Koi wa Ameagari no You ni – 09

I had high hopes for some enjoyable festival times with a newly reunited Akira and Haruka, but the reveal of the episode’s title, “Rain of Sorrow” (yikes!), After the Rain had other ideas. While Akira made a nice gesture by inviting Haruka out, there’s no avoiding the fact the two have drifted apart considerably.

When Haruka watches Akira interact with Kondou (who is there with Yuuto), Haruka is thrown for a loop when Akira makes it clear she likes someone so “old.” It’s a reasonable thing for a high schooler to say, but Akira doesn’t take kindly to it, and cuts off the discussion.

That, in turn, leads Haruka to lose her temper, since Akira has made it almost impossible to talk to her about anything anymore. With a few words that probably weren’t meant to cut as deeply as they do, Akira has Haruka running home crying. Those words? “We can’t go back to how we used to be.”

That’s damned harsh, and I’m a little disappointed in Akira for going there so quickly, but then again, perhaps a degree of maturity and pragmatism have rubbed off on her, both from Kondou and the reality of not being able to run. Bottom line, harsh or not, Akira is right, and she’s not quite sure how to integrate Haruka back into her life.

Somewhat conveniently, Kondou is going through the same thing, only at a more advanced stage: he’s meeting an old friend and classmate Kujou Chihiro at their old watering hole, where they’re the only two guys who aren’t college students.

Kujou is the author of the book Kondou checked out of the library and got mad at the Amazon reviewer about. And it’s lovely to see these old friends gel so nicely right out of the gate (beer and delicious food help grease the proverbial wheels).

It’s also apparent Kujou holds Kondou’s opinion and skills as a writer in high regard; perhaps even beyond his own, which is why he doesn’t believe Kondou when he says he doesn’t write anymore. He does, but rather than a dream he wishes to achieve, it’s “just a little something.”

But there’s a reason Kondou and Kujou haven’t seen each other in ten years. Kondou was meant to join Kujou and other classmates on a trip to India, but he ditched them to marry Yuuto’s mother, while Kujou’s experience kicked off his successful writing career Kondou wanted but apparently put aside for love and family.

Kondou and Kujou never had a grand public yelling match in full yukata regalia like our girls, but through their individual choices and the passage of time, grew apart to the point they couldn’t go back to how they used to be. There may be other times when they see each other to drink and talk. When together, they’re not adults, but classmates. But there will never be a time like back they enjoyed in their youth. Nostalgia, indeed!

The new term starts for Akira, and while her other track friends are friendly, since she hasn’t made up with Haruka, things are still awkward between them, and Akira isn’t sure how or even if she can mend fences, because she’s just as behind in what Haruka is thinking and feeling as vice versa.

Kondou (who made sure to tell Kujou his depiction of high school girls was inaccurate, no doubt based in part on his friendship with Akira), can sense Akira is down about something, and unlike with Haruka, Akira can relatively easily tell him what that something is.

Their talk is interrupted by work, but at close Kondou has Akira join him outside once more, where he presents her with a gorgeous supermoon (and what a great closeup of Akira’s eyes reacting to it’s glory) upon which to wish.

Kondou also lays down some adulty wisdom: even if she and her friend are growing apart, the irreplaceable moments they shared won’t disappear, so perhaps neither will the possibility they’ll grow closer again someday. Sometimes people need to grow apart to truly find themselves. But in Akira’s case, I think she should attempt to make up sooner rather than later; I don’t think they’re irreconcilable.

Koi wa Ameagari no You ni – 08

The opening moments of this week’s episode almost felt like a dreaded recap, but thankfully was just meant to establish the fact that Akira and Kondou are FRIENDS! Yes, JUST FRIENDS.

After that hug, the show—and Kondou!—wisely slows things way down while the episode spends a lot more time with the secondary characters that populate the couple’s life, to very pleasing effect. Also, Akira has a big pimple on her right cheek!

Take Yoshizawa: He’s spent many an episode trying to befriend Akira, to absolutely no avail. When Yoshizawa hears Kondou is friends with Akira he wants to be friends too, but Kondou sidesteps the issue by scolding his long bangs, threatening termination before they have a chance to be friends. It’s a joke, but Yoshizawa takes it seriously.

Enter Akira’s other co-worker of similar age, Nishida, who likes Yoshizawa and wants to get closer. She finds one in offering to cut his hair for him after work, which he’s a lot more enthusiastic about than she expected. After he leaves, she and Akira engage in “guy talk” for the first time, to the benefit of both.

