After sorting through their photos for the coming exhibition, Kanae suggests Potte and the group go on a photography tour. Maon suggests her home island of Oosakishimo, where her parents run an inn, and Kaoru suggests they all use the trip to get inspired for a second We Exhibition down the road. While on the trip, Kanae worries about not having a direction after graduation or a turning point to tell her which way to go and when, but after interacting with the girls and talking with Maon’s folks, she realizes her turning point was joining the photography club, and that she, like everyone else, will “cast off” to their future when the tides are right.
This week the upperclassman Kanae was the focus, as for the majority of the episode she is consumed with feelings of nostalgia and of remaining static and empty as everyone else whisks past her into the future. Of course, she’s worrying needlessly; she’s far too young to be worried about such things, but this is Kanae we’re talking about, who’s no stranger to overthinking things into oblivion. As fate would have it, the very name of the island she and the others visit to get their creative juices flowing provides her with the metaphor she’s wrestling with. She’s worried that the tide will never come for her, but it will; just not necessarily the same time as the others.
Each of the girls is into a craft that locks the past in a form we’ll always be able to sense, whether it’s Norie’s tastes, Kaoru’s smells, Maon’s sounds or Potte and Kanae’s pictures. But those things are only echos of a past we can’t go back to, and we can choose to regard them with fondness or remorse – or heck, both at the same time. Kanae was considering not graduating because it’s easier, safer, and less scary to rewind one’s life, and jump back into those pictures. But she knows that’s not the right way to go. Her tide will come, and the seas may not be calm, but as sure as the sun rises, they’ll take her where she needs to go.
Rating:7 (Very Good)
Chihiro visits Takehara for the upcoming fireworks festival, which she and Potte promised to watch in yukatas from their secret base years ago. Chihiro meets Kanae and sees the photography club in action. Riho invites Potte and Kanae to participate in a museum exhibition with her. Potte tentatively agrees, wanting to take pictures specifically for the show. Sayomi takes everyone to a hilltop with a fine view of the fireworks, but everyone leaves Potte and Chihiro alone in the isolated spot, which they liken to a secret base. From there Potte snaps photos of the fireworks using a tripod.
It’s a rare and precious thing to be able to fulfill a deferred but not forgotten dream, even if it was a silly little idea cooked up between you and your childhood friend when you were just little pipsqueaks. But Potte (AKA Fuunyan) and Chihiro share a deep bond of friendship, and both wanted to see that shared dream come true. As it happens, the dream was fulfilled by happenstance: Kaoru’s adventurous sister happened to run into them and lure them into another deathmarch, which led them to the “base” they dreamed of. And it’s a lovely spot.
Potte may only be president of herself and Kanae, a painfully shy upperclassman, but Chihiro is still impressed by her presiding skills, and when she musters up the aggressive enough to accept Riho’s offer. We wouldn’t be surprised if the entire season runs by without another person joining the photography club, but that exhibition could be a very big deal for both Potte and Kanae. The show is a goal that could inspire them to create their best work yet, will give them exposure in that world, and boost their confidence. With old dreams fulfilled, it’s time to fulfill new ones.
Rating:7 (Very Good)
Shimokamiyama-sensei informs Potte and Mitani of a sakura photography contest. They agree to enter and set out to snap photos, but all of the cherry trees they encounter have already shed most of their blossoms. They run into Kaoru’s sister Sayomi, who gathers everyone together for a trek up Mt. Asahi, home to a grand 250-year-old cherry tree in full bloom. Potte and Mitani snap up tons of photos, and even though Shimokamiyama got the deadline of the contest wrong, they still had fun.
Potte and Mitani Kanae may lack confidence in their photographic abilities while simultaneously revering one another. Mitani even credits Potte’s presence in her photo for winning the contest for her; she’s always been too nervous to take portraits of anyone, but something about Potte in that time and place affected Mitani so powerfully, she forgot to be shy or worry about failure and just snapped up a damn good picture.
As it turns out, there are many ways of being aggressive; perhaps no one is more aggressive than Sayomi, who wrangles everyone up for another one of her patented “death marches” that always pay off in the end. Not only does everyone end of having fun, but Mitani gets back that feeling she got when she snapped Potte; the ability to stop over-thinking everything, live in the moment, and not be afraid to document it. She’s even able to halt her tendency to delete photos that don’t come out perfectly. Part of being aggressive is not fearing failure and trusting in the world, and Mitani’s on her way.
Rating: 8 (Great)