The aquatope on white sand – 15 – Seaslugfest

Buoyed in part by the return of Fuuka, Kukuru has found her rhythm in the marketing office, and is starting to show her competence. Of course, this means her boss Suwa just foists more work upon her. But it’s not done out of malice; it’s a sign that he trusts her to get it done. While having a relaxing lunch outside, Fuuka reminds Kukuru of that.

As such, when Suwa gives Kukuru her largest responsibility yet: a two week exhibition. Kukuru gives it her absolute all preparing a variety of proposals, not merely so she can silence Suwa’s doubt in her (though that’s part of it), but because it’s a golden opportunity to nerd the ef OUT over sea life. She ends up knocking it out of the park with her proposal, which is accepted on the spot. Mind you, Suwa doesn’t offer “Plankton” any praise…but it’s still a huge victory!

Kukuru decides the exhibition will be exclusively sea slugs, the jewels of the sea. I have to admit I hadn’t given sea slugs much thought up until this episode, but I have to admit they’re as gorgeous as they are weird. Kai gets all excited about Kukuru asking him to join her at the shore to collect the creatures, only to find Kukuru invited Fuuka too. His romantic fumbling doesn’t go unnoticed by Eiji, who suggests he try to be a bit more bold.

Like her earlier projects, Kukuru is constantly having to butt heads with people with whom she simply has a lot of trouble getting along besides the minimal professional cordialness. One of those figures is Kaoru, who granted comes of as pretty prickly and inflexible anyway. But Kukuru has gained more spine since joining Tingaara, and one thing she will not countenance is exhibiting the sea slugs without feeding them.

The vast variety of sea slugs doesn’t just pertain to their looks, you see, but also their diet. One species likes one kind of sea sponge or moss, the other ignores it completely. Eventually she finds the right food for all but one of the species to be exhibited, but in the process of obsessing over that eighth, Kukuru completely forgets her tour duties. Chiyu, another one like oil to Kukuru’s water, doesn’t let her forget she messed up, while all Fuuka can do is try to keep the peace.

On the eve of the exhibition, Kukuru is working late hours, and she’s got bags under her eyes. Who should press a cool canned coffee against her head but Kai, perhaps trying to be a bit bolder as Eiji advised. Kai asks if he can do anything for the clearly overworked Kukuru, and she says yes there is: he can put up his hands so she can punch them! In the heat of the stress-relieving spar session, Kai wraps his fingers around her fist, kinda-sora-unconsciously seeking gentler contact than the usual punches.

No sooner is this contact made than Kai apologizes and the drew draw back. But even if Kai’s courtship doesn’t pay off, a different kind of ritual takes place between Kukuru and Kaoru…they come to a détente! Over, what else, their mutual passion for all things living in or near the sea! I’m not sure why Kuuya misgendered Kaoru, but I for one am elated to see her and Kukuru put aside their differences and focus on the common ground they share.

Kaoru even invites Kukuru to the shore! At the same time, she and Chiyu may never get along, nor will Suwa ever give her a break or crack a grin. But that’s okay! Just as not all sea slugs eat the same food, not all people can get along. It’s just surpassingly gratifying when it suddenly, unexpectedly happens.

Rating: 4/5 Stars

The aquatope on white sand – 14 – Nunca te rindas

I don’t know about you, but Fuuka’s sudden appearance on the beach and her and Kukuru’s warm embrace are romantic as all get out. Just look at that shot: Fuuka is basically Kukuru’s valiant prince, drying her eyes strained from tears of frustration and filling them right back up with pure unbridled joy. Even better: Fuuka is back for good. She’ll be working at Tingaara…and even moved next door to Kukuru.

That’s a lot of surprises, but Kukuru is fine with all of them, because if ever there was a time she needed Fuuka close by, it’s now, when she’s feeling totally unmoored in her marketing job. Thanks to Gramps, Fuuka was able to get a job at Tingaara, and Chiyu is clearly not okay Gama Gama nepotism. If she’s going to accept Fuuka as a colleague and not a up-jumped hanger-on, Fuuka must memorize all 20 of the cape penguins.

“There’s no ‘Gama Gama Faction!'”, the Gama Gama Faction protested as they all went out to eat together. Though replacing Kuuya is Eiji, who is tastefully intrigued by the former idol-turned-penguin attendant. Rumors of cliquery aside, I like how the Gama Gama exiles still hang together after work, lay down their troubles, and enjoy Udon-chan’s widening culinary repertoire.

Kukuru admits after dinner that a part of her felt jealous that Fuuka got the job she thought she’d get at Tingaara, but fully admits that kind of thinking is childishness she wants to grow past. With  Karin, Chiyu, and her fellow marketeer Akari (voiced by the Saekano heroine herself, Yasuno Kiyano!) an now Fuuka, she has plenty of girlsboss to emulate. She even discovers she does have a knack for making people care and fall in love with aquariums, as she takes the aquarium-indifferent Akari on a rehearsal tour and wins her over.

This week Kukuru does indeed work harder and smarter than her first bumbling/arrogant days, staying meek and formal on the outside, but keeping that burning fire in her belly stoked. She learns the value of forming little alliances with others to make things easier, and figuring out the precise way to deal with people. Take Chiyu’s second-in-command Marina (Touyama Nao—this cast is stacked): since Kukuru is Fuuka’s friend and Fuuka is cool, Marina will go to bat to change Chiyu’s mind about including the penguins on the tour.

