Samurai Flamenco – 22 (Fin)

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First of all, we liked the choice of expanding on Goto’s grief and showing us how he came to message himself. Goto’s “long distance relationship” started out as something of a comedic element, but the more we’ve learned about the truth, the more tragic and compelling it became, especially when Sawada used it against him in what has to be the most emotionally charged deletion of a text message we can recall.

As Sawada predicted, erasing the last message Goto’s real girlfriend ever sent is like flipping a crazy switch. By the time Masayoshi arrives, all Goto wants to do is be free so he can kill Sawada. It’s all part of Sawada’s plan to sacrifice himself so Samurai Flamenco will have a traumatic past that will never leave him, turning him into a “dark hero” (a la Batman).

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Running in with nothing resembling a plan for victory, Masayoshi decides to fight crazy with crazy: refusing to put on the costume and stripping all his clothes off. This bizarre throws Sawada for such a loop he ends up dropping both the cuffs key and gun in Goto’s vicinity. With Sawada disarmed and thoroughly freaked out, now the still-naked Masayoshi has to convince Goto not to kill Sawada.

His method isn’t what we’d call elegant—he whips himself into a tantrum screaming “BAKA” over and over and oddly proposes to Goto—but the sheer ludicrousness of the situation snaps Goto out of his murderous rage. The idea that Masayoshi is so ignorant to the concept of love is a little silly, but in the end, his desperate improvisation wins the day. We’re glad no one was killed, but we still enjoyed Flamenco Diamond showing up to give Sawada a well-deserved beatdown for poisoning her friends.

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With Kaname recovered from his injuries, he opens up a new superhero museum which everyone attends, and we get some nice farewell moments with the Flamengers, Kanno and Ishihara (who have an awesome final exchange), and lastly, Goto and Masayoshi, who’s late for the opening. Goto receives a fresh text from his girlfriend (maybe she IS out there somewhere!), and Masayoshi runs after a litterbug.

7_very_goodRating: 7 (Very Good)
Average Rating: 8 (episodes 1-13), 7.111 (episodes 14-22), 7.636 (total)
MyAnimeList Score: 6.97

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Samurai Flamenco – 21

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As it turns out, Sawada Haiji is indeed a real person, but Masayoshi is no closer to finding him or predicting his next move, let alone defeating him. His first targets this week are Moe and Mizuki, who collapse on stage after drinking drugged coffee before their LIVE PEACE concert begins. In Mari’s defense, there wasn’t much she could do with Masayoshi’s warning. But the point is as clear as it was last week: none of his friends are safe.

The Flamengers aren’t that worse for wear (Sakura’s new hairstyle is excellent, as is the sniping between her and Joji’s wife) and Joji is conscious and on the mend, telling Masayoshi he saw the boy described and hear him mention Samumenco. Joji is not the most reliable witness, but later it’s confirmed when Haiji kidnaps Goto. Joji also tells him the ultimate weapon they have against evil is love. Only problem is, Masayoshi doesn’t know what that is.

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While the fact that Haiji is a real person coordinating all these attacks without leaving any witnesses or evidence strains credulity, but compared with some of the other outrageous things that have happened in previous arcs, it’s plausible enough, especially when we learn more about his story and realize just how hard he’s been working to become the ultimate villain.

Back to love, and what we thought was the best part of an episode full of meaty character moments: while he thinks about Joji’s words in the cab with Sumi, he remembers turning down a girl in school who liked him. When Sumi asks him what’s up, he does the exact same thing, totally oblivious to the fact Sumi could help him. Fortunately, Sumi takes him by the scruff and spells it out for him, as she must…in the nick of time, too, as Masayoshi had been considering taking his own life to end Haiji’s rampage.

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The show’s been very subtly ratcheting up the chemistry and romantic tension between Sumi and Masayoshi, and we love how she is the one to explain love in all its forms to him, as a very likable character who has been somewhat underutilized due to the show’s deep bench. We also like how she knew about him being Samumenco all along, but let it continue. But most of all, we like how she casually confesses her “technical” love for him. We still hold out hope this will go somewhere.

Really, the show has been about different kinds of love all along, starting with the love a hero must have for the people and ideals he protects, the brotherly love between Masayoshi and Goto, the unrequited love Mari has for Goto (or Moe for Mari), Sumi’s love for Masayoshi, the love that drives Goto to text his dead girlfriend, the love between a married mentor and his protege, and lots more. Then there’s the love that shook Haiji out of his apathetic existence, but twisted him into the final boss in the Samurai Flamenco saga.

