It’s not very often an episode comes around where I’m snickering or laughing almost the entire time, but this was one of those. It all starts with the stern, severe, hard-as-stone gaze of SAMURAI HARU, capturing the pride and maturity a youngin’ feels when she’s learned something new, the Kana on a chocolate bar and milk carton, in this case. Of course, when she’s corrected, the swagger vanishes and she’s back to being a little kid.
That’s the first of a series of vignettes the episode starts out with, enticing my palette and leaving me wanting more, then getting something a little different that produces the same effect. It’s a tactic similar to that used by chef Thomas Keller to relieve well-off people of hundreds of dollars and many hours of their evenings…and it works.
When Seishuu goes to the town general store, he learns a clever way to pick up fallen needles (YEAH BITCH! MAGNETS! OH!), and also gets a taste of the older villagers’ thick and all but indecipherable dialect, one that sometimes even leads to misunderstandings between each other. It’s also funny that one old lady thinks another is hard of hearing, when she really isn’t.
The most sustained bit comes when Seishuu and Tamako end up going for the same bottle of ink; Seishuu lets the younger Tama have it (foreshadowing the episode’s eventual moral) for her manga manuscript, which Tama humbly asks him to take a look at. When he dare question the highly questionable content, Tama lets him have it in Full Mangaka Passion Mode.
She’s extreme, but Seishuu can relate; they’re both artists, after all. That encounter segues to Tama lending him her favorite manga, then getting worried she accidentally lent him one of her incriminating BL mangas she secretly treasures (her whole story of how that came about is marvelous). She arrives at Seishuu’s house to clear up the misunderstandings he may be harboring, only to see him apparently locked in a passionate BL embrace with Hiroshi, which is another misunderstanding (Hiroshi merely caught him from falling).
In the midst of all this island craziness, Seishuu had shipped off his latest and most expressive calligraphy for an exhibition, but is outraged and crestfallen to learn he only managed second place, losing to an eighteen year old whelp. When other whelps show up with their cheerful demeanor, he snaps at them, but again, Tama understands his passion, and she takes Miwa and leaves, leaving the cheering up to Haru, who keeps it simple: “Are you having fun right now?…If you’re not, let’s go have some!”
She urges him to take a plastic bag and come with her and everyone else to the mochi-tossing ceremony to commemorate the building of a new boat. Seishuu is warned to stay away from the professionals (Yasuba and Panchi) but be aggressive. But again and again, he bounces off the crush of people, and is unable to snatch up a single mochi, despite being young above average in height, and keen.
The ceremony is a simplified analog to his current situation with calligraphy: striving to be the best is futile: there will always be someone better. Pressing against those waves of reality is a waste of effort. It’s better to, as Yasuba says, say “Go on ahead” to the one who barges past. Yield to what must be yielded to and wait for the next opportunities, which will come with patience. Never stop fighting, but avoid unwinnable struggles.
This was probably the best Barakamon to date, besting out the first episode (Don’t despair, first episode! Second Place is good too!). But I wouldn’t be surprised if a future episode comes along to best it. But for now, this is it, and it was glorious and hilarious from start to finish. From Samurai Haru and Psycho Poodle to Tama’s fujoshi ravings, it looked like the artists had as much fun drawing and voicing this one as I had watching it.
- “Kids grow up so fast.” LOL. Loved Giant Haru stomping off to the horizon.
- The screaming noise Tama’s manga made when he slipped it out of the envelope was a nice touch.
- “Society demands story elements it has never seen before,” proclaims Tama. Could she be talking about the show she’s in?
- The BL manga that changed Tama’s life? Overtime Work Lovers: “Huh? You’re still here?!” That title is GOLD.
- Tama uses Hideo Nomo’s “Tornado” delivery to throw the manga against a wall.
- Seishuu and Hiroshi’s “embrace” literally blows Tama away…Akira style.
- More village etiquette: Panchi knows she’s a heel during mochi-pickings, so she leaves home-cooked apology meals at the homes of those she wronged.
- In the omake, Haru is appropriately mortified by how the schoolmaster (who looks and sounds like a gangster) uses crayfish as bait.