Speaking of intricate social patterns, this week was a low-key cape penguin documentary, as we observe along with Fuuka how to tell the twenty penguins apart not just by their colored wing bands, but how they behave. And while Fuuka was only at Gama Gama for a month, that was enough to know when the birds are agitated due to their sudden new environment (mirroring Kukuru’s own difficulties).

Kukuru believes it was not only Fuuka acing the name-that-penguin test, but recognizing and acknowledging the emotional state of the birds that impressed Chiyu enough to give the go-ahead for their (limited) exposure to tour groups. Kukuru only manages to get a family of four in her first tour, but she ends up nailing the tour just as well as Fuuka nailed her test, showing that the director didn’t throw her into this new environment willy-nilly. He knew she’d eventually figure it out and thrive.

Is Kukuru’s anhedonic ass of a boss Suwa pissed she only snagged one group of four? Absolutely. Does Kukuru let him get her down for long? Nope! She walks out of that office ready to keep up the fight. The episode ends as it began, with Kukuru and Fuuka looking like a particularly happily married couple, this time cooking dinner side by side.

Kukuru gives Fuuka the credit for changing Chiyu’s mind by proving she not only knew about but cared about the penguins. But that’s not entirely fair to herself…who helped Fuuka study for that penguin test? More to the point, Fuuka makes it clear that while she feels she belongs in an aquarium now, the main reason Fuuka is back is to be with Kukuru. Kukuru just so happens to also belong in an aquarium, so it’s allll sea gravy!

The aquatope on white sand – 13 – #aquadulting

We return to Aquatope with Kukuru in a new apartment, in a smart pantsuit, saying her usual prayer (this time to her parents’ shrine), starting her very first day at the brand-spankin’-new Aquarium Tingaara. Umi-yan and Kuuya are already working there, while Kai is in the same group of new hires as she is. But while Kai is assigned to the fish team, Kukuru is assigned to…marketing.

The director has high hopes for her in PR, where Karin is already working. Have you ever, due to various circumstances, ended up in a job you had no idea you’d be doing? Well, that was me about five months ago, and it’s Kukuru here.

Working at an aquarium, but not tending to the marine life? It almost seems like a cruel joke, and Kukuru doesn’t get it. That said, when Karin frees her from the mountains of manuals her director Suwa gave her and takes her on a tour of the modern, impressive facilities, the little kid in Kukuru immediately resurfaces. (This still, by the way, is my new desktop wallpaper, the previous one being the sky after the typhoon).

But she gradually learns that kid has no place at Tingaara. Here, not even Umi-yan can keep ice pops in the feed freezer. Gama Gama was loosy-goosy, and a lot of outsiders like Suwa and Chiyu (who is magnificently smug throughout this episode) believe that had a lot to do with its failure. Tingaara is a strict, by-the-book, professional enterprise, perhaps wound a bit too tightly.

Even so, after dinner at the restaurant where Udon is now working and training, Kai reminds her that Fuuka dove into the world she knew nothing about when she started working at Gama Gama. He himself didn’t originally really want to work there, but did so because he wanted to help her, and eventually came to like it. He thinks if she tries something new and sticks with it, she might have a change of heart.

Reinvigorated by his words, Kukuru goes back to work with her head held high, doing the work that’s in front of her. It seems like preparations are ready for a behind-the-scenes tour Suwa assigned to her, but as he puts it in a very public dressing-down in the office, she really only did the work she knew how to do. He suggests she cease relying on experience working at a failed aquarium and nicknames her Plankton…smaller than small fry.

After getting chewed out and again having her commitment and seriousness questioned by Chiyu, Kukuru leaves the aquarium exhausted and discouraged, declining Karin’s dinner offer and instead sitting on the beach alone. She starts to cry, not knowing how much more of life at Tingaara she can take.

Then, out of nowhere, Fuuka arrives, precisely when Kukuru needed her the absolute most. While they were still together in last week’s episode, the way Aquatope totally turned Kukuru’s life on it’s head and everything she endured made it feel like months had passed…which indeed they did! All of that also makes their reunion that much more heartwarming.

Kukuru has had a rough couple of days, but there’s a reason Tingaara’s director assigned her the role he did. Hopefully seeing Fuuka will remind Kukuru of how rough she was on her in her first days at Gama Gama, and how Fuuka didn’t give up, and ended up thriving.

Tingaara may seem like a cold, cruel, nasty, grown-up place—or at least most of the humans who aren’t Kukuru’s circle make it feel that way—but that doesn’t mean it will stay that way. Kukuru may struggle and fail a lot more before she finds the right wavelength in which to thrive, but I’m excited to watch her find it!

The aquatope on white sand – 11 – The storm

All the color and light of previous episodes is sapped from this one, both fitting Kukuru’s mood and due to a nasty typhoon rolling into Okinawa. It’s in this dim, gray, gloomy soup that we watch Kukuru go through the Five Stages of Grief. First up is Denial and Isolation. The handmade sign says it all—NO CLOSING!as Kukuru shuts herself in Gama Gama.

Ironically, this means closing the aquarium, but due to the typhoon there won’t be any visitors anyway. Gramps decides to let Kukuru be and give everyone the day off. Fuuka goes home with him, but during lunch, decides she’s not going to leave Kukuru to endure the coming storm alone—either the literal one or the emotional one. Just as she gets up to leave, Grams has bento ready for Fuuka to take to Kukuru.