9_superiorRating: 9 (Superior)

Samurai Flamenco – 16

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Given the ample resources of the Prime Minister, he can shout his lies loudly and consistently enough that the public comes to believe them as truths. Masayoshi has hit rock bottom not because his career has been destroyed and he’s homeless, hungry, and filthy, but because he has almost lost hope. He feels a fool for allowing the government to manipulate him, and sees world around him as a hostile enemy.

Stuck in this downward spiral and unwilling to steal or ask anyone for help lest he hurt more people with his selfish actions and dreams, he ends up becoming the recipient of aid from a Good Samaritan in the form of a poor, nearly-blind chap living in a tent in the park. After Masayoshi regales him with the abridged version of his story, the man tells him his: he was in the same spot Masayoshi finds himself: angry for being fooled and devoid of hope for the world. When a thug started beating him, he was ready to give up and die. Then Samurai Flamenco saved him.

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All it took was one kind, decent, good act for the man to realize he was wrong about the world. He started to help people, and they helped him and others in return. His world became a better place, but only because he refused to give in to despair and cynicism. He returns the favor, facilitating Masayoshi’s escape from a patrolling cop. The encounter reminded Masayoshi that even heroes need saving from those psychological villains. So he finally pays Gotou a visit, and Gotou asks what took him so long.

This is the Gotou who took Mari in when she too became lost, but also allowed Mizuki and Moe to confront her when she’d spent enough time stewing in her own angst. We mercifully, finally see that confrontation, and it’s a heated one, with lots of thrown punches and scathing remarks that cut to the quick. Mari hates Moe’s face right now because it reminds her that she’s a coward; that Moe volunteered to die for her in order to show her up. Like Masayoshi, she feels the world has turned on her, and she just wants to curl up and die.

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The other two M’s don’t let that happen. Even after she rips them to shreds about how much they depend on her greatness (Mizuki doesn’t dispute this, but hates the pathetic creature Mari has become) and flees to the place where King Torture tortured her, where she vomits and lies in it. Moe and Mizuki find her, and Moe, wearing a bag on her head, convinces Mari to return to their world, which isn’t complete without her. It was a showdown we’d been waiting for, so kudos to the show for finally giving it to us. It didn’t disappoint.

We also appreciated the symmetry of Masayoshi and Mari, at the end of their ropes, seeking out and being sought out by their best friends, respectively, and that the entire episode was devoted to the characters and relationships that had been neglected of late. It was welcome reparation for all the From Beyond shit the show put us through. With wounds healed, friendships repaired, and faith restored in the inherent, indomitable goodness of the world that shines beneath even the most well-funded lies, everyone’s in good shape for the final six episodes.

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Rating: 8 
(Great)

Stray Observations:

  • Kaname Joji is in full Hannibal Lector prison regalia, which is hilarious. Looks like his wife (who doesn’t know Sakura’s a flamenger, btw) could play a more important role soon.
  • Even at rock bottom, Masayoshi ain’t stealing bread. Dude’s for real.
  • It may seem a little contrived, but we like how a past recipient of Samurai Flamenco’s herosim is the one to pull him out of the abyss. Blind or no, that guy wasn’t going to turn him in.
  • Moe’s crush on Mari earlier in the show was played for chuckles, but we like how it evolved into genuine, unswaying love, which proves crucial Mari out of the abyss.
  • We actually liked how Mari and Moe’s embrace turned into a makeout session…Moe earned the hell of out that! Mizuki’s reaction is also pretty priceless.
  • Alright, show of hands: who thought that bright glowing vomit Mari spewed out was going to turn into something evil? We thought so; the show’s pulled that crazy shit out of left field before. Thankfully, that didn’t happen.

Samurai Flamenco – 15

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Ah, now that’s better. For now, Masayoshi’s evil clone is just a red herring, and the From Beyond crisis is thankfully brought to a close with a somewhat clunky resolution: The Flamengers fly Flamen Robo into Mt. Fuji’s caldera and physcially beat the giant drill up until it breaks. All the From Beyond baddies disappear, Cloneayoshi kills himself with Masayoshi’s ray gun. The Flamengers get more awards, parades, and national praise, and then disband, their job done. With all this in the first half, one would expect a cooling-off period in which Masayoshi checks in with the characters who had been marginalized throughout the last arc. One would be wrong.

