is I think why Kumiko has accepted them as friends. They’re not all trying to be the same, like the rhetorical sheep Reina blasts; rather, they’re embracing their differences to gain new insight.

Midori is probably a little surprised when Kumiko says they should just act normally, since that’s where she believes Hazuki is trying to get. But she respects and goes along with that idea.

euph93
Real nice slow-rain

Of course, things aren’t normal for anyone right now, and not due to any love triangles, but because there are only 55 seats and more than 55 tushes, which means even those who have played beside one another have suddenly become their rivals for those limited seats.

It’s something that weighs on Kaori, who gets more screen time this week. I love how Haruka reassures her the way Kaori reassured her during her crisis of confidence. Kaori wants to become better so she can keep the peace in the band and prevent another incident like last year. There’s also considerable pressure on her from her peers, particularly those junior to her who idolize her as the band’s madonna.

It’s interesting that our first good look at Reina since her big breakout episode is crossing paths with her fellow soloist, the clearly intimidated Kaori.

euph94

I also love how in so many animes, we always hear horns practicing somewhere on the grounds, and Hibike! finally focuses in on those musicians. Kumiko looks particularly isolated—by choice—in her little corner of the schoolyard as she practices her piece. When she hears another Euph playing the piece very well, she runs over and is surprised to find it’s Natsuki, who earlier in the show was dozing during practice.

Seeing Natsuki there, giving it her all, Kumiko suddenly snaps out of her complacence: her seat on the band is not assured; no one’s is. And she’s not the only one working hard to become better, so she’d better get back to it!

euph95

Those nerves won’t do her any good in the audition (it might have been better, if less dramatic, had she not heard Natsuki prior to her audition), but she can’t shake them. At least, not until Reina enters the storage room, ignores whatever Kumiko mutters to her, and takes hold of her cheeks, so her their faces and eyes are locked into each other.

I’m going to do my best, so you have to, as well.

She doesn’t let go of Kumiko’s cheeks as she parry’s her “buts” with a repeat of that mantra-like line. Suddenly, Kumiko calms down, then puts her hands on Reina’s cheeks and agrees. It’s great to see the camera cut to their feet as Kumiko’s weight pushes against Reina’s.

euph96

Zero hour: Kumiko’s audition. The atmosphere is so deliciously tense. I loved how Taki’s impressed reaction to learning how long she’s played one instrument made her worry she set the bar even higher for herself.

I found my breathing patterns change as I listened to each note of the first bars she’s told to play. And she plays it well. Not perfectly, but not badly, either. Then Taki asks her to play a bar she hasn’t practiced as much.

It’s a bar we don’t get to hear (the show is as great at knowing when to withhold music as when to use it for dramatic effect), but I knew she played it well, too; because while she initially panics a little, she remember’s Reina’s words, and the feeling of her hands on her cheeks, and does what she has to do.

euph97

That being said, the announcements of the parts was as nerve-wracking as the audition, especially the seemingly cruel way their advisor lists the names of those who got seats, then simply saying the total afterwards.

At the sound of those totals we always see someone suddenly burst into tears, one by one; it’s like a battle, and they were unlucky enough to get hit by enemy fire; only they’re all friends and, in a way, family. The discomfort of that scene, and the lack of visible celebrations from the winners out of respect for their comrades, is all perfectly pitched.

That goes for when Kumiko is announced right after Asuka, as the only two Euphs who got seats. Kumiko seems almost guilty she snatched the second seat from Natsuki, after watching her transformation from apathy to devotion. It even reminds her of when that girl in the past asked her “Do you think this is funny?” which now sounds like a rebuke to Kumiko’s own apathy about music at the time. But the true meaning of those words, and the identity of the person who said them, remain elusive.

Midori gets a seat as the contrabass, but Hazuki fails, but takes it rather well, at least on the outside. Reina makes it too, then surprises the entire band (except for herself and probably Kumiko) when it’s also decided she, and not her senpai Kaori, will play all the solos.

But whatever social fallout such a decision has on Reina, I’m certain she’ll keep moving forward…will want Kumiko to keep walking beside her.

9_ses

P.S. MAL remains noncommittal about the episode total of this show. I don’t wish this often, but I truly hope this gets the second cour it deserves. Anyone know for sure?