From there, Kukuru goes into the Anger stage, though to her credit she puts the energy that comes with the anger to good use, going about the daily business of feeding, maintaining, and checklisting. She enters a kind of utilitarian trance, losing herself in the work, until suddenly snapped out of it by Fuuka rapping on the door.

Not long after Fuuka arrives at Gama Gama, the typhoon arrives in force, totally blocking out the sun, and bringing sheets of diagonal rain and vicious winds to the battened-down island. These establishing shots—and the white noise of the storm—really capture how dark and spooky a really bad storm gets. Day becomes night, and the outdoors themselves become a threat to life and limb.

Kukuru’s anger re-surfaces at the arrival of Fuuka, as she’d prefer to do all of this herself. But Fuuka is as obstinate as she is, and wants to stay by Kukuru’s side to help her with her dream like she promised. Her movie role doesn’t matter right now. Before they can get deeper into their discussion, the power goes out, leaving the aquarium with only seven hours of generator power before the more sensitive sea life starts to die en masse.

Just as Kukuru can’t turn Fuuka away when the storm is at its worst, she can’t turn down her help when there’s so much to do to save the fish and creatures they can. With two pairs of hands, they can do double the work. When the wind breaks a window, Kukuru’s Bargaining stage officially begins. If she can just bar the window, just Do What’s Right, everything will work out, as her daily prayer to Kijimunaa goes.

But it’s not enough. She can’t hold back the storm from causing the power to go out, the roof to leak, the windows and pipes to break, and the sea life to gradually die in the suddenly unfavorable water conditions. Her only memory of her mom and dad was here at Gama Gama, but now, just as they were taken from her, so too is the aquarium, in slow and deliberate fashion, piece by piece.

When Fuuka sees Kukuru giving up on bargaining and entering the Depression stage, she runs over and holds her tight, telling her that even if it’s the end of Gama Gama, and of her dream, it’s not the end of the future. And if they get back to work, there’s still a future for the marine life. Only they can protect them and save them from oblivion.

Kukuru snaps out of it just as Gramps, Kai, Kuuya, and Umi-yan arrive onces the winds die down. Gramps goes into Legendary Aquarium Keeper Mode (if only whatsername was here to see it!), as he knows exactly what to do in what is clearly not his first (or fiftieth!) typhoon. Now six strong, there’s enough manpower to do what needs to be done to buy time until the power comes back on. As far as we know, they don’t lose a single fish.

That said, Gama Gama took a beating, and really showed its age. Gramps promised the man who build the aquarium that he’d close it if it ever got too old, and that time has surely arrived. Having gone through the emotional and meteorological wringer, even Kukuru realizes that it’s probably beyond token repairs or improvements, and can’t keep the precious marine life safe anymore. It’s time has simply come, as it does for all things. Thus she arrives at the final stage: acceptance.

There are few skies more beautiful than those you see after a bad storm. For one thing, you’re relieved the sun is back, while the swirling remnants of clouds and other various optical effects  give the sky a more dramatic look. The color and light slowly returns by the end of the episode. In this light, Fuuka comes to realize she wasn’t just helping Kukuru achieve her dream. By letting Fuuka help her, Kukuru was giving Fuuka strength.

Fuuka doesn’t hate working hard for someone else…especially Kukuru. So when Kukuru turns to Gama Gama’s façade, again admits it is closing, and then bursts into tears, Fuuka is all too happy to be her shoulder to cry on. What comes after acceptance? Catharsis, adaptation, struggle…and maybe—Kijimunaa willing—new dreams, and happiness.

RABUJOI WORLD HERITAGE LIST

The aquatope on white sand – 10 – You can’t go home

Only a damn week left in August. A week of Summer Break. Until reopens, the aquarium closes, and Fuuka goes back to Iwate, among other things. After staring at the downtown monstrosity that reminded me of the Olympic Stadium in AKIRA, Kukuru is staring at that damn calendar with only seven days left.

Kai, whose first memory of Kukuru is watching her back tremble as she wept in her front yard, sees that back again. It’s not trembling, but he knows it’s troubled. But he can’t, because he’s just a little too slow and Kukuru is so distracted by her problems she doesn’t even notice Kai is there, and certainly doesn’t see him as a potential source of healing.

Kukuru isn’t really seeing Fuuka either. Fuuka did commit to supporting Kukuru’s dream when her own dream ended, but thanks to the call from Ruka, that dream is suddenly alive again if she wants it: a goddamn starring movie role. Of course she can’t share this news with Kukuru, who has no time or headspace for anything but her beloved Gama Gama. Seeing how Kukuru flails near the finish line really accentuates just how grown up and mature Chiyu was by comparison last week.

Chiyu can see her future and she’s lunging forward and grasping at it with everything she has. Kukuru is trying to keep her past her present and future. She’s so desperate, she resorts to asking Udon-chan’s mom to see if there’s a way to exploit the inscrutable magical realism moments she, Fuuka, and others have experienced. She thinks if she can put it out there on social media that Gama Gama is a “place of miracles” and a “healing power spot”, she can save it.

But just look at everyone’s faces. Kukuru’s desperation is clear to see. Udon-chan is the only one humoring her with a half-hearted, almost patronizing smile. Fuuka is quietly neutral. Karin is like this girl is going off the deep end.

