In / Spectre – 07 – Turning Truths Into Lies

The sudden murder of Detective Terada in the middle of the night has made things way more difficult for Kotoko, Kurou, and Saki. Whereas before they had to deal with a moderately nasty spectre spreading fear and havoc within a relatively small sphere, now they must contend with a nationally known monster who has truly gone viral, only increasing the strength of its existence.

In her hotel room, which she bitterly resents is separate from the one in which her boyfriend resides, Kotoko taps away at her laptop, gathering as much information—as much truth—about the rapidly expanding fantasy of Steel Lady Nanase as possible. Time is of the essence; if they wait just one day, her legend will be too powerful to overcome no matter how convincing the logical fiction.

I’ll be honest: not a heck of a lot actually happens this week. The three leads basically sit in a hotel room and discuss things until Kotoko lands on some possible solutions to the problem. The thing is, In/Spectre is able to draw us into its world so subtly yet completely, even an actionless episode such as this feels consequential.

That’s due in no small part to the show’s hauntingly beautiful soundtrack. It’s a shame the anime’s composer isn’t listed anywhere obvious, because this wouldn’t be half the show it is without the music, which I find casts a kind of wondrous spell on me during otherwise interminable exchanges of exposition.

Through the lengthy scene in the hotel room, Saki observes that her ex has developed a nice rapport with Kotoko, depsite his protestations that the last thing he wanted was to go out with her, along with the fact that Kotoko is nowhere near his type. As for who is his type, Saki introduces the woman who was 100% Kurou’s type: his older cousin Rikka, a frail woman who nevertheless had a profound impact on the lad. We’ll see next week how she figures into this tale.

In / Spectre – 06 – Conquering the Imagination, Grasping the Future

Practically speaking, most of this episode takes place in Saki’s apartment, and ends with Kurou biking Kotoko to the hotel for the night. None of the characters actually do anything, because this isn’t the kind of show where there’s always loads of action.

Instead, the three spend the whole time discussing the Nanase Haruko accidental death case, the online legend that bred the monster of imagination, and the proper steps needed to defeat that legend. The Steel Lady is not something Kurou can kill physically as long as hundreds if not thousands of people believe in her in her increasingly dangerous form.

 

That said, Kotoko knows their odds of coming up with a better “rational fiction” to blunt the Steel Lady’s power aren’t great, so she intends to cross every “T” and dot every I-Beam. After coaxing the official police position that Nanase’s death was a possible suicide, Kotoko confirms their suspicions by interviewing an unrelated third-party eyewitness to her death…who happens to be a ghost.

The means by which Kotoko summons the ghost—a “goddess’ dance” seems tailored not just to impress the former contruction worker, or annoy Saki, but because she definitely has a genuine joie de vivre about her life and her duties…and why not? Losing and eye and a leg feels totally worth it if in return you have an information network beyond the bounds of mankind or science.

With both the police conclusions and the eyewitness concluding an emotionally distraught Nanase did nothing to move out of the way of the falling beams, Kotoko has a full picture of the past, but that’s the easy part. She’s going to have to come up with a story that narrows down all the possible futures to come into a single one: one in which no one cares about Steel Lady Nanase anymore.

Even in the midst of all this careful analysis and preparation, I’m glad Kotoko still finds time to be a brat to Saki or to flirt with Kurou, as when she invites him to share her double bed at the hotel. Even so, she is clear-eyed about not knowing whether Kurou will be in her future, making it that much more important to make the best use of the time they have.

As for Kurou, it’s fascinating to hear him describe the abilities of the kudan, specifically that they don’t look into the future so much as pull all the branches of possibility into a single bundle. Kurou can use those powers to a degree, but not without dying.

While the mermaid flesh he ate means he’ll come back to life, his kudan powers are limited by the brief amount of time he has to look forward (the further into the future, the more branches, the less accurate he is) before resurrecting. For now, he’s confident he’ll be able to grasp the future he and Kotoko need, at least with regards to solving this case. Getting back with Saki is a future he can neither see nor reach.

Kotoko just hopes the Nanase saga won’t be complicated by an actual murder in the night while they sleep, but unfortunately that’s exactly what happens, only making their task even more difficult. Worse still, the victim is Detective Terada, Saki’s colleague, who wrongly assumed Nanase was a normal person in cosplay.

We also catch a glimpse of the mastermind behind the site and the Steel Lady legend. Is it Nanase’s older sister? Nanase herself? I can’t wait to see how this case is resolved, in large part because it was set up so smartly and carefully.

In / Spectre – 05 – A Ghost Born from a Wiki

very cross Saki arrives just in time to witness her ex go toe-to-toe with the vicious steel beam-wielding ghost of an idol. Saki had seen Kurou’s cuts heal immediately and even saw his detached finger regenerate, but had never seen him die, which is what happens when Nanase whacks his head off.

I was surprised Saki didn’t let out a scream upon witnessing such a  horrifying sight, but in possibly an even more unsettling sight, Kurou’s head is whole again and he’s alive and well just a minute or so later.

Having taken her best shot, Nanase can’t really do anything else other than try to kill Kurou again. Kurou is also able to predict her generally mindless movements, but even when he snaps her neck she’s back as quickly as he was. Perhaps sensing a stalemate, Nanase disapparates to fight another night.

We learn through Kotoko that Kurou is the result of his insane grandmother performing human experimentation on members of the Sakuragawa clan and the flesh of the immortal mermaid and future-seeing kudan. Kurou was the first to consume both and not immediately keel over and die, but in gaining the abilities of the monsters he ate, he naturally became less human.

