Aquarion Evol – 19

Zessica skulks in her dorm when Mikage apparates from the shards of a broken mirror. He plants a kiss on her forehead that leaves a glowing sigil. When a dimension gate opens above the academy, Crea heeds a cryptic message from Fudo and orders the Aquarions to go through and rescue Mix. Amata, Andy, Zessica, Yunoha and Shrade arrive in Altair, and find it a depressing, run-down place devoid of women. Using schematics from Jin’s imager, they locate the central command, and are met by resistance. Andy takes a young pilot hostage, but when he realizes Andy can’t kill him, he trips an alarm and he’s arrested. Amata escapes and finds his mother in stasis. The pilot removes a helmet, revealing Mix’s braid.

We knew it wouldn’t be long before some kind of rescue mission for Mix was mounted, and so here we are. We have an interesting and diverse group, since Mikono is off to go find Fudo. Shrade knocks out Cayene and takes his place on the team, so that he can experience the melodies of Altair for himself. Yunoha goes to see Jin’s home. Amata goes because he can fly. Andy goes because no one’s going to stop him, plus his hole-making abilities prove quite useful. Zessica comes too (more on her in a bit). We like how all of their element powers are put to good use, and not merely supplementing Aquarion, but in personal combat. They do this so rarely, sometimes we forget just how powerful these kids are, especially after their training sessions.

We also get to see Altair from the eyes of our heroes for the first time, and well, the place is a depressing dump, with the melody of “a wailing old woman”, according to Shrade. More telling, both Yunoha and Zessica immediately start not feeling so good, which is probably why there are no women on Altair. Even stranger is when the young, androgynous pilot Andy takes hostage shows her braid, revealing she’s Mix…but we saw her chest and her boobs are gone. What the hell happened to her? And let’s not forget the reason they were able to reach Altair at all – Mikage. He’s taken an interest in Zessica, which ironically bodes well for her stalled character. The prospect of her becoming another oneof his puppets is more interesting than if she had been taken by Izumo in the first place. Throw in Amata finding his mom, and this Altair rescue mission has opened up a whole new can of worms…or rather, donut ants.


Rating: 4

Aquarion Evol – 03

Amata wakes up in a dorm, where he learns Cayenne is Mikono’s big brother. He’s given tour of the Neo-Deava Holy Angel Academy, where elements are trained, and he’s subjected to a series of tests to determine his worthiness to enter himself. That night, while pining for Mikono, he falls down a deep pit, which is being dug by fellow element Andy W. Hol beneath the “Berlin”, a wall that segregates the male and female wings of the academy. They dig to the other side, coming up right beside Mikono, causing a…misunderstanding. In a mock battle the next day, Amata not only unions with Andy and Cayenne to re-form Evol, but prostrates as an apology to Mikono, who is watching along with the rest of the academy.

In some other dimension, on a world called Altea, the Abductors plot and scheme and prepare to attack Neo-Deava again. But their battle is for another episode; this was about Amata getting acquainted with his new surroundings. He, like Cayenne, Zessica, and Mikono, also have a reputation around the academy for being in boy-girl unions  which is talked about like it’s sex. The nigh-impenetrable “Berlin” wall is a nice touch; what we have here is essentially back-to-back boys- and girls-only schools, with the genders in constant states of both rivalry and flirtation. Those who unioned with the opposite sex aren’t just gawked at; they’re envied. Kinda makes you wonder what calamity occurred that led to gender segregation in the first place, eh?

Whatever the case, it would seem Amata has a clear path to Mikono’s heart, and while he shoots himself in the (winged) foot by lifting her high into the air by the crotch with his head in the middle of the night, it would seem she acknowledged his apology, made at the cost of winning his first mock battle. The foreboding bookends of the episode foretell rough times ahead, so the kids need to have their fun while they can. We can also gladly report there was no discernible downturn in production values; everything was tip-top. Yoko Kanno’s distinctive score has some corny numbers, but we’ve always loved her eclectic sound that’s somehow both nostalgic and forward, perfect for this series.


Rating: 4