We showed you whose voices we liked this past year, now let’s take a look at some of our favorite characters. Mind you, this isn’t a ranking, just an alphabetical list.
Bell Hydra (Blood Lad)
Bell was our favorite character from this relatively so-so show, because you never quite knew whose side she was on, or rather she was always on her own side, and always tried to stay on top. Her magical trickery was more than a match for Staz’s brute force, regularly frustrating him to no end. And then she fell for the guy. We also liked her sense of style, as she’d randomly change outfits throughout the run.
Chamber (Suisei no Gargantia)
Ledo’s trusty, badass Machine Caliber wasn’t just a tool, or the brunt of numerous sight gags as he performed manual labor, but a character in his own right, with his own arc that paralleled Ledo’s. The strict Galactic Alliance subroutines that drove his behavior gradually softened the more time he spent on Earth, to the point he rebelled against authority and sacrificed himself to save his pilot.
Ebisugawa Kaisei (Uchouten Kazoku)
By the time we actually see Kaisei in human form, it’s nine episodes into the show. But before that she’s seemingly always around in disguise (something she excels at), including at crucial point in one of the show’s many flashbacks. As Yasaburou’s would-be fiancee, she represents the peace that was meant to be struck between the families, and her playful banter with Yasaburou always tinged with a kind of quasi-spousal loyalty. She even plays the heroine by freeing Yashirou when things get hairy.
Gokou Ruri (Oreimo 2)
When she showed up at the Akiba real-world meetup in the second episode of the first Oreimo, we would have never guessed how far Kuroneko would come, leapfrogging over all others to become the best character on the show. As Kyousuke struggles with his relationship with Kirino, he also independently forms a bond with ‘Neko, who gets better the more sides of her we see: be it at home, at school, and in girlfriend and post-girlfriend modes.
Goto Hidenori (Samurai Flamenco)
While he may look good in uniform to some, Goto is neither a model, idol, or gaudy superhero. He’s just an ordinary guy with a quiet police gig with a loving long-distance girlfriend and a modest abode. As things go absolutely apeshit around him, he stays grounded, even when driving pink Hummers into rockets. All these superheroes and villains around him have made life a lot more interesting, but it hasn’t changed the decent, unassuming man that he is. He’s the show’s steady anchor.
Hayashida “Linda” Nana (Golden Time)
While she delayed her response to her longtime childhood friend’s confession by mere hours, Linda ends up losing everything once he gets amnesia, has his feelings for her resurface year later when they reunite in college, and he then decides to distance himself from her so he can focus on his girlfriend, after much will-they-won’t-they teasing. It’s a shame she has to go through so much, considering she’s such a kind, caring, beautiful person. But the cookie just didn’t crumble her way.
Kaga Koko (Golden Time)
Koko is one of the most interesting characters of the year because of how quickly she transitions from irritating crazed shrew to sympathetic love interest. After chasing the wrong guy for years, she finds Banri. She’s not as perfect as she looks, but she’s very tough on herself, constantly trying to be a better person and girlfriend. Considering what her status as Banri’s girl means to Linda, you’d think she’d be a character to be loathed, but the show excels at making everyone’s situation understandable and sympathetic.
Kaiki Deishu (Monogatari Series: Second Season)
We first met him in Nisemonogatari, where he was unveiled as the con-man who gave Senjougahara crabs (well, it’s not quite that simple…) but in any case, he was something of an easygoing villain: powerful, but not particularly motivated. In Koimonogatari, he’s given a mission by that same Senjougahara in her time of dire need, hits the town, and gets to work. It’s been extremely enjoyable watching him playing the role of hardboiled private eye, father figure, even unspoken love interest.
Katsuragi Keima (Kami nomi zo Shiru Sekai: Megami-hen)
The second season of The World God Only Knows wasn’t as good as the first, but this third one was excellent, as all the chickens come home to roost and things get infinitely more complicated for our cynical, bespectacled gamer. Keima is most effective (and entertaining) when his back’s against the wall, but this season he also actually ended up feeling something for his conquests. There’s no easy reset button for him, which showed growth.
Kotoura Haruka (Kotoura-san)
Kotoura-san may be an almost disgustingly adorable character, but the show wastes no time establishing precisely the kind of person she is and why, based on a traumatic past in which her parents basically abandoned her. Watching her transition from looking at herself as a curse upon all who associate her to someone with worth who deserves a happy life with caring friends (and a boyfriend) was immensely fulfilling.
Mankanshokou Mako (Kill la Kill)
We touched on this in Suzaki Aya’s profile; Mako has made the full transition from goofy comic relief sidekick to full-fledged crucial participant in the overarching drama of Kill la Kill. She’s the one who first reached out to Ryuuko, opened up her home to her, gave her the family life she never had, and then snapping her out of a near-fatal frenzy. She’s also not afraid to speak her mind to everyone, be it Ryuuko, Elite Four, Satsuki, or Nui.
Nakamura Sawa (Aku no Hana)
An example of a character we liked precisely because she scared the hell out of us. A part of that fear comes from the intense realism of the series. Subtle human movements that more stylized animation wouldn’t pick up are on full display, and Sawa slinks and slithers across the screen, and sometimes breaks into sudden startling movements while messing with Takao. Yet for all of the mayhem she causes in his life, she’s far from evil incarnate: she’s an intensely frustrated young woman, a victim of the benign dullness of the town that doubles as her prison.
Nana (Golden Time)
Nana is one of the best supporting characters we’ve come across this year, someone with a fierce sense of individuality who forces people to either accept her or fuck off, and gives off the air of not caring about anyone, when the polar opposite is true: Nana turns out to be both a caring reliable friend to Linda (and unwitting would-be matchmaker) and a decent neighbor to Banri. Hopefully his disassociation from Linda won’t mean much less Nana.
Shimogamo Yajirou (Uchouten Kazoku)
Like Kaisei, part of what we love about Yaijioru is how much impact he makes despite how little we see of him. For the vast majority of the show he’s a frog in the bottom of a well, where he tries to forget his life as a human, which he deemed as an abject failure. As another victim of the Ebisugawas, he was forced to believe he was responsible for getting his father cooked. Even when the truth came out, it took getting him drunk to spring into action to save his family, but his contribution was vital.
Wakamiya Shinobu (Chihayafuru 2)
Another supporting character introduced as a “big bad” in the first season, the brilliant, quirky, melancholy Queen Shinobu plays a much larger role in the second, showing us her past and how heavy is the head that wears the crown, as she simply isn’t interested in team matches or fulfilling any of the royal responsibilities expected of her. She and Arata also spend a lot of time together, making her a rival to Chihaya in love as well as karuta.
Images Courtesy MyAnimeList