Masamune-kun no Revenge – 05

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I’ve found that it’s tricky switching gears from Kuzu no Honkai, an R-rated seinen show, with Masamune-kun’s Revenge, a PG-13 rom-com that’s becoming increasingly harem-y. You won’t see a lot of girls posing with airsoft guns in Kuzu.

The two shows, while ostensibly about relationships between people, go about their business in very different ways. Revenge, even at its most serious, is still a much “lighter” show than the leaden Kuzu. I realize I’m not saying anything particularly groundbreaking here, just noting an observation.

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For one thing, Revenge utilizes an array of familiar, well-trodden elements from its genre as it progresses. Masamune truly wants to get Adagaki to fall for him so he can exact his revenge, but he’s unwittingly finding himself flush with women, due partially to his hot guy status, but also his genuine, if sometimes, reluctant, kindness, borne from once being on the other side.

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Put up against Adagaki, Yoshino, and even class-rep Futaba, so far Fujinomiya Neko is the weakest of the girls now in his orbit, for two big reasons. First, she’s less of a character than a collection of odd quirks (elaborate lies, going commando, fake blood) that doesn’t yet add up to anything. Second, like Masamune we know nothing about her, why she truly respects/admires him, and why she transferred.

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Her most interesting moment comes when she spots her competition, Adagaki (which had me thinking of and comparing her to Akane over at Kuzu, which I really shouldn’t do). But again, because we have no idea why she’s going after Masamune specifically, I’m not really invested in her mission to beat Adagaki.

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Masamune, meanwhile, ends up firmly back on Adagaki’s bad side, for, among other reasons not being more forceful in rebuke her advances. Adagaki is still figuring out what she feels about this guy, but it’s clear she really doesn’t like watching another girl get too close to him, or the fact he does next to nothing to stop it. It makes her think he’s shallow to fall under another’s spell so easily.

The two get to have it out, somewhat, when they’re punished for skipping class by having to clean the pool (which is oddly full of water). Because it’s a pool, Adagaki naturally ends up in it, can’t swim, and almost has to be rescued.

When pressed, Masamune admits he can’t help but want to save her, since he likes her so much. Adagaki wants proof: a kiss. Looks like the turbulence caused by Neko didn’t fully snuff out the flame…unless, like last week, another unfortunate interruption ruins the moment…again!

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Alderamin on the Sky – 06

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I wasn’t expecting this episode of Alderamin to match last week’s awesomely transcendent look back at how Ikta and Yatori met and became something more than friends or family. But it didn’t have to. What we got was another strong, competent outing wherein Ikta and the rest of the knights are assigned to the Northern frontier for further training with its garrison.

Before they do, Ikta reports that “Anarai’ box” is about to open, which sounds like a kind of Pandora’s box, since Anarai was his master, who defected to Katjvarna’s enemy Kioka. He also informs Torway and Matt about the possibility of wonderful, energetic girls in the Northern Region, which has the effect of lessening their weariness of going to a land of backwater “barbarians.”

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He also manages to sexually harass Haroma, but Yatori keeps him in check nicely. Speaking of check, I liked how this episode opened with Matt beating Haroma at chess, but having no confidence whatsoever of beating Ikta, understanding his role as second-stringer.

When the knights/officer candidates arrive at the garrison, they are greeted by a somewhat stereotypical dottering self-important commander who clearly does not impress Ikta. In addition to Ikta and Yatori, Alderamin’s strength is its dialogue, both spoken and unspoken.

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While at the banquet celebrating the arrival of the fresh troops, Ikta meets his new direct CO Senpa Sazaluf, who seems like someone smart enough to give Ikta leeway, but in return gets to say things like ‘you don’t look like a knight…but [Remion] does’, as Remion, much to Ikta’s chagrin, is surrounded by pretty young women without haing to say a word.

Just as the handsome young marksman is quickly beset by admirers, Yatori is almost immediately challenged to a duel by the biggest badass in the garrison, who knows the Igsem name well. After asking proper permission, Yatori graciously accepts, but only uses one of the two wooden swords the cavalryman tosses her.

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The Igsem two-sword style, you see, is for multiple opponents at once. One opponent, one blade. The big dude bristles at her perceived presumptuousness, but it’s really he who is being cocky. The princess laments Yatori having to demonstrate her skill as everyone gawks, but Ikta corrects her: that’s exactly what the Igsem style is all about.

Only the Igsems have leave from the emperor to pursue their two-sword style, as long as they never lose a duel. That power and prestige creates it’s fair share of would-be rivals like the armored gentleman here. But all he’s doing is giving Yatori another chance to demonstrate the invincibility of her house and its style.

