Re: Zero – 48 – Crunch Time

“Love Me Down to My Blood and Guts” almost feels like a finale. At the very least, it feels like the start of the climax of a epic blockbuster film. Every stop is pulled out and not a single moment of its 29+ minutes is wasted. You get a little bit of everything, starting with a well-balanced combination of badass action and lighthearted comedy.

Every wound Garfiel gives Elsa is instantly healed, but he doesn’t consider his fight futile, because he’s not necessarily fighting to beat her. He’s fighting to support his “Boss” Subaru, and no matter how many times Elsa heals and charges, he’ll keep meeting her steel with his.

That’s where we get a couple of impeccably-timed jokes, first with Garfiel boasting that the mabeasts will be no sweat for Boss, followed by the mabeasts being too much for Boss to handle. Subie also strikes out when he tries to demonstrate his real-world knowledge of dust fires, only to need to be bailed out by Otto and Petra igniting the beast with oil.

Those fires defeat the main mabeast but also beging to envelop the mansion. Subaru entrusts Rem and Petra to Otto while he runs into the flames to rescue Beako, whether she wants to go or not.

While the flames rage at the mansion, Emilia’s part of the episode serves as a calming, centering breath. Sure, she watched a number of unpleasant futures, but they come as a jumbled rush of voices and images, ultimately collectively blunting their individual discouraging effects.

There’s also the fact that they’re only “possible” futures, as Minerva tells her after the third trial ends. That means none of them are absolutely the real future, which means Emilia and those she loves will be able to avert disaster if and when it rears its ugly head.

Minerva appears to meet with Emilia in Bliss because Echidna was still “mad” at Lia for how the other two trials went, particularly the second. Perhaps Echidna really would have preferred to greedily feed off Emilia’s despair, but after reckoning with her past in the first trial, the witch’s prediction the other two would be a cakewalk turned out to be accurate.

Minerva is decidedly unwrathful in her interactions with Emilia. In fact, she treats her a lot like Mother Fortuna treated her, with tenderness and love, embracing her when Emilia turns back to see her. I suppose Minerva knew her mother, and maybe even knew Emilia as a baby, which is why she’s so aunt-like here?

In any case, Emilia has passed all three trials, and gains access to a tomb where the intricate barrier spell emanates from the deceased Echidna’s chest. With a cute little “Hi-yah!” Emilia deactivates the barrier and exits the graveyard, only to be welcomed by a raging winter storm.

Elsa and Garfiel are still going at it in the midst of the spreading flames when Maylie bursts through the outer wall with her giant hippo. Frederica isn’t far behind, turning the duel into a battle between sibling duos. After some trash talk the four get down to business, in a fury of bloody, kick-ass combat.

Frederica takes on all of Maylie’s other mabeasts, then Garfiel starts getting serious by transforming into his beast mode, ripping half of Elsa’s face off then not only going toe-to-toe with the hippo, but twisting and ripping it’s damn head off. Unlike the hippo, even Gar’s most vicious attacks fail to faze Elsa.

It’s at this point Garfiel realizes he’s dealing with a vampire. Elsa takes a few moments to tell the story of where she came from, and how she suffered to get to this kind of existence. When she was caught and stripped by an shop owner while stealing off starvation, Elsa reached for a shard of glass and opened the man’s belly.

Elsa, who’d previously only known the cold bleakness of her homeland, was both soothed and excited by the warmth of blood and innards, and never looked back. She tells Garfiel all of this because she finds him so precious and endearing. When he says there’s already a girl he likes, she clarifies that she only has business with his insides, and her love for him will begin after she kills him.

It’s a stirring final monologue for a baddie who has been around since Subaru first arrived, and distinguished by the utter inability to kill her. However, thanks to an assist by Frederica using Maylie to distract her, Gar gets in close and bites Elsa in the neck. Elsa bites him back, but he gives as good as he gets.

