Sousei no Onmyouji – 09

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At the end of last week, Rokuro and Benio’s slowly burgeoning friendship looked to be in absolute tatters with the news that Rokuro indeed killed everyone at Hinatsuki Dorm, including her twin brother Ijika Yuto.

It seems like the only thing that can turn things around is if Yuto were to suddenly show up, not only not dead, but so frikking evil that Benio would be left wondering how the hell she ever cared for him in the first place.

Well…that’s pretty much exactly what happens! Though I’m sure why Yuto is showing up right here and now just as Seigen is in the middle of a story that was painting Rokuro in such a bad light, only to go “that’s not the whole story!”…except to put poor Benio through the emotional wringer.

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And speaking of emotional wringers, Rokuro certainly went through one two years ago. The night of the Hinatsuki massacre, when Yuto shows his true colors and turns all his fellow trainee exorcists into Kegare, is straight out of a horror film, complete with drab palette and grisly deaths of cute girls.

Frankly, I don’t see what Rokuro could have done in this situation. As Seigen states with certainty, the only thing for a person who’s been corrupted by Kegare is to give them a quick death before they can commit any atrocities that further mar your memory of them.

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Yuto speaks of these times with such detachment and nonchalance, grinning his stupid evil grin the whole time, to the point that Rokuro simply can’t take anymore, arms up, and starts attacking him.

A stunned Benio looks on but sees that Rokuro is only doing damage to himself (Yuto, who has a blue gauntlet to Roku’s red, parries every strike with the flick of a finger), so she stops the fight, taking a hit that Rokuro can’t hold back in time.

Then Yuto…kinda calls it a day and fucks off, hoping Rokuro will “entertain” him better next time.

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When Rokuro and Benio emerge from Magano and Seigen takes Mayura home, Benio can’t think to do anything but prostrate herself before Rokuro and ask that he forgive her for all of the pain and grief and trauma her brother caused.

Rokuro is stunned by this sight, and repeatedly tells Benio to raise her head; they were both hoodwinked by the little blue-haired bastard, all their lives, and if anything, they share the blame for being ignorant to the evil within him.

Still, I think they’re being a bit hard on themselves. These two strike me as too young to feel responsible for what happened years ago when they were still younger and less attuned to the world, let alone their own selves.

I liked their commitment to becoming stronger together at the end, but Yuto is a brutally dull and tired manic villain archetype, and a great deal of the episode was merely exposition and reaction shots.

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Sousei no Onmyouji – 08

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As expected, Mayura confronts Rokuro and Benio over their sudden change in living arrangements. What I didn’t expect is that the episode didn’t go for goofy comedy in the sparring between the girls. Instead, they represent two different philosophies of life.

Mayura thinks Rokuro’s suffered enough already; Benio respects his abilities and believes he’s obligated to use them, and Rokuro, when pressed, sides with Benio, believing the benefits of being an exorcist outweighs any personal costs.

While Mayura rushes out, believing she’s been rejected all over again, the reality is both she and Benio make good points.

As for Rokuro failing to notice her feelings, well girl, that’s because you have to tell him, in no uncertain terms, about those feelings, while he has your undivided attention. Mayura should know this having spent most of her life by Rokuro’s side.

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While storming out, however, Mayura leaves her good luck charm behind, which is actually a legit charm that hides her spiritual power from hungry Kegare. Considering how important it is, I can’t imagine how she could have misplaced it so easily, unless she’s unaware of how important it is to her safety.

In any case, she gets captured and yes, tentacled, by a nasty little Kegare that becomes a nasty BIG Kegare, chortling the whole time. Of course, I never thought for a second Mayura was going to buy it (as gutsy a move as that would’ve been), and right on cue Rokuro swoops in to save her, then swears to protect her no matter what.

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Losing Mayura would have been a brutal blow to a kid who’s already received a few, but we simply didn’t know the extent of the trauma in his past…until this week, when his former master (and Mayura’s Dad!) Seigen appears to clean up Rokuro’s mess, run him down a bit, and challenge him to a duel in which he must exhibit intent to kill; a tall order for someone who’s still getting back on his exorcist feet.

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We cut away from the reunion of master and student in Magano numerous times to check in with the guys at the dorm, who prove far more useful at asking questions that lead to extensive (but unfortunately inartful) info-dumping by Jissama (Seigen’s father-in-law).

The final third of the episode suffers from being bogged down in all this exposition, but things do pay off a bit at the end, if you were someone who wanted a fresh wedge between Rokuro and Benio (for the record, I’m not that someone).