That has the effect of both discouraging the less committed among their rivals, but also motivates a few to becoming stronger and stronger, that they may one day challenge Igsem properly. They project an invincibility others in the empire seek to match, and the emperor reaps the rewards.

Ikta wants Chamille to understand that Yatori fights and wins and does her duty because she believes the princess will do hers. Whatever reservations about her blood Chamille may have, the Igsems only exist because of it.

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If you don’t like watching Igsem prove she’s the strongest or Ikta prove he’s the cleverest, this just isn’t your kinda show, but I’m fine with it, especially now that I’ve glimpsed their past together. These guys are special, which means they both get a degree of independence not afforded other soldiers of their rank; there’s also the whole knighthood and rescuing-the-princess business that has made them famous.

Yet Ikta, unlike Yatori, is not constantly hassled by those seeking to observe his not inconsiderable talents. Igsem is to Yatori as Anarai is to Ikta, but much of the emprie considers his beloved master a traitor and blasphemer. But just as Yatori carries the mantle of invincibility, Ikta is a stealthy preacher of Anarai’s Science, and it almost always comes in handy against less sophisticated minds.

Enter the officer trying to confiscate all of Private Kanna Temari’s beloved books, including one written by that Bad Man Anarai. Not only does Ikta swoop in to stop him from striking Kanna, he also exposes his plan to sell the books for a tidy profit. He also uses knowledge from Anarai’s book—one of Kanna’s most prized, which he’s probably read many times—to neutralize the aggressive officer via giant spider.

Kanna is suitably impressed, and Ikta shows what a charmer he can be. Unlike Torway, Ikta has to seek out girls, and he needs an in. This time, that in isn’t that he slept with the girl’s mother (that would be quite a coincidence!), but that even if Kanna doesn’t know it (or want it to be true), they are both of them students of Anarai…and of science. It will be interesting to see how their friendship progresses.

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Of course, we’ll see if it ever does progress, because the episode builds to a kind of crescendo of mysteries and threats at the end. Sazaluf doesn’t have much choice but to jail Ikta to save face for his blatant failure to report for duty, but Ikta runs off and uses his spirit to shed light on…something that causes him a degree of concern.

We then cut to one of the Sinack villages in the mountains, where a charismatic young lady named Nanaku Daru is poised to start a fresh offensive against the imperialist intruders who have stolen half of their land, as well as the Hahashiku, probably the artifact (or person) Ikta discovered in the dungeon.

A fight is clearly coming, but I have the utmost confidence in Ikta, Yatori, and their comrades to defend the empire.

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Ore Monogatari!! – 17

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With Takeo and Rinko’s relationship secure (as if there was going to be any doubt) after the Mariya Incursion, and Christmas approaching, Rinko asks Takeo if it would be okay to celebrate with her friends and his friends, and he’s find with it. After all, they’re on cloud nine, and they’re united in their desire to spread the love and happiness; paying it forward, if you will. And with one of each of their friends, Nanako and Kurihara, at the dating ten-yard line, they want to do everything they can to help.

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They end up doing just that…and it’s just too much. Combined with their own usual lovey-dovey behavior towards each other, Rinko and Takeo carefully set everything up so Nanako and Kurihara are together, and it puts a lot of pressure on both of them. Kurihara deals with that pressure by doing a lot of nervous laughing and joking, while Nanako seems to coil up into a ball of irritation, not to mention confusion over Kurihara’s words and gestures and the meaning behind them.

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She finally just leaves the karaoke booth, and as Rinko chases after her, a trio of roughs start bothering them. Kurihara does the practical thing: when he sees what happens, he runs off to get Takeo (who intimidated these same roughs in the cold open without even trying or, indeed, knowing they existed). But that makes Nanako even madder; why couldn’t he rescue her himself? She continues fleeing, and when Rinko tries to follow, she snaps at her that not everyone can be like her and Takeo.

It’s a bit harsh, but it’s also true, and Takeo and Rinko know it. They came together naturally without overt outside assistance (they both recall Suna simply sitting back and quietly supporting/rooting for them without getting too hands-on. Yet again, watching a secondary relationship in the making helps this couple grow.

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Kurihara decides to be a man and make up for his misstep with the roughs by performing a feat of manliness: climbing the giant Christmas tree to the top to grab an ornament that, it is said, will help you get the person you like to go out with you. Obviously there’s no real power in the thing; it’s just a totem, but the gesture of getting it (as Takeo spots and ultimately catches Kurihara when he falls) and the feelings behind it are what move Nanako, who returns when Rinko tells her what Kurihara’s doing. The two have a very public mutual confession, to the delight of all around them, especially Takeo and Rinko. It happened, without them having to push too hard, or at all. They just had to let it.