Nishida stresses the importance of taking things step by step, which Akira needs to hear, while Akira tells Nishida that a friendship can turn romantic given enough chances for them to get to know one another and deem them more than friends. But there’s no rush!

What’s nice about this post-hug transition is that Kondou doesn’t avoid or ignore Akira; he’s not even bothered or uncomfortable by her presence. This is to be expected: we know, especially from last week, that Kondou is a decent sort, along with being, you know, a full-fledged adult.

As such, Akira uses his loud proclamation of their friendship to take a very logical step: she says “friends text each other”, and successfully acquires his contact info. A little step that brings them closer; now she can converse with him and learn from him even when he’s not around.

As she leaves work she’s practically floating on air, but so are Nishida and Yoshizawa, clearly hitting it off as he’s given a haircut. There’s just good vibes all ’round, and Akira finally gets to dance in giddy delight without being interrupted by a self-important Kase!

The second half expands the show’s horizons to a very satisfying scene between Haruka, arguably Akira’s best friend, and the recently-retired captain of the soccer team, Yamamoto. At first his presence displeases her, especially when he brings up Akira (imitating her almondlike eyes). But when she runs away, he follows, and he gets hurt.

Like Akira, Yamamoto had to leave the club because of a leg injury. Haruka wonders if Akira doesn’t love running anymore. Yamamoto asks if Akira said as much, and if she didn’t, it means that’s not the case. He considers Akira far more talented than him, so while both he and she might still want to play soccer or run, respectively, the high expectations the track star has from both within and without make her extra-cautious.

Yamamoto thinks Akira will be fine, especially when she has friends like Haruka who care about her. It’s just what Haruka needs to hear, and he manages to cheer her up considerably. Like Nishida and Yoshizawa hitting it off, Yamamoto and Haruka simply feel right together, showing that After the Rain isn’t just a one-couple pony!

From there we’re back in the office with Akira doing her homework. She’s unfortunate enough to be applying ointment to her pimple right as the manager comes in, but much more fortunate that the subject of her homework is in Modern Japanese, specifically Rashomon, which he’s recently read, and not for the first time.

I love how into it Kondou gets, calling the very question she’s stuck on a bad one, unless it doesn’t count towards her grade, because it’s a question with many answers depending on the individual. It’s almost fate that Akira has a pimple in the same place as the servant-thief of the story.

The end of the story—with the servant running into the RAIN towards a town to commit a robbery—finishes with the words “what happened to the lowly servant, no one knows,” which Akira believes is the perfect opportunity for a sequel, something Kondou had never considered.

Kondou also says that if he were the thief he’d likely stay under the rashomon, out of the RAIN, to avoid causing trouble, since he’s old and lives timidly. He also sees her pimple as a sign of youth, since he doesn’t get them anymore. It’s all him trying to maintain his stance that he’s not worth Akira’s affection, and that she’s better off with some guy who still gets pimples.

In any case, the discussion is cut short when, while flipping through her book, Kondou finds the same doodles that first got her in trouble with Kase, and the manager retreats. In the meantime, Nishida is on cloud nine and Yoshizawa gets the praise he so desperately wanted from the manager.

While watching a potential couple blossom before her, one of whom she can consider a new friend in Nishida, Akira looks at all the Summer Festival posters Kondou put up and thinks about her older friend Haruka. A couple taps on her phone, and the next we Akira she’s positively resplendent in her yukata, meeting up with an overjoyed Haruka and taking her hand.

Akira has apparently decided to take her time and trust the process vis-a-vis Kondou, having faith that in time a friendship can become more, but not to worry about it so much she can’t enjoy that friendship with him or anyone else. It’s very encouraging that she can contact and hang out with Haruka. Like Haruka, I was worried about her for a little bit there!

Koi wa Ameagari no You ni – 03

Quite disappointed the words she worked so hard to say to Kondou didn’t give her the response she wanted, Akira becomes so preoccupied by Kondou and her feelings for him she seems to float above everything else with little interest.

She reconsiders asking her classmates for advice, and we kinda see them through her eyes. She knows how they’d respond if she mentions someone she likes, and especially if she tells them his age. So she doesn’t bother. When two track kohais lure her back to the track to watch and offer tips, it feels like a gross imposition, and an insensitive one at that.

Upon watching one set a new personal record, she regrets having been lured. When she goes, the girls consider going to her restaurant, she snaps: “DON’T!” That place is her world. Hers…and the manager’s.

As if mimicking Akira’s darkened mood, the heavens open up and a steady rain falls. Akira has no umbrella or coat, so she get soaked. She doesn’t care; she’s too lost in thought.

