The Promised Neverland – 10 – Never Give Up, Never Surrender

With the bombshell discovery of the cliff last week, it looked like checkmate for the kids, and especially Norman, who after all was going to be shipped out the next day. That schedule is not changed, and Norman accepts his fate, much to the despair of Emma and Ray.

Norman offers them a ray of hope by noting that the complex of farms or “plants” form a hexagon, one side of which is the HQ where there’s a bridge across the cliff. But he won’t be joining them, and his mind won’t be changed. That doesn’t stop the other two from trying.

While packing for his “departure”, Norman puts only one item in his suitcase: the string telephone Ray helped Emma make years ago so she could communicate with Norman when he was sick and quarantined. Mind you, his being sick never kept Emma away, and Mama had to shoo her off more than once.

In a microcosm of the trio’s dynamic in the present, Ray’s technical know-how and Emma’s stubborn refusal to give up leads to the two ensuring Norman isn’t lonely. Norman isn’t just a friend, he’s family. Emma and Ray love the hell out of the guy. But this time there’s no string long enough to reach where he’s going.

The scene of Norman’s goodbyes is…is rough. All of the other kids are either in tears or just barely holding back, but no one is suffering his impending departure more than Emma, and she makes no attempt to hide that suffering, or to pretend she’s not going to do everything she can to stop Norman from leaving, including trying to slip him the tracking device breaker.

It takes the most explicit death threat from Mama yet (delivered chillingly quietly so only Emma can hear) for Emma to calm down and accept Norman leaving. Before they part, Norman hands her back the tracker breaker and tells her not to give up. As for Ray, he’s not even there; Norman has to come to him, and even then, Ray says nothing. They only share a parting look.

Norman and Mama’s solemn walk to the gate is another standout scene, steeped with doom, but also an odd kind of peace. Mama seems to hold Norman in genuine esteem, as the two seem to have an understanding that Emma and Ray will be treated well until the “end of the time that was decided.”

He momentarily throws Mama off when he asks her if she’s happy, but she replies that she is because she met someone like him. They reach the gate, and Mama directs him to enter a well-lit room to wait…and that’s the last we see of him. Who knows what he saw, or if it was the last thing he saw. Maybe Mama has bigger plans for him than mere food?

Emma and Ray are gutted by Norman’s loss. The three of them were inseparable, almost symbiotic, but Norman was their center; their heart; the bridge between them. The two of them don’t seem able to continue on, even with support from Don and Gilda. Ray tells them he’s “tired” and doesn’t care anymore; they can do what they like, but he’s resigned to dying there.

Emma was then the last of the trio to hold out hope and not give up, but she’s too overcome by grief to accomplish anything. Both the little kids and Mama take note of her constantly morose state, and Mama visits her in her dorm to urge her to give up, and life will be much easier. She even offers Emma a path that will allow her to become the next Mama of the house, rather than be shipped away.

Of course, Emma is never going to go back on what she promised Norman, no matter how many perks she offers (or bones she breaks). So Mama tells her fine, keep dreaming of the impossible, “writhe in agony”, and be damned.

Time passes, and the eve of Ray’s shipment date arrives. Emma wakes up and finds him singing to himself in the chapel. It’s there where both of them reveal that at least part of the way they’ve been acting around Mama, Gilda, Don, and the little ones was merely a performance; a means of lulling Mama into thinking they really did give up.

But they haven’t, as the fire in their eyes at the end of the episode proves. They seem as determined as ever, and thanks to Norman’s reconnoitering of the wall, a path to escape remains. What a fool I was to believe it was time to give up when they hadn’t; to doubt the strength of their spirit and defiance!

Mama, the demons, the system has taken so much away from these kids. It’s time to take something back from them for a change. I am here for it.

The Promised Neverland – 09 – Let’s Get Cracking

By the end of last week, four episodes of The Promised Neverland remained for the kids to escape the farm and survive the aftermath of casting aside their old lives, and all the protections and amenities therein. Even if their lives wouldn’t last much longer than if they’d  stayed put, at least they’d die free.

Alas, for all of the kids’ careful preparation up to this point, the situation has never been more dire. Any hope of Emma escaping on her own two feet has been dashed thanks to Mama’s act of appalling brutality (“clean break” indeed) while Norman is due to be shipped out in a day’s time.

Norman puts on a brave face for Emma, but when he fetches water he betrays a look of paralyzing fear and despair. And yet, once that moment has passed, there’s a decidedly defiant look on his face, like he’s decided and committed to his next move.

When he returns, Ray is with Emma, and they’ve already decided something as well. When Norman proposes they proceed with the escape plan without him once he’s gone and Emma is healed, they reject him in unison. Their counter-proposal: Norman will deactivate his tracker with the device Ray has just completed (using parts from all the various discreet rewards he got over the years), and hide out until Emma heals. Then they’ll all escape together.

Norman is fine with this plan, except for the fact that if he goes missing, they may ship Ray out in his stead. In that case, Ray says he’s willing to have his arm broken so, like Emma, he won’t be suitable for shipping. When Norman asks how Ray found out about the truth of the House, he says he’s always known, since he has memories of his life going back to when he was still in the womb.

Norman agrees to the plan, and the next morning, Norman executes his escape, running to the wall with the backup rope Don and Gilda made, while Emma and Ray stick close to Mama. The music that plays while Norman is running to freedom is epic, hopeful and triumphant.

After he attaches the rope, he holds it taut as he runs up the wall, and manages to grab hold of the top ledge and hoist himself up. A vast forest unfolds in all directions on the other side; a forest full of possibility. If they could get everyone into that forest, the adults would be hard-pressed to find them.

When Mama finally notices Norman is not around, she checks his tracking device, and her expression makes it clear it’s not working. But to Emma and Ray’s horror, she smiles and closes the device, and Norman emerges from the forest, looking like he’d just been drugged or hypnotized.

Turns out it was neither, but simply the look of utter, complete defeat. Only while atop the wall and looking over the other side could he discover the truth: there is a vast, yawning, sheer CLIFF between the wall and the forested land, of a distance they can’t hope to surmount.

Just when the kids’ spirits were at their highest, everything is cruelly snatched away, and their doom feels more inescapable than ever. What an emotional roller coaster; a symphony sorrow; a triptych of tribulation. Those poor damn kids…what are they going to do now?