Benio learns the tragedy that killed numerous promising students at the Hinatsuki dorm was not the result of a Kegare attack, but the result of Rokuro killing them, the victim of something called “Kegare corruption.”

Since Benio’s whole reason for being is to destroy the Kegare who took away her family, learning Rokuro is to blame for the tragedy, this is definitely an, er…setback for the future parents of the Miko.

Of course, the jury’s still out about whether Rokuro chose to go berserk or if it was something outside his control—I’m guessing the latter—I’m still not convinced Benio’s twin brother is dead. Let the kid explain, Benio! Well, if he’s even willing or able to.

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Sousei no Onmyouji – 07

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This episode’s Arima-heavy early scenes (and why does every show need someone dressed like a proper English lady having tea?) were a little troublesome, but I liked the end result, as well as his very serious underlying goal: he wants to bring about the prophecy of the Miko; to do that, he needs to bring Rokuro and Benio together.

So this week, the two would-be lovebirds graduate from being two roommates in a dorm of many to two occupants of palatial villa, in order to grow closer to each other. Thus continues SnO’s emphasis on character over plot or action (though the short bit of action still packs a punch)—something I’m on board with, because I happen to like both leads.

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A big part of why I like them is that while they do spar a lot of the time, they also spend a fair amount of time not sparring. They also can suck it up and work together when they have to, and the floors of their two once-separate bedrooms literally turn on an incline and create a sidescroller-style physical challenge, the two know they need each other, and as they figure out how to overcome the various obstacles involved, they find themselves thinking alike more often than not.

A challenge that could have been sigh-worthy in less careful hands also adds to the enjoyment and complexity of their trial, as Benio just happens to be going commando today on account of her panties being in the wash. This means she has to be careful what happens with her skirt, and Rokuro has to be careful where he’s looking. But when he accidentally sees something, she doesn’t go berserk and beat the shit out of him. They simply deal with it, in a reasonable fashion.

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Indeed, Arima meant for this trial to bring the two closer together in several ways, and when they do, Rokuro and Benio are what you’d expect two kids to be: embarrassed, a little excited, but also respectful. Rokuro doesn’t try to sneak another look, and Benio doesn’t hold it against him when gravity causes him to fall on her.

Because they work together, they get out of the combined room without too much trouble, and when they face another trial in the air ducts in the form of a question involving numbers of hiragana and strokes, the two put their brains together again to come up with the correct answer.

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It’s a good job they do clear the trial as quickly as they do, because their “exorcist” pals need bailing out once again. Seriously, is there ever going to be an episode where these guys can handle a Kegare on their own? Until they do, I’m putting “exorcist” in quotes when referring to them.

Rokruo and Benio work together again to bring down the giant mantis-like beast, but Benio starts to panic when she realizes her hair tie is gone, one of the two her brother gave her. Rokuro stops her desperate search and takes her back to the villa, where he finds the tie in the air duct (and I noticed the glint when they fell out of it the first time, a neat little visual detail that went unexplained at the time).

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The day over, the two have their baths (ladies first, says Rokuro, but again, no funny business with peeping), and prepare to go their respective, once-again separate rooms to turn in. But before that, Rokuro asks about Benio’s brother. She wonders why, but the amount of importance she placed on her hair tie made him curious.

She sits down with him and talks about her beloved twin brother, from whom she was separated and believes to be dead—though I think we might have caught a glimpse of him a couple episodes back. Maybe if he reappears, he’ll be Benio’s version of Mayura?

Rokuro’s desire to learn more about Benio means he’s starting to care about her, just as Benio is starting to care about Rokuro when she tells him to make sure to brush his teeth, and assures him that even if he’s not the heir to a great family, his skills are remarkable…even if he’s usually “mostly useless.”

That last jab that leads to bickering at the end wasn’t all that necessary, but it’s clear she’s half-joking, and just giving Rokuro shit. If she didn’t like or care about him, she probably wouldn’t bother. As goofy and insufferable as Arima is, he may be on to something here.

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Sousei no Onmyouji – 06

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After spending much of the show on the sidelines (other than an episode alone with Rokuro that established their dynamic), Mayura officially crosses over into the Benio side of Rokuro’s life, but what’s interesting is that it happens quite by accident. Mayura isn’t prying into Rokuro’s life; she merely believes Benio is skipping out on school to hang out with delinquents.

Mayura’s vivid imagination is a constant source of amusement this week, but even more appealing is the fact she simply wants to be friends with Benio, in hope of steering her away from bad seeds; to “show her the light”, so to speak.