During what was without doubt the most depressing watermelon-eating scene I’ve ever seen committed to the screen, Fuuka can’t hold in what’s bothering her anymore, even if it only adds to Kukuru’s problems. When Fuuka doesn’t enthusiastically say she’ll turning the movie role down, Kukuru cant stomach any more watermelon, or Fuuka’s presence.

In a way, it’s not fair. Fuuka has pretty much had to couch all of her issues while August has worn on and Kukuru’s various ideas to save Gama Gama have come and gone with the same middling success. But Fuuka isn’t sure what she’s doing anymore, which means she’s not committed to helping Kukuru salvage her dream. There’s no point in lying, and I’m glad Fuuka doesn’t, nor does Kukuru hide her disappointment.

Kai, who it’s clear has been working himself way too hard just so Kukuru has an extra strong back at the aquarium, finally gets a chance to spend some time alone with Kukuru, but it’s strictly business: she needs him to be her guinea pig to see if the “illusions” will occur for him. Kukuru’s obsession with saving Gama Gama is flattening all of her relationships. She only noticed Kai when she needed him.

Why she thinks sitting three feet away and leaning towards him with a notebook will put him in the right state to see said illusions…but like I said, Kukuru is desperate…almost as desperate as Kai is to help and console and comfort her. But once again, he’s a little to slow to call her name and reach out, as she buzzes off on her motorbike after their failed illusion session. He keeps getting so close! 

Back home, Kukuru’s Gramps gives her a talking-to about how it was wrong to try to lure supernatural otaku to the aquarium with promises of miracles and illusions. In effect, this week is when Kukuru’s illusory world finally comes into focus. Everyone but her isn’t saying Gama Gama is doomed because they’re being assholes. It’s because Gama Gama is doomed. Barring some serious Kijimunaa divine intervention, of course.

I don’t know of Kijimunaa is directly responsible for the illusions, but the reason for them is made plain (if it wasn’t already) when Kai, distraught over his inability to reach present-day Kukuru, finds himself behind the shoulder of his younger self when he first met her. Audio is added to this scene and it’s brought into context as one of countless times young Kukuru ran out of her grandparents’ house declaring through tears that she’s going home to “mommy and daddy.”

This was, predictably, the point at which I broke down in tears, and basically unconditionally forgave Kukuru for all of her transgressions both this week and in previous episodes. Kukuru lost her parents at a tender age, but not so tender that she was shielded from the weight of the loss. She was old enough to know, but wasn’t ready to accept, that they were gone. The home she knew and loved was gone too.

Past Kai hesitates just like Present Kai did three times prior, but Present Kai is there to give Past Kai a push towards Kukuru. He whips out a big, gorgeous fish he just caught, and Kukuru’s tears stop almost immediately.

Kai comes out of his illusion to a Kukuru hopeful she just witnessed him experiencing what she experienced. But to both her dejection and my own, Kai softly shakes his head. It was a beautiful memory, but just a memory. It was the past, and just the illusion of it. He doesn’t want to feed her any more illusions. Instead, rather than gathering her into a big hug, he puts up his hands so she can punch them and yells “Come!”

Kukuru cries as she punches, but Kai tells her to keep punching, as hard as she can, into his palms. I’m sure if he had a big beautiful freshly caught fish, he’d give her one to cheer her up. We later see that Kukuru posted a retraction on social media, so even that last-ditch plan ended in failure.

If I were her, I’d also be grateful for a friend willing to absorb my punches, my failures, my despair—all of it, for my sake. And when my fists (and their palms) were sufficiently red and stinging, I’d feel better, and maybe even be ready to take a step forward.

RABUJOI WORLD HERITAGE LIST

 

The aquatope on white sand – 09 – Compassion for the unfamiliar

Two very common ways anime deal with an interlopers is by either turning them into friends or putting them in their place. Aquatope does neither, opting for a far more nuanced, multifaceted, and ultimately more satisfying and enriching experience. In the complexity of emotions it expresses (and elicits), Aquatope is as diverse and colorful as its sea life.

Haebaru Chiyu is the interloper, and immediately an interesting choice was made to have Ishikawa Yui voice her. Ishikawa has one of the most charming and likable voices around, even as she voiced Mikasa Ackerman, one of the toughest motherfuckers in all animedom. I automatically like everyone she voices, even if they’re not easy to like otherwise.

Despite the only reason Chiyu agreed to go to Gama Gama for training was because of the “Legendary Aquarium Keeper”, Gramps pairs her up with Kukuru. Kukuru doesn’t know Chiyu, but hates everything she represents, and cannot mask her disdain and hostility.

It quickly becomes clear that beneath her polite façade Chiyu masks a similar contempt, but for an aquarium she believes (not without good reason!) to be a failure. The place is mostly empty and the equipment is falling apart. Not only is it a depressing place with which she has no emotional ties, it is to her the antithesis of a properly run aquarium.

Gramps and Fuuka are in the middle of the ensuing rivalry of passive aggression and pointed barbs; Gramps tells Kukuru it doesn’t matter what building an aquarium occupies; what matters is that people get to enjoy and come to love the creatures of the sea. Gran backs him up by telling Kukuru it would do her well to occasionally think outside her proverbial seashell.

To her credit, Kukuru does take a look at why exactly she’s trying so hard to save Gama Gama, and if she’s just selfishly clinging to her memories rather than facing reality and coming to terms with it. Fuuka tells Kukuru that she’s chasing her dream, and she’ll keep supporting her.

