The results of the serialization meeting are a mixed bag: thanks to Fukuda and Ashirogi’s help, Aoki’s manga gets serialized, but Ashirogi’s isn’t, and Takahama’s is cancelled. Katou rejects Nakai, and Aoki is hiring all-female assistants, so Nakai gives up and returns home, after apologizing to Aoki. Takahama goes behind Miura’s back and asks the chief for a new editor, but the chief reproaches him in front of Miura and Ashirogi. Impressed by Iwase’s story, Hattori meets up with Yuujirou, telling him she’s Takagi’s rival. Hattori wants Niizuma to do her artwork, which would make him the first Jack mangaka with two simultaneous serializations. Niizuma agrees to draw under a pen name for when the work is submitted.
As long as they’ve known each other, how in the heck has Takagi never even met Kaya’s parents? I guess her father isn’t around much. Well, it’s moot for now, as they can’t even ask permission to get married unless Ashirogi Muto gets serialized. If they fail, there will be no dreams for anyone. Yet another setback befalls them as their submission lacked the intensity of their NEXT one-piece. They complain about Miura once more, but witnessing Takahama get reamed out by the chief forces them to give Miura a break and focus on making their work better. As the chief says, complaining about one’s editor is just trying making excuses for one’s own shortcomings.
Speaking of talent, Nakai is throwing his away, after a hat trick of unfortunate events: Takahama’s manga being cancelled, Katou refusing to enter into a “special relationship” (despite the fact she still seems to like him), and Aoki refusing to let him come crawling back. As usual, his friends swoop in to try to mend fencs, but he leaves. At least the guy acknowledges he was a dick. Back to talent, Hattori and Yuujirou may have just built a dream team in Iwase and Niizuma. One can’t forget just how amazing a talent Niizuma is, and when he’s fired up by quality story, his rivals had better watch out. Mashiro and Takagi really need to dig deep, or Takagi may find the girl he scorned surpassing him.
Miyoshi stays away from the studio, and when Takagi calls her she blows him off. Busy with their gag manga manuscript, they continue working. When Miyoshi tells Miho about her suspicions, Miho worries that Mashiro is in on the deception as well. “Tanto” is well recieved in NEXT, but Fukuda, Niizuma, and Hattori all believe Ashirogi Muto’s talents are wasted on gag manga. Meanwhile, Aoki’s manga draws heavily from her experience with Nakai and rips off Mashiro and Miho’s romance. Miho finally calls Takagi wanting an explanation from both of them. When Mashiro can’t give her one, she hangs up.
Yikes…the hole just got deeper for Ashirogi Muto, as both are caught up in Takagi’s multi-girl carousel…and for what? While “Tanto” looks to be serialized, everyone who knows them best are disappointed they’re not doing more serious work. To that, we’d argue they already tried that and failed, and right now they just need a hit; and to us it seems looking down at gag manga is akin to novelists looking down on mangakas. But as they hunch over their desks working on “Tanto”, all kinds of things are being set in motion in their real lives. It kind of sucks that the letter Iwase put in Takagi’s book is such an obvious plot device for romantic conflict, but it was really a catalyst for bigger problems.
Takagi and Mashiro have been taking advantage of Miyoshi’s kindness. And with Aoki exhibiting signs that she may be falling for Takagi, and the fact her manga so closely mirrors Mashiro and Miho’s story, compound the problems quite a bit. We’re as disappointed as Miho when Mashiro conceals the truth from her. If all four people simply sat in a room and unraveled everything – without omissions or lies – everything would be cleared up. After all, it started innocently as Takagi seeking the advice from someone who better understood girls. As for Mashiro failing to tell Miho that her mother and his uncle exchanged letters, well, bad move. And more ammunition for Miho’s assertion she can’t trust him.
Ashirogi decides to do a new gag one-shot in NEXT, something suitible for all ages unlike Ten. A discussion of animal characters leads Takagi to the zoo, where he bumps into Aoki. She agrees to help him understand girls if he helps her understant boys. They proceed to have two long phone conversations two straight nights, leading Miyoshi to become suspicious. When Aoki asks Takagi to meet her at the zoo again, he’s surprised to find Aiko there as well, who wants to confront him. They argue about the merits of manga verses novels, and in the end, Aiko decides she’ll do a manga that will surpass his own. While cleaning the studio, Miyoshi finds a note from Aiko hidden in the novel she gave him, and she runs out in tears.
Ohoho, Takagi, you dawwg. He’s never been that respectful of his tomboyish girlfriend, but this week he digs a hole he may not be able to climb out of. Nightlong flirty phone conversations with cute girls who aren’t your girlfriend must unfortunately be discouraged, as are secret meetings with said girl. Though not everything that unfolds is his fault. It’s Aoki’s newfound aggressiveness that leads to them exchanging advice in the first place, and there’s nothing wrong with doing so, but Aoki is operating under the impression he’s single. Similarly, the Aiko meet was a total ambush (what’s wrong with you, Aoki?) and probably isn’t aware of the note Aiko left him in the book, but the damage has been done. Miyoshi can and will weave any number of narratives of his perceived unfaithfulness.
Meanwhile, we must flick our foreheads in apology for forgetting that Aiko Iwase was a classmate of Takagi’s, whom he rejected. She remains extremely bitter and confrontational, though that could just be her outward persona. Her true feelings may indeed be in that note. As Aoki and Takagi discussed, love can come in many forms, one of them being outward disdain and rivalry. Ideals and reality are rarely in synch. None of Aiko’s enmity would exist if only he’d agreed to date her back then. But even if she was – and is – the ideal gorgeous intelligent girl for him, he chose Miyoshi. Just like he abandoned higher pursuits and chose to be a mangaka. Were these choices mistakes?
Daimon Kaito is a puzzle-solving genius with boundless potential. His classmate Jikugawa lends him a PDA containing a series of puzzles, which he proceeds to quickly solve. When he does, he is invited by the “Minotaur” to a grand puzzle with many stages, but with this one, his life is on the line, as well as his friend Nonoha’s, who tags along. With her help, he clears the initial stage, and he is then furnished a golden armband and a red seeing eye, which will help him use all of his brain to solve the puzzles to come.
We here at RABUJOI love it when are expectations are exceeded. Basing our assumptions on little more than the title, we thought this was going to be a somewhat childish romp involving puzzles. Turns out…well, it kinda is, but who cares? It kicks way more ass than we predicted. Kaito is a somewhat Bossun-looking lead, and while his promise to his dad (solve those poor lonely puzzles 0_o ) it’s clear this is just a kid whose brain needs to be constantly challenged. The fiery Nonoha kinda reminds me of Miyoshi from Bakuman – but is voiced by Lain!
Let’s face it, none of the character designs are super original, but they are well-executed and attractive, and full of life and energy, too. The animation was excellent, the soundtrack was very eclectic and as for the puzzles, well, let’s just say it felt like we were watching Myst in anime form, what with the tricky practical puzzles where you may die if you screw up. The system underlying Minotaur – Einstein and Orpheus and whatnot – still somewhat escape us, but this was a great introduction, and we’ll be watching next week.