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Benio isn’t one for friends. She’s sworn them off as a waste of time; time that is better spent training to become the strongest exorcist. And yet…she’s witnessed firsthand the strength Rokuro is capable of…and HE certainly seems to have friends, like the other, hapless dorm-mates.

When Ryogo is back at nearly 100%, he casually mentions that it sure would be nice if someone other than Benio would accompany them on their routine trips to Magano to exorcise Kegare. Rokuro gets the hint, but is also interested, in his tsundere way, in lending a hand anyway.

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Ryougo requests Benio sit out a mission or two so he can determine how serious Rokuro is, and she does…but not without a degree of resentment: she’s serious too, dagnabbit!

It’s good then, that Mayura catches up to her while on a run (a scene reminiscent of the beginning of Winter Soldier), and provides a destraction Benio didn’t expect, but still welcomes, especially in the form of quality ohagi. I don’t know what’s more adorable: Benio’s look of blissful satisfaction, or Mayura waiting for Benio’s stoic armor to crack.

Shogo and the other two exorcists again prove that with Kegare increasing in number and strength, they simply can’t go to Magano without either Rokuro or Benio—preferably both—to bail them out. They only have Rokuro at first, but he does a fine job breaking out his demon arm to dispatch a particularly tough boss.

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I worried when a tear between reality and Magano opened in the very restaurant where Benio and Mayura were eating, but Benio slips in, takes care of business, and comes back out without any harm to either girl. Benio fully expected to return to find Mayura had run off, fearful of the supernatural phenomenon…

…Only she didn’t. Mayura rushes to Benio’s arms the second she reappears, far more concerned with her well-being than her own. Benio realizes: this is what it means to be a friend: even if Mayura couldn’t do anything, she wasn’t just going to leave Benio. That feels good, and it’s good to see Benio give in and reciprocate the hug.

Of course, in explaining how she knows about exorcists and isn’t scared of this kind of stuff while walking Benio home, Mayura discovers that her beloved Rokuro has been living with Benio all this time. Naturally, Mayura seems to blame Rokuro and only Rokuro for this situation, but while she’s angry now I’m sure she’ll listen to the full explanation, even if she won’t accept their betrothal any more than they do.

At any rate, I really enjoyed the warm Mayura-Benio interactions and their newly-formed friendship (even if it may take a hit now that the two are “rivals in love”), as well as Rokuro getting back on the exorcist bike. Mayura may have the hardest fight of all before her, even if it’s not of the world-saving kind…but she’s certainly not one to shrink from a challenge.

And she’s got bigger boobs than Benio, so there’s that!

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Sousei no Onmyouji – 05

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Like Bungou Stray DogsSnO aims to provide a combination of seriousness and levity, though Oji-san doesn’t think BSD is successful. I haven’t been keeping up with it, so I don’t know, but as relatively brainless, usually amusing, occasionally touching hump day entertainment, SnO fits the bill quite nicely, even if it isn’t blazing any trails.

A part of my enjoyment is that I’m rooting for both of the twin star Exorcists, and totally get where they’re both coming from and why they both clash and harmonize so often. I won’t say their similarities as strong,  fundamentally good-hearted people outweighs their differences, but they complement each other extremely well, and aren’t fooling anyone when they insist they hate each other (which they don’t even come out and say, it’s more of an exchange of barbs).

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Benio is stuck-up, but, well, why wouldn’t she be? She’s been the best at everything she’s ever done, and has to maintain a certain air of confidence bordering on arrogance considering the burden her slight shoulders bear.

To be paired up with someone who, while undeniably strong when he needs to be, has some serious motivational problems stemming from past trauma, and can’t just say he wants to join an exorcism mission, but comes up with a bunch of half-assed excuses to mask his enthusiasm—it’s gotta be frustrating to Benio, who knows exactly what she wants to do and is firmly on the path to making it happen.

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But like I said, Benio doesn’t hate Rokuro. He’s got his flaws, but when it counts, he’s no slouch. He puts the big Kegare boss away, motivated by a desire to stop others from getting hurt anymore for the day. He’s fed up.

So when Twelve Guardians member Ikuruga Shimon shows up to clean up, Rokuro moves and takes care of it before him, and Benio has Rokuro’s back. She wants Shimon to see what she’s seen: great potential, hampered by persistent wishy-washiness.

Shimon and Benio share a kind of monk-like calm that Rokuro sorely lacks. And while Rokuro seems to become more powerful the more up against the wall and desperate to end things he is, he could stand to learn a few things about keeping one’s cool and minding one’s surroundings, things both Benio and Shimon possess in spades, owing to their experience.