In response to this loving gesture, Kukuru brings up the possibility of having a sibling to someone for the first time. As the omniscient audience we’ve seen her look at those two maternity books, but now we know why: they’re in her parents’ shrine, but she’s never had the courage to ask Gran why there’s a second one.

Before going to sleep while holding hands, Kukuru promises she’ll be more civil to Chiyu tomorrow, but Chiyu has already had her fill of a teenaged assistant director, and basically demands that Gramps train her from now on. Gramps does his rounds, and Chiyu is suitably unimpressed with the “Legendary Aquarium Keeper.”

And why is that? Because with her outsider’s perspective she can’t quite see what he’s doing, and what he’s done, with Gama Gama. To him, an aquarium is more than just the building, but also more than just the fish. He knows and greets everyone, asks them how they’re doing. It’s a vibrant community of people young and old.

One could castigate Chiyu for so thoroughly missing the forest for the trees, but as we learn in her private moments, she has a dream too, and she’s not going to let what she regards to be a half-assed failing aquarium to hurt her chances at gainful employment.

That night in her Western-style hotel room—another sign she’s not interested in straying too far from her established world—she demands that her boss assign her somewhere else, and he agrees. She can’t afford to waste time…not when she’s come so far on her own.

Honestly, as much as she clashes with Kukuru and simply doesn’t “get” the appeal and value of Gama Gama, I can’t fault Chiyu for feeling or acting as she does. When Kukuru asks her what deficiencies she found there, Chiyu doesn’t hold back, and also makes the very good point that at the end of the day, Kukuru isn’t doing this for a living.

She may be slacking in her studies, but Kukuru is still young enough to do anything with her life. That’s less true for Chiyu, and because she desperately wants to work at an aquarium, she has to work that much harder in a country of 126 million with only about 100 aquariums.

Kukuru needs to use an unwitting Kai as a stress-relieving punching bag (a wonderful moment between the two old friends) not only because Chiyu pisses her off royally, but because Chiyu is right about a lot of what she said. For someone who earlier questioned her motives about saving Gama Gama, Chiyu adds salt to that wound.

The previous day, Fuuka overheard Chiyu remarking how no one at Gama Gama is actually looking at the fish. But as Fuuka learns, Chiyu was wrong: theyu have looked at the fish, over and over, with their cheap annual passes they’ve memorized most of them. They’re past that “tourist” phase of aquarium visitor. Now, Gama Gama is their living room, their lounge, their game room, their parlor….their home away from home.

Oh, and one of the kids mentioned he once say his dead dog, which means there’s something even more inscrutable and intangible about Gama Gama at which Ciyu turned her nose up. Between that kid’s comment and the brief look at Fijimunaa, the show wants to make it clear it hasn’t forgotten its magical realism elements.

Lest we forget Fuuka has her own baggage, she finally picks up when her old group-mate Ruka calls her. She eventually had to face her mom, and so it only made sense she’d have to face her very different past life as well. Unfortunately we don’t get to learn what exactly Ruka has to say to Fuuka, but it’s a great hook for next week.

Fuuka only gets this chance in part because Kukuru doesn’t go home with her, instead riding out to the big city to see the great nemesis itself. And just as her nighttime ride reminded me of Akira, seeing her behold and be dwarfed by the towering behemoth, still under construction and looking like a great sleeping beast.

This episode defly introduced a new character who was both likable in her own right while also providing a welcome thorn in the whole Gama Gama kubaya environment. Not everyone needs to be friends, and sometimes that makes for great, sometimes downright thrilling  anime, as it did here.

It also marked what looks like the beginning of some significant growth and soul-searching for Kukuru. She’s faced the beast…but what does she make of it, and what will she do next?

The aquatope on white sand – 05 – We only have august

Fuuka’s mom arrives, but she’s not a bitch, nor a force of nature. If anything, she’s apologetic towards Kukuru’s gramps for making him board a stranger for so long, and ashamed by how long she didn’t know where her child was. Despite her stern look that served as last week’s cliffhanger, she is someone whose position you can totally understand and respect. there’s no “bad guy” here.

That being said, Fuuka’s mom’s initial position is quite clear-cut: Fuuka is to come home to Iwate with her at once. Fuuka isn’t ready, so Kukuru and Kai aid her escape. Her mom could turn the corner at any moment, so they have to act fast—so fast, there’s no time for a proper goodbye between two friends who have only just begun to know each other.

Fuuka replicates the long, hot, sweaty walk she made upon first arriving there, making her wonder if she’s ended up right where she started. The major difference is, a friendly stranger in Karin saved her the first time; this time, she seeks refuge at Udon-chan’s family diner. Udon serves her up a quick and tasty lunch, along with this excellent nugget. When you’re busy, you don’t have time to think about things that don’t matter

Also, Udon’s mom is the fortune teller who told Fuuka she’d make a fated encounter. But that can be said not just of Kukuru, but the Gama Gama Aquarium, as well as the first creature she connected with: the shy little coral blinny. Udon’s mom offers to drive Fuuka to a free room in Haha, but when she remembers the blinny wasn’t looking so swell last time she saw it, she suddenly asks Udon’s mom to turn around and head back.

Unfortunately, Fuuka is too late, and Kukuru admits that when you’re dealing with living things every day, eventually you’re going to have to deal with death. As soon as she first remembered the little guy while in the car, I was just as emotionally invested in the poor doomed blinny as Fuuka was, resulting in this episode’s Goddamn Tearjerker status.

