Boogiepop wa Warawanai – 04 – Snowing In April

Boogiepop switches gears completely to a new mysterious, twisting tale with a new batch of players; only Boogiepop herself is the constant from previous episodes. We seemingly begin at the end, as she confronts her new enemy and enemy of the world, “Imaginator.” But Imaginator (Hanazawa Kana) tells her endings are just beginnings. Jumping off the ledge, she says there’s “plenty of time” before she hits the ground for Boogiepop to find her.

From there, the POV switches to starving artist and guidance counselor Asukai Jin, who has a very unique ability to detect what is missing in the heart of virtually everyone he meets. The heart is depicted as a rose plant, either lacking root, stem, leaves, or buds. Everyone lacks something, and that lack can never be resolved, and Asukai can’t see his own heart, so he doesn’t know what he himself lacks. He does what he can with this ability, but he feels powerless to truly help people.

That’s when Imaginator finds him. Like him, she can see things no one else can; in her case, their deaths, or rather the possibility of their deaths. Living creatures generate a certain kind of energy before their lives burn out, and she can detect that. This makes her a valuable tool for anyone who would choose to manipulate death. She exists to “recreate the world” with that ability, but she could use some help, so she asks Asukai to assist her.

As Asukai has some dinner his cute neighbor prepared, suddenly the young woman is possessed by Imaginator and speaks with her voice. She reiterates her desire to join forces, indicating that the one thing Asukai definitely lacks is a “calling”; which she can provide.

Imaginator kisses him to show him that calling, in which he uses his right hand to “prune” the roses from people’s hearts like some kind of dark angel of death. The prospect frightens him, and he believes himself incapable of such brutality, but Imaginator tells him his calling is his calling, and he is capable of it, period. It’s ultimately up to him whether to utilize that capability.

As he wrestles with what Imaginator has said and shown him, Asukai is distracted from his work, even sketching her to perhaps make her feel more real and tangible, all the while considering what he could do with her “assistance.”

Fast forward to Asukai being questioned by police after an incident in which Imazaki Shizuko, a former student he counseled and drug addict and dealer, tried to rob him at knifepoint before committing suicide. We shift between the questioning, during which the police don’t suspect him at all, and the incident itself, when Imaginator possesses Imazaki’s body to further illustrate how their partnership will work.

She shows Asukai that Imazaki was at the end of her tether and would be dead anyway in a matter of months, likely alone and after more suffering. But she tells Asukai there’s something he can do for her, before plunging the knife into Imazaki’s neck. As she dies, he can see her rose, which he cradles in his hands.

Before heading home, one of the detectives asks if Asukai said anything to Imazaki before she died, since she seemed so peaceful, as if all the thorns had been pulled from her heart. Asukai tells the cop he said nothing, and he seems to be telling the truth. It’s not something he said, but something he did, along with simply being there.

In another incident in which three delinquents are harrassing a fourth boy who is protecting a girl they want to “have some fun with”, Asukai decides to experiment with his new “alliance” with Imaginator. He has the boy run off to safety with the girl, freezes two of the delinquents, then has the ringleader turn his knife on himself.

Back on the rooftop of Touka’s school, a girl named Komiya who was good friends with the late Minahoshi Suiko (the girl whose body Imaginator inhabits) prepares to leap off to “follow” her, but is stopped by Boogiepop, who tells her she be able to join her that way, then admits to killing Suiko, since she was an “enemy of the world.”

But hearkening back to the episode’s beginning, Suiko hasn’t “hit the ground” yet; she hasn’t reached the next world. Indeed, she’s working with Asukai to recreate this one. Will Boogiepop need help from a human (other than Touka that is) to defeat Imaginator?

Advertisements

Sora no Method – 03

sora31
Loved this long-distance relay conversation between the scattered group members.

Everyone in this circle of past friends is missing a piece of the puzzle, which informs how they treat Nonoka. When they’re all brought together again for a sprawling orienteering trip, those pieces start to match and fall into place, resulting in a different kind of re-orienting: that of their immediate attitudes towards the transfer student. At the same time, Man, was this a gorgeous episode, packed camerawork that really accentuates the scale grandeur of the surroundings.

sora32

Our first perspective comes from Togawa Shione, who’d been glaring in the background till now. Komatsu Mikako is one of the best in the business when it comes to coldness and barely restrained contempt in an otherwise sweet and innocent voice, and she’s perfect as the bitter Shione, who is convinced Nonoka is trying to play her and the others for fools.

"Here's a 'promise' for ya!"
“Here’s a ‘promise’ for ya!”

So convinced is she that Nonoka is being glib and coy, it doesn’t take much interaction with her at all to make her slap her in the face. Shione is upset because seven years ago, it was Nonoka’s idea to “call for the saucer,” and yet after they called it, she split for Tokyo without a word, abandoning her friends and the responsibility for the Saucer they all shared. Shione’s missing piece? Nonoka genuinely doesn’t remember those days…be that only makes Shione feel even more devalued.

sora33

Next up is Yuzuki, who we learn is twins with her bro Souta, as he was also in the group (the guy is notably not the focus in a group of mostly girls). She hates the saucer, in part, because it’s the constant reminder of Nonoka’s betrayal. She’s just as angry at Nonoka as Shione, but is nice to Present Nonoka because of her missing piece: she didn’t know this was the same Nonoka, a position also shared by Koharu and Souta, until Nonoka gets separated from them and Shione educates them.

sora36

This is, again, the first time we see the friends talking about seven years ago, so none of them have failed to remember, but have dealt with it in different ways. There’s a interesting bit of intrigue in this scene devoid of Nonoka, who is the one who is bringing everyone back together…some without knowing it, some against their will!

sora34

Even if Yuzuki isn’t entirely convinced yet, now that she’s aware of the possibility, it’s going to change her interactions with Nonoka. That’s made even more abundant in Nonoka’s ultimately very fruitful lone journey to a decaying and abandoned Kindergarten, most likely the very one the circle of friends attended. It’s a quiet, sadly beautiful, wordless scene where Nonoka simply sits by herself and starts to hum, and is joined by Noel.

sora35

Here, in this place, her missing piece comes back to her: her friendships with the others and the wish they made seven years ago. This happens sooner than I thought it would, which is a good thing, but it’s only the beginning. The flashback shows how similar or different the friends are now, and underlines just how blindsided they all were by her moving away. But she just…couldn’t find the time or place to tell them.

sora37

Up to this point, Nonoka had the most missing pieces, not even knowing how the Saucer got up there, let alone the fact her present peers were not only already her friends in the past, but didn’t appreciate her sudden departure.

sora38

But that’s all changed now: Nonoka remembers now, and she still has what she had ever since she returned to town: Noel, who tells her she’s not just from the Saucer or of the Saucer; she IS the Saucer. Without knowing it, Nonoka got what she wanted seven years ago. So…what now?

9_mag