Before Elsa’s wound heals (or perhaps it won’t heal because of where he bit her), Gar lifts up the giant headless hippo and throws it on top of her. In her final moments, she recalls the very first thrill of disemboweling someone, then exclaims “What a thrill” in sheer ecstasy before being crushed with an ugly crunch. Hard cut to the title card and that oh-so fitting title, “Love Me Down to My Blood and Guts”.

At this point we’ve reached the 21-minute mark, which is when most other anime are rolling credits. Re:Zero keeps it going with an entire extra act, which is perhaps the most visually stunning and emotionally affecting in an episode that’s already full of those.

It deals with Ram and Puck fighting Roswaal, a battle that moves outside to protect Ryuzu Meyer’s crystal. Roswaal stirs shit by confessing to messing with Puck’s contract with Emilia when she was depressed after her fight with Subaru, essentially kicking her while she’s down in hopes Subie would scoop her up and do everything for her.

Roswaal admits to always looking back on the past, and with fondness, deeming all the wonderful things that ever happened to be in the past, and all that exists now is a phony standing atop a pile of corpses. Puck name-drops Beatrice, provoking him into launching fire attack.

Roswaal is disappointed in Ram’s weak outing thus far; as he wanted her to exact justice for her brethren and find happiness by defeating him. That’s when Ram drops a bombshell on him: he never properly realized her true intention: that she really was a demon, and not someone who was in love with Roswaal.

It’s a confession she delivers while both of her eyes exposed, a trademark of the demon maid sisters. When Roswaal asks her what of keeping her promise to her brethren, Ram simply says she’s prioritizing her own feelings over those of the dead. Puck, energized by Ram’s confession, grows to mammoth size (though maintaining his cute appearance) and seals Roswaal in a giant ring of ice, through which he can spot multiple Rams flitting back and forth.

Roswaal begins destroying the ice walls and the giant ice crystal attacks Puck rains down on him, but in the process he ends up with one of the crystals directly behind him. It shatters on its own and out comes the real Ram, snatching the gospel Echidna gave him, while suffering a horrific wound. Calling it “the root of all evil”, she drops the book in the fire, destroying it.

She wears a smile as she says “Now, at last…” before being hit by Roswaal’s retaliatory flames, which cause a huge explosion that consumes them both. Then the credits roll, and for me at least, the process of starting to breathe again commenced. As it has demonstrated many times in its previous forty-seven episodes, when Re:Zero decides to go big and epic, it does not disappoint.


RABUJOI
WORLD
HERITAGE
LIST

Re: Zero – 34 – Down the Great Rabbit Hole

For being the Witch of Greed, Echidna sure is helpful and informative! It’s her opinion that there is no limit to how many times Subaru can use Return by Death, as it is limited only by the Witch of Envy’s presently-limited delusion.

Envy wants him to “redo destiny” without mistakes, but doesn’t count, say, what happened to Rem as a mistake. Neither Rem or anyone else are taken into account. Subaru alone is responsible for who is or isn’t lost when the next “save point” is established.

The more immediate concern is, of course, that horde of voracious rabbits, which Echidna identifies as the Great Rabbit. Like the White Whale and Black Serpent, these Three Great Mabeasts were created by Daphne, Witch of Gluttony, over 400 years ago. The Rabbit can only be killed by killing all of its constituent parts simultaneously.

When Subaru requests more info on the Great Rabbit, Echidna arranges for him to meet Daphne one-on-one; such is her ability as the vessel of the souls of all the dead witches. Instead, the childlike Witch of Pride Typhon pops out first, ripping off Subie’s arm and shattering him to bits before the earnest, self-conscious Witch of Wrath Minerva saves him.

After that, Daphne finally appears, bound and chained within a coffin. After questioning why Subaru would destroy the Great Rabbit without first understanding the infinite gluttony that powers it, she offers a useful hint about how to at least get the rabbit where you want it: it is drawn to great sources of mana, like a powerful magic user.

As Subaru exhibits signs he could soon wake up, he beseeches Echidna to tell him how to return to her should he require more of her wisdom. She tells him the conditions for joining her tea party are tougher the more times he’s admitted, but like the last two times, if he needs her, he’ll find a way to get to her, either through the tea party or in the trial itself.