Fuuka’s mom happens to come into the back room just as her daughter is cleaning out the blinny’s tank, looking both pained and diligent. Kukuru steps up to the plate to tell Fuuka’s mom how much Fuuka means to her and the aquarium, but Fuuka stops her, and tells her mother directly that she wants to stay. Having been charmed by this place and its warm and generous people and seeing that Fuuka is serious, her mom agrees…but only until the school year starts in September.

Fuuka’s mom spends the night, lamenting at dinner to Kukuru’s grandparents how between Fuuka going off to be an idol and now, she’s barely been able to be a mother. Udon’s mom says letting a child go when they’re old enough is part of a parent’s job, while Kukuru’s grandparents assure her that everything will work out…even as the shrine of their daughter, Kukuru’s mother, sits in the corner.

Fuuka and her mom end up having a nice mother-daughter moment later that night as they sleep in adjacent futons, with her mom admitting she looked pretty good in those red boots. So the immediate threat of Fuuka and Kukuru being separated has passed, but they only have one month to achieve Kukuru’s dream (not to mention be together). I wonder if the remaining nineteen episodes will cover only that August, or the months of separation that follow.

GODDAMN TEARJERKER™ CERTIFIED

The aquatope on white sand – 04 – The girl with the red boots

Aquatope continues to meld stories of personal pain and growth, hints of romance, and slice of life in a unique setting with aplomb. This week we meet another employee of the aquarium, the gentle giant Umi-yan. He’s the first to realize that Fuuka is the Fuuka formerly of Yona Pro, and soon spreads the word to Udon-chan and Karin.

After work when Kukuru stops by Udon’s, she and Karin tell Kukuru while Fuuka sits in awkward silence with Kai, who just happens to flip to a channel on TV showing Yona Pro at an event. Just seeing the girl she let usurp her causes a visceral reaction in Fuuka, and Kai, also in on the big secret, quickly changes the channel.

The next morning, three old ladies are drawn into the aquarium before opening time to bask in Fuuka’s youthful beauty. The next day is a big one; the “Touch Pool” where kids get to touch sea creatures rather than just look at them.

Kukuru decides to give Fuuka more responsibility by being an attendant to the pools. While gathering creatures for the pool, Kai asks Kukuru whether Fuuka, who entered their lives so suddenly, will leave it just as suddenly some day.

Fuuka takes to her new job like a fish to water, taking voracious notes and adding her own cute little touches to make it a more colorful and fun experience. She even upgrades to bright red boots, surprising the rest of the staff. But considering they all knew she was an idol, should they be surprised?

When the day comes, things go swimmingly…at first. The kids love Fuuka and she crammed enough knowledge of the creatures to back her charm up with helpful knowledge. But then some older kids spot her, recognize her as the fallen idol, and prepare to snap pictures. Karin steps into their shot just in time, asking that they please not take non-consensual photos of the staff.

Umi-yan takes over the pool while a visibly shaken Fuuka, who tried so hard to buck up, is taken to the back by Kukuru to calm down. Kukuru apologizes profusely for getting so caught up in making the touch pool a success that she didn’t consider how Fuuka would feel.

But Fuuka doesn’t want her to apologize. She chose to be an attendant, and was happy when Kukuru put her to work and praised her. It’s here when Fuuka realizes that she wants to do a good job because she wanted to get to know Kukuru better and get closer to her.

Kukuru, in turn, realizes she wanted to give Fuuka more work so she’d fall in love with Gama Gama even more, so she could become closer to her. Pracicing what they preach to the kids about how touching a sea creature is worth a hundred words about it, Fuuka takes Kukuru’s hand and places it on her face, and Kukuru does the same with Fuuka’s hand.

Like Karin and Udon, I was absolutely slain by this scene, as it was surpassingly adorable and heartwarming in equal measure. It’s also to date the most overt expression of the show’s shoujo-ai overtones. Kai seems to have a thing for Kukuru but they’re old old friends; it’s different. Fuuka, on the other hand, inspires passion in Kukuru, and the feeling is mutual. They make each other better while helping each other heal from their wounds.

Fuuka returns to the touch pools with heightened confidence and poise, looking the older kids head-on and welcoming them to ask her anything…provided it’s about sea creatures. They look suitably chastened…how would they like it if someone took pictures of them when they were working?

After a long, exhausting, but ultimately successful and immensely fun day, Kukuru and Fuuka ride home, and before hitting the hay exhibit a far closer and more comfortable rapport, with lots of smiles and laughs. No doubt due to the exertions of the day, they end up oversleeping, but don’t sweat it. In fact, Kukuru decides to start the day by pouncing on Fuuka.

Naturally, someone had to piss in this blissful bowl of Cheerios, but thankfully the dread I felt as they approached the aquarium that those loan sharks had committed some kind of vandalism was mistaken. Instead, Fuuka’s stern-looking mom has arrived in Okinawa…and she doesn’t look happy.

Considering we’ve got twenty more episodes to work with, would the series dare separate Fuuka and Kukuru just when they’ve gotten so close? I dearly hope not! Instead it’s my wish that, as they pray to Kijimunaa each morning, as long as they keep doing what’s right, everything will work out.


The aquatope on white sand – 03 – First penguin

“Time not important. Only life important.”—Mondoshawan Caretaker, The Fifth Element

Before waking up for another busy day juggling school and thre directorship, Kukuru dreams of when her parents took her to the Gama Gama and she got to name her first penguin, Choko. He’s still with the aquarium fifteen years later, and was the first one in line when Fuuka’s doomed feeding session. Fortunately, she’s a lot better at feeding Choko here.