This rain reminds her of the day she injured her ankle, having felt something but simply taped it up and practiced in the rain anyway. We see everything from the injury, the doctor visit, and the isolation she felt upon being knocked out of action…and it’s frikkin’ heartbreaking!

Mind you, all of that ends with her getting a free cup of joe from Kondou and BOOM, it’s gone from the rain to…After the Rain. Great title, that. When she arrives at the restaurant in the present, soaked head to toe, she meets Kondou there, having a smoke.

He beckons to her to get inside, but she isn’t there for a shift. She’s there to repeat her words, and phrase it so there’s no mistake: I like you. Then she leaves. Kondou, bless him, gets the message, and it causes him to space out at a green light. Was Akira’s confession just a dream; a mirage in the rain?

After it rattles around his aged cranium, Kondou determines that it is not a dream, but a prank Akira and the other young staff members are pulling on him, because there’s no way she’d seriously be into him. He’s SO SURE of that he curses himself for almost falling for the prank!

But as he’s an adult, he doesn’t make a big deal of it. Kids will be kids, and sometimes kids are awful, both to each other and to their elders. He shrugs it off, though not because he isn’t irritated. Those punks!

Akira’s behavior upon returning to work seems to back up his theory, at least for a time. But when her casual talk immediately turns to I’ve told you how I feel; what’s your response, all hope that this was something “shrug-off-able” disintegrates.

Kondou is very careful with how he proceeds. He offers Akira a ride home, since it’s still wet out and she’s still recovering from her ankle tweak. He’s direct about his response: he can’t give her a proper one, because he’s 45 and she’s 17.

Akira immediately disputes the relevance of their age gap, and when Kondou persists, she repeats her confession so loudly and strongly he puts the car in a skid. This isn’t something he can shoo away with what he thought was common sense and social conventions. She’s resolute!

Sensing both of them could use some air (and that continuing to operate a motor vehicle could be hazardous at the moment), the two go to a park. Kondou follows a respectable distance behind Akira, who surely wishes he’d walk beside her. They come to a tree where there’s shelter from the stray raindrops that linger.

He asks her why she likes him, of all people. We already know she has plenty of reasons, and isn’t just interested in him because he “saved” her when she was at her lowest—when the proverbial rain was at its harshest. She’s come to like him even more since getting to know him more. He’s hard-working, honest, kind, fair, and a good father.

And he makes her laugh; indeed, when he insists she reconsider, as he’s a 45-year-old boy with no hopes or dreams, that right there makes her smile and laugh in a way he’d never seen, because she’s hearing him talk in a way she’s never heard him talk before.

Akira doesn’t care that he’s 45, or that she’s 17, or how low an opinion he may have of himself, and she doesn’t list any of the reasons I mentioned above. Instead, she questions the very notion of liking someone requiring a reason at all. And she’s right; you can cherry-pick whatever reasons you happen to brainstorm when explaining why you like or love someone.

But the reality is perhaps closer to Akira’s particular philosophy at this time: that love is ultimately a mystery. You may never know for sure why you feel it for someone; but you can never let that lack of answers frustrate or discourage you.

Being pursued in this way is a strange feeling for Kondou, and a nostalgic one, since it’s been decades since he’s felt it. But he has felt it, so he knows what it’s like better than most. He remembers being Akira’s age, and for a second, we see him like that.

When Kondou jokingly challenges Akira to go on a date him, and find out just how short a time it would take until she finds it creepy, Akira takes it to mean We’re going on a date? We’re going on a date! Kondou dare not correct her, at least not then and there. So, at least for now, on a date they shall go.

Koi wa Ameagari no You ni – 02

Yoshizawa takes a job at the restaurant where Akira works, but never gives him the time of day, nor should she feel obligated to. If, indeed, he only got the job there to get closer to her, he’s barking up the wrong tree! He’ll have better luck with Yui, who considers him more her type.

Speaking of Yui, on a slow day, she and Akira engage in a game of telling one another what makes their hearts flutter. Yui lists a number of tasty foods, while Akira names things like pansies, shoes with ribbons, black-and-white cats, lotion, etc…obviously without mentioning the person who makes her heart flutter the most.

In addition to the work small-talk, we also get a momentary look at the change-making register of the restaurant. I for one love the little touches that make the restaurant setting feel so realistic and cozy.

When a customer forgets their phone and leaves on a bike, Kondo thinks he’s SOL, but Akira takes the phone and bolts, showing Kondo the form and speed that once made her a distinguished member of the track team. Kondo, for his part, is very impressed, as well as happy to see another side of his employee. And Akira is impressive.