As for the trial: Echidna is losing her patience and interest in Emilia, and is all but convinced the half-elf candidate will never “break out of her shell”, i.e. properly confront her past. Right now she’s much more confident in Subie’s ability to pass. After Echidna receiving payment in the form of the sentiments within the handkerchief Petra gave him, Subie returns to the tomb, his memories of the Witch of Greed fully intact.

The only problem is, Emilia is nowhere to be found. When Subie goes outside, he faces a giant shadow slowly engulfing his surroundings, and Witch of Envy Satella makes her appearance. She draws close to Subie declaring “I love you” over and over and over again.

I’m sure there’s some truth to that, considering the ability she game him. At the same time, as Subie himself is gradually covered in her cloak of darkness, it sure doesn’t look like he should be sticking around, and certainly isn’t going to get anything useful out of her other that “I love you”.

It’s Garfiel (of all people) to the rescue, splitting Subie and Satella up, grabbing Subie and leaping to a (slightly) safer place. There, the two observe Satella not following them, but headed to the barrier. It dawns on Subie: she’s headed for Roswaal’s mansion, and to Frederica, Petra, and the comatose Rem.

Determined not to let Satella “get away with anything else”, Subie no doubt is preparing to chase after her—though I wonder whether Garfiel will be okay with that. After the credits, we see Roswaal in bed about sink under the shadow, and grabs a book (a gospel?) in grim preparation to accompany Subaru in “hell”.

Watching Subaru and Echidna interact is always fascinating, while it was fun to meet three more colorful quirky witches. Interesting too that they’re portrayed as characters with whom Subaru can converse and reason; Satella is much more of an implacable force of nature.

As for the Great Rabbit, I’m sure it can be defeated just as the White Whale was defeated. However, I agree with Daphne: one lone human won’t be enough to do it, which means Subie will have to flex his alliance-building muscles.

Kami nomi zo Shiru Sekai: Megami-hen – 06

kami61

Keima starts to court Shiomiya Shiori, who remembers him saving her. He starts by approaching her dressed as a girl, hopeful a unique love interest will help inspire her to write. When she gets writer’s block, he vows to stay with her and won’t let her leave the library until her novel is done. He tells her to “stop thinking and start writing” a story about herself, something only she can write. The story she comes up with ends with a confession to him, and when he responds by kissing her, it releases the goddess Minerva.

Going back to the first season, we think Shiori was our favorite of all of Keima’s conquests. She’s extremely moe, and while her “whole library girl stuck in her mind” is a well-trodden character path, and like all the other various romances Keima engages in, is meant as a half-winking satire of such stories. But perhaps more than all the others, we find her more than just a funny send-up to her trope, but a legitimately good romance on its own terms, leaving aside the fact Keima is at least partially acting the part of the smitten guy. In fact, this story got us wondering for the first time – and perhaps later than many – how emotionally invested Keima actually is in these girls, now that he’s aware they all remember his initial conquests.

kami62

His countless hours of practice with hundreds if not thousands of virtual mates may have reinforced his latent polygamy when it comes to romantic relationships, so we wouldn’t be surprised if at least part of him truly loves all of these girls, including Shiori, and all in different ways. This may have started out as one big cluster-fuck of a hassle, but Keima has not once complained about the reversal of the tragedy of these ladies forgetting all about him after falling for him. On the contrary, he seems to be enjoying every minute of it, to the point where you wonder if he could ever go back to dating sims after playing the real game.

Anyway, back to Shiori: what works so well about her for us is her near-constant inner monologue, which shows us sides of her she’d never bring out (except maybe through her writing). We love how she assures herself she’s open-minded enough to accept a guy like Keima, even though he cross-dresses and he’s seen him “embracing another man” (really Yui). We love how she defaults to writing about galactic wars when she gets struck. We love how she’s afraid to order ramen. And Keima is masterful at steering her towards simply writing about herself as a safe means telling him about herself. Our only gripe is that this episode was possibly Shiori’s only time in the spotlight this season…but they say absence makes the heart grow fonder.

8_great
Rating: 8 
(Great)