As stupid as Torture was, and as even stupider as From Beyond was, the show has thankfully not dwelled on them any longer than they needed to (though we had a problem with them dwelling on them at all). So it wastes no time introducing Masayoshi’s latest foe, and what do you know: It’s The Government. Nothing unites the people quite like a common threat, and the government furnished that threat in From Beyond. The Flamengers and other heroes were conscripted to be the hero of the public, but grew too popular. With control of the mass media, it was a simple matter to find and apprehend them all, and throw Masayoshi & Co. under the bus by proclaiming they were terrorists who orchestrated From Beyond to throw Japan into chaos and grab power.

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Before the cops get to Masayoshi, he’s lucky enough to be found by Mister Justice first, a hulking, boisterous American counterpart to Kaname, who has also been made persona non grata by the government that betrayed him. While the show hardly needed another blowhard beefsteak superhero, Mister Justice is a hoot to watch, whether he’s humming The Star-Spangled Banner to “calm” Hazama in his conspicuous star-spangled semi, or beating up an entire SWAT team; scolding them for not eating enough oatmeal and red meat. And he genuinely seems to want to help Masayoshi, successfully covering his escape.

Masayoshi now suddenly finds himself an enemy of the state, with a very famous face and even more famous disguise. But he’s not alone: Sumi, Kanno, Harazuka, and Gotou remain free (for now), as does MMM (though judging from Mari’s body language MMM might be over); all could help him in various ways. The first step would seem to be freeing the other four Flamengers from custody. But after the way Aoshima gets destroyed by Prime Minister Okuzaki, that probably won’t be easy. But then nothing is when you’re fighting on the side of right.

7_very_goodRating: 7 (Very Good)

Samurai Flamenco – 14

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Perhaps it would be better to get down to brass tacks: we can tolerate the wacky direction Samurai Flamenco has gone in (to a point), but we don’t have to like it. By giving over most of its running time to completely implausible and often tacky situations while the smaller, more intimate, more human realism takes a back seat; that just feels backwards to us. We miss the old Samumenco, dicing with petty crooks and litterers. Yes, the show has been taken to dizzying heights and depths of lunacy and adventure, but, well…let’s hear it from Dr. Ian Malcolm, shall we?

I’ll tell you the problem with the power that you’re using here, it didn’t require any discipline to attain it…

We think that applies especially at this point in the series, because Samurai Flamenco no longer strikes us as a smart, savvy satire of superhero shows; it is just another superhero show, full stop. There has been less and less ironic subtext, and more and more going through the bland, unsatisfying motions, ostensibly recycled from the superhero trope repository. Back to you, Doc:

…Your scientists were so preoccupied with whether or not they could that they didn’t stop to think if they should.

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Replace “scientists” with producers. Here we have an enormous, potentially Japan-shattering “all-out attack” by the 65,000-odd members of From Beyond, and the execution was sorely lacking in every way. The bad guys were pathetically lame; the superheroes who showed up with Kaname (surprise! Ugh.) weren’t much better; and there just wasn’t any artistry or creativity in any of the action. The show clearly didn’t have the budget for these things. Someone should have stopped and thought about whether they should have done them at all.

Throughout the big battle, we were far more interested in watching Maya’s forced reunion with the other two-thirds of Mineral Miracle Muse. But the show isn’t interested in the same things we are; not in this episode, at least. The final twist is that From Beyond’s last man standing is Masayoshi’s doppelganger, which is so random and out of left field we’re not sure what, if any, reaction we got aside from a figurative shrug of apathy. This episode was way too much WTF and not enough TLC.

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Rating: 4
 (Fair)

Samurai Flamenco – 12

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The more time separated us from the eleventh episode of Samurai Flamenco, the less we liked it in retrospect, and the more we worried about whether we’d even recognize the show when it returned from holiday hiatus. After all, it did kinda jump the shark back there, even if it did so with a wink and a nudge, making the sudden appearence of a murderous guillotine-gorilla seem like a tame development by comparison.

This episode slowly but surely allayed our fears and restored our faith in the future of the show, by putting the new Flamengers out of the cartoons (partially, at least) and back down to earth. Part of that earth we missed was Gotou, whom Masayoshi checks in on in a great little scene that takes us back to the early episodes when they used to just goof off. Gotou quickly picks up that Masayoshi’s having trouble keeping the Flamengers in line and tells him to stay strong, but doesn’t bail him out by joining as Flamen Yellow.