This is no doubt a large part of why Kotoko is so enamored of Kurou—they both inhabit the space between humans and the supernatural, and who else would be able to deal with either of them? But while Kotoko is determined to make Kurou her husband, Kurou seems to be less enthusiastic and even fatalistic about the prospect of such an often annoying brat being his only hope at happiness.

Kurou’s reunion with Saki is pleasantly cordial, underscoring how there’s still love there for both of them and things ended so abruptly as to lack closure, and thus cause emotional confusion upon seeing one another again. The reason Kurou is there is because some of the monsters in the city sought out his aid without using Kotoko as a go-between, demonstrating effectiveness of her efforts to make him less frightening to her supernatural pals.

Meeting in Saki’s apartment, where Kotoko must endure Kurou staring at his ex (who says she lost weight due to her police job, not depression), Kotoko explains how a “monster of the imagination” like Steel Lady Nanase comes into physical existence. It’s essentially a matter of humans playing a game of telephone with each other regarding a rumor, which is spread, embellished, and refined until it is given name and a form.

Typically monsters of imagination aren’t grave threats to humanity, but Steel Lady Nanase clearly is, and the rumor that eventually gave her form was essentially supercharged by the power of the internet to reach more people and gain viral status. Thus, the wiki Saki found wasn’t created in response to Nanase, Nanase was created because of the wiki.

Kurou can fight Nanase all night long, every night, but she’ll never be defeated for good until a new rumor, one simultaneously more enticing to people and less lethal to people than the current iteration. That won’t be easy, but Kotoko is already a powerful conduit for human-supernatural networking, which means no one’s better suited for the job.

In / Spectre – 04 – Much More than Big Melons

Despite Saki’s hospitality in bringing Kotoko into her home to tend to her minor wounds and serving her coffee, it doesn’t take long for pleasantries to cease and for the barbs to start flying.

Saki is dubious that Kotoko and Kurou are really dating, and isn’t convinced by Kotoko’s obviously forced “couple” photos. Kotoko eventually reveals that Kurou disappeared a week ago and hasn’t answered her calls or texts—more fuel for Saki’s “he doesn’t like you” fire.

After Kotoko takes her leave (on the shoulder of an awesome giant skeleton!) Saki wastes no time diving into the internet to research the life of Nanase Karin, a well-endowed beauty who could also boast a sharp intellect.

She gained a flame-throwing lead role on a live-action drama (the OP for which we see in its entirety) and her fame grew, but her father, whom it’s believed she resented after he quit working, died under mysterious consequences.

An unscrupulous tabloid put forth the theory that she murdered her father to get him out of the picture (and collect on his life insurance), Karin took a kind of sabbatical. But the day after a bad storm an eyewitness found a body buried under fallen steel beams.

The head and face were completely pulverized, but the rest of the body, clothes, belongings all pointed to Karin as the victim of the accident. Some time after that the legend of a vengeful spirit grew in the town.

Both Saki and Kotoko arrive at the same point in their respective investigations, but only Saki has the benefit of police records and resources to support their case. The idea is planted in both their heads that there’s more to this Steel Lady Nanase than has been covered by news, reports, and the internet.

My take? The absence of her face could mean the body was that of Karin’s older (and similar-looking) sister, whose life Karin then took over…but that’s just one of several theories rattling around.

Before Kotoko and Saki meet to put their heads together (and make no mistake, Kotoko relishes being able to freak Saki out with youkai), Kotoko is informed that Steel Lady Nanase has reappeared, and finds Kurou dueling with her.

In / Spectre – 03 – From Snakes to Steel

Kotoko finishes explaining the Tanio Aoi case to the serpent guardian spirit’s satisfaction: Aoi wanted the police to find the remains of a fetus she miscarried and buried in the swamp after learning of Machii’s betrayal and then learned that he was innocent. Kurou escorts her to a taxi where she falls asleep on his shoulder after he admonishes her for taking such risks.

It was odd that the showrunners chose to end this case so quickly into this episode before a new case began; it might’ve been more elegant to simply wrap up the serpent case last week. At any rate, two years suddenly pass, and we’re re-introduced to Kurou’s ex Yumihara Saki, now a traffic cop but still haunted by the supernatural things she became aware of through Kurou.

A rumor has spread of Nanase Karin, a busty idol killed by a steel beam now using that beam to attack people as the faceless ghost “Steel Lady Nanase.” Saki heard a statement from one of her victims who survived a car crash but it was later discounted due to him being under duress/in shock. Saki doesn’t deny to her supervisor that whatever caused the accident, she believes there are “beings that surpass logic and reasoning.”

She also has a nasty flashback to her traumatic incident with Kurou and the kappa that led to her eventually breaking up with him. Saki still lives every day in fear and depression, and has only become more aware of youkai and such since the breakup. That’s when she encounters Iwanaga Kotoko, who just so happens to be battling Steel Lady Nanase on the hill Saki uses to get home.

Sick and tired of being ruled by fear, Saki charges Nanase recklessly, dodges her steel beam and punches her right in the gut, only for her fist do go right through the ghost. Kotoko swoops in, loses her false leg, and delivers a solid kick to Nanase, forcing her to withdraw. Saki, a cop, was just saved from a ghost by a petite amputee in a sun dress.

It’s a lot to take in, but Saki still does her duty, not letting Kotoko slink away without treating her wounds—and in the process, hopefully gain more answers about WTF just happened. That’s when she flashes her badge, Kotoko realizes the cop is Saki’s ex, and re-introduces her as Kurou’s new girlfriend.

As this is a bit much to take after such a harrowing incident, Saki gives Kotoko a good slug to the face for her lack of tact! But despite the bad vibes surrounding Kurou, who doesn’t yet appear after the two year jump, I think Kotoko is just the person Saki needs to know at this point in time. Not just for the Nanase Karin case, but for her own emotional benefit.