Sarazanmai – 11 (Fin) – Just Like That

Sooo….yeah. True to form, Ikuni chooses not to go with the simple, straightforward finale, at least not in terms of presentation. A frikkin’ lot happens in these final twenty-odd minutes. It’s a torrent of ideas, metaphors, and processes; almost too much to take in all at once.

While it retained several elements of previous episodes, I still felt like I was back in that first episode, wondering what the hell was going on. But like that first episode, I also didn’t particularly care if I wasn’t quite absorbing everything Sarazanmai was confidently emitting.

At the end of the day, for all the window dressing and CONCEPTS, Kazuki and Enta’s odyssey into the darkness to rescue their friend was nothing more than that: They simply weren’t going to allow their connection to one another be severed—not by a Toi wracked by guilt and grief, not by the Otter egging Toi on, and not by Keppi’s dark half.

When they finally get to Toi, who is in the midst of erasing his memories and thus connections from them, the other two put their faith in the talisman that started their connection in the first place: the miçanga. As they plummet into the abyss watching their connections vanish one moment at a time, Toi himself cries for a stop to it all; for once he doesn’t want to give everything up for anyone. He wants to keep what he has: the friendship of Kazuki and Enta.

As Keppi and Dark Keppi battle and eventually fuse into a Full Keppi, the three friends in kappa form deliver the miçanga to a young Kazuki, shoring up the connection at its source and causing Mr. Otter to crumble away to dust, frustrated that he, an abstract concept, would be defeated.

NO YOU DON’T! STOP LYING!!!

A-Ahem…anyway, Once they’re all back in the normal world (whatever that means), Toi does the right thing and turns himself in, and is sent to juvie, from which he emerges three years later only to throw himself off a bridge. Fortunately, not only does the jump not kill him, but Kazuki and Enta jump in after him, having waited for him to get out all this time. They proceed to run around and have fun, together again at last.

Now that they, as the Kappa King put it, connected their desires through the pain of loss, they and only they can take the future in their hands. Does that mean the three will compete at the World Cup in Qatar? Probably not. But perhaps they no longer have any need for dishes of hope, transformation into kappas, or shirikodama extraction.

Sarazanmai – 10 – A Little Bit of Dishtory Repeating

Way back when, after the siege of Keppi’s castle, Otter saves Mabu’s live with a mechanical heart, but only if he makes a solemn promise. In the present, Reo reveals he’s a kappa too, once a vassal of Keppi’s along with Mabu. He shrink-wraps Keppi and demands the final dish of hope, but empathizes with Kazaki’s wish to save someone close to him, and so lets him tag along while he collects the other four dishes.

During the descent, Reo laughs at Kazuki’s earnest attempt to save his connection with Enta, and his jadedness is understandable; the Mabu they encounter is less his Mabu than ever; cold, distant, and in Reo’s words, nothing but a fake, half-baked doll. They descend further and find Dark Keppi, the half of Keppi created when he split his Shirikodama to escape capture by the Otters.

This otter demands the dishes, and also places Enta in “Enta’s World”, in which his desire—to be loved by Kazuki—is made real. But like Reo with the resurrected Mabu, it’s just not the same, and Enta escapes the fantasy. Reo has a key assist by shooting the head off the Otter and producing four of the five dishes needed, but just then Mabu jumps from a precipice and ends up transforming into a Zombie Kappa.

This means Reo has to be transformed by Keppi—like he and Mabu were in the old times—and go through the same (literal!) song and dance as Kazuki, Enta, and Toi. Even Miyano Mamoru’s casual singing voice is better than those of the other three, as he peers into Mabu’s Shirikodama and learns that in order to live and stay by Reo’s side, Mabu had to give up his connection with him.

That means when Mabu, who he only just freed from zombiehood, decides he can’t live on with that severed connection anymore. Pledging his everlasting love for Reo, his deal with Otter is broken, his mechanical heart stops, and he disappears. When the dust clears, Keppi creates a new fifth dish of hope (Kazuki broke one earlier) and Reo is beside himself with grief, unleashing it with his pistol in a destruction spree that ruins Asakusa’s bridges.

