Vanitas no Carte – 17 – Voler Trop Près du Soleil

With her fully operational Alteration Engine, Chloé is able to give Naenia a physical form…so she can choke the bitch out for what she did to her beloved Jean-Jacques. As she says, she’s a terribly jealous woman, to the point she’ll change the rules of space and time just so she can get her hands around a solid neck of the non-corporeal devil dwelling on her shoulder for so long.

Naturally, this backfires, when Chloé, in her desperate desire to uncover who Naenia truly is, ends up awakening Naenia’s memories of who she is: the first vampire of the crimson moon, Queen Faustina. The tables are suddenly turned, as Chloé is overpowered, the Beast tamed, her Engine stalled, and her castle and the lands around it shattering into shards floating in a purple void.

In the midst of this chaos, Vanitas falls, and Noé leaps after him, something Jeanne didn’t do when Chloé leapt off the cliff. Naenia’s voice tells him he’ll “never reach” Vanitas and that there’s no hope, but Noé does his best to ignore it, and ends up beside Vanitas once more. They’re soon joined by Roland, who comes out of nowhere with other Chasseurs to protect the unwitting townsfolk.

Speaking of Jeanne, the final act of the episode centers exclusively on her journey from vampire whose loving parents were beheaded as traitors to her conversion into a Bourreau—an unthinking, unfeeling tool. The only problem is, when sent to kill Chloé those thought sand feelings all flood back. When she fails, she’s sent into a long slumber until “the war ends and all can live in peace”.

Jeanne laments that all she can do now is her duty as a bourreau, finishing what she couldn’t finish by offing Chloé. But awakening her from her forced stoic trance is Vanitas, who stands before her and says it’s not too late, either to save Chloé or herself. By restoring Faustina’s body Chloé rent the very fabric of the world. Now it falls to others to try to piece that world back together.

Rating: 4/5 Stars

Vanitas no Carte – 16 – Mettre Fin au Cauchemar

Vanitas no Karte always knows the right time for a moment of goofy levity, such as when Vanitas & Co. discover the same soldiers the beast already slew, leading him to conclude they’re in a looping closed world created by a curse-bearer. Jeanne uses her gauntlet to launch herself into the air and towards Chateau d’Apchier to fight the beast, as is her duty. She wasn’t counting on Vanitas hitching a ride!

As he’s walking in a corridor with Jean-Jacques, Noé suddenly doesn’t feel so swell…turns out his food was drugged. Likely expecting more visitors, J-J wants him to sleep things off until things die down. But first he wants him to drink his blood, so that in case anything happens to him, at least one person will remember not the legends, but the truth of who he and Chloé were.

Noé thus travels down memory lane through J-J’s eyes, as he flees his home and abusive father, gets lost in the woods, and encounters the Silver Witch, only to find that they’re two peas in a pod: vampires who have done nothing wrong but have still been scorned and abandoned. The two become fast friends, and J-J devotes himself to her entirely.

The townsfolk of Gévaudan don’t give up the hunt for the “Beast”, and  Chasseurs and Bourreaus soon come to force the issue. Knowing that Chloé isn’t responsible for the deaths but not knowing who is, J-J decides the only way to protect her is by becoming the Beast. Like Chloé, the scarred and world-weary J-J was all too easy a target for Naenia’s manipulation.

One night, J-J ends up badly wounded, including from his own father, who joined the hunt for the Beast. Naenia lures Chloé out of the castle to save J-J, but the two end up cornered by Jeanne, who seems ready to do her duty here as she does in the present. That is, until she gets a good look at her big sister, her eyes fill with tears, and she hesitates.

The thing is, at this point Chloé wants death, and is happy that Jeanne will be the one to deliver it. When it’s clear Jeann won’t do it, Chloé leaps of the cliff with J-J in her arms, only to be caught by Naenia, who promises vengeance in exchange for Chloé ‘s true name. Now we’re up to speed!

Vanitas, on the other hand, isn’t, but as Jeanne fights the Beast, he finaly reunites with Noé. When he learns that Chloé became a curse-bearer willingly for vengeance, Vanitas deems Chloé unsuitable for treatment—no point saving someone who doesn’t want to be saved, right? But Noé insists, and Vanitas agrees to treat them—provided Noé can inspire his help.

Vanitas reaches the library and finally meets Chloé, telling her he’s there to save her and demanding his book back. In the funniest gag of the episode (and indeed the season so far), Chloé pleads genuine ignorance. She liked the shiny jewel on the book, but when she couldn’t rip it off she just tossed the book…somewhere among the literal mountains of books. Yes, in this arc the titular Vanitas no Karte is naught but a MacGuffin…which rules!

As for what exactly Chloé is doing with her newly operational, keyboard-controlled Alteration Engine, Naenia claims she’s going to use it to wipe Gévaudan and its environs from the face of the earth, a potentially fatal bit of tampering with the World Formula Vanitas cannot allow.