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The aftermath to this is fantastic, with Kurihara and Nanako starting to act totally differently, and just as lovey-dovey as Nanako poo-pooed before her own relationship bloomed. Indeed, the lovebirds were holding hands before they were a couple, and literally hours after they became one, already got their first kiss out of the way.

That gets Rinko feeling down, and all of a sudden the tables are turned as now it’s Nanako who will offer advice—but hopefully not do too much—to see to it Rinko gets her first kiss from Takeo. And just like that, we have a fun new couple different from the main one, whose portrait was very quickly and efficiently painted this week. The love is spreading. Soon no one will be safe.

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Ore Monogatari!! – 16

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—”I wonder if I can like someone again.”
—”I’m sure you can.”
—”When?”
—”Eventually.”
—”I’m sick of this! I want to now! But I can’t right now!”

That exchange between a fiercely honest, freshly-heartbroken Saijou Mariya and a savvy, supportive, tissue-providing Suna, says it all: Falling for someone who’s already firmly in love with someone else SUCKS. But it’s also a near-universal feeling we all have at some point in our lives. Even “Nature Is My Master” Takeo felt that way, when he thought Rinko liked Suna and not him.

As such, it’s a near-ubiquitous theme in romance anime. But rarely have I seen it so beautifully—and efficiently!—handled than these last two episodes. Saijou’s arc went by breathlessly quickly, yet still allowed us to get lost in it, in her head, and in all those swirling emotions people in her situation tend to have.

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When she added “…as a person” to her confession to Takeo last week, I knew she actually liked him as a man, you knew she actually liked Takeo as a man, and after a couple periods of class, Suna knew she actually liked Takeo as a man. But Takeo? Forget it. In exchange for all his wonderful qualities, he’s an appallingly oblivious fellow, and that’s okay; I don’t need a perfect protagonist.

But more to the point, he simply trusts Saijou’s words as she spoke them, because he has no reason he knows of not to. He’s convinced he’s not popular with girls…and because neither Ai nor Saijou confessed their love, he has no reason to doubt that assessment of himself, either.

Similarly, Rinko trusts Saijou, and even decides to cultivate a kind of friendship with her, as they find it easy to talk to each other. Rinko is worried about other girls falling for Takeo, but not Saijou, because she said she likes him as a PERSON. That’s enough for Takeo, and it’s enough for Rinko, and neither will be hurt by Saijou continuing this charade indefinitely.

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No, the person who will end up hurt is Saijou herself. When Suna approaches her, she expects to be castigated and comes clean to him: “Yes, I know I’m a cheat, and I’m lying about the extent of my feelings. So what?” She knows the answer: because she’ll never be happy with things like this. At the end of the day, she’s a good person, and isn’t going to try to break anyone up. To her surprise, Suna isn’t concerned with her actions thus far, but rather the emotional toll they’re having on her. He…he cares about her! AS A PERSON!!

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Thanks to Suna, Saijou decides to nip things in the bud. The limbo she’s in is untenable; she has to be honest about her feelings, because Takeo and Rinko will never accuse her of being dishonest. The scene where she finds Takeo alone in the dark classroom, which then fills with gorgeous golden light, is as good a visual metaphor for a weight being lifted as one can ask for. It’s also mighty purty.

Takeo briefly sports an appropriately stunned look, followed by a quick and categorical rejection. But he’s not saying no because he already has a girlfriend; he’s saying it because he loves Rinko with all his heart, for any, all, and no reasons at all. He’s oblivious about a lot of things, but his heart never lets him doubt his love for Rinko for a minute.

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Saijou tells Takeo she wasn’t lying when she said she liked him as a person too, and is able to withdraw with dignity, but once she hits the bench outside, the tears come hard and fast, so it’s good Suna’s there with two(!) boxes of Kleenex to help her through this trying but ultimately necessary time. She fell for the wrong person, but it will pass, and she’ll fall for someone else eventually. Hopefully Suna, AMIRITE!?!

As for Takeo, the sudden realization that there are girls besides Rinko who do like him, make him look upon his constant protestations to the contrary with contempt. All this time he was telling Rinko something he believed was true, but wasn’t. So as soon as Saijou is gone, he runs as fast as he can to Rinko to make everything sparkling clear: it doesn’t matter whether other girls like him or not (sorry Ai!); Rinko is the only girl for him.