However, her ankle injury flares up, and Kondo has no choice but to help her up into his car so he can take her to her clinice for evaluation. Little does he know Akira is absolutely loving every moment she gets to spend alone with the manager, in addition to him demonstrating once more what a kind and caring fellow he is.

Against a goofball like Yoshizawa, you can’t really fault her for developing a thing for Kondo. And of course, she isn’t fazed in the slightest by all the evidence of his son in the backseat; they got along just fine, after all.

At the clinic, Kondo suggests having Yoshizawa bring her things, since he’s her boyfriend at all, causing Akira to emphatically correct that gross misunderstanding (causing the doctor to apologize to his other patients, the same way Kondo apologizes when his staff is rowdy or breaks something).

It’s when Kondo starts staring at Akira’s foot before she removes her sock that she sends him off to take care of the restaurant. But when she comes back later to grab her uniform and bookbag, she catches a glimpse of Kondo in the window and is momentarily spellbound.

Back home, she lounges on her bed, remembering how it felt to be held by Kondo, and then receives a call from an unfamiliar number…which turns out to be Kondo’s! He calls to makes sure she’s alright, and to tell her she can call him anytime if she needs anything. Yes, now Akira has his number. She’s very happy about that.

The next day, feeling a bit cooped up, Akira heads to a konbini on her crutches, and who should she encounter on the sidewalk but Kondo, searching for her house so he can properly apologize to her parents. Her mom (note no mention of dad) is at work, so Kondo treats her to a parfait at a local restaurant instead (and I really got a kick out of Kondo checking out another restaurant’s displays and setup).

When Kondo catches a glimpse of her pink toes (painted last night after his call to her, and perhaps the reason she didn’t want to show him her foot at the clinic) and wonders whether it’s due to the blood pooling in her toes. She simply tells him it’s a pedicure and laughs at his misunderstanding.

Then, quite suddenly, and even to her own surprise and shock, she confesses to Kondo she likes him, right then and there. And Kondo takes it exactly the way you’d expect a decent guy of his age to take it: as a compliment, while also expressing his relief she didn’t hate him like he feared.

Obviously, he’s taking her “I like you” to mean “as a manager, colleague.” Having either dodged a bullet or struck out, Akira merely sets to work on her tasty-looking parfait, while Kondo, happy to hear his employee doesn’t hate him, orders more food.

Koi wa Ameagari no You ni – 01 (First Impressions)

Tachibana Akira is a quiet, soft-spoken high schooler who works part-time at a family restaurant. Despite one of her older co-workers always shitting on the manager, Akira actually has a thing for the guy, even though he’s much older. Where others see weakness or spinelessness, she sees kindness and gentleness.

The manager is divorced and also a dad, and when the kid is hanging out in the break room, Akira shows the kid how to play the recorder properly, noticing he has his dad’s eyes. It’s here we see that Akira is every bit as warm and kindhearted as the manager, and that, if she was, you know, an adult, they might be a fine match for each other.

While Akira’s school friends are fixated on the dreamy soccer captain, Akira doesn’t give that guy a second’s look, and when asked what her type is, basically describes the manager, open fly, loud sneezing and all. They kinda laugh it off, unable to relate to her taste. We also learn that Akira has been working at the restaurant since a leg injury forced her to retire from the track team prematurely. Still, she and Haruka, her former track captain, remain close.

The episode allows us a moment with the manager, as Akira brings up “types” with her co-worker Yui, then brings up the manager as a possible type, and Yui dismisses that possibility immediately, complaining that the manager has a weird smell. The manager accidentally overhears this, and later makes a note to be mindful of the smells he emits as well as take care not to eavesdrop on conversations.

Finally, we learn how Akira and the manager met. Akira, fresh off her surgery, gets out of the rain, and the manager gives her a free cup of joe while she waits. It was just a little gesture, but well-timed Akira was likely feeling very lonely and down, from having to quit track.

Presumably, she applied for a job at the restaurant to get closer to this kind older man, and despite the fact he caught her smelling his shirt, he’s still very much unaware of her feelings, and when he spots an annoying stalker-y classmate who bothers Akira, assumes the prick is her boyfriend.

I’m sure she’d like to tell the manager how she is, but is obviously apprehensive due to the extreme age difference. No doubt this show will explore her attempts to get to a place where she can do so, or failing that, be content with the way things are.

I’d describe this show as fresh and breezy, and yet also warm and very thoughtful. Despite the controversial nature of the premise, it’s handled with all due delicacy and respect so far. The aesthetic is crisp and detailed; everything from the clouds in the sky to the steam on the food, there’s a keen realism to everything, which plays off the somewhat retro character designs nicely.