Sousei no Onmyouji – 02

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Oji-san has passed SnO to me (he was not a fan), but I’m a little more amenable its jaunty juxtaposition (or sometimes, smashing-together) of super-serious and super-goofy tones. But hey, it’s hump day; I don’t need to be transfixed by high art or anything (that’s Sunday!)

I find SnO competent enough in what it’s trying to do, which is capitalize on the success of similar ‘dark-and-funny’ shows like BleachBlue Exorcist, and Akane ga Kill! to entertain without too much thinking. It is not as good as any of those, but I found myself charmed enough to sit through the entire episode.

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There’s a kind of cheekiness to watching Benio— her pride hurt by someone who has all the ability but none of the interest in being an exorcist that she has—shuffle off after exchanging names…then ending up at Rokuro’s house, where she’s to begin living. It reminds me of Rukia helping herself to Ichigo’s closet…she even has a fiery familiar who could well be a friend of Kon’s.

Rokuro didn’t steal all of Benio’s power the way Ichigo accidentally did to Rukia, but like Rukia she’s a rich, privileged, mildly arrogant kid whose kegare-killing parade was rudely rained on. Seeking redemption (and some restored confidence) she goes with Rokuro’s roommates to Magano, but is disappointed to find a far weaker foe than Rokuro took out.

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Naturally, since they’re now living together, Rokuro walks in on Benio, but she’s all covered up with a towel, not nude, and she responds not by screaming, but by arming herself and going after Rokuro, whom she’s already established is tough enough to endure such behavior.

Rokuro ends up plowing into a dude in his underwear who turns out to be Head Exorcist Tsuchimikado Arima. Believe it or not, I’m not done referring to Rukia yet, because just like her Arima uses crude but expressive crayon drawings to explain things, like why he’s inj his underwear (prior to arriving he was caught in flagrante delicto with a yakuza’s girl, and had to split sans threads)

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But while his manner of arrival is silly, the message he bears via oracle is not, and he summons both Benio and Rokuro (along with their grizzled guardians) to the subterranean Five Mirror Chamber. There, he presents the two as dual candidates for the Miko, the savior of exorcists over the Kegare. Then he makes them duel.

Rokuro wants no part of this, but Arima eggs him on by spuring his dead friends (the once who caused him to cast off exorcising in the first place) and he joins a fierce battle with Benio. Seriously, the best part of this show is its stylish, quick, and punchy combat, as demonstrated here. A steady helping in each episode will go a long way to mitigating the well-worn character traits and plot elements.

What’s also interesting: Arima never intended for one “candidate” to kill the other, making the survivor Miko. No, he intends to marry Benio and Rokuro together, and the child they produce will be the Miko. I didn’t expect they’d be anything other than grudging allies who gradually form a bond. This raises the stakes and makes things a little more interesting, if a bit neat and tidy.

In spite of an already heavy workload which includes another superior show I’m far more invested in, Ushio to Tora, I shall tune in at least one more week, then attempt to peel myself away.

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Plastic Memories – 03

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Oh dear…last week’s revelation that Isla has only 83 days left (and quite a few days fewer than that now) had rekindled our interest in Plastic Memories, but after a total dud like this third episode, I don’t see how I can ever trust it again. I mean, seriously, three eps in and we get a hokey, uninspired moving-in/living with a girl episode?

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Rather than anyone telling Tsukasa what should be obvious to anyone who’s been around her for a few years that yes, indeed, Isla will meet the same fate as all the other giftia they retrieve every day, the guys in the office instead offer him increasingly ridiculous advice that Tsukasa carries out Wile. E. Coyote style, to no avail.

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It’s cliched, repetitive, and boring, killing all urgency and goodwill created last week. Worse, the fact several days go by as Tsukasa struggles to connect with Isla in their dorm where she used to live alone. He never bothers to wonder whether Isla prefers to keep professional distance despite the fact they have to live together, a stipulation for which there is never any good reason given, so all we have is the implication that “well, if they’re not in the dorm there’s be no opportunities for lame comedy.”

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Things take a turn for the dark and pathetic when Tsukasa, now just treating Isla like a normal human girl, which she clearly isn’t, insists on shopping for clothes for her, unaware she has so little experience with street clothes she doesn’t know how to put them on. It’s nice to know Isla wears panties, but I don’t think that was the reason we were welcomed inside her changing room.

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The most irritating part of all of this is that Isla likely knows her time will soon be up too, which is probably why she’s trying to avoid making happy new memories or getting closer to anyone. She really doesn’t seem to want Tsukasa in there for that purpose…though I would hope she’d reconsider whatever feelings she has for him after witnessing his unbelievably stupid hijinx.

By the end, he realizes the only thing she’s really comfortable doing is serving him tea. We apparently had to waste a whole episode for him to learn that.

As unflattering as Tsukasa was this week, we also learned that Yasutaka and Kazuki, the two people we know without a doubt know Isla will be gone in less than 80 days left, are petty cruel people. What do they have to gain by keeping that info from Tsukasa…Productivity?

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