Besides being a surpassingly good boy, Choko, like the aquarium, is one of the ways Kukuru connects to her folks, who passed away not long after the aquarium visit in her dream. Fuuka learns this from Kukuru’s childhood friend Kai, who genuinely respects how hard Kukuru is working and wants to help in any way he can. Like Choko, Kai is also a good boy.

When Kukuru notices sores on Choko’s legs, she uses her authority as summer director to summon the vet Takeshita (Hanazawa Kana), who is on maternity leave and very pregnant, but also happy to stop by and examine the penguins.

But then, while at the aquarium, her water breaks. Kukuru initially panics, but when Kuuya addresses her by her position as acting director she slaps her cheeks, gets a grip, and makes Takeshita comfortable until a car (Karin’s) can arrive to take her to the maternity home.

While Kukuru and Fuuka are tending to her, Takeshita has a dream, not that dissimilar from the one Fuuka had that led her to want to get a job there. After Kukuru repeats what Takeshita once told her—that Gama Gama is a place where all life is protected, both aquatic and human—the aquarium seems to envelop the vet in its tranquil, watery bosom.

She sees the deity Kujimunaa playing with the image of her about-to-be-born son, who then swims down to hug her and tell her she’s about to meet him. It’s just such a moving, beautiful, and heart-swelling scene; one that demonstrates the true power behind what Kukuru is desperately trying to protect.

In this regard, Kukuru is like Choko: the “First Penguin” to dive into uncertain waters and have a positive effect on those around them. Those who either love the aquarium, or Kukuru, or both can’t help but want to give their all in trying to help Kukuru rescue Gama Gama.

And when Kuuya points out that the penguin keychain that catches Fuuka’s eye in the gift shop was made by Kukuru, she buys one for herself. After the two visit Takeshita and her healthy baby boy, Kukuru notices Fuuka has one of her keychains, it cheers her up after the bittersweet visit when the presence of a new mother in Takeshita reminded Kukuru that hers is gone.

Kukuru’s visit to Takeshita was also instructive, as she learned more about the “maternity handbooks” she found. They’re given to expectant mothers, meaning the ones Kukuru found were her mother’s. One bore her name, but the other was blank. I’m still not sure where this thread is going, as Kukuru confirms she’s never been pregnant, but the theme of maternity is certainly a rare and intriguing one for a slice of life anime.

The aquatope on white sand – 02 – Idol into water

Kukuru accepts Fuuka’s sudden offer to work, but since shes only the summer director of the aquarium, she gives Fuuka a ride to her house on her scooter (not a Super Cub, mind you!) to ask her gramps, who is director the rest of the year.

Kukuru’s gramps not only agrees to take Fuuka on at the aquarium, but will let her stay at their super cozy and comfy house. Kukuru isnt surprised by either, or by her gran accepting Fuuka’s offer to help her make Okinawan doughnuts. These are just really kind, laid back people.

The next morning starts out a little rough when Kukuru notices Fuuka’s painted nails for the first time, and perhaps too harshly demands that she remove it for the sake of the plants and animals there. Then our fish-out-of-water idol ends up in the water when she’s assigned the task of feeding some hungry penguins and makes a total cock-up of it.

While initially played for laughs (the little kids watching were certainly entertained), in the back room Kukuru chews Fuuka out for not considering the safety of the people and animals at all times. She tells Fuuka in no uncertain terms that if any creature is harmed as a result of Fuuka’s lack of care, she’ll never forgive her.

Karin, the tour guide who brought Fuuka to the aquarium in the first place, asks that she cut her friend Kukuru a little slack. The previous night, we saw Kukuru presenting a list of new equipment to Karin and their mutual friend Tsukimi (or “Udon-chan” since her fam runs a noodle diner and tsukimiudon is a thing) totalling over three million yen.

The bottom line is that Kukuru’s gramps intends to shut the long-struggling aquarium down to complete his retirement. But Kukuru is determined to stake her entire summer on breathing life into the flat-lining business. She knows that if such a special place were to close down, it would probably never come back.

When two unsavory loan sharks (heh heh) roll in and try to swindle Kukuru into debt she cant repay (or worse) and carelessly knock over the cute wooden sign welcoming guests with letters made from shells, Fuuka, having heard Kukuru’s struggle, finally shows some fire, chewing out the sharks and spraying them with the hose. As her employer, Kukuru is appalled; but as a person, seeing Fuuka go to the plate cheered her up big-time.

Karin arranges a impromptu welcoming party for Fuuka that night, with Udon-chan serving both alcoholic and non-alcoholic drinks and the two boys in the show, Kuuya and Kai, also making an appearance. While Kuuya isn’t so good around girls, Kai seems to have a think for Kukuru, and the feeling isn’t necessarily not mutual. When he hears Kukuru could use another strong back, he’s not about to hide in the corner.

These scenes of people just kicking back and relaxing after a stressful day and welcoming their new gorgeous, mysterious friend, are just so lovely to behold. They emanate comfort warmth in smooth waves, like the gentle breakers on the beach. Ditto when Kukuru and Fuuka walk home in the serene darkness. You can really feel the quietude of the sleepy countryside they inhabit.