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As they walk home hand-in-hand, tears suddenly come to Rinko; tears of happiness, which finally spur Takeo to say “I love you” out loud. Woo! And she says the same. Saijou may have felt like a rival and a possible antagonist last week, but turned out to be neither, but something much, much better: a lifting of the misconception of Takeo’s popularity with girls, a catalyst for the deepening of his relationship with Rinko, and, as we see the next day, a new friend who still wants to call him “master.” Saijou Mariya was another revelation in a show positively stacked with ’em.

Now, start falling for Suna. Immediately.

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Ore Monogatari!! – 15

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I’m not sure I’ve heard the parable about the bear who danced with the girl, but because Rinko likes big things the way Takanashi likes small things, in her version the girl who dances with the bear comes to like said bear. And so it comes to pass, when Takeo takes an athletically ungifted classmate everyone else is miffed about being in the upcoming Swedish relay under his wing. So just as the door seemed to be closed (for the time being) on Ai, it opens on one Saijou Mariya, she of short statue but ample bust.

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Saijou feels like she’s in the way and, like most people, assumes Takeo is mean, scary, and easily upset, when none of the above are the case. Gradually, as she spends more time with Takeo simply being Takeo, you can see the increased affection growing in her eyes, in the many gorgeous close-ups of her normally reserved for Rinko (and to a lesser extent, Ai). Ironically, it’s running from Takeo out of a misplaced sense of fear that motivates Mariya to run her fastest…along with his constant support.

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When the day of the relay arrives, he tells her, quite simply, just run as fast as she can and pass him the baton. Well, once everyone else passes her, she trips and drops that baton, but remembering his directives, she gets back up, keeps running, and passes that sucker off. Then Takeo does his thing and they win by a landslide. Then the kicker: he congratulates her, then asks her if she’s okay from her spill, and BOOM, without even trying, “not popular with girls” Takeo has finished unlocked Mariya’s heart.

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Let me say one thing: I like Mariya, even though she’s Rinko’s new rival. I like her a lot. She’s cute, she’s kind, and in some ways, she’s a lot more normal than the often eccentric Rinko. Not that eccentric is bad; Takeo is eccentric too (so is Suna, for that matter…and Takeo’s parents…and Ai…aw jeez, what have I done?!). But despite the fact she sees Rinko right there, and Takeo introduces her as “my girlfriend” she still has the guts to give him her gift of a towel (his first, somehow!) to him. This is a girl who knows how she feels, and is honest about her feelings, at least in this instance.

Meanwhile, because Rinko has always felt her grip on Takeo was precarious at best due to her own perceived inadequacies, she seeks advice from her girlfriends on how best to fight for Takeo. Despite Takeo’s protests he’s not popular with the girls, Rinko, to her credit, knows what she saw: Mariya danced with the bear, and liked it. (Oh God, that sounds so wrong!) 

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Mariya is also the recipient of some good luck vis-a-vis Takeo. She goes to the same school and is in his class. Even when she nervously mocks his couple background and matching straps (which IS a bit overkill, if not SO overkill)when she runs after him to apologize and trips down the stairs, she ends up in his arms, and after it’s clear the shoulder-leaning is out due to Takeo and Suna’s imposing height, she gets to choose Takeo to ride piggyback on. Suna really tried to do it so Takeo didn’t have to, but Mariya overruled him.

Unfortunately for Rinko, she chose this afternoon to wait outside Takeo’s school, though Takeo doesn’t act guilty, because he isn’t guilty, because he loves Rinko and is just giving Mariya a hand. When he runs straight back to Rinko after his errand, she can’t help but beam with glee. But in the normal universe where high schoolers of the opposite sex aren’t normally so friggin’ nice to each other—like the universe Mariya normally inhabits—Takeo with another girl riding him still looks bad.

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By the way, I’m not considering Mariya’s non-confession legit. She’s not giving up; she’s just decided to play the long game. She only tells Takeo (with Rinko eavesdropping) that she likes him “as a person”, but we know better, since we’re in her head too. Now that she’s allowed to call him “Master”, she has an excuse to stay by his side as his “student”. Rinko has been enjoying a “Pax Gouda” up until now, but love is war, and the battle has begun.

Takeo won’t be easily swayed—had Mariya had confessed for real here, I’m certain he’d have shot her down without hesitation—he does love Rinko deeply. But Mariya knows that, and I hope she’ll apply the same determination to pursuing Takeo as she did preparing for the relay with him.

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