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I especially liked Benio’s little smile when Rokuro meekly accepts the heartfelt thanks of the boy’s soccer team he helped save (with Benio and Shimon’s help). Benio sees that the key to keeping Rokuro focused is a healthy awareness that his actions keep people safe; that his strength is necessary to protect the weak, and he can’t be content with the way he is now.

As such, Shimon, who was Rokuro’s age when he became one of the Twleve Guardians, should prove to be a valuable goal for Rokuro going forward; one not hampered by the whole betrothed thing, as he is with Benio. The fact they’re arranged to marry some day is kinda kept in the background, as it’s still clearly a way off, but everyone is right that the two are already bickering like an old couple.

As for Arima, he’s a guy who’s clearly powerful enough to goof off with swimsuit mags as much as he wants. You get the feeling something seriously messed-up has to go down in the world for the guy to break a sweat…especially when he has Shimon, eleven others like (or better) than him…and the Twin Stars, slowly building their sheen.

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Kamisama Hajimemashita – 05

The thunder deity Narukami pays Nanami a visit at school, offering to take the shrine and Tomoe off her hands. Nanami declines, so she takes her deity mark and turns Tomoe into a child with the hammer Daikokuten. She runs into Kurama, who lets her crash at his place. Tomoe’s body is too small to handle his demonic power, and he is disgusted by his uselessness helplessness, so he goes back to the shrine and hides there. Nanami bets that if she finds him, Narukami will return him to normal. She finds him in Mikage’s mirror, and Narukami withdraws. Nanami returns Tomoe to normal and he kisses her, resuing their contract.

The florid narrator says it all this week: severe storms lie ahead for Nanami. Narukami swoops in, and in less than eight minutes Nanami is out of house and home, has no familiar, and is no longer an earth deity. We had no idea it was so easy to strip her of her godhood, but the thunder deity is as powerful as she is impatient. It’s rather amusing that she just found out Mikage’s been gone for twenty years, and wastes no time taking over the shrine. Only once she has it, she’s miserable, because the place is a run-down mess without Tomoe, who has no intention of being her familiar.

If it wasn’t for suddenly bumping into Kurama (convenient, that), Nanami would’ve likely had to spend the night out on the street. Kurama for his part almost seems to relish hosting her and lil’ Tomoe, despite his veneer of annoyance and put-outness. It’s his chance to show Nanami – deity or not – that he’s not merely a villain. But most importantly, the ordeal switches Nanami and Tomoe’s roles for a week: she proves to him she can protect and care for him in his moment of vulnerability. There were moments when he was about to lose hope, but she pulled him out of that mirror and resolved the situation. He wastes no time re-contracting (kissing) her to show his gratitude.


Rating: 7 (Very Good)

Persona 4: The Animation – 01



Narukami Yu arrives in a new town to attend school while his parents are working abroad and live with his uncle, a local detective. He meets his new classmates, Chie, Yosuke and Yukiko, who go on about the “midnight channel”, in which staring at a TV on a rainy midnight will reveal one’s soul mate. Yu tries it and is nearly sucked in. He does it again with Chie and Yosuke watching, and all three enter an alternate plane where they’re met by a frekish bear thing and foes called shadows. Yu then beseeches the voice that had been in his head all along and releases a persona to fight off the baddies.

Our only previous exposure to the Persona franchise was the Trinity Soul video game for PS2, which we’ve never played, but have watched a friend play. Fortunately, one doesn’t have to know anything ahead of time to enjoy this series, which we did, quite a bit. It lulled a bit from the cryptic teaser to the introductions of the cast, but as the episode progressed it got far more interesting, dense and entertaining. It had a lot of video game-like qualities, is kinda scored like one, and features transitions of the date and weather whenever the day changes. The alternate plane has a nice slick whimsy, with just a touch of peril so it isn’t just silly.

This series is being directed by Seiji Kishi, who was also at the helm of Angel Beats! and Kamisama Dolls, while Yui Horie (Yuki-onna) lends her lively, expressive voice to Chie. A word on uniforms: they’re pretty off-the-wall. Black with contrast stitching resembling tailor’s marks and houndstooth collars and skirts. The character design is simple but has a nice edge to it, to go with the certain je nais sais qoui appeal of the overall aesthetic of the show. The opening and ending sequences also rock, there’s great budding chemistry amongst the lead cast and a sense of impending adventure afoot. Let’s see where this goes, shall we?


Rating: 4