Bakuman 2 – 24

The editors in the serialization meeting change their votes one by one until the chief is the only one to vote against it, and Ashirogi Muto’s Perfect Crime Club is approved for serialization. After recieving the news and being congratulated by Team Fukuda, Mashiro finds a USB in the slice of cake Miho made for him, on which is a recording of her singing “We Wish You a Merry Christmas.”

The news also comes down that Hattori and Miura will switch places, so Hattori will continue to be Ashirogi’s editor, while Miura takes on Iwase, who is none to happy. After hearing about the initial losing vote to Niizuma, Mashiro decides that Takagi will only give him scripts without layout, so he can better utilize his own imagination. Takagi agrees, and they prepare the first chapter.

Ah, for once, another Ashirogi Muto defeat is turned around at the last minute (or rather, the first minute of this episode), and in an unlikely adaptation of “12 Angry Men” (seven in this case). they get their shot. It’s almost as if the editors had forgotten about the readers and put Ashirogi Muto’s fate in their own hands, rather than those readers, which would have been totally unfair.

But getting those initial doubters to come around will require revision to Perfect Crime Club: enter Hattori, who immediately makes an impact with Ashirogi before officially taking the reins from Miura (who is also impressed with his authors’ professionalism.) When Takagi tells Hattori Mashiro is “saying crazy things”, we worry momentarily, but the drama is quickly dispelled once he explains himself. The ball is in their court.


Rating: 3.5

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Bakuman 2 – 19

Meeting her father so he can ask him permission to marry Kaya, Takagi learns that her father was best friends with Mashiro’s uncle Nobu. After meeting with both Takagi and Mashiro, he gives his approval. At the Jack party that night, all eyes are on Iwase and Niizuma, further firing up Ashirogi. Natural+ gets of online buzz and on its first day Jack is sold out everywhere and it hits first place. When the next issue comes out, Tanto #1 only gets fifth, then descends from there, levelling out below both of Niizuma’s manga. At their new flat, Takagi and Kaya are visited by Iwase, who comes to ‘congratulate’ them, then suddenly names Hattori as her next ‘interest’. Niizuma stops reading Tanto, apparently bored with it.

It’s a mixed bag this week, with good news, bad news, and some serious coincidences. This anime program would have you believe, for instance, that Kaya’s dad was best friends with Mashiro’s uncle who pined for the mother of Kaya’s best friend Miho, who Mashiro has promised to marry. Small world, yeah? But while it’s good news that Takagi and Kaya can finally tie the knot (I guess Takagi’s parents are dead, or something), there’s still the matter of making a living with manga, and Hattori, Niizuma, and Iwase aren’t making it easy.

In fact, Ashirogi is shown no mercy whatsoever, as the cool indie Natural+ screams past their comparitively childish gag manga, which Iwase says proves Takagi doesn’t have talent anymore and therefore she doesn’t love him – because that’s what loves all about AMARITE? Hinamaru even has his Otters 11 turned into an anime, albeit a late night one, while Crow already has one and Aoki’s manga has a shot at adaptation too. With all the mounting hardships, Takagi is even finding it hard to come up with ideas, never good when you’re already behind. And apparently their manga is so uninspiring, Niizuma, their #1 fan, has stopped reading. Really not good. This week almost seemed like piling on.


Rating: 3.5

Car Cameo: In front of the venue for the Shounen Jack party
sit a trio of stately Toyota Crown Majestas.

Bakuman. 2 – 01

Everything picks up where the first season left off, with Mashiro and Takagi getting serialized. Hattori hands them over to a new supervisor, who immediately delves into the logistics of serializing a manga. He hires three assistants for them, sets the deadlines, salaries, and expenses of the enterprise. They are also treated to VIP service as they attend Yoeisha’s New Year’s party, where they meet rivals Hiramaru and Niizuma as well as Mr. Torishima, board of directors. Mashiro sets high goals that impress both him and the Editor-in-chief.

This was a great continuation of the story we’d left last fall, and introduced a lot of new characters and challenges for Ashirogi Muto. It cleverly begins with the OP of Detective Trap, as seen in Mashiro’s head. None of the trials he and Takagi have gone through have jaded him from his ultimate goal. “Hard work, confidence (or conceit) and luck” are the weapons of any successful mangaka, and so confident is he (at least on the surface), Mashrio promises the editor-and-chief and (a very subtly hilarious) Mr. Torishima that he’ll do what his uncle couldn’t – make a living off manga – and do what he left undone – winning first place in the Jack survey.

Lofty goals, but after witnessing the professionalism of his new team – Editor Miura, Chief Assistant Ogawa, Kato the Girl, and Takahama the Quiet – he has cause to strive for them. The party is the perfect vehicle to introduce Kazuya Hiramaru, who some have claimed is even more of a genius than Niizuma – but when they meet him he insists he’d rather be a NEET. The charisma at the party is palpable, as is the cautious optimism. I love how this show doesn’t merely have course enemies as the leads’ rivals; their relationships are often more complicated. Punctuating the episode with a brief cut to Azuki getting Mashiro’s vow via text was also well done.


Rating: 3.5