But Chloé, it would seem, had other plans that even Naenia didn’t know about. To whit: Chloé uses a command “Perpetuate Existence” to give Naenia a physical body, which is to say, imprison her within one. Is Chloé officially showing her colors as someone who doesn’t want the world thrown into chaos, but rather wants to end Naenia’s reign of chaos? I am very intrigued to see where this goes.

Rating: 4/5 Stars

Vanitas no Carte – 15 – Onze Pour Toujours

Noé is outraged to find Naenia, who killed his beloved Louis, lingering so close to Chloé, to the point he lashes out and makes a mess of supper. But having been on this earth for so much shorter a time than Chloé, he can’t hope to understand why she not only doesn’t mind Naenia’s company, but gave up her true name willingly. For the crimes of crass insolence (and wasting food, something Chloé adorably can not abide), Noé is smacked across the room.

He comes to in the kitchen, where he apologizes and introduces himself to Jean-Jacques. J-J lives such a sheltered existence as Chloé’s attendant, he’s never once even shaken hands with anyone…until Noé. Noé makes clear to J-J that Naenia is his enemy, not Chloé, but all that matters to J-J is that ever since Naenia arrived, Chloé no longer cries every day. He won’t let anyone do anything the Naenia that might make Chloé weep again.

From there we launch headlong into Chloé’s history, which began around 1550, making Chloé well over three hundred years old. When she suddenly became a vampire, her father, Lord d’Apchier, gathered mages and alchemists the world over to study the World Formula and restore his daughter’s humanity. They failed, and her father passed away, but his wish to gain the power of God became a legacy that future d’Apchier generations continued to carry.

All the while, Chloé lingered within the walls of the d’Apchier castle, forever eleven. At one point, she met a young(er) Ruthven, who became her first and only friend. Back then, he was on the side of neither vampires nor humans, but sought to end the struggle between them and forge a lasting peace. I gotta tell you, I liked this younger, more naïve Ruthven to the one who has basically brainwashed Noé to kill Vanitas on command!

It’s also thanks to Ruthven that Chloé met lil’ Jeanne, the closest thing to a true little sister she ever had. By wandering off into the forest Jeanne motivated Chloé to finally leave the castle walls and explore the world outside. Jeanne led her to a bed of blue roses that grew even in the snow and frost. But while these new experiences were powerful and tempting, Chloé could not abandon her family or its long-standing mission to complete the Alteration Engine.

One year/decade, Ruthven returned a changed man, consumed by darkness. He lost and eye, and had become disillusioned by the prospect of peace between humans and vampires. Driven by unchecked ambition, he drank some of Chloé’s blood and attempted to use his power to compel her to obey him, such that he could command the power and knowledge of House d’Apchier. He failed and retreated in shame, but the damage was done: Chloé lost her first friend.

She continued her work on the engine for many years, often returning to the flowerbed Jeane had shown her, slowly becoming consumed by lonelieness. Then Naenia arrived, promising not only companionship, but the opportunity for her wish to be granted. All it would cost is her true name, and the Alteration Engine could be completed. Chloé started to experience nightmares that may or may not have been actual waking events of violence. She even dreamt of slaying her beloved Jeanne.

But when we return to the present, apparently all of that torment was worth it to her, as she activates the Alteration Engine situated in the middle of her gigantic library. Perhaps the Book of Vanitas was the last missing piece to unlocking her success and achieving the wish Naenia had granted.

If nothing else, now that we know a lot more about Chloé, I can empathize with her centuries of solitude and suffering, and desire to restore what all those years had undone. Even if he can get his book back, how will Vanitas “save” someone who chose to be condemned for the sake of her family’s legacy?

P.S. As Vanitas, Jeanne, Dante, and Johann make their way to rescue Noé, Dante confesses that he was given a mission by the “Marquis Machina” (a kind of steampunk Dr. Robotnik) to investigate whether the Alteration Engine really existed. Machina’s real name is Sir Francis Varney, who takes his name from an 1840s serial fiction called Varney the Vampire, which influenced Bram Stoker’s Dracula and was the first work to depict vampires with sharp teeth.

Vanitas no Carte – 14 – Nu au Coin du Feu

Jeanne’s complex relationship with Vanitas gains a new layer as she rescues him from dying of exposure, finds a cabin, and orders him to disrobe. The two sit by the fire together, naked under a blanket. While she’s most often disgusted by his usual arrogance and terseness, she can’t help but find this vulnerable side of him refreshing…even cute.

On the surface, nothing she does for Vanitas is with romantic or amorous intent—even feeding him water with her mouth—she’s just helping to save someone who helped her. But it’s impossible to ignore their history together thus far—all their scenes here are sexy as hell. Vanitas even tells her that they want different things: he wants to save the Beast and she’s been ordered to execute it.

That makes them foes in this enterprise, and she’d be better off letting him die. Of course, Jeanne isn’t going to do that. Instead, she tells Vanitas why she feels responsible not just for getting Vanita’s wounded by a poisoned blade, but for the whole Beast of Gevaudan affair. When she was a little girl, she met the vampire Chloé d’Apchier while left in the care of the Marquis d’Aphcier. Chloé was like a big sister and Jeanne loved her, but that no longer matters: she’s killed scores of people, and must now answer for it.

The reason Jeanne is here is that she failed the first time, but Ruthven gave her a second (and probably last) chance to do it. The next morning, when Jeanne is far more flustered than the fully-recovered Vanitas by the previous evening’s activities, she finds him speaking with Johan, and eventually Dante shows up as well. After threatening both Dhams to tell him everything about this Beast situation, he bids the four of them make haste to the castle to retrieve Noé.

Vanitas is right to worry—Noé wakes up in an unfamiliar bed with the tiny vampire lying on top of him sucking his blood. Despite Chloé being tiny, Noé is so weakened from the battle that he can barely move, leaving him completely at her mercy. If she wants another taste of his blood (and the memories it reveals—though that’s not touched upon here), there’s nothing stopping her…

Except for her attendant, Jean-Jacques, who scolds her for sucking someone’s blood without their consent while also expressing deep loathing for the owner of the other neck she bit. That said, JJ presents Noé with a safe-and-sound Murr and his freshly cleaned and mended clothes. When Noé meets Chloé and JJ in the banquet hall, they’re accompanied by a troupe of musical automatons…along with Naenia.

It addition to being its usual sexy self, this episode of Vanitas added texture to what had initially been labeled a simple mission of kill-or-save the Beast. Chloé is an intriguing potential antagonist, but despite her apparent alliance to Naenia doesn’t come off as pure evil; she was kind to Jeanne, after all.

Instead, as is typical of ancient vampires, she seems to float over everything and everyone, seeking nothing but entertainment and satisfaction out of this scenario…a balm for the ennui of the centuries.

Rating: 4/5 Stars

Vanitas no Carte – 13 – La Bataille D’Argent

I did not watch the Episode 12.5 recap of the first twelve episodes, instead catching up by reading my write-up of Episode 12…only to find it full of typos and grammatical errors! I do apologize for that; it’s all fixed up now.

It’s now Winter where I live, and freezing more often than not, so it’s only appropriate for Gévaudan to be cold as well when Vanitas and Noé arrive—with Dante and Johann tagging along. As is his wont, Noé gets separated from the others in the deep Silver Woods. Then, quite suddenly, the forest becomes a winter wonderland.

When Vanitas and the others spot vintage dragoons hunting the great beast (well, trying to anyway)he deduces that time has somehow rewound to the 18th century, when the King sent his best soldiers in to take care of the storied wolf. Unfortunately for those soldiers, they’re in the way of the Chasseur and Garnet Paladin Astolfo Granatum, who unlike Roland seems to be a bit of a sadist, and doesn’t consder it his job to protect humans, only hunt vampires like Noé. He’s not bad, either, as Noé isn’t fast enough to avoid getting cut.

Their duel is interrupted by the great wolf itself, and it’s not long before Jeanne shows up out of nowhere to battle the beast. Vanitas wants to save the Curse-Bearer who is in the form of the wolf. If Jeanne kills it, that won’t be possible. The thing is, Jeanne doesn’t care. She’s a bourreau, and considers it her job to destroy curse-bearers and eliminate the threat they pose—nothing more or less.

Once Vanitas and Noé reunite, Vanitas can tell that Noé was holding back in his fight with Astolfo for whatever reason. Vanitas in turn employs his inimitable gift for shit-talking by getting Astolfo extremely pissed off, and thus not at his sharpest. You have all the skills and talent in the world, but if you’re off-balance emotionally you won’t be able to fully summon those gifts.

Jeanne continues to battle the wolf, calling her “Chloé” and trying to get a dialogue going. When that fails, she re-commits to destroying the wolf. When she’s stopped by Noé, she warns the lad that if he gets in her way she’ll kill him too. That’s when Charlatan’s Naenia, who felt left out, shows up and creates an illusory world around everyone.

Some, like Astolfo, are unable to fight against the illusions and madly lashes out at Jeanne. But others, like Vanitas, can keep their heads, and he comes between Astolfo and Jeanne, paying back the favor when she saved him earlier. Sick of Naenia’s games, he whips out his titular Karte, only for someone to snap its chain, separating the book from its owner.

When the diamond dust settles, some dude with unkempt dark hair picks up the book, with Vanitas nowhere in sight. The man walks over to the silver-haired woman with azure eyes we caught a glimpse of back in episode 12; the Chloé Jeanne spoke of. Clearly she’s the Woods Witch referred to several times earlier in the episode, and if taking the Karte from Vanitas was the plan all along, then it went off without a hitch!

It’s a hell of a stirring start, introducing a new wintry woodsy setting, new characters, and big new stakes. All the while, the killer directive programmed into Noé looms over everything. Also, while I fully expected the OP and ED to not live up to their Part 1 predecessors, I’m please to report they both slap just as much! Vanitas no Karte hasn’t skipped a beat.

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