Then Reo forgets who Mabu ever was, and is then shot through the heart…by Toi, who has returned from the ferry. Kazuki thinks he’s changed his mind and come to rescue him and Enta, but Toi hesitates, wanting the five dishes to bring his brother back. Enta’s clock runs down to fifteen, ten, zero seconds…and Kazuki makes his  wish, even at gunpoint.

When Enta wakes up, Toi admits he probably would have saved Enta too…but now he’s as full of grief and rage and desire as Reo was before he shot him. That attracts Otter, who looks to bring him under his influence, using the spectre of his older brother to lure him in. Once Chikai appears, whispering in his ear, Toi lets go of Kazuki’s hand and walks into the darkness of his own volition.

With Kazuki, Enta, Haruka, Mabu and Reo’s stories largely complete, the final episode will seek to close the book on Toi, one way or another, who has only had to live in a world without his brother for a few hours (maybe less), and is thus all too easily manipulated by Otter. We’ll see how Keppi and the Golden Duo fare against that negative influence, and maybe get back to being three normal soccer-loving kids.

Sarazanmai – 09 – Only the Bad Ones Survive

Things go from bad to worse in the Azumi Sara comedy of errors. While trying to free Prince Keppi from ice, he slides out into the street, where he’s shattered by a passing otter-aligned Dekotora truck. Not a great start! Still, with all the comedic musical stabs, it was clear Keppi was probably going to be fine in the end. After all, he’s a magical creature!

Enta, on the other hand? Not a magical creature, just a boy who was shot by the police. Since Mabo and Reo brainwashed all the other cops, they won’t listen to his story, and instead place all the blame on Chikai. Tao sees Enta on the news, he leaves Enta in Kazaki’s care. Tao, meanwhile, is the only one who can stand with his big brother. As expected, through extremely whimsical means Sara manages to reassemble and thaw Keppi.

Enta’s sister Otone eventually convinces Kazaki to finally face Enta and try to talk to him, and to his surprise, Enta is alive and well…only in Kappa form, thanks to the newly-built Keppi springing into action right away. There’s a catch, however: there’s a ticking clock on Enta’s kappa cap, indicating when he’ll die. If they’re going to save him, they’ll need dishes fast. Time is of the essence.

Once off the ferry, Chikai meets up Masa with a former little bro in his gang who knows the truth about Tao killing the boss years ago. After hanging around with him for a while, before they depart Chikai kills him because he was “to good to survive,” and when he’s confronted by another gangster, Chikai is surprised to find Tao has a pistol of his own, and is providing covering fire for his escape.

To drive home the fact that Mabo and Reo are not your conventional two-dimentional villains, the latter is excited to have been reunited with the former until he catches him being worked over by a desirous doppelganger; a mirror of the desires within Reo. The real Reo resolves to take back the real Mabu with his own strength, suggesting he’s not in lockstep with his otter kin.

When Kazaki collects a dish from his room, Haruka is awake, and asks him if he’s leaving again. Kazaki doesn’t sugar-coat things; he may be going into danger, but it’s to help Enta, whom Haruka recognizes is someone more than deserving of help from his brother for everything he did for both of them. Haruka also produces a drawing of Kazaki playing soccer that he drew with Enta, and Kazaki suddenly remembers meeting Tao when he was little.

Tao, meanwhile, follows his brother as far as he can, before he realizes that even he isn’t safe from being offed once his usefulness is at an end. That time seems to arrive when Tao catches up with Chikai, only for Chikai to pull a gun on him. Before he can kill Tao, he’s shot by the other gangster from long range, who is, in turn, shot by Chikai before he collapses.

Turns out Chikai was wrong; it’s not always the bad ones who survive. Or is he? As he lies dying and Tao weeps on the roof of the suddenly very funereal-looking ferry, memories of their brotherhood flash by, showing a loving Chikai and Tao who were always there for one another, even as Chikai grew darker and more troubled, Tao never ceased to stay beside him.

In Chikai’s pocket is a photo of their family with everyone scratched out by Sharpie except for Tao. As terrible a person as he was, Kuji Chikai wasn’t always that way, and he never stopped loving Tao. But now he’s gone, and Tao has a choice.

Sarazanmai – 08 – Giving Up Something Precious

Where did Kazuki originally get his miçanga? From Toi, years ago, after he shot his brother’s foe. His brother had given up so much for him, he wanted to return the favor, and so gave up soccer, just like Kazuki would end up doing after Haruka’s injury. The thing is, Kazuki doesn’t remember.

That may be part of the equation of why Toi is alright leaving Kazuki and Enta, but it doesn’t mean he’s okay with it. Still, family comes first, and Toi would do anything for his brother. Unfortunately, Chikai is such a selfish jerk that he exploits Toi’s utter devotion to him at every turn, not letting him have his own life. “You need me, I need you.” Neither is true; not anymore.

On the contrary, Toi would be better off if his rotten brother were apprehended and faced justice. He has new connections. Not to be cold with regard to Chikai—he may well genuinely love his brother and wants them to be together. But he’s also an adult who made his choices, which come with consequences.

That he’s okay with Toi getting dragged down with him out of fraternal loyalty is proof of Chikai’s self-serving nature. More proof? Relying on a 14-year-old stranger in Enta to keep him hidden from the roaming Otter policemen. At least during this interaction, Enta learns the truth about the origin of Kazuki’s miçanga, and that Kazuki an Toi’s connection goes back further than he thought.

While the sudden presence of the “bro” of the guy Chikai (though technically Toi) killed wanting revenge seems rather sudden and contrived, when Chikai tosses Enta in the line of the guy’s sword, it’s Strike Three; dude should be in jail.

Thankfully for Enta, Reo and Mabo rescue him from the gangster, and then Reo shoots said gangster dead. Two other police hear the shot, but he and Mabo use special otter pins to brainwash them into telling the story of their choosing.

In a theater, Keppi consults with Sara on the Otter situation, and Sara unveils an apparatus that will flash freeze them alive upon capture, all to get back “Dark Keppi.” It’s interesting to see these two work so closely together, and to see Sara’s intermittent extreme clumsiness on display as she sneezes from pepper and accidentally kicks Keppi into the device, freezing him.

When Toi calls Enta to say his farewells, Enta tells him he knows about the miçanga, but that Kazuki doesn’t realize it’s Toi who gave it to him. Toi doesn’t think it matters, nor is there any reason to tell him, and says goodbye, wishing Enta and Kazuki the best as the Golden Duo.

When Toi calls Kazuki, he tests him by saying the same words he said years ago about having to “protect the connections he has.” Kazuki assumes, quite wrongly, that Toi is leaving because Enta betrayed them and stole the Dishes of Hope.

That makes Enta’s next encounter with Kazuki fraught with a great deal of anger and sadness over the misunderstanding. Even though Enta returns with the dishes and urges Kazuki to hurry up and help him get Toi back, Kazuki is still burning from Enta’s betrayal, and won’t believe or even listen to another word he says.

This is how, on the same day his friend Toi leaves his life, possibly never to be seen again, Kazuki puts all the blame on Enta and disowns him as a friend. To make matters worses, Keppi is nowhere to be found and thus can’t protect them when Reo and Mabo show up in the park.

Reo pulls out his pistol and shoots, and Enta takes the bullet for Kazuki…a love bullet! As the cops leave with the dishes, Mabo tells Kazuki he may still have time to save Enta’s life, and Enta comes to sprawled over Kazuki’s lap, and laughs that he couldn’t even joke about ever hating him before passing out again.

No doubt unsure what else to do, Kazuki calls Toi, but Toi is already on the boat out of Tokyo with his brother, and doesn’t bother answering. One imagines if Kazuki texted him that Enta got shot, he might ask the boat to turn around, but Kazuki doesn’t text him, so he doesn’t know how dire things are back on land.

With Kazuki a definite emotional wreck, Enta possibly dead, Toi on a boat and Keppi an ice kappa-cube, the Otters couldn’t be in a stronger position, nor could the good guys be mired in a deeper abyss of despair. Where does Sarazanmai go from here?

Sarazanmai – 07 – Back to Who He Was

We check in on Mabu as he’s undergoing some kind of semi-sexy “maintenance,” which makes sense considering we’ve seen that he has a mechanical heart that I believe runs on desire. Mabu and his partner Reo seem more distant than ever.

Meanwhile, Kazuki is now to cherishing his connections: those with his friends, his parents, and of course, his totez-adorbz bro. He doesn’t even accept his mom’s sachet, telling Haruka to hold onto it for him. You can tell his folks are relieved Kazuki is acting more like he used to: cheerful, upbeat, and magnetic.

It’s a triumphant moment just to see Kazuki joining Enta at their riverside practice spot; more so when Toi decides to join the soccer club, a heart once thought cold sufficiently thawed by the warmth and enthusiasm of the other two and their acceptance of him, delinquent history and all.

While the kappa boys are on cloud nine, Reo surveys the ward for potential zombie kappas alone, in the dark. In a flashback to just after the siege of the Kappa Kingdom, he learns that his beloved partner Mabu was gravely wounded, and but for the grace of the Otter Empire’s Chief “Otticer” of Science and Technology, would have shuffled off this mortal coil.

The lads are shocked to find the practice spot has been vandalized by trash (like Dr. Kappa cans) and paint, but immediately set to work cleaning the place up until it sparkles, employing the same teamwork they would have used playing footie.

But the next day, the mess is back, and just as bad, and Toi gets a foreboding call from his brother, informing him his latest job went south and they’ll have to leave town. The timing can’t be a coincidence, can it?

While I initially thought Toi was vandalizing the spot on the sly, my suspicions evaporated when I saw how genuinely disappointed he was that he had to go, and his gratitude when Kazuki suggests they collect the one more Dish of Hope needed to make five, and use them to help Toi and his bro.

When Toi asks Enta why he’s okay with this arrangement, Enta states that the way he sees it, Kazuki’s present wish is to help Toi. Almost on queue, the potential source of that fifth and final dish arrives in the form of a “Balls” themed Kappa Zombie, reported by Sara (who goes on lovey-dovey strolls with Keppi) with an E.T. visual reference.

But when they all meet in Keppi’s park, he senses something is amiss, and sure enough, they discover the four dishes they hid under the ground tile have been stolen. Keppi suspects the Otter Empire, and he transforms the trio into kappa to do their thing, sticking with the plan to collect a fifth dish.

The Kappa Zombie’s Shirikodama reveals he longed to be kicked, either like a ball or in the balls—or heck, both—by his girlfriend. In the Sarazanmai that follows his defeat, the culprit behind both the practice spot vandalism and theft of the Dishes of Hope is revealed to be Enta, who is jealous of Kazuki’s increased attention towards Toi.

Enta’s treachery is dastardly, but easily explained: just when Kazuki is back to the way he was before Haruka’s accident, Enta has to share the guy he loves with someone else; someone he feels has neither put in the work nor been around long enough to deserve such outsize attention; at least compared to him.

Speaking of being “back to the way he was,” that’s how the New Mabu describes himself on the rooftop when Reo sees him for the first time since his injury and operation. But Reo’s reaction is immediate and intense; this is not the Mabu he knew; he would never look at him the way this Mabu does.

Mabu may have been given a mechanical heart that enables him to live on, but as Reo said earlier in the episode, everything he says is a lie. And of course, consistent with Kunihiko’s love of wordplay, uso is Japanese for “a lie” but can also mean “otter”, as in kawauso.

All this backstory deepening the Otter Cop characters is very welcome. As for the large monster with very Keppi-like pink eyes that ominously yells “daaarknessss”…well, I think I’ll just need to tune in next week to figure out what that’s about…

Sarazanmai – 06 – Inside the Circle

As a dejected Haruka watches the real Sara pull the same fortune as yesterday (“sachet”, due to the zombie not being beaten), Kazuki resigns himself to being a kappa for the rest of his miserable existence, unable to be seen by anyone.

But Enta and Toi aren’t ready to let him give up on himself for Haruka, and Keppi seems game to assist where he can. As Kazuki laments being “outside the circle”, he’s really in the middle of two of them: his family and his kappa crew.

Then Reo, one of the cops who is currently separated from Mabo, his partner, encounters Haruka feeding Nyaranko. Haruka assumes he’s to be arrested for theft of Kazuki’s smile; Reo decides to roll the dice and extract his desire, if it is indeed desire and not love, tossing the cat aside.

The cat lands on Enta as he’s pleading with Kazuki, and Keppi reports that Haruka has been kidnapped by the Imperial Army of the Otters, long-time enemies of the Kappa, and of which Reo and Mabo are soldiers. Kazuki resolves to rescue Haruka at any cost.

After a brief history lesson from Keppi (including use of a modified Alexander Mosaic), he and the lads descend into the Otters’ vast industrial facilities dedicated to extracting desire from humans (now that there are no Kappas left other than Keppi) and creating Zombie Kappas.

Kazuki locates the box in which Haruka has been stashed, but it’s already part of the production line, and keeping up with it on its unrelenting path to oblivion is tough, even with help from Keppi.

Ultimately, Kazuki comes up a little bit short, and Haruka’s box begins its long drop into the matrix that will turn him into a Zombie Kappa. This means the end of Haruka, and the lads learn for the first time that the Zombies they’ve previously defeated are not only gone, but ceased to ever exist (hence their disappearance from photos and memories).

Keppi presents one last chance to save Haruka: a Shirikodama transplant, with Kazuki as the donor. That will mean the brothers will swap fates, and Kazuki is fine with that, since he feels he was always “outside the circle” anyway.

Obviously, neither Enta nor Toi will allow him to make that kind of sacrifice. Toi uses his gun to reverse the winch sending him down, and Enta shows him the miçanga Haruka never threw away, because he never gave up on his big bro.

As a confirmation Haruka never gave up, his box is blocked from conversion to a Zombie Kappa because it reads as “love”, not “desire”; Otters are only interested in the latter, so he’s marked for return. The bad news is, he’s headed straight for a giant shredder (evoking memories of the “Child Broiler” in Penguindrum).

Keppi rolls up into a soccer-sized ball, and Toi and Enta pass it to Kazuki, who uses a bicycle kick to knock Haruka’s box off its fatal course. A sleeping Haruka pops out of the box, and Kazuki is there to catch him.

We learn that Haruka had the sachet because he encountered Kazuki’s real mom shortly after Kazuki took his leave of her, and noticed the sachet had been left behind. He pleaded with her not to take Kazuki away, and she assured him he didn’t need to worry about that.

With that, the Sachet Zombie Kappa is defeated, and the lads regain their human form. No mention of a Dish of Hope, nor any tearful reunion with a newly-awake Haruka, just the three lads in the small Kappa plaza, and Kazuki suddenly feeling different than the last time he had his human body, no doubt because now he knows he’s not outside the circle, but in the center of it.

The Otter Cops don’t seem too perturbed about their latest defeat, and will certainly have their eyes on the Kappa boys henceforth. The episode closes with a flashback to long ago when the two of them stormed the Kappa castle to kill Keppi, only for Mabo to be gravely wounded, which may explain why his heart is clockwork?

Who knows…lots of blanks left to fill, but at least now we know for sure this is a war between the very well-supplied Otters and the last surviving Kappa. This was an episode that effectively departed from the usual monster-o-f-the-week formulae of earlier episodes, and was a thrilling adventure to boot. With Kazuki in a much better place emotionally, the Kappa triad looks better equipped to handle the next challenge thrown their way.