After hearing from Karin about Kukuru’s predicament with the aquarium, a fire was lit under Fuuka, resulting in her going off on those goofy loan sharks. Hearing Kukuru’s story also inspires her to open up to Kukuru about how she ended up there, living and working with her. If Kukuru’s dream is to protect her “home”—the aquarium—then Fuuka’s dream was to become a successful and beloved idol, making people happy with her singing…like Diva!

But then, quite suddenly, without warning, and without any fanfare or rancor…her dream simply ended. She heard a younger member wanted to be center for her ailing gran’s sake. She was a true idol, honorable and kind, but it was career suicide, and she was eventually cashiered out of the industry altogether.

But even if her dream ended, she still has what it takes to help support someone else’s dream; in this case Kukuru’s. At first she would have been fine ending up anywhere but back home where she’d have to face something worse than the scorn of her family and friends for her failure—but their love and understanding. Fuuka may be ready for that some day, but for now she’s fine being in a new place with new people.

And she definitely considers Kukuru a kindred spirit. The two even sigh at the same time, and the episode ends with them staring longingly into their big shimmering eyes. While their friendship has been steadily building up since the low of the penguin incident and the high of the shark-soaking, it is well and truly made official on that beach.

Fuuka is committed to helping Kukuru keep her dream alive, and her arrival has put a fresh, optimistic wind in Kukuru’s sails. I’m sure there will be more bumps (icebergs) down the road (sea?)—after all, this is a twenty-four episode series—but I’m looking forward to it more than anything else this summer.

The aquatope on white sand – 01 (first impressions) – A strange place still near home.

First of all, kudos to Aquatope for starting out so cleanly and crisply, with a series of shots of Misakino Kukuru’s quiet Okinawa hometown that were so summery and relaxing that they gave me goosebumps. It was literally a slice of life in this place, and this episode’s full of ’em. It seems inconceivable Kukuru would be unhappy in what looks to an outsider like paradise, but maybe paradise doesn’t feel like paradise to its embedded residents.

I’m sure at some point Miyazawa Fuuka felt she was in paradise as a member of a popular idol group in Tokyo. But then suddenly it became a dreary slog, leaving her with nothing but shit-talking co-workers and an empty apartment. Her final interaction is with one of her former groupmate, who for all we know puts on just another performance, lamenting Fuuka’s departure.

Weary of an big embarrassing welcome home party in her own sleepy rural hometown, Fuuka hops on a plane to Okinawa on a lark. The tropical heat hits her like a ton of bricks, and she’s quickly scooped up by a fortune teller who turns out to be pretty nice, following as she does the local saying “meet once, and we’re siblings.” She tells Fuuka to follow Sagittarius.

Fuuka ends up nodding off on the beach, and wakes up the next morning surrounded by neat circles of washed-up coral bits. Was this the work of the cheeky looking deity to whom Kukuru offers fish heads every morning? Speaking of, Kukuru is a total fishophile, far more interested than the creatures of the sea than humans on land or their math.

When a tour guide happens to spot Fuuka suffering the onset of heatstroke, she stops her car, offers her water, and gives her some brochures. One of them promotes the Gama Gama aquarium, to which the guide, Kudaka Karin, gives her a lift. It’s here where’s I’ll admit I’m a sucker for aquariums too.

I was lucky enough to grow up in a city with one of the best in the world, and though I don’t visit nearly as much as I should considering I’m still not far, it always felt like you were crossing a threshold into an entirely new world: a world of endless, captivating blue, where the air was water and full of creatures “flying” in it.

It’s at this aquarium, which is understaffed and suffering cratering attendance and yet still absolutely magical, where Fuuka has what you might call a spiritual experience. After spotting her undersea counterpart—a little guy who hides in the corner but works the hardest, like she did in her idol group—and Fuuka starts to cry pent-up tears.

Those tears and the accompanying despair are soon washed away when the tanks start to expand out towards her. She tries to run, but is soon surrounded by water, yet is able to breathe. She becomes one with all of the fish, turtles, and even a particularly badass whale shark. Then she snaps out of it, and suddenly there is Miyazawa Fuuka.

Our two protagonists have finally encountered one another. Their stories have intersected, thanks to the otherworldly allure of the aquarium. Kukurui has a knowing look on her face; she knows that Fuuka saw “it”, as in experienced what it means to be temporarily tricked by that local deity, Kijimunaa. Apparently Kukuru has experienced something similar.

Such strange phenomena are nothing new to the aquarium or its ancient environs. It’s called “Gama Gama” due to the coral formations that make up part of the building’s architecture; thought to be the gateway between the world and underworld. And yet, as Kukuru remarks, as strange and enchanting as it all is, it’s still close to her home. It still feels like “your grandma’s living room.”

Kukuru needs staff. Fuuka needs a fresh start in a new job. These two are perfect for one another. Perhaps it was Kijimunaa’s will, fueld as it was by offertory fish heads, to point the wayward former idol to the struggling aquarium director. I foresee great things from this auspicious meeting.

As focused as the episode is on its two leads, it’s also ever contemplative of the state of Japan’s cutthroat idol culture (where a well-meaning girl who did everything right still lost) or the worsening crisis of an aging population. And while daydreaming in class, Kukuru recalls a memory of having  a “parenting journal”.

Whether kids her age are encouraged early to have babies or she actually got pregnant and either lost it or gave it away, there was such trauma and pathos coursing through Kukuru and Fuuka’s lives. Whatever wounds they both possess, perhaps they can start healing them together at the aquarium—the gateway between worlds.