Inuyashiki – 02

Last week I watched with intense interest and wonder as Iyunashiki suddenly received a new lease on life out of nowhere; this week we get to know the other person who was killed and reconstructed by the alien ship: Shihigami Hiro. Ironically, he’s not the hero, but the villain, as is made quite clear by the end of this episode.

With a calming, pleasant lilt to his voice (he is excellently voiced by live action actor Murakami Nijirou), and on a mission to convince his recently beat-up friend “Chakkou” to come back to school, at first Hiro doesn’t seem that bad…but when he mentions there’s a slasher who’s killed eight people, I knew immediately he was talking about himself, well before he opened his face to show Chakkou what he’s become.

Hiro demonstrates his new powers to a shocked, amazed, and slightly freaked-out friend: he kills a bird by pointing at it and saying bang; then makes all the TVs in an Ikebukuro electronics store broadcast porn. Harmless fun, right? Well, no…harming animals for no reason is a telltale sign of sociopathy, which  I’m willing to bet our lad had before his transformation.

The only thing that’s changed is that with his new body, he now has the ability to make his twisted impulses a reality. He can make dozens of cars crash into each other, and he can kill anyone by pointing at them and saying bang. He’s like a far more efficient Yagami Light, only without even a hint of justice.

His only glint of humanity is that he considers friends and family off-limits (at least for now), even if he couldn’t care less about anyone else, and offers to kill the one(s) who beat Chakkou, which Chakkou, not being a sociopath, obviously doesn’t want. Unfortunately, he has little choice in the matter; Hiro is a force of nature now and his appetites are formidable.

Case in point: in one of the grisliest, most fucked-up scenes I’ve seen in an anime in a long time, Hiro randomly picks a house and goes room-to-room executing its occupants: a mother by the stove, a father bathing with his young son (his body pins the boy under him so he drowns in the bath…just awful), and finally, the teenage daughter upon coming home.

The father and daughter have time to beg for their life, but Hiro gives them an order they can’t obey—don’t cry or beg for your life—and punishes them with death. First, he asks the girl his age if she reads any manga, and is momentarily excited that she likes One Piece and has a favorite character he approves of.

The casualness with which he carries out his rampage leaves no doubt: Hiro is an irredeemable monster that needs to be put down before more families suffer his wrath.

But with that body and the weaponry and defenses it contains, there’s only one person who can be the hero to slay this beast: Iyunashiki, the titular “Last Hero.”

Upon coming home, Ichirou can hear the last screams of the daughter Hiro is torturing, but the fact he still doesn’t have much luck is demonstrated when he gets stuck in traffic and is too late to save her. Clearly, he hasn’t explored the extent of his own abilities yet, or he would have, i dunno, run really fast or flown to her aid (unless his body doesn’t actually allow that).

In any case, upon inspecting the house and the family of victims, Ichirou discovers Hiro is still lingering there. Hiro assumes he’s the grandpa, and shoots him in the head before leaving, but Ichirou isn’t the grandpa, and while he was knocked down, the bang didn’t seem to cause any other damage.

I’d hope that with our hero meeting the villian, the slaughter of innocents will cease…or at least slow. But who am I kidding? These two are, at worst, equally matched, and with Ichirou’s clumsiness and Hiro’s give-no-fucks attitude, quite a bit of collateral damage will be in order. Hiro believes he’s a god. He won’t give that up easily. But neither will Ichirou.

P.S. While I love the visuals of the OP, the rap metal theme (which may owe a bit to Rage Against the Machine) and its English lyrics is a bit cheesy. Ah well. 

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Inuyashiki – 01 (First Impressions)

Inuyashiki Ichirou has, at least to me, a pretty impressive name, but his life is depicted as…less impressive. Like Japan, he’s old. It’s worse: even though he’s just 58, he looks more like he’s in his 70s or 80s. His kids are in high school, and they’ve never been that impressed by him.

He finally makes enough money to buy his family a new house, and they’re underwhelmed by its size and the fact it’s next to (and in the shadow of) a much bigger house owned by their neighbor Oda, a successful manga artist.

Ichirou’s family abandons him and has dinner at a family restaurant (ironic) while he’s stuck with all the boxes.

Speaking of boxes, Inuyashiki Ichirou would seem to have checked off a lot of the ones he was expected to: got an education, a salaried job, a wife and two healthy kids. He finds a tossed-away dog and names her Hanaka, but the family just sees her as a nuisance and a burden.

He’s alone. So alone, when he’s cavalierly diagnosed with terminal stomach cancer and given three months to live by a doctor with one of the worst bedside manners I’ve ever seen, not one member of his family answers his phone calls.

He doubts they’d even cry if he told them; they’d probably just curse him for being so weak and frail and ineffectual. His daughter tells her friends he’s her grandfather, for Christ’s sake. This is a sad man on every level; thank god he has Hanaka to hug.

But while out walking her, he and another younger man with dark hair we only catch a glimpse of are apparently flattened by a crashed alien ship. Willing to take responsibility despite their tight schedule, Iyunashiki is painstakingly reconstructed with non-organic material.

He looks exactly the same, but Ichirou doesn’t feel right. He’s very thirsty; he no longer needs glasses; oh, and his arms, back, and head all retract to reveal various types of bizarre machinery, scaring the heck out of Hanaka.

I couldn’t help but think of the changes the MC of Parasyte went through, only rather than being infected with an alien parasite, Ichirou is only alive because the aliens were nice enough to rebuild his body, and mind, in perfect detail…only better.

One could say he’s been given great power, and with that comes great responsibility. When he encounters a gang of youths attacking a homeless man (who they call a “cockroach” with fireworks and with metal bats at the ready, Ichirou steps in to stop them.

First of all, I sorely hope roving gangs of kids beating up the homeless isn’t, like, a thing in Japan. That’s doubly distressing considering how much respect elders are supposed to be shown by youth in Japan, and how large a proportion of the population the elderly are becoming.

Ichirou is quickly beaten into the ground by the kids, who believe they’ve killed him and figure they might as well kill the homeless guy too. Honestly, this is the scum of the earth.

But in a hilariously, thoroughly satisfying, absolutely righteous climax to this sad tale of an old, weak, ineffectual man, his body acts on its own; targeting all the bad eggs Terminator-style, plotting firing solutions, and launching a non-lethal barrage of “fireworks” that spook the kids into scattering before they do any more harm.

Even better, his body’s OS uses its scan data to discover the identities of the young assailants and broadcasts a posted video of their activities on every screen in the city. They’re eventually found out and likely to be caught by the police and punished for their crimes. It’s probably better than they deserve; I was fully prepared for Ichirou to kill them.

But he’s not a killer. What he has become is a hero. More importantly, by risking his life to save another and becoming emotionally overcome by the weight of that sequence of events, Ichirou cries tears of joy. He may still look like a spent old man, but he’s never felt more alive, and I sincerely doubt this will be the last of his heroic acts.

Inuyashiki paints a pretty bleak picture of Japanese society, to the point it was pretty damn unpleasant to watch how Ichirou was treated by everyone in his life. The show is clearly on his side, and, well, so am I, even if I agree with his kids that the house he chose is a little depressing. It’s refreshing to see an anime for once not focusing a bunch of teenagers, instead starring a family man desperate to catch a break.

Due to the extreme nature of his transformation, he’ll likely be keeping this a secret from his family and everyone else, which means he’ll still have to play the role of the man he used to be. Hey, every hero has to have an alter-ego, right? They also have to have an arch-nemesis; my money’s on that younger man at the sight of the alien crash serving that role.