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He takes a similar approach to Mari, letting her to hide in his closet to think about things, but rejecting her advances. In both cases, Gotou’s always there to help his friends, but also knows when to leave it to them to help themselves, as Mari and Masayoshi must. Speaking of friends, by allowing a measure of democracy in the strategy and tactics of their battle against From Beyond, Masayoshi is gradually gaining the respect of his Flamenger teammates, to the point they’re hanging at his pad eating curry rice, which is what friends do.

The episode kept us in real world while maintaining the crazy From Beyond plot by framing it all through the lens of a TV documentary. The Flamengers aren’t just heroes, after all, they’re celebrities (which is probably why Sumi is okay with it). It’s a tidy mini-arc in which we learn more about them as they overcome adversity. The villains are emphatically ridiculous-looking and the action is clumsy, but it works. When the dust clears, MMM34 (a grotesque parody of AKB) are on ice, and the giant robots are put away, the mutual respect and comeraderie between the Flamengers feels well-earned.

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Rating: 8 
(Great)

Samurai Flamenco – 11

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Right after Samumenco defeats King Torture and reveals his identity as Hazama Masayoshi, a strange, massive coral-like object rises out of Tokyo Bay,calling themselves “From Beyond” Kaname Joji spirits Hazama off to a secret Samurai base where he’s recruited a team of “Flamengers” to deal with the threat. When the other four Flamengers end up killed by Deadly Toxic Poison, a From Beyond member who infiltrated the base, Kaname calls upon four other Flamen Red candidates. Hazama takes the leadership role, and the five Flamengers defeat Poison in typical Super Sentai fashion.

Samurai Flamenco is a show that has grown more and more ridiculous with each major arc, culminating in this newest one, which shakes everything up. MMM is nowhere to be found, and instead of what we thought would be the main conflict of the episode—the real-world fallout from Hazama revealing his identity—we get, well, something else entirely, which was wholly and utterly absurd from start to finish. But that was our mistake: thinking we had any clue in hell where the show would take us next. The Torture arc felt like a warm-up, a way to acclimate us to the crazy before presenting us with a bigger, louder, more meta brand of crazy.

The final act of the episode played out in a manner very familiar to anyone who ever watched Power Rangers or the like, which we did on occasion. When hand-to-hand combat with Ridiculously-Themed Villain fails, both foe and heroes grow to monumental scale and duke it out there. While that ending was pretty much rote, the real fun was in the outlandishly implausible journey to get to that point, in which Joji reveals that he’s been busy all those times he flaked out on Hazama, and Hazama gets a crew of four young peers to work with, all of whom share his thirst for justice. Plus, in the very very end it went all the way back to Hazama’s original problem: dealing with his manager.


Rating: 6 (Good)

Stray Observations:

  • Not only did Joji’s giant tiltrotor look completely incapable of flight, it was also pretty useless, as a normal helicopter could have sufficed.
  • The reality seems to be that Joji is a real hero with the PM’s ear, and serious national resources committed to his enterprise, which seems to be a little disorganized and impulsive.
  • Someone at From Beyond needs to tell the video guy that he’s not David Lynch; get the message out clearly and concisely, and ditch the feeble attempts at…er…auteurism.
  • Making all the Flamengers red and making them sort it out…that’s just the kind of creative twist on a very old genre that keeps things fresh and entertaining.
  • As ambitious, audacious, fun, and action-packed as the episode was, the producers’ eyes were bigger than their budget; as a result, the animation was a bit rough in places.

Samurai Flamenco – 09

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Three months into Samumenco’s battle against Torture, the public becomes bored with it, as does Mari, who contacts Konno for an interview where she calls out King Torture himself. Goto warns her to be careful, but she doesn’t listen, and when Masayoshi snaps at him for being late to the scene of a battle to clean up, Goto washes his hands of the whole situation. Konno is kidnapped and tortured by King Torture, and agrees to give up Mari in exchange for being “entertained.” King Torture calls Masayoshi on Mari’s phone, telling him she’s her prisoner, and to meet him for a final battle. When Samumenco’s way is barred by Torture grunts, Harazuka arrives with new weapons and holds them off, allowing Samumenco to proceed to the boss.

It’s a well-known fact that too much of just about anything initially exciting will eventually grow boring, and the interest of its initial admirers will peter out. Time marches on, and with it, new stories, incidents, disasters, scandals, or trends. Even Samumenco’s war against real, freakish, ferocious monsters isn’t immune. The fact is, as long as somebody takes care of them—a duty that falls exclusively to Samumenco once Mari loses interest—the public learns that they don’t really have to care anymore. Samumenco has become just another cop; it’s assumed he’ll deal with the bad guys, and if they keep being dealt with in the same formulaic way, there’s no reason to continue paying attention. Mari, meanwhile, had already half-checked out of the whole enterprise once King Torture named Samumenco, not her, as his nemesis.

And who can blame the King? Masayoshi believes being a hero is his birthright and duty; a end unto itself. Mari has no such lofty aspirations. She fights to keep herself entertained, and when she’s no longer entertained, she ups the stakes. If King Torture is pure evil, pure good is his true foe, and that’s Masayoshi, not Mari. Mari’s impulse proves to be a serious error on her part, since she has no earthly idea what she’s dealing with (Harazuka implies Torture may not be earthly at all). And when all’s said and done, Konno decides to sacrifice Mari, that he might be furthr entertained rather than die an honorable but boring death. The more Harazuka reveals about what Torture is, the more Masayoshi—and we—recoil. The invincible glint in Masayoshi’s eyes in the beginning of the episode fades into doubt. Before he can talk about saving the world, he has to do it, starting with saving Mari.

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Rating: 9 (Superior)

Stray Observations:

  • Talk about a turnaround; Masayoshi now has more presence on a TV show poster(and attention at the presser) than MMM.
  • For one brief moment, Mari looks hurt when Masayoshi yells at her.
  • Goto’s great in this episode. He’s basically sick of being a doorstop (and occasional uniform model) and is fed up with all the whining. Masayoshi’s success, and the subsequent inflation of he ego has definitely been a blow to their friendship.
  • Wouldn’t it be grand if Masayoshi swoops in and save Mari, and she’s actually grateful to him, and even develops feelings for him? Yeah, we know…we’re thinking too far ahead
  • Very sneaky of the episode to portray Konno’s call to Sumi as another tease at first; turns out he thought he was going to die and his proposal was dead serious.
  • Kudos to the show for giving the Torture grunts a voice and some time in the spotlight to tell Samumenco that they’re perfectly content and willing to quickly set aside their lives in the service of evil, weak though they may be.
  • We had a feeling Mizuki and Moe were going to swoop in to aid Masayoshi, but Harazuka did just fine. A badass geezer, he.

Samurai Flamenco – 02

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The police get several complaints about a man in a red costume harassing them. Goto warns Hazama to give his act a rest. Ishihara gets Hazama an extra role in the idol group Mineral Miracle Muse’s music video. He hums the Red Axe theme in order to stay calm, and MMM’s center Maya Mari notices. After meeting Hazama for dinner, Goto finds that his umbrella (belonging to his girlfriend) is missing. Hazama races after the man who stole it, and video of his peaceful confrontation goes viral.

At first, Hazama’s nightime “superheroism” is portrayed as nothing more than antics and petty scolding, which people are taking the wrong way. They’re so comfortable with the insignificant crimes they commit, that his unusual appearance and extreme moral stance lead them to report him to the cops as a deranged freak. It’s a hard, thankless job, but you get the feeling Hazama feels he’s making more of a difference sitting in the rain waiting for people to put out their garbage to early than he is appearing in music videos as a pretty man-prop.

Like the heroes he adores, he has Life Event That Set Him On This Path, which he reveals when Goto tells him the petty crimes he bothers people about will never end, but are simply a part of society. Goto is right, but only 90-99% of the time. Hazama fights for that 1% of cases where stealing someone else’s umbrella leads to the owner catching a cold…or the umbrella belongs to the owner’s long-distance girlfriend; not only Goto’s responsibility, but a valued reminder of her. That rare occurrence of anything other than the minor inconvenience of a stolen umbrella – that’s everything to Kazama.

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Rating: 9 (Superior)

Stray Observations:

  • We finally meet MMM…thankfully they’re not your usual idol group that is all smiles and rainbows on camera but complete bitches and tormentors to their underlings in real life. They’re actually quite pleasant.
  • Hazama “singing” the Red Axe theme over the idol song…that was ingenious. Not that MMM is bad; we maintain that the ED is very nice. Catchy; but not annoyingly so.
  • It’s also pretty cool when Hazama unknowingly attracts the attention of a fellow Red Axe fanatic, who just happens to be the idol he worked with. Something tells us he’ll be asked to worth with MMM again.
  • That chase was awesome, but we’re somewhat doubtful Hazama could keep pace with a monorail on a bike in the rain while obeying all red lights.
  • Hazama identifying his superhero persona on a